[{"id":4806,"title":"Maison Belge Supermarché de l'année","dimensions":"280 x 500 cm","date_begin":"2001-01-01","material":"ink, canvas, crayon, acrylic, collage","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"collage","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7283_M236","stream_count_app":21,"permalink":"maison-belge-supermarche-de-l-annee","description_ru":"","description_de":"\u003cp\u003e\u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003everweist auf eine gleichartige Installation und Ausstellung \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;Ann\u0026eacute;e\u003c/em\u003e, die Angel Vergara im Belgischen Haus in K\u0026ouml;ln im Jahr 1995 einrichtete. Dort schuf der K\u0026uuml;nstler einen Supermarkt, wo nur \u0026Auml;pfel verkauft wurden. Vergara richtete diesen Supermarkt als Gegenzeichen zur Kunstmesse in K\u0026ouml;ln auf, die zur gleichen Zeit stattfand.\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara will beweisen, das mehr hinter einem Kunstwerk steckt als nur der wirtschaftliche Preis: letztendlich wird beim Verkauf eines Kunstwerks nur die Materialisierung einer Idee verkauft, die Ideen selbst k\u0026ouml;nnen nicht gekauft werden. Es handelt sich hier um Transaktionen, die Beziehungen zwischen den Menschen, den Austausch von Ideen oder dem Verkauf von Dingen.\u003c/p\u003e\r\n\r\n\u003cp\u003eStraatman \u0026ndash; einem der Alter Egos von Vergara \u0026ndash; ist immer auf die eine oder andere Weise anwesend. Hier im \u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e\u003c/em\u003e, befindet er sich hinter dem Regal des Gesch\u0026auml;fts. Sein Supermarkt, wo nur \u0026Auml;pfel zu kaufen sind, ist eine Parodie auf den Konsum und Verbrauch. Die Pr\u0026auml;sentation ist sehr \u0026auml;sthetisch: ein ordentlich blau angestrichenes Gesch\u0026auml;ft, alles sauber gestapelt, wiederholte visuelle Effekte. Im Altertum war der Apfel Symbol f\u0026uuml;r Liebe und Fruchtbarkeit. Vergara benutzt den Apfel als Zeichen der erotischen und spirituellen Leidenschaft, als ein gesundes Gegengewicht zu den wirtschaftlichen Kr\u0026auml;ften, die die Kunst krank machen. Sein Supermarkt der \u0026Auml;pfel funktioniert als eine Korrektur der rohen Jagd nach Gewinn.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003eist ebenfalls eine Collage: Bild und Wort erf\u0026uuml;llen sich und \u0026uuml;berlappen sich gegenseitig. Vergaras Notizen auf dem Tuch und den Leinen verweisen auf seine verschiedenen Aktionen. Die Malerei ist eine Art Logbuch, das Ergebnis von Bewegungen, Ger\u0026auml;uschen, Farben, Wahrnehmungen, Gedanken und Erinnerungen.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/012/large/2017_SUPERDEMOCRATIE_Senaat_photo_M_HKA_6_72.jpg?1506695585","poster_credits":"image: (c) M HKA, Collection M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eMaison Belge, Supermarch\u0026eacute; de l\u0026#39;ann\u0026eacute;e\u003c/em\u003e refers to a similar installation and exhibition called \u003cem\u003eSupermarch\u0026eacute; de l\u0026#39;Ann\u0026eacute;e\u003c/em\u003e, which was set up by Angel Vergara in the Belgian House in Cologne in 1995. There, the artist created a supermarket where only apples were sold. Vergara put this supermarket in opposition to the art fair in Cologne, which took place at the same time.\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara wants to show that there is more than just the economic cost of an artwork: actually, selling a piece of art is only selling the materialisation of an idea, the ideas themselves are not for sale. What\u0026rsquo;s involved here are transactions, the relationships between people, the exchange of ideas or the selling of things.\u003c/p\u003e\r\n\r\n\u003cp\u003eStraatman - one of Vergara\u0026#39;s alter egos - is always present in one way or another. Here, in \u003cem\u003eMaison Belge, Supermarch\u0026eacute; de l\u0026#39;ann\u0026eacute;e\u003c/em\u003e, he is behind the counter of the shop. His supermarket where only apples are for sale is a parody on consumption and trade. The presentation is very aesthetic: a carefully painted blue shop, everything neatly stacked, repetitive visual effects. In ancient times, the apple was a symbol of love and fertility. Vergara uses the apple as a symbol of erotic and spiritual drive, as a healthy counterweight to the economic forces undermining art. His apple supermarket serves as an answer to remedy the brutal pursuit of profit.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMaison Belge, Supermarch\u0026eacute; de l\u0026#39;ann\u0026eacute;e \u003c/em\u003eis also a collage: image and word overlap each other. Vergara\u0026#39;s notes on the canvas and the lines refer to his various actions. The painting is a kind of journal, the result of movements, sounds, scents, observations, thoughts and memories.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003everwijst naar een gelijkaardige installatie en tentoonstelling \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;Ann\u0026eacute;e \u003c/em\u003edie Angel Vergara opzette in het Belgisch Huis in Keulen in 1995. Daar cre\u0026euml;erde de kunstenaar een supermarkt waar enkel appels werden verkocht. Vergara zette deze supermarkt op als tegenkanting bij de kunstbeurs in Keulen die op hetzelfde moment plaatsvond.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAngel Vergara wil aantonen dat er meer is dan enkel de economische prijs van een kunstwerk: uiteindelijk wordt bij de verkoop van een kunstwerk enkel de materialisatie van een idee verkocht, de idee\u0026euml;n zelf zijn niet te koop. Het gaat hier om de transacties, de relaties tussen mensen, het uitwisselen van idee\u0026euml;n of het verkopen van dingen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eStraatman \u0026ndash; \u0026eacute;\u0026eacute;n van de alter ego\u0026rsquo;s van Vergara \u0026ndash; is altijd op \u0026eacute;\u0026eacute;n of andere manier aanwezig. Hier, in \u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003e, bevindt hij zich achter de toonbank van de winkel. Zijn supermarkt waar enkel appels te koop zijn, is een parodie op consumptie en verkoop. De presentatie is zeer esthetisch: een keurig blauw geschilderde winkel, alles netjes gestapeld, repetitieve visuele effecten. In de oudheid stond de appel symbool voor liefde en vruchtbaarheid. Vergara gebruikt de appel als teken van erotische en spirituele gedrevenheid, als een gezond tegengewicht voor de economische krachten die de kunst verzieken. Zijn supermarkt van appels functioneert als een correctie op het brute winstbejag.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eMaison belge,\u003c/em\u003e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003eis tevens een collage: beeld en woord vullen elkaar aan en overlappen elkaar. \u003cem\u003eIn wezen gaat het om\u003c/em\u003e beschrijvende, documentaire schilderkunst. Vergara\u0026rsquo;s notities op het doek en de lijnen verwijzen naar zijn diverse acties. Het schilderij is een soort logboek, het resultaat van bewegingen, geluiden, geuren, waarnemingen, gedachten en herinneringen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003eMaison belge, Supermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003erenvoie \u0026agrave; une \u0026nbsp;installation et exposition analogues, d\u0026eacute;nomm\u0026eacute;e \u003cem\u003eSupermarch\u0026eacute; de l\u0026rsquo;Ann\u0026eacute;e\u003c/em\u003e, qu\u0026#39;Angel Vergara avait organis\u0026eacute;e \u0026agrave; la Maison belge de Cologne en 1995. L\u0026#39;artiste y avait cr\u0026eacute;\u0026eacute; un supermarch\u0026eacute; o\u0026ugrave; seules des pommes \u0026eacute;taient en vente. Dans l\u0026#39;esprit de Vergara, ce supermarch\u0026eacute; s\u0026#39;inscrivait dans un rapport d\u0026#39;opposition avec la bourse de l\u0026#39;art qui avait lieu au m\u0026ecirc;me moment \u0026agrave; Cologne.\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara veut montrer que la valeur d\u0026#39;une \u0026oelig;uvre d\u0026#39;art ne se r\u0026eacute;duit pas \u0026agrave; son co\u0026ucirc;t \u0026eacute;conomique: en r\u0026eacute;alit\u0026eacute;, vendre une \u0026oelig;uvre d\u0026#39;art, c\u0026#39;est vendre la mat\u0026eacute;rialisation d\u0026#39;une id\u0026eacute;e; les id\u0026eacute;es elles-m\u0026ecirc;mes ne peuvent s\u0026#39;acheter. Cette \u0026oelig;uvre de Vergara aborde le th\u0026egrave;me des transactions, des rapports humains, des \u0026eacute;changes d\u0026#39;id\u0026eacute;es et de la vente de choses.\u003c/p\u003e\r\n\r\n\u003cp\u003eStraatman, l\u0026#39;homme dans la rue \u0026ndash; l\u0026#39;un des alter ego de Vergara \u0026ndash;, est toujours pr\u0026eacute;sent d\u0026#39;une fa\u0026ccedil;on ou d\u0026#39;une autre. Dans la \u003cem\u003eMaison belge, Supermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e\u003c/em\u003e, il se trouve derri\u0026egrave;re le comptoir du magasin. Ce supermarch\u0026eacute;, o\u0026ugrave; seules des pommes sont \u0026agrave; vendre, est une parodie de la consommation et de la vente. La pr\u0026eacute;sentation est tr\u0026egrave;s esth\u0026eacute;tique: le magasin est soigneusement peint dans des tons bleus, tout est minutieusement rang\u0026eacute; et il y a des effets visuels r\u0026eacute;p\u0026eacute;titifs. Dans l\u0026#39;Antiquit\u0026eacute;, la pomme symbolisait l\u0026#39;amour et la fertilit\u0026eacute;. Vergara utilise la pomme comme un symbole de la passion \u0026eacute;rotique et spirituelle, comme un contrepoids b\u0026eacute;n\u0026eacute;fique aux forces \u0026eacute;conomiques qui nuisent \u0026agrave; la cr\u0026eacute;ation artistique. Le supermarch\u0026eacute; de Vergara, avec toutes ses pommes, est l\u0026#39;incarnation d\u0026#39;une alternative \u0026agrave; la recherche du profit brut.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026#39;\u0026oelig;uvre \u003cem\u003eMaison belge, Supermarch\u0026eacute; de l\u0026rsquo;ann\u0026eacute;e \u003c/em\u003econsiste aussi en un collage: des images et des mots se compl\u0026egrave;tent et se chevauchent. Les annotations de Vergara sur la toile et les lignes renvoient \u0026agrave; ses actions diverses. La peinture est une sorte de journal de bord, l\u0026#39;aboutissement d\u0026#39;un ensemble de mouvements, de bruits, d\u0026#39;odeurs, d\u0026#39;observations, de pens\u0026eacute;es et de souvenirs.\u003c/p\u003e\r\n"}]},{"id":5805,"title":"Angel Vergara Santiago 'Straatman Cometh'","dimensions":"26.5 x 20.8 cm, language : English, Dutch, publisher : Museum van Hedendaagse Kunst, Antwerpen, ISBN : 90-72828-17-8","date_begin":"2001-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1998/620","stream_count_app":13,"permalink":"angel-vergara-santiago-straatman-cometh","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/808/medium_500/Angel_Vergara_Santiago.jpg?1343721932","cached_actor_names":"Angel Vergara","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/808/large/Angel_Vergara_Santiago.jpg?1343721932","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eEditor : Liliane Dewachter, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jon Thompson.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEditor : Liliane Dewachter, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jon Thompson.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEditor : Liliane Dewachter, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jon Thompson.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":14246,"title":"Zonder Titel (Portret Stan Peers)","dimensions":"36 x 34 cm","date_begin":"1984-01-01","material":"canvas, acrylic and kitchen waste","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"INBOX","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"zonder-titel-portret-stan-peers","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/563/large/INBOX_Montevideo_photo_M_HKA_10.jpg?1468503497","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":17931,"title":"Vlaamse Black (vogelvrij)","dimensions":"","date_begin":"2000-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA,  Antwerp / Donated by Isi Fiszman","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003etekst Vlaamse Black John, 2001 (gelijklopend met de tentoonstelling)\u003c/p\u003e\r\n\r\n\u003cp\u003equote\u003c/p\u003e\r\n\r\n\u003cp\u003ede brief / lettre \u0026agrave; distribuer sur la table\u003c/p\u003e\r\n\r\n\u003cp\u003e2 films in loop, 30 min.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e276 \u0026lt; bookshop, 15\u0026euro;\u003c/p\u003e\r\n\r\n\u003cp\u003efoto\u0026#39;s die we mogen gebruiken\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"S0560","stream_count_app":31,"permalink":"vlaamse-black","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/198/medium_500/Angel_Vergara__Vlaams_Black__sd_photo_M_HKAcc_2.jpg?1527602559","cached_actor_names":"Angel Vergara","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/198/large/Angel_Vergara__Vlaams_Black__sd_photo_M_HKAcc_2.jpg?1527602559","poster_credits":"(c)image: M HKA, Antwerp","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eAround the turn of the century, the character \u003cem\u003eVlaamse Black\u003c/em\u003e appeared in Angel Vergara\u0026#39;s \u003cem\u003eoeuvre\u003c/em\u003e. The artist regularly takes on the role of this character who combines all the stereotypical characteristics of a black man: from black skin and thick lips to a hooded jogging suit and sneakers. \u003cem\u003eVlaamse Black\u003c/em\u003e usually shows up at openings of cultural events and distributes leaflets or gives speeches to a predominantly white audience. His presence fascinates, but at the same time evokes indignation, fear and even anger.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eVlaamse Black\u003c/em\u003e is, therefore, an outspoken political caricature. His seemingly subservient attitude can easily be interpreted as a form of protest. In this way, the character confronts the audience with his own hypocritical attitude towards the multicultural society. When \u003cem\u003eVlaamse Black\u003c/em\u003e takes the floor, he mumbles and is difficult to understand. As if the possibility of producing language and meaning was taken away from him. By explicitly departing from the norm, the work creates confusion and alienation.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn its cast form, \u003cem\u003eVlaamse Black\u003c/em\u003e \u003cem\u003e(vogelvrij)\u003c/em\u003e also refers to the old tradition of painted sculpture, which derives its expressiveness and potential political charge from the tension between mirroring and distorting, between mimesis and expression. At the same time, \u003cem\u003eVlaamse Black (vogelvrij)\u003c/em\u003e focuses on being different and projects identities, stereotypical or otherwise, onto ourselves or the other. The double meaning of the word \u003cem\u003evogelvrij\u003c/em\u003e (fancy-free and outlawed) can also be found in the interplay of lightness and heaviness in the work. Perhaps \u003cem\u003eVlaamse Black\u003c/em\u003e \u003cem\u003e(vogelvrij)\u003c/em\u003e wants to liberate us from the social and institutional structures that dominate our lives.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eRond de eeuwwisseling verschijnt de figuur \u003cem\u003eVlaamse Black\u003c/em\u003e in het oeuvre van Angel Vergara. De kunstenaar kruipt op geregelde tijdstippen in de huid van dit personage dat alle stereotiepe kenmerken van een zwarte man combineert: van zwarte huid en dikke lippen tot een joggingpak met kap en sportschoenen. \u003cem\u003eVlaamse Black\u003c/em\u003e vertoont zich meestal op openingen van culturele evenementen en deelt er folders uit of geeft toespraken aan een overwegend wit publiek. Zijn aanwezigheid fascineert, maar roept tegelijk verontwaardiging, angst en zelfs boosheid op.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eVlaamse Black\u003c/em\u003e is dan ook een uitgesproken politieke karikatuur. Zijn op het eerste zicht onderdanige houding kan makkelijk gelezen worden als een vorm van protest. Op die manier confronteert de figuur het publiek met zijn eigen hypocriete houding tegenover de multiculturele maatschappij. Als \u003cem\u003eVlaamse Black\u003c/em\u003e het woord neemt, spreekt hij mompelend en moeilijk verstaanbaar. Alsof hem de mogelijkheid om taal en betekenis te produceren werd afgenomen. Door expliciet af te wijken van de norm, cre\u0026euml;ert het werk verwarring en vervreemding.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn gegoten vorm refereert \u003cem\u003eVlaamse Black (vogelvrij)\u003c/em\u003e ook aan de oude traditie van beschilderde sculptuur, die zijn zeggingskracht en potenti\u0026euml;le politieke geladenheid haalt uit de spanning tussen spiegelen en vervormen, tussen mimesis en expressie. \u003cem\u003eVlaamse Black (vogelvrij)\u003c/em\u003e thematiseert tegelijk het anders zijn zelf en het projecteren van al dan niet stereotiepe identiteiten op onszelf of de ander. De dubbele betekenis van het woord vogelvrij vinden we ook terug in het samenspel van lichtheid en zwaarte in het werk. Misschien wil \u003cem\u003eVlaamse Black (vogelvrij)\u003c/em\u003e ons bevrijden van de sociale en institutionele structuren die het leven beheersen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eVers le d\u0026eacute;but du si\u0026egrave;cle, la figure de \u003cem\u003eVlaamse Black\u003c/em\u003e fait son apparition dans l\u0026rsquo;\u0026oelig;uvre de Angel Vergara. L\u0026rsquo;artiste se met r\u0026eacute;guli\u0026egrave;rement dans la peau de ce personnage qui combine tous les st\u0026eacute;r\u0026eacute;otypes d\u0026rsquo;un homme noir: allant de la peau noire et grosses l\u0026egrave;vres jusqu\u0026rsquo;\u0026agrave; la tenue de jogging avec capuchon et chaussures de sport. \u003cem\u003eVlaamse Black\u003c/em\u003e apparait la plupart du temps aux ouvertures d\u0026rsquo;\u0026eacute;v\u0026egrave;nements culturels et y distribue des d\u0026eacute;pliants ou donne des discours \u0026agrave; un publique \u0026agrave; majorit\u0026eacute; blanc. Sa pr\u0026eacute;sence est fascinante, mais en m\u0026ecirc;me temps provoque de l\u0026rsquo;indignation, de la peur, voire de la col\u0026egrave;re.\u003c/p\u003e\r\n\r\n\u003cp\u003eAvant tout \u003cem\u003eVlaamse Black\u003c/em\u003e est une caricature \u0026eacute;vidente politique. Son comportement, \u0026agrave; premi\u0026egrave;re vue soumis, \u0026nbsp;peut facilement \u0026ecirc;tre vu comme une forme de protestation. Avec sa propre attitude hypocrite, la figure confronte de cette fa\u0026ccedil;on le publique vis-\u0026agrave;-vis de la soci\u0026eacute;t\u0026eacute; multiculturelle. Quand \u003cem\u003eVlaamse Black\u003c/em\u003e prend la parole, il \u0026nbsp;bredouille et est difficilement compr\u0026eacute;hensible.\u0026nbsp; Comme si la possibilit\u0026eacute; de produire langue et sens lui avait \u0026eacute;t\u0026eacute; enlev\u0026eacute;e. En d\u0026eacute;viant explicitement de la norme, l\u0026rsquo;\u0026oelig;uvre cr\u0026eacute;e confusion et ali\u0026eacute;nation.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn forme moul\u0026eacute;e, \u003cem\u003eVlaamse Black (vogelvrij) \u003c/em\u003er\u0026eacute;f\u0026egrave;re aussi \u0026agrave; l\u0026rsquo;ancienne tradition de la sculpture peinte, qui sort sa force d\u0026rsquo;expression et son contenu politique potentiel de la tension entre miroiter et d\u0026eacute;former, entre N\u0026eacute;m\u0026eacute;sis et expression. \u003cem\u003eVlaamse Black (vogelvrij) \u003c/em\u003erepr\u0026eacute;sente en m\u0026ecirc;me temps le th\u0026egrave;me d\u0026rsquo;\u0026ecirc;tre diff\u0026eacute;rent soi-m\u0026ecirc;me et la projection des identit\u0026eacute;s oui ou non st\u0026eacute;r\u0026eacute;otypes sur nous-m\u0026ecirc;me ou un autre. On retrouve \u0026eacute;galement la double signification du mot libre comme un oiseau dans l\u0026rsquo;effet conjugu\u0026eacute; de l\u0026eacute;g\u0026egrave;ret\u0026eacute; et gravit\u0026eacute; dans l\u0026rsquo;\u0026oelig;uvre. Peut-\u0026ecirc;tre \u003cem\u003eVlaamse Black \u003c/em\u003eveut-il nous lib\u0026eacute;rer des structures sociales et institutionnelles qui maitrisent la vie.\u003c/p\u003e\r\n"}]},{"id":20762,"title":"Monday, November 5 around 9am.","dimensions":"","date_begin":"2018-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy the artist and Axel Vervoordt Gallery","cached_tag_list":"Art's Birthday Salon de Peinture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"monday-november-5-around-9am","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/239/medium_500/AngelVergara_Monday_2019_Art%27s_Birthday_photo_M_HKAcc.jpg?1548162536","cached_actor_names":"Angel Vergara","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/239/large/AngelVergara_Monday_2019_Art's_Birthday_photo_M_HKAcc.jpg?1548162536","poster_credits":"Courtesy the artist and Axel Vervoordt Gallery, image: (c) M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":25555,"title":"Labrys in Time (related 2)","dimensions":"variable","date_begin":null,"material":"paper, ink (printing)","short_description":"\u003cp\u003ePerformances\u0026nbsp; during the presentation of an \u0026#39;artistbook\u0026#39; object by Rombouts-Droste (AWAWA) at galerie Camomille Brussels\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":220,"legal_status_id":84,"category_id":128,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Presentation books performance","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":32,"permalink":"labrys-in-time-related-2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003ePerformances tijdens de presentatie van een \u0026#39;artistbook\u0026#39; object van Rombouts-Droste (AWAWA) in galerij Camomille te Brussel\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/454/medium_500/CamiJL019.jpg?1588833050","cached_actor_names":"Jef Lambrecht, Monica Droste, Suzy Biernaert , Angel Vergara, Chris Straetling, Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/454/large/CamiJL019.jpg?1588833050","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePerformances\u0026nbsp; during the presentation of an \u0026#39;artistbook\u0026#39; object by Rombouts-Droste (AWAWA) at galerie Camomille Brussels\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara as Straatman, Jef Lambrecht \u0026#39;Labrys in Time\u0026#39; and C. Straetling \u0026#39;knip\u0026#39;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003ePerformances tijdens de presentatie van een \u0026#39;artistbook\u0026#39; object van Rombouts-Droste (AWAWA) in galerij Camomille te Brussel\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara als Straatman, Jef Lambrecht met Labrys in Time en C. Straetling met \u0026#39;Knip\u0026#39;.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":30964,"title":"details video Canonisatie Vincent van Gogh","dimensions":"10 x 15","date_begin":"1991-01-01","material":"photographic paper, emulsion","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":23,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection Samarkand","cached_tag_list":"video stills","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":21,"permalink":"details-video-canonisatie-vincent-van-gogh","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/528/medium_500/VidStill063.jpg?1631108484","cached_actor_names":"Angel Vergara, Wout Vercammen, Karel Schoetens, Jef Lambrecht","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/528/large/VidStill063.jpg?1631108484","poster_credits":"Samarkand","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31072,"title":"Troon Aken","dimensions":"var.","date_begin":"1991-01-01","material":"paper, ink, stamps","short_description":"\u003cp\u003eKaiserstuhl zu Aachen (King\u0026#39;s or Emporer\u0026#39;s chair \u0026ndash; screen stills)\u003c/p\u003e\r\n\r\n\u003cp lang=\"en-GB\" style=\"margin-bottom: 0cm\"\u003efilmed during a fifty-fifty meetingat the \u0026#39;Gelateria del Anno\u0026#39; by Angel Vergara Santiago , a performance given by Jef Lambrecht concerning the history of the cathedral of Aix-en-Chapelle and the throne of Charlemagne \u0026ndash; ending in the wrapping of a chair.\u003c/p\u003e\r\n","art_status_id":220,"legal_status_id":84,"category_id":128,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection Samarkand","cached_tag_list":"fifty-fifty, installatie, performance","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"troon-aken","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp lang=\"nl-BE\" style=\"margin-bottom: 0cm\"\u003eKaiserstuhl zu Aachen \u0026ndash; (schermfoto\u0026#39;s)\u003c/p\u003e\r\n\r\n\u003cp lang=\"nl-BE\" style=\"margin-bottom: 0cm\"\u003egefilmd tijdens een fifty-fifty-bijeenkomst in de \u0026#39;gelaterie del Anno\u0026#39; van Angel Vergara Santiago te Aken in 1991 \u0026ndash; performance van Jef Lambrecht op basis van historische gegevens rond de Dom van Aken en zijn geschiedenis, de troon van Karel de Grote \u0026ndash; met het inpakken van een stoel als sluitstuk.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/867/medium_500/RePakStoelAA4.jpg?1631890237","cached_actor_names":"Jef Lambrecht, Angel Vergara","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/867/large/RePakStoelAA4.jpg?1631890237","poster_credits":"Samarkand","translations":[{"locale":"en","description":"\u003cp\u003eKaiserstuhl zu Aachen (King\u0026#39;s or Emporer\u0026#39;s chair \u0026ndash; screen stills)\u003c/p\u003e\r\n\r\n\u003cp lang=\"en-GB\" style=\"margin-bottom: 0cm\"\u003efilmed during a fifty-fifty meetingat the \u0026#39;Gelateria del Anno\u0026#39; by Angel Vergara Santiago , a performance given by Jef Lambrecht concerning the history of the cathedral of Aix-en-Chapelle and the throne of Charlemagne \u0026ndash; ending in the wrapping of a chair.\u003ci\u003e Filmed by Jessica Lens and others (Monica Droste, Michel Galasso, Chris Straetling)\u003c/i\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eKaiserstuhl zu Aachen (King\u0026#39;s or Emporer\u0026#39;s chair \u0026ndash; screen stills)\u003c/p\u003e\r\n\r\n\u003cp lang=\"en-GB\" style=\"margin-bottom: 0cm\"\u003efilmed during a fifty-fifty meetingat the \u0026#39;Gelateria del Anno\u0026#39; by Angel Vergara Santiago , a performance given by Jef Lambrecht concerning the history of the cathedral of Aix-en-Chapelle and the throne of Charlemagne \u0026ndash; ending in the wrapping of a chair.\u003ci\u003e Filmed by Jessica Lens and others (Monica Droste, Michel Galasso, Chris Straetling)\u003c/i\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":26215,"title":"Café del Año - Video canonization VVG","dimensions":"A3/ 42x30 cm","date_begin":"1990-01-01","material":"paper, ink (printing) pen","short_description":"\u003cp\u003eSmall poster announcing the screening of the video \"Canonization of Vincent van Gogh\" at Angel Vergara's \"Café Del Año\" at Inexistent - also the last evening of the café-installation, as well as 'interior' painting competition -\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","art_status_id":13,"legal_status_id":84,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Graphic art","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"cafe-del-ano-video-canonization-vvg","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eAffichette die de videovertoning van \"canonization of Vincent van Gogh\" aankondigt alsook de laatste avond van het \"Café Del Año\" levende installatie van Angel Vergara in Inexistent, alsook (interieur) schilderwedstrijd...\u0026nbsp;\u003c/p\u003e","short_description_fr":"\u003cp\u003ePetite affiche annonçant la projection de la vidéo \"Canonisation de Vincent van Gogh\" au \"Café Del Año\" d'Angel Vergara à Inexistent - également la dernière soirée du café-installation,\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/058/343/medium_500/Im360JL005.jpg?1592904130","cached_actor_names":"Jef Lambrecht, Chris Straetling, Angel Vergara","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/058/343/large/Im360JL005.jpg?1592904130","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003eSmall poster announcing the screening of the video \"Canonization of Vincent van Gogh\" at Angel Vergara's \"Café Del Año\" at Inexistent - also the last evening of the café-installation, as well as 'interior' painting competition -\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eAffichette die de videovertoning van \"canonization of Vincent van Gogh\" aankondigt alsook de laatste avond van het \"Café Del Año\" levende installatie van Angel Vergara in Inexistent, alsook (interieur) schilderwedstrijd...\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePetite affiche annonçant la projection de la vidéo \"Canonisation de Vincent van Gogh\" au \"Café Del Año\" d'Angel Vergara à Inexistent - également la dernière soirée du café-installation, ainsi que le concours de peinture 'intérieur' -\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]}]