Carl Andre

1935 - 2024

Born in Quincy ().

[Carl Andre](http://www.carlandre.net) (1935, US, lives in New York) is an iconic representative of Minimal Art, a sculptor working with natural and industrially produced materials (timber, metal plates, bricks, hay bales) and showcasing them ‘as they are’, unadulterated and ‘merely’ arranged in strict visual formations on the floor. Andre makes us experience the properties of matter, form, structure and place. A direct sensation of presence is the core value of his art. He says: ‘My sculptures are the result of physical operations in the material world.’ Andre has exhibited in Europe, not least in Belgium and the Netherlands, since the mid-1960s. After a brief enrollment in Kenyon College, Gambier, Ohio, Andre earned enough money working at Boston Gear Works to travel to England and France in 1954. The following year, he joined United States Army Intelligence in North Carolina. In 1957 he settled in New York and worked as an editorial assistant for a publishing house. Shortly thereafter, he began executing wood sculptures influenced by Constantin Brancusi and by the black paintings of his friend Frank Stella. He was a leading member of the Minimalist movement, which coalesced during the early to mid-1960s. In addition to making sculpture, he also began to write poems in the tradition of Concrete Poetry, displaying the words on the page as if they were drawings. From 1960 to 1964, he was a freight brakeman and conductor for the Pennsylvania Railroad in New Jersey. Andre’s first solo show was held in 1965 at the Tibor de Nagy Gallery, New York. In the 1970s, the artist prepared numerous large-scale installations, such as Blocks and Stones in 1973 for the Portland Center for the Visual Arts, Oregon, and outdoor works, such as Stone Field Sculpture in 1977 in Hartford. He continues to emphasize material and spatial specificity. He lives and works in New York.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.