{"id":14404,"title":"Eclips (Eclipse)","dimensions":"00:03:37","date_begin":"1996-01-01","material":"computer animation","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of the Artist  ","cached_tag_list":"film video","publishing_process_id":1,"annotation":"\u003cp\u003eComputer animation\u003cbr /\u003e\r\nDuration: 03:37\u003c/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eCamera: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eEditing: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eSoundtrack: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eProduced by: Club Moral\u003c/li\u003e\r\n\u003c/ul\u003e\r\n\r\n\u003cp\u003e\u003cu\u003eSpeeldata/Playlist\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cu\u003eInstallation:\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e01/03-24/03/1996\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Vice, Bourdon Arcade, Gent, B\u003c/p\u003e\r\n\r\n\u003cp\u003e23/05-30/07/1996\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Argos, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e20/10-30/10/1996\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; City of Women, Ljubljana, Slo\u003c/p\u003e\r\n\r\n\u003cp\u003e18/09-31/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Galeria dels Angels, Barcelona, Sp\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left:144.0pt;\"\u003e26/06-12/09/1999\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Nursing care, in melancholy stupor, MuHKa, Antwerpen, B\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eGetoond als film door Argos in:\u003c/p\u003e\r\n\r\n\u003cp\u003e10/04/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Surprise international short film festival, Taichung-city, TW\u003c/p\u003e\r\n\r\n\u003cp\u003e06/03/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Heures Exquises, Mons en Barceul, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e31/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Semaine international de video, Gen\u0026egrave;ve, CH\u003c/p\u003e\r\n\r\n\u003cp\u003e29/09/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Champ Libre, Montr\u0026eacute;al, Canada\u003c/p\u003e\r\n\r\n\u003cp\u003e03/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Limelight, Kortrijk, B\u003c/p\u003e\r\n\r\n\u003cp\u003e08/01/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Wand 5 e, V., Stuttgart, D\u003c/p\u003e\r\n\r\n\u003cp\u003e19/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; City of Woman, Ljubljana, Slo\u003c/p\u003e\r\n\r\n\u003cp\u003e03/01/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Limelight, Kortrijk, B\u003c/p\u003e\r\n\r\n\u003cp\u003e08/01/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Wand 5\u003csup\u003ee\u003c/sup\u003e, V.Stuttgart, D\u003c/p\u003e\r\n\r\n\u003cp\u003e01/01/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; BTV Television, Barcelona, Sp\u003c/p\u003e\r\n\r\n\u003cp\u003e24/03/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Dasart, Amsterdam, NL\u003c/p\u003e\r\n\r\n\u003cp\u003e19/05/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Viper, Basel, D\u003c/p\u003e\r\n\r\n\u003cp\u003e29/05/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Cinema Rex, Beograd, Czech Republic\u003c/p\u003e\r\n\r\n\u003cp\u003e27/05/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Transat Video, Caen, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e01/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; International Animation festival Cardiff, London, GB\u003c/p\u003e\r\n\r\n\u003cp\u003e15/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Chambre de s\u0026eacute;jour avec vue, Saignon en Luberon, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e23/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Animation Festival, London, GB\u003c/p\u003e\r\n\r\n\u003cp\u003e14/08/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Filmverband Sachsen, Dresden, D\u003c/p\u003e\r\n\r\n\u003cp\u003e30/08/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Otok, Dubrovnik, Kr\u003c/p\u003e\r\n\r\n\u003cp\u003e15/09/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Video XHX, Marseille, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e06/10/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Flanders Image, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e26/02/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; AV Station Tilburg, Tilburg, NL\u003c/p\u003e\r\n\r\n\u003cp\u003e14/12/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Centrum voor Beeldcultuur/ filmmuseum, Antwerpen, B\u003c/p\u003e\r\n\r\n\u003cp\u003e01/04/1999\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Charleroi/Danses, Charleroi, B\u003c/p\u003e\r\n\r\n\u003cp\u003e02/05/2002\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Internationale Kurzfilmtage, Oberhausen, D\u003c/p\u003e\r\n","date_end":null,"reference":"035","stream_count_app":18,"permalink":"eclips","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Anne-Mie Van Kerckhoven / AMVK","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/833/large/35_eclips_screenshot1.jpg?1470737291","poster_credits":"(c)video still: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;The film uses a distorted fragment from Michelangelo Antonioni\u0026rsquo;s classic film L\u0026rsquo;Eclisse, 1962, in which the actress Monica Vitti turns her back t the camera. The contrast in the images is exaggerated, which appears to exorcise the protagonists. Vitti\u0026rsquo;s opponent in the film, Alain Delon, becomes an almost unrecognisable shadow in a layered sequence in which close-ups of a fish is the most impressive footage. Now and then, there are moments of obstruction, in which a void occurs.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eSoundtrack: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: Club Moral\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;De film maakt gebruik van een vertekend fragment van Michelangelo Antonioni\u0026rsquo;s filmklassieker L\u0026rsquo;Eclisse uit 1962, waarin de actrice Monica Vitti haar rug naar de camera keert. Het contrast in de beelden is overdreven, waardoor de protagonist bezworen lijkt. Vitti\u0026rsquo;s tegenspeler in de film, Alain Delon, wordt een haast onbekende schim in een gelaagde sequentie waarin close-ups van een vis het meest indrukwekkende beeldmateriaal is. Af en toe zijn er momenten van obstructie, waarin een leegte voorkomt.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eSoundtrack: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: Club Moral\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK"}]}