[{"id":15585,"title":"Driftwood","dimensions":"","date_begin":"2015-01-01","material":"wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"M00278","stream_count_app":53,"permalink":"untitled-tand","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/824/medium_500/Els_Dietvorst_M00278.jpg?1705412516","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/277/large/Els_Dietvorst_Tand_2016_M_HKA_.jpg?1492512278","poster_credits":"(c)image: M HKA ","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThe\u0026nbsp;\u003cem\u003eSkull\u003c/em\u003e\u0026nbsp;series are sculptures that are made to be symbolical metaphors for every war. The first sculpture was a huge skull, made of wood and loam, built\u0026nbsp;in Antwerp.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe next\u0026nbsp;\u003cem\u003eSkull\u003c/em\u003e\u0026nbsp;was made on the roof of the M HKA, Museum of Contemporary Art in Antwerp and was a reaction on the War on terror.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026ldquo;In 2009, on the roof of M HKA in Antwerp, she exhibited the gigantic work Skull, a figure in a cage, fashioned from mud and wood. This powerfully visual work is Dietvorst\u0026rsquo;s way of reacting to the numerous images of war that the media floods us with. This specific work alludes to Guantanamo; to solitary confinement in cages. Dietvorst made a life-sized model of one of them, inhabited by a gigantic skull. On the roof of the museum, the head appears to be imprisoned in a dovecote, which can be viewed from a nearby bench. After a while, two pigeons built their nest in the cage and hatched out their eggs there \u0026ndash; thus a piece about murder facilitates the creation of new life at a totally different level\u0026hellip;\u0026rdquo;(source; Eva Wittocx, ED2)\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe third\u0026nbsp;\u003cem\u003eSkull\u003c/em\u003e\u0026nbsp;was made in the biennal of Moscow. The form of the\u0026nbsp;\u003cem\u003eSkull\u003c/em\u003e\u0026nbsp;was inspired by a skull of a neanderthal man that lived in Eurasia. In that time Neanderthalers and the new immigrants, the homo sapiens, lived peacefully together. This tooth\u0026nbsp;is the symbol for immigration, respect and human transcendence.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eTwee van deze sculpturen zijn een schenking van de Vrienden van het M HKA.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20806,"title":"The Rabbit and the Teasel ","dimensions":"00:52:40","date_begin":"2014-01-01","material":"digital file","short_description":"\u003cp\u003eFor \u003cem\u003eThe Rabbit and the Teasel\u003c/em\u003e (triptych, part 1), fiction and autobiographical elements smoothly mingle in a lyrical tale that drags the viewer into a universe of beauty, death and decay. Her point of departure is the collective memory of her fellow villagers in Ireland.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"Els Dietvorst, film","publishing_process_id":1,"annotation":"\u003cp\u003eExcerpt 1;\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=plaFzPljYKA\"\u003ehttps://www.youtube.com/watch?v=plaFzPljYKA\u003c/a\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":63,"permalink":"the-rabbit-and-the-teasel","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/198/medium_500/Hans_Bruch_Jr..jpg?1576251403","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/198/large/Hans_Bruch_Jr..jpg?1576251403","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eTwo years after settling in Ireland, Els Dietvorst started work on the web documentary \u003cem\u003eThe Black Lamb\u003c/em\u003e. Over a three-year period, she recorded fragments of her new environment, and that of local figures. The short testimonies of TJ Butler in \u003cem\u003eThe Black Lamb\u003c/em\u003e lay the foundation for a bigger project: \u003cem\u003eThe Rabbit and the Teasel\u003c/em\u003e. In this full-length film, Dietvorst transforms Butler\u0026#39;s narrative into a modern rural drama, in which the raw reality of a rainy year drives the farmer to despair.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls Dietvorst appeals to the collective memory of the local community. Her fellow villagers tell their stories, film and act. Fiction and autobiographical elements are interwoven into a lyrical tale that drags the viewer into a world of beauty, death and decay.\u003c/p\u003e\r\n\r\n\u003cp\u003eWritten and directed by Els Dietvorst\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003ca href=\"http://www.therabbitandtheteasel.com\"\u003ewww.therabbitandtheteasel.com\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eVoor \u003cem\u003eThe Rabbit tand the Teasal\u003c/em\u003e transformeert Els Dietvorst een verhaal van TJ Butler tot een modern, ruraal drama, waarin aanhoudende regen boeren tot wanhoop drijft. Ze vertrekt van het collectieve geheugen van haar dorpsgenoten in Ierland en verweeft autobiografische elementen met fictie tot een verhaal over schoonheid, dood en verval.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20838,"title":"E.D. (2010-2014)","dimensions":"","date_begin":"2014-01-01","material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"artist book kunstenaarsboek","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B2027/637","stream_count_app":31,"permalink":"e-d-87e41b25-1add-48a4-9146-f9ce541f3708","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/172/medium_500/20190326121328950_0001.jpg?1553599734","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/172/large/20190326121328950_0001.jpg?1553599734","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis publication presents a survey of the work of Els Dietvorst from 2010 to 2014. This is also the period in which she left Brussels to live in a village on the south-east coast of Ireland, where she focused on projects such as \u003cem\u003eThe Black Lamb\u003c/em\u003e. The audio piece One was killed for beauty, another one was shot, the two others died naturally is included on an audio CD.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eEls Dietvorst E.D. (2010\u0026ndash;2014)\u003c/em\u003e, Rolf Quaghebeur, Eva Wittocx, Katleen Weyts, Els Dietvorst, Brussels, 2014, 98 p.: ill., 21.9 cm \u0026times; 16.6 cm, texts: Dutch, English\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eThis publication presents a survey of the work of Els Dietvorst from 2010 to 2014. This is also the period in which she left Brussels to live in a village on the south-east coast of Ireland, where she focused on projects such as \u003cem\u003eThe Black Lamb\u003c/em\u003e. The audio piece One was killed for beauty, another one was shot, the two others died naturally is included on an audio CD.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eEls Dietvorst E.D. (2010\u0026ndash;2014)\u003c/em\u003e, Rolf Quaghebeur, Eva Wittocx, Katleen Weyts, Els Dietvorst, Brussels, 2014, 98 p.: ill., 21.9 cm \u0026times; 16.6 cm, texts: Dutch, English\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eThis publication presents a survey of the work of Els Dietvorst from 2010 to 2014. This is also the period in which she left Brussels to live in a village on the south-east coast of Ireland, where she focused on projects such as \u003cem\u003eThe Black Lamb\u003c/em\u003e. The audio piece One was killed for beauty, another one was shot, the two others died naturally is included on an audio CD.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eEls Dietvorst E.D. (2010\u0026ndash;2014)\u003c/em\u003e, Rolf Quaghebeur, Eva Wittocx, Katleen Weyts, Els Dietvorst, Brussels, 2014, 98 p.: ill., 21.9 cm \u0026times; 16.6 cm, texts: Dutch, English\u003c/p\u003e\r\n"}]},{"id":20834,"title":"No Shooting","dimensions":"16.5 x 20 cm","date_begin":"2000-01-01","material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"artist book kunstenaarsboek","publishing_process_id":1,"annotation":"\u003cp\u003eEditing / redactie: Anna Geukens\u003cbr /\u003e\r\nDesign / vormgeving: Filiep Tacq with/met Els Dietvorst \u0026amp; Orla Barry\u003c/p\u003e\r\n","date_end":null,"reference":"B2009/530","stream_count_app":50,"permalink":"no-shooting","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eHet boek \u0026#39;NO SHOOTING\u0026#39; bundelt 130 tekeningen van Els Dietvorst met teksten van Orla Barry en Jan Braet gebaseerd op tekeningen van Els Dietvorst.\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/425/medium_500/20190410134652659_0001.jpg?1554896906","cached_actor_names":"Jan Braet, Els Dietvorst, Orla Barry ","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/425/large/20190410134652659_0001.jpg?1554896906","poster_credits":"(c)Els Dietvorst - photo: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eOne day this summer I thought I might have something to say, I didn\u0026#39;t get to it till December, but anyway as Clem would say...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eI decided to write about the drawings, and I\u0026#39;ve been circling them ever since.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThese are the results of the conversations I started with Els\u0026#39;s drawings on a miraculously sunny day in December after my first winter swim in the Irish Sea. The very same day my cousin Geoffry tried to shoot one of my precious pheasants, even though\u0026nbsp;he said it was a wild duck. I know Els would prefer me to begin by writing about a pigeon, but she\u0026#39;ll come around to pheasants one day, if we ever get out this blasted city...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eI think every other conversation happened in the dreary days of January and February within\u0026nbsp;the confines of my room within the confines of the European Capital that is BRU-X-ELLES.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThe drawings talked to me in a strangely familiar way, which is to be expected I suppose as I seem to be living with them. Anyway I talked back sometimes responding, sometimes smothering them which you are allowed to do living in such close proximity, you understand...\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20805,"title":"The Black Lamb","dimensions":"","date_begin":"2011-01-01","material":"digital file (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"\u003cp\u003eTRAILER;\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=JfnHdel7YGo\"\u003ehttps://www.youtube.com/watch?v=JfnHdel7YGo\u003c/a\u003e\u003c/p\u003e\r\n","date_end":"2014-01-01","reference":"","stream_count_app":46,"permalink":"the-black-lamb","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/374/medium_500/20190123135633279_0001.jpg?1548754664","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/374/large/20190123135633279_0001.jpg?1548754664","poster_credits":"(c)Els Dietvorst Archief, scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eThe Black Lamb\u003c/em\u003e is an online film project started in 2011 by artist and filmmaker Els Dietvorst.\u003c/p\u003e\r\n\r\n\u003cp\u003eEls Dietvorst watches her neighbours in Duncormick (Ireland) struggling to make ends meet. This sketch of the daily fight for survival, far from the city, offers a unique perspective on the myth of idyllic living conditions in the countryside. \u003cem\u003eThe Black Lamb\u003c/em\u003e explores anti-utopian themes such as social conflict and survival on the margins. The web documentaries form the research part and the stories form the basis for \u003cem\u003eThe Rabbit and the Teasel\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThe Black Lamb\u003c/em\u003e final unfolds over a three-year period with seasonal updates. In \u003cem\u003eThe Black Lamb\u003c/em\u003e, Dietvorst tracks the lives of four local characters focusing on their work and their relationships with their animals. She captures mementos from her own reality, a sheepfarm in Southeast Ireland, with fleeting glimpses into the worlds of local characters. She is drawn to unconventional individuals determined to live as far from the mainstream grid as possible. Dietvorst performs the dual role of sheepfarmer-come-artist-documentarian in this film.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.theblacklamb.org\"\u003ewww.theblacklamb.org\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026lsquo;\u003c/em\u003e\u003cem\u003eOne of the more subtle, but profound, offerings of this edition(Burning Ice) is The Black Lamb, a project by documentary filmmaker and artist Els Dietvorst. Her work is sometimes compared to Joseph Beuys and his social democracy concept. Dietvorst recently moved from Brussels to a sheep farm in Duncormick, Ireland from where she watches her neighbours struggling to make ends meet. This sketch of the daily fight for survival, far away from the city, offers a wholly different perspective of the idyllic human condition in the countryside.\u0026rsquo;\u0026nbsp;\u003cspan style=\"font-size: 10.8333px;\"\u003e\u0026nbsp;(Peeters, 2013)\u003c/span\u003e\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eThe Black Lamb\u003c/em\u003e is an online film project started in 2011 by artist and filmmaker Els Dietvorst.\u003c/p\u003e\r\n\r\n\u003cp\u003eEls Dietvorst watches her neighbours in Duncormick (Ireland) struggling to make ends meet. This sketch of the daily fight for survival, far from the city, offers a unique perspective on the myth of idyllic living conditions in the countryside. \u003cem\u003eThe Black Lamb\u003c/em\u003e explores anti-utopian themes such as social conflict and survival on the margins. The web documentaries form the research part and the stories form the basis for \u003cem\u003eThe Rabbit and the Teasel\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThe Black Lamb\u003c/em\u003e final unfolds over a three-year period with seasonal updates. In \u003cem\u003eThe Black Lamb\u003c/em\u003e, Dietvorst tracks the lives of four local characters focusing on their work and their relationships with their animals. She captures mementos from her own reality, a sheepfarm in Southeast Ireland, with fleeting glimpses into the worlds of local characters. She is drawn to unconventional individuals determined to live as far from the mainstream grid as possible. Dietvorst performs the dual role of sheepfarmer-come-artist-documentarian in this film.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.theblacklamb.org\"\u003ewww.theblacklamb.org\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMeer dan een subjectieve en artistieke representatie van de werkelijkheid, waarbij de kunstenaar op zoek gaat naar zowel dagelijksheid als transcendentie in min of meer extreme situaties (of toch situaties en leefomstandigheden die voor de gemiddelde ge\u0026iuml;nteresseerde in hedendaagse kunst als extreem overkomen), fungeert The Black Lamb als een metafoor voor een condition humaine die verder reikt dan de narratieven en individuele verhalen van het project. Dat werkt als een tegenstem: de kunstenaar registreert en toont een microrealiteit die haaks staat op het beeld van de ideale samenleving die we dagelijks via media, berichtgeving en reclame ingelepeld krijgen en die we maar al te vaak liever negeren dan omarmen. Maar de veelheid van individuele verhalen en beelden die Dietvorst ons presenteert overstijgt elk clich\u0026eacute;beeld over die marginale werkelijkheid. Ze werken verruimend en vormen eerder een soort aanvulling dan een correctie op het heersende maatschappijbeeld.\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar Dietvorst gaat verder. Ze presenteert geen alternatief en toont de dingen zoals ze zijn. Dingen die integraal deel uitmaken van de wereld waarin we leven. Ze produceert geen utopisch wereldbeeld, noch een complete dystopie. Met de kracht van de verbeelding en de focus op de menselijke verhalen, het leven en het overleven schept ze een wereld die de onze zou kunnen zijn, waarin we ons herkennen en waarmee we ons tot op zekere hoogte kunnen identificeren. Ze houdt ons een spiegel voor waarin we gemeenschappelijke verlangens, strategie\u0026euml;n en verhalen gereflecteerd zien.\u003c/p\u003e\r\n\r\n\u003cp\u003e(Bron: Mu.ZEE, auteur Rolf Quaghebeur)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20836,"title":"E.D.","dimensions":"24.2 x 18.7 cm","date_begin":"2004-01-01","material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"MH KA, Antwerp","cached_tag_list":"artist book kunstenaarsboek","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B2009/527","stream_count_app":50,"permalink":"e-d","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/427/medium_500/20190410133956977_0001.jpg?1554896503","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/427/large/20190410133956977_0001.jpg?1554896503","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003eBoek ED\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProductie: Firefly\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSynopsis: korte tekst boek ED\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eVan haar eerste beeldend werk in 1988 tot het Zwaluwen project in de Brusselse Anneessenswijk heeft het werk van Els Dietvorst een aanzienlijke ontwikkeling doorgemaakt. Dit lijkt het juiste moment voor een terugblik en een reflectiemoment in de vorm van een (redelijk) omvangrijke monografische publicatie die een blik werpt op vele, interessante zijden van dit oeuvre.\u003c/p\u003e\r\n\r\n\u003cp\u003eVan tekeningen en levensgrote sculpturen via life-evenementen en samenwerkingsverbanden naar een vijf-jaren project in de Brusselse Midiwijk slaagt Dietvorst erin om formele kwaliteit, sociale betrokkenheid, interactiviteit, mens en natuur, individu en samenleving, verleden, heden en toekomst tot een boeiende ervaring voor de beschouwer te smeden. Het werk van Dietvorst manifesteert zich in allerlei disciplines. Er worden processen in gang gezet die steeds terugvallen op dezelfde thema\u0026#39;s: de fragiliteit van de mens, de noodzaak, het lot en het leven. Dietvorst legt het als volgt uit: \u0026quot;Ik werk verder op de breuklijnen van de maatschappij. Hierbij schuw ik geen enkel medium en tracht voor elk project een keuze te maken die het proces het best begeleidt.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet is niet enkel het werk op zich dat zich leent voor een interessante publicatie, maar zeker ook de impact die het heeft (gehad) op het Brusselse en Vlaamse culturele leven. Meer en meer zien we dat er in de kunstwereld interesse ontstaat voor het soort (socio-artistieke) projecten dat Els Dietvorst ontwikkelt. Het is zeker niet onbescheiden om te zeggen dat zij wat dat betreft een pioniersrol op zich heeft genomen in de ontwikkelingen binnen de Belgische/Vlaamse plastische kunsten en dat zij er in slaagt om dit \u0026#39;genre\u0026#39; op innoverende manier te ontwikkelen. (Dietvorst is reeds uitgeroepen tot \u0026#39;Bijzondere Belg\u0026#39; door Readers Digest (zie persmap Zwaluwen) en werd een \u0026#39;Witte Raaf in het kunstenlandschap\u0026#39; genoemd door criticus Luk Lambrecht.)\u003c/p\u003e\r\n\r\n\u003cp\u003eOok de publicatie krijgt de pioniersrol toebedeeld. Tot op heden werd er (zeker in het Nederlands) nog nauwelijks geschreven of op een kritische manier nagedacht over deze nieuwe ontwikkeling - die toch zeker niet meer weggedacht kan worden uit de hedendaagse artistieke praktijk. Naast een reflectie op het werk van Dietvorst dient deze publicatie daarmee ook als een inhoudelijke, sociaal-culturele beschouwing op een actuele praktijk.\u003c/p\u003e\r\n\r\n\u003cp\u003eSchrijvers zijn An Van Dienderen, Eva Wittockx, Didier Volckaert, Orla Barry, Rachid Ajerrar, ...\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEen overzicht van het eerste beeldend werk van Els Dietvorst.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cstrong\u003e..een overzicht van het werk van Els Dietvorst tussen 1996 en 2004, teksten van Eva Wittocx, Orla Barry, An van. Dienderen, Didier Volckaert, Rachid Ajerrar en een interview door Gerry Smith \u0026amp; Lore Ongenae.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eVormgeving door Kim Beirnaert\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20855,"title":"Libera Me","dimensions":"00:01:47","date_begin":"2006-01-01","material":"16 mm film","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"\u003cp\u003eBovenaards en ondergronds. Het verhaal van Sint-Barbara. Genk, 2006-2007.\u003c/p\u003e\r\n","date_end":"2007-01-01","reference":"","stream_count_app":40,"permalink":"libera-me","description_ru":"","description_de":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLibera me, Domine, de morte aeterna\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein die illa tremenda\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum veneris judicare saeculum per ignem.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTremens factus sum ego et timeo,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum discussion venerit atque venture ira:\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"\u003cp\u003eBovenaards en ondergronds. Het verhaal van Sint-Barbara. Genk, 2006-2007.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/696/medium_500/20190123143129176_0001.jpg?1550055848","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/696/large/20190123143129176_0001.jpg?1550055848","poster_credits":"(c)Els Dietvorst Archief, scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eLibera Me, Santa Barbara I \u0026amp; II\u003c/em\u003e, Dietvorsts only 16mm film so far, focuses on Saint Barbara, the patron saint of the miners. What would Saint Barbara look like today and is it possible to create a new myth around her? Can we create a form of solidarity across generations and cultures? Dietvorst uses these questions as a starting point for her residence in Genk.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLibera me, Domine, de morte aeterna\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein die illa tremenda\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum veneris judicare saeculum per ignem.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTremens factus sum ego et timeo,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum discussion venerit atque venture ira:\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eLibera Me, Santa Barbara I \u0026amp; II\u003c/em\u003e, de enige 16mm film van Dietvorst tot nu toe, vertrekt van Sint-Barbara, de patroonheilige van de kompels. Hoe zou Sint-Barbara er vandaag uitzien en is het mogelijk een nieuwe mythe rond haar in het leven roepen? Kunnen we een vorm van solidariteit cre\u0026euml;ren over generaties en culturen heen? Dietvorst gebruikt deze vragen als uitgangspunt voor haar residentie in Genk.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Ik wilde zoeken naar hoe ik Sint-Barbara terug in de gemeenschap kon zetten en hoe Barbara vandaag zou kunnen zijn. Ik heb dan een iconisch beeld gemaakt dat ik heb geprojecteerd in een filmzaal in Genk. Vervolgens heb ik de reacties van de toeschouwers gefilmd. Ik werk altijd met heden, verleden en toekomst.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLibera me, Domine, de morte aeterna\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein die illa tremenda\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum veneris judicare saeculum per ignem.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTremens factus sum ego et timeo,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum discussion venerit atque venture ira:\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003eLibera Me, Santa Barbara\u0026nbsp;I \u0026amp; II\u003c/em\u003e, jusqu\u0026rsquo;\u0026agrave; pr\u0026eacute;sent le seul film en 16\u0026nbsp;mm que Dietvorst ait r\u0026eacute;alis\u0026eacute;, parle de sainte Barbe, la patronne des mineurs. \u0026Agrave; quoi ressemblerait sainte Barbe aujourd\u0026rsquo;hui\u0026nbsp;? Serait-il possible de cr\u0026eacute;er un nouveau mythe autour d\u0026rsquo;elle\u0026nbsp;? Pouvons-nous imaginer une forme de solidarit\u0026eacute; qui transcende les g\u0026eacute;n\u0026eacute;rations et les cultures\u0026nbsp;? Dietvorst prend ces questions comme point de d\u0026eacute;part de sa r\u0026eacute;sidence \u0026agrave; Genk.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLibera me, Domine, de morte aeterna\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein die illa tremenda\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum veneris judicare saeculum per ignem.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTremens factus sum ego et timeo,\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003edum discussion venerit atque venture ira:\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003equando coeli movendi sunt et terra.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n"}]},{"id":18486,"title":"Meir - As voor Kunst","dimensions":"42 x 29.5 cm, language : Dutch, publisher : KMSK Koninklijk Museum voor Schone Kunsten \u0026 ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1996-01-01","material":"Ink, paper","short_description":"\u003cp\u003eICC publication.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditors : The artists, H. van Leuven \u0026amp; B. Kerremans.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : KMSKA Koninklijk Museum voor Schone Kunsten Antwerpen \u0026amp; ICC/Internationaal Cultureel Centrum, Antwerpen (27.9. - 3.11.1996).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1995/784","stream_count_app":17,"permalink":"meir-as-voor-kunst","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/202/medium_500/20180323091949673_0001.jpg?1521793268","cached_actor_names":"Veronika  Pot, Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/202/large/20180323091949673_0001.jpg?1521793268","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eDeze publicatie bevat projecten van 10 kunstenaars m.b.t. architecturale/sculpturale ingrepen op de Meir-as. Het initiatief hiertoe kwam van de Handelaarsvereniging MEIR VZW. Ze vroeg Flor Bex, Menno Meewis en Hilde van Leuven om de artistieke selectie te willen maken. De tentoonstelling in het KMSKA/ICC - Internationaal Cultureel Centrum van deze ontwerpen vormt de eerste faze van het initiatief. De tweede fase zal bestaan uit de daadwerkelijke realisatie van \u0026eacute;\u0026eacute;n of meerdere van deze projecten.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20851,"title":"As Long as the Blackbird Sings","dimensions":"00:29:13","date_begin":"2009-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":40,"permalink":"as-long-as-the-blackbird-sing","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/211/medium_500/Blackbird2.jpg?1580985580","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/211/large/Blackbird2.jpg?1580985580","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eDuring one of her many walks along the Brussels-Charleroi Canal, Els Dietvorst meets ACM (Art-Coeur-Merci). It is the start of an intense relationship. Yet\u0026nbsp; the moment Dietvorst visits ACM to make a film, he has disappeared. In his absence, Dietvorst made the film \u003cem\u003eAs Long as the Blackbird Sings \u003c/em\u003ewith an actor. The film is a reflection of ACM\u0026#39;s mental state: he\u0026#39;s strong and vulnerable at the same time. Henry David Thoreau\u0026#39;s \u003cem\u003eWalden\u003c/em\u003e is a source of inspiration. This iconic book from 1854 is a combination of observations of nature, social criticism and philosophical insights. It has become a symbol of sustainability, anti-capitalism and civil disobedience.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eTijdens \u0026eacute;\u0026eacute;n van haar vele wandelingen langs het kanaal Anderlecht-Charleroi ontmoet Els Dietvorst ACM (Art-Coeur-Merci), wat het begin vormt van een intense relatie. Op het moment dat Dietvorst hem opzoekt om een film te maken, is ACM verdwenen. In zijn afwezigheid maakt Dietvorst met een acteur de film \u003cem\u003eAs Long as the Blackbird Sings\u003c/em\u003e. De film is een reflectie van de mentale toestand van ACM, tegelijk sterk en kwetsbaar. \u003cem\u003eWalden \u003c/em\u003evan Henry David Thoreau is een bron van inspiratie. Dit iconisch boek uit 1854 is een combinatie observaties van de natuur, sociale kritiek en filosofische inzichten en is een symbool geworden voor duurzaamheid, antikapitalisme en burgerlijke ongehoorzaamheid.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Het is een impressionistisch beeld. De video portretteert iemand die naar de rand van de maatschappij wordt geduwd. Terwijl ik denk dat het iemand is die zich al in de nieuwe wereld bevindt. Hij recupereert alles wat wij wegwerpen. Hij is de nieuwe mens.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eC\u0026rsquo;est lors d\u0026rsquo;une de ses nombreuses promenades le long du canal Anderlecht-Charleroi qu\u0026rsquo;Els Dietvorst rencontre ACM (Art-C\u0026oelig;ur-Merci). Une rencontre qui marque le d\u0026eacute;but d\u0026rsquo;une relation intense. Mais quand Dietvorst va lui rendre visite pour r\u0026eacute;aliser un film, ACM a disparu. En son absence, Dietvorst fait appel \u0026agrave; un acteur et r\u0026eacute;alise le film \u003cem\u003eAs Long as the Blackbird Sings \u003c/em\u003e[Tant que chante le merle], un reflet de la psych\u0026eacute; d\u0026rsquo;ACM, \u0026agrave; la fois forte et fragile. L\u0026rsquo;\u0026oelig;uvre puise son inspiration du roman embl\u0026eacute;matique de Henry David Thoreau publi\u0026eacute; en 1854, \u003cem\u003eWalden\u003c/em\u003e, dans lequel l\u0026rsquo;\u0026eacute;crivain m\u0026ecirc;le observations de la nature, critiques sociales et r\u0026eacute;flexions philosophiques. Un ouvrage entre-temps devenu symbole de d\u0026eacute;veloppement durable, de d\u0026eacute;sob\u0026eacute;issance civile et d\u0026rsquo;anticapitalisme.\u003c/p\u003e\r\n"}]},{"id":11855,"title":"Yellow (Tentoonstelling over Actuele Kunst en Psychiatrie)","dimensions":"24.5 x 17 cm, 93 p, language : Dutch, English, publisher : Openbaar Psychiatrisch Ziekenhuis (OPZ)/Janssen Pharmaceutica N.V., Geel/Beerse, ISBN : 90-805595-3-9","date_begin":"2001-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/461","stream_count_app":20,"permalink":"y-e-l-l-o-w-tentoonstelling-over-actuele-kunst-en-psychiatrie","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/968/medium_500/PAN_AM_BOOK_261_A.jpg?1410526911","cached_actor_names":"Els Dietvorst, Dieter De Vlieghere, Jan Hoet,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/968/large/PAN_AM_BOOK_261_A.jpg?1410526911","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20835,"title":"Koningskinderen","dimensions":"21.5 x 15.5 cm","date_begin":"2004-01-01","material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp ","cached_tag_list":"artist book kunstenaarsboek","publishing_process_id":1,"annotation":"\u003cp\u003eLanguage: Dutch\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher: Brussel: Firefly vzw\u003c/p\u003e\r\n","date_end":null,"reference":"B2009/526","stream_count_app":35,"permalink":"koningskinderen-c6d1a4a4-8818-4a34-89f8-159c5514a51a","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eSynopsis: een afdruk van de workshops met de jongeren\u003c/p\u003e\r\n\r\n\u003cp\u003eHet boekje geeft een weerslag over de workshops met jongeren. Tekeningen, schilderijen en interviews worden door elkaar geweven.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/334/medium_500/20190410144310981_0001.jpg?1554900365","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/334/large/20190410144310981_0001.jpg?1554900365","poster_credits":"(c)Els Dietvorst, photo: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eIn late 2003, Els Dietvorst began a series of surveys and workshops with boys from the locked facility De Hutten in the Municipal Institution for Special Youth Rehabilitation Treatment in Mol. Dietvorst used these conversations as the basis for a colour palette for the doors of the rooms. The project was documented in the book \u003cem\u003eKoningskinderen\u003c/em\u003e (Royal Children) that was created by the boys, and in a film.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls Dietvorst, \u003cem\u003eKoningskinderen\u003c/em\u003e, Firefly vzw (non-profit), Brussels, 2004, ill.; 21,5 cm \u0026times; 16.5 cm, texts: Dutch\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eDe gemeenschapsinstelling voor Bijzondere Jeugdzorg te Mol is een jeugdinstelling voor opvang van jongens van twaalf tot achttien jaar die in een problematische opvoedingssituatie verkeren of een crimineel feit hebben gepleegd. Els Dietvorst startte eind 2003 met een reeks enqu\u0026ecirc;tes en workshops met de jongens van de gesloten afdeling De Hutten. Deze vonden hun neerslag in het boek \u003cem\u003eKoningskinderen\u003c/em\u003e\u0026nbsp;dat door de jongeren is gemaakt, en in een video-documentaire. Beide werden in november 2004, in het Antwerpse MuHKA aan een breed publiek voorgesteld. Anderzijds stelde Els Dietvorst op basis van de enqu\u0026ecirc;tes een kleurenpalet samen voor het schilderen van de kamerdeuren.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEls Dietvorst, \u003cem\u003eKoningskinderen\u003c/em\u003e, Firefly vzw (non-profit), Brussel, 2004, ill.; 21,5 cm \u0026times; 16.5 cm, tekst: Nederlands\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20942,"title":"Els Dietvorst \u0026 Orla Barry 'De Terugkeer van de Zwaluwen - Le Retour des Hirondelles - The Return of the Swallows' (Zwaluwenmagazine)","dimensions":"5 nummers: ill. ; 39,7 x 29,6 cm ","date_begin":"1999-01-01","material":"ink on paper","short_description":"\u003cp\u003eLanguages: Dutch, French, English\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher: Brussel: Firefly vzw\u003c/p\u003e\r\n\r\n\u003cp\u003eThis magazine is a story. A story of people and of a place. The centre of Brussels. The hole between the hills. The Hearts. Les retours des hirondelles. Le retour vers le centre.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":18,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":"2005-01-01","reference":"B2027/458","stream_count_app":93,"permalink":"zwaluwenmagazine","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eDit magazine is een verhaal. Een verhaal over mensen, over een plaats. Het centrum van Brussel. De leegte tussen de heuvels. Het Hart. De Terugkeer van de zwaluwen. De terugkeer naar het centrum.\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"\u003cp\u003eCe magazine est un conte. Un conte de gens et d\u0026#39;un endroit. Le centre de Bruxelles. Le creux entre les collines. Le coeur. Le retour des hirondelles. Le retour vers le centre.\u0026nbsp;\u003c/p\u003e\r\n","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/002/medium_500/20190312134153705_0001.jpg?1552394817","cached_actor_names":"Orla Barry , Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/002/large/20190312134153705_0001.jpg?1552394817","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003eSet of 5 magazines, published in the framework by social projects \u0026#39;De Terugkeer van de zwaluwen\u0026#39;. Layout and texts by the artists.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026#39;The Return of the Swallows\u0026#39;\u0026nbsp;was a social-artistic project that lasted for six years (1999-2005). Els Dietvorst made an exhibition in a gallery in the \u0026#39;Anneessens\u0026#39; district in Brussels, together with a group of \u0026#39;Swallows\u0026#39;, inhabitants of the district. The project resulted in a film.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026#39;The Return of the Swallows\u0026#39; started in 1999 in the Anneessens district, close to the South station of Brussels. Fascinated by this \u0026#39;transit\u0026#39; neighbourhood and the local population, the Belgian artist Els Dietvorst started a new project. With no artistic form or concept in mind Els Dietvorst began researching the \u0026#39;roots\u0026#39; of this area and its inhabitants, the migration streams and the historical background. She found 33 so-called \u0026#39;swallows\u0026#39; from different cultures and social backgrounds to collaborate with her on a six-years project.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe stories and dreams of these swallows are the starting point for this multimedia project, the project gives reality a poetic dimension. From 1999 to 2005, this process resulted in a series of shortfilms, a feature film (\u0026#39;The March, The Burden, The Desert, The Boredom, The Anger\u0026#39;, 2004), publications and photographs. The swallows collaborated in all aspects of the work. \u0026#39;The Return of the Swallows\u0026#39; was finalized in 2006 with a multi-media exhibition in the Palais des Beaux-Arts in Brussels.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDuring the exhibition, \u0026#39;The Return of the Swallows, Five Years in the making in the Palais des Beaux-Arts\u0026#39; (April - May 2005), Firefly presented the records of the project in what they called The Swallow Archives: a mobile structure (resembling a swallow\u0026#39;s nest that can be dismantled and easily set up elsewhere. The \u0026#39;module\u0026#39; can be used in schools, cultural centres, museums and independent artspaces.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp\u003eC\u0026#39;est avec fiert\u0026eacute; que nous nous pr\u0026eacute;sentons le nouveau magazine \u0026#39;Des Hirondelles\u0026#39;. Ce magazine, le quatri\u0026egrave;me et avant-dernier de la s\u0026eacute;rie, suit pas \u0026agrave; pas le projet \u0026#39;Le Retour des Hirondelles\u0026#39;. Textes et images ont \u0026eacute;t\u0026eacute; soigneusement s\u0026eacute;lectionn\u0026eacute;s et rassembl\u0026eacute;s par Orla Barry.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026#39;ensemble du contenu du magazine\u0026nbsp;est consacr\u0026eacute; au processus de la \u0026quot;Playbacknight\u0026quot; qui a \u0026eacute;t\u0026eacute; organis\u0026eacute;e le 31 octobre 2002 de 20h \u0026agrave; 8h du matin au BSBbis. Le podium a \u0026eacute;t\u0026eacute; envahi par les habitants qui se sont inscrits spontan\u0026eacute;ment et ont pu interpr\u0026eacute;ter leur chanson favorite, mais aussi par les acteurs et les participants au projet \u0026quot;le Retour des Hirondelles\u0026quot;. Le public \u0026eacute;tait un m\u0026eacute;lange enthousiaste d\u0026#39;habitants, de fans des interpr\u0026egrave;tes de play back, d\u0026#39;Hirondelles et du public du BSBbis. Le tour des derniers interpr\u0026egrave;tes de play back est venu aux petites heures du matin. Et, \u0026agrave; la fin, les participants ont \u0026eacute;t\u0026eacute; attir\u0026eacute;s par le caf\u0026eacute; et les croissants. Avec \u0026agrave; l\u0026#39;arri\u0026egrave;re plan le podium du play back et face \u0026agrave; la\u0026nbsp;cam\u0026eacute;ra, les acteurs ont jou\u0026eacute; leur r\u0026ocirc;le dans le film pour, de temps \u0026agrave; autre, grimper eux aussi sur le podium pour interpr\u0026eacute;ter un play back. La r\u0026eacute;alit\u0026eacute; et la fiction \u0026eacute;taient devenues r\u0026eacute;alit\u0026eacute; et fiction. (Voir le film \u0026quot;La derni\u0026egrave;re nuit de l\u0026#39;homme de\u0026nbsp;la nuit\u0026quot;. KFDA 2003)\u003c/p\u003e\r\n\r\n\u003cp\u003eLes articles sont de membres de l\u0026#39;\u0026eacute;quipe Orla Barry, Els Dietvorst, Caroline Donnelly, Anna Luyten et de quelques hirondelles: Guiliane Mansard, Rachid Ajerrar, Sarah Lef\u0026egrave;vre et Kito Isimba.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":21025,"title":"Lifted Skull. Proposal for Skull4.","dimensions":"","date_begin":null,"material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003edatum?\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":16,"permalink":"lifted-skull-proposal-for-skull4","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/894/medium_500/Lifted_Skull._Proposal_for_Skull4..jpg?1551196366","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/894/large/Lifted_Skull._Proposal_for_Skull4..jpg?1551196366","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21016,"title":"The Scavenger's Daughter \u0026 White Pompei","dimensions":"","date_begin":"2000-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eDe drie vrouwen van Hal\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":54,"permalink":"de-drie-vrouwen-van-hal","description_ru":"","description_de":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026quot;the three ladies\u0026quot; with no folded arms, standing raised on plinths\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003elooking away, looking down, embarrassed, their backs to the brainless scull\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e- Orla Barry\u003c/strong\u003e\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/961/medium_500/ED_ARC_041_12092019.jpg?1570020321","cached_actor_names":"Els Dietvorst, Orla Barry ","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/961/large/ED_ARC_041_12092019.jpg?1570020321","poster_credits":"(c)Els Dietvorst, photo: Orla Barry, 1999","translations":[{"locale":"en","description":"\u003cp\u003e\u003cbr /\u003e\r\n\u003cstrong\u003e\u0026quot;the three ladies\u0026quot; with no folded arms, standing raised on plinths\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003elooking away, looking down, embarrassed, their backs to the brainless scull\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e- Orla Barry\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026quot;the three ladies\u0026quot; with no folded arms, standing raised on plinths\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003elooking away, looking down, embarrassed, their backs to the brainless scull\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e- Orla Barry\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026quot;the three ladies\u0026quot; with no folded arms, standing raised on plinths\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003elooking away, looking down, embarrassed, their backs to the brainless scull\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e- Orla Barry\u003c/strong\u003e\u003c/p\u003e\r\n"}]},{"id":21138,"title":"I Watched the White Dogs of the Dawn","dimensions":"00:52:25","date_begin":"2018-01-01","material":"digital file (colour, sound)","short_description":"\u003cp\u003eIn Kilmore Quay, the perspective of the fish is the only one that matters. Times were good. There was plenty of money and plenty of work \u0026ndash; until the European fisheries quotas arrived on their shores. Against the backdrop of an Irish fishing village, Els Dietvorst has filmed the second part of her triptych about the relationship between humans and nature.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"\u003cp\u003eTRAILER;\u0026nbsp;In Kilmore Quay, the perspective of the fish is the only one that matters. Times were good. There was plenty of money and plenty of work \u0026ndash; until the European fisheries quotas arrived on their shores. Against the backdrop of an Irish fishing village, Els Dietvorst has filmed the second part of her triptych about the relationship between humans and nature.\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=a2oZuZiuPk4\"\u003ehttps://www.youtube.com/watch?v=a2oZuZiuPk4\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eLINK 2;\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=L4OTIE4CZBo\"\u003ehttps://www.youtube.com/watch?v=L4OTIE4CZBo\u003c/a\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":33,"permalink":"i-watched-the-white-dogs-of-the-dawn-8dbae019-f6c7-43fd-94fc-81c2f6ae6958","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/338/medium_500/els_dietvorst_-_i_watched_the_white_dogs_of_the_dawn_13_%28internetbron%29.jpg?1554898280","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/338/large/els_dietvorst_-_i_watched_the_white_dogs_of_the_dawn_13_%28internetbron%29.jpg?1554898280","poster_credits":"(c) Els Dietvorst / Daria Lihovitskaya","translations":[{"locale":"en","description":"\u003cp\u003eIn \u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e (triptych, part 2), Els Dietvorst addresses the troubles of Irish fishermen in coping with European fishing quotas. She talks to the inhabitants of Kilmore Quay village and provides a rough sketch of the tension underlying the personal and deeply human stories as well as the political-economic context.\u003c/p\u003e\r\n\r\n\u003cp\u003eClick \u003ca href=\"https://www.youtube.com/watch?v=L4OTIE4CZBo\"\u003ehere\u003c/a\u003e to watch an excerpt from\u0026nbsp;\u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e (triptych, part 2).\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eMet haar documentairefilm \u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e\u0026nbsp;heeft Els Dietvorst de Anthropology and Sustainable Development Award (de Prijs voor Antropologie en Duurzame Ontwikkeling) gewonnen op het prestigieuze International Jean Rouch festival in Parijs.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003eAndere regels, andere wetten\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eKlank. Een polyfonie van wind, brekende golven, gekrijs van meeuwen en ratelende schepen. De zee: een plek van herinneringen voor zij die haar overleven, een moeder die ons confronteert met de krachten van de natuur. Breed grijpend en circulerend. Onder haar horizon enkel duisternis, mysterie. De scheiding van lucht en water cre\u0026euml;ert een andere wereld. Waar andere regels en wetten gelden.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn Kilmore Quay telt enkel het perspectief van de vis. Generaties van vissers vingen er kreeften, oesters, makreel en kabeljauw. Ze geloofden dat hun werk een soort bidden was en vingen slechts genoeg om te overleven, om de zee te sparen. De tijden waren goed. Er was genoeg geld en genoeg werk \u0026ndash; totdat de Europese visserijquota hun kust bereikten.\u003c/p\u003e\r\n\r\n\u003cp\u003eTegen de achtergrond van een klein Iers vissersdorp filmt Els Dietvorst het tweede deel van haar triptiek over de mens-natuur-relatie en onze voedselketen.\u0026nbsp;Tijdens Burning Ice #10 toonde ze een\u003cem\u003e\u0026nbsp;work-in-process\u0026nbsp;\u003c/em\u003evan de film als video-installatie.\u003c/p\u003e\r\n\r\n\u003cp\u003e(bron:\u0026nbsp;https://www.kaaitheater.be/nl/agenda/i-watched-the-white-dogs-of-the-dawn-0)\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eKlik hier om een \u003ca href=\"http://I Watched the White Dogs of the Dawn (triptych, part 2)\"\u003eexcerpt\u003c/a\u003e uit \u003cem\u003eI Watched the White Dogs of the Dawn\u0026nbsp;\u003c/em\u003ete bekijken.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":21018,"title":"Ik ga naar mijn kippen [I'm going to my chickens]","dimensions":"","date_begin":"2016-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":25,"platform_id":1,"deleted":false,"asset_count":17,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":65,"permalink":"ik-ga-naar-mijn-kippen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eLuisterspel. In de tekst\u0026nbsp;\u003cem\u003eIk ga naar mijn kippen\u0026nbsp;\u003c/em\u003everweeft ze elementen uit haar periode in Brussel, de verhalen van ACM, met situaties op de Ierse boerderij.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/829/medium_500/20190220161637232_0001_1.jpg?1550678412","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/829/large/20190220161637232_0001_1.jpg?1550678412","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003eNa een reeks ontmoetingen met de Brusselse dakloze \u0026lsquo;acm\u0026rsquo;, schreef Els Dietvorst in 2016 de tekst\u0026nbsp;\u003cstrong\u003e\u003cem\u003eIk ga naar mijn kippen\u003c/em\u003e\u003c/strong\u003e. De tekst is een vervolg op de documentaire-trilogie \u003cem\u003e\u0026#39;ACM - Trilogy\u0026#39;\u003c/em\u003e die ze maakte rond het leven van deze filosoof-zwerver en zijn strijd om een waardig bestaan.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eNa een reeks ontmoetingen met de Brusselse dakloze \u0026lsquo;acm\u0026rsquo;, schreef Els Dietvorst in 2016 de tekst\u0026nbsp;\u003cstrong\u003e\u003cem\u003eIk ga naar mijn kippen\u003c/em\u003e\u003c/strong\u003e. De tekst is een vervolg op de documentaire-trilogie die ze maakte rond het leven van deze filosoof-zwerver en zijn strijd om een waardig bestaan.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":21007,"title":"Skull 1","dimensions":"","date_begin":"1999-01-01","material":"loam, wood, sackcloth","short_description":"\u003cp\u003e\u0026quot;the skull\u0026quot; the empty head of the world\u003c/p\u003e\r\n\r\n\u003cp\u003edead structure, bone and loam\u003c/p\u003e\r\n\r\n\u003cp\u003eeyeless eye sockets, Neanderthal wiped out by man\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ethis same man fighting for existence in a country, already too small for existence\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ethe survival of the fittest, the fittest sculpture\u003c/p\u003e\r\n\r\n\u003cp\u003ethe one that no longer seems to fit\u003c/p\u003e\r\n\r\n\u003cp\u003e- Orla Barry\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":59,"permalink":"skull","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eDietvorst boetseert, met maatschappelijke situaties, maar ook met vergankelijk materiaal als hout en leem. Zo ontstond - in reactie op de oorlogssituaties in ex-Joegoslavi\u0026euml;, Darfur, Irak - de reeks SKULLS. De eerste is een gigantische versie die ze - quasi symbolisch - maakte in haar loods in het hart van het militair domein van Maria Ter Heide. In die schedel kan je binnenstappen en door de tanden kijken, die de vorm van figuurtjes hebben.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/688/medium_500/20190123140646147_0001.jpg?1550054943","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/688/large/20190123140646147_0001.jpg?1550054943","poster_credits":"(c)Els Dietvorst Archief, scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eSculpture is beside drawing, writing and video an important medium in my artpractice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThe first sculpture (SKULL1-1999) was a huge skull, made of wood and loam, build in my studio in Brasschaat (Antwerp) which was on that time in the middle of a military base.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThe form of every skull is based on the skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals. They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin.The Skull-sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eEls Dietvorst\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21017,"title":"The Banker's Head","dimensions":"","date_begin":"2000-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":31,"permalink":"the-banker-s-head","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/212/medium_500/20190327143045348_0017.jpg?1553696466","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/212/large/20190327143045348_0017.jpg?1553696466","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21050,"title":"Sensation (videoloop 'Illusions')","dimensions":"00:10:00","date_begin":"2000-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst, film","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cstrong\u003eeau! eau! eau! Phase 2 / part 2: the videoloops (Illusions) - Videoloop 3: Sensation\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nvideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ED06\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideoloop 3: Gevoel\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026#39;\u003ci\u003eIn de blauwe zomeravonden zal ik lopen langs de paden\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eOmzoomd door koren, mijn voeten gaan over het korte gras/Dromerig zal ik de koelte ervan aan mijn voeten voelen.\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eIk zal de wind mijn blote hoofd laten omspelen\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eIk zal niets denken\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eMaar de oneindige liefde zal in mijn ziel opstijgen\u0026nbsp;\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eEn ik zal ver gaan, heel ver, als een landloper\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eDoor de Natuur - gelukkig als met een vrouw.\u0026#39;\u003c/i\u003e (A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs\u003c/strong\u003e: Bahman Homa, Massimiliani Tocci\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMuziek en zang:\u003c/strong\u003e Bahman Homa\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlaats:\u003c/strong\u003e Brussel\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBahman is van Kirmashan (Iran). Hij is muzikant. Hij wandelde door bergen en rivieren, werd verstopt in fruitwagens en camions, en arriveerde na 23 dagen aan het Zuidstation. Hij betaalde 200.000 BEF voor zijn overtocht en wil niet meer terug naar Iran. Hij heeft het statuut van politiek vluchteling aangevraagd en wacht op een goedkeuring. Wij hopen allen samen met hem. Samen met Bahman hebben we gezocht naar een beeldtaal om zijn lange tocht weer te geven; de broosheid van kaarsen en op het einde van de rit... de sigaret.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideoloop 3: Gevoel\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs\u003c/strong\u003e: Bahman Homa, Massimiliani Tocci\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMuziek en zang:\u003c/strong\u003e Bahman Homa\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlaats:\u003c/strong\u003e Brussel\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":61,"permalink":"sensation-videoloop","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/100/medium_500/20190312135632287_0001.jpg?1553004676","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/100/large/20190312135632287_0001.jpg?1553004676","poster_credits":"(c)Els Dietvorst / scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003eIn January 1999, Els Dietvorst began her multimedia project, \u003cem\u003eThe Return of the Swallows\u003c/em\u003e, in Brussels. During the project\u0026rsquo;s second phase, Els Dietvorst produced three short films: \u003cem\u003eIllusions\u003c/em\u003e in collaboration with the district\u0026rsquo;s inhabitants. Together, they embarked on a quest for new artistic forms and attempt to render the invisible visible. One of the films \u003cem\u003eSensation\u003c/em\u003e is based on the story of Bahman and how he got from from Iran to Belgium.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn January 1999, Els Dietvorst began her multimedia project, \u003cem\u003eThe Return of the Swallows\u003c/em\u003e, in Brussels. During the project\u0026rsquo;s second phase, Els Dietvorst produced three short films: \u003cem\u003eIllusions\u003c/em\u003e in collaboration with the district\u0026rsquo;s inhabitants. Together, they embarked on a quest for new artistic forms and attempt to render the invisible visible. One of the films \u003cem\u003eSensation\u003c/em\u003e is based on the story of Bahman and how he got from from Iran to Belgium.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cem\u003e\u0026#39;Bahman is van Kirmashan (Iran). Hij is muzikant. Hij wandelde door bergen en rivieren, werd verstopt in fruitwagens en camions, en arriveerde na 23 dagen aan het Zuidstation. Hij betaalde 200.000 BEF voor zijn overtocht en wil niet meer terug naar Iran. Hij heeft het statuut van politiek vluchteling aangevraagd en wacht op een goedkeuring. Wij hopen allen samen met hem. Samen met Bahman hebben we gezocht naar een beeldtaal om zijn lange tocht weer te geven; de broosheid van kaarsen en op het einde van de rit... de sigaret.\u0026#39; (ED)\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026#39;\u003ci\u003eIn de blauwe zomeravonden zal ik lopen langs de paden\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eOmzoomd door koren, mijn voeten gaan over het korte gras/Dromerig zal ik de koelte ervan aan mijn voeten voelen.\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eIk zal de wind mijn blote hoofd laten omspelen\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eIk zal niets denken\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eMaar de oneindige liefde zal in mijn ziel opstijgen\u0026nbsp;\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eEn ik zal ver gaan, heel ver, als een landloper\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eDoor de Natuur - gelukkig als met een vrouw.\u0026#39;\u003c/i\u003e (A. Rimbaud)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cstrong\u003eVideoloop 3: Sensation\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026laquo;Par les soirs bleus d\u0026#39;\u0026eacute;t\u0026eacute;, j\u0026#39;irais dans les sentiers\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePicot\u0026eacute; par les bl\u0026eacute;s, fouler l\u0026#39;herbe menue\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eR\u0026ecirc;veur, j\u0026#39;en sentirai la fra\u0026icirc;cheur \u0026agrave; mes pieds\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eJe laisserai le vent baigner ma t\u0026ecirc;te nue\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eJe ne parlerai pas, je ne penserai rien:\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMais l\u0026#39;amour infini me montera dans l\u0026#39;\u0026acirc;me\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eEt j\u0026#39;irai loin, bien loin, comme un boh\u0026eacute;mien\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePar la Nature, - heureux comme avec une femme.\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs:\u003c/strong\u003e Bahman Homa, Massimiliano Tocci\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMusique et chant:\u003c/strong\u003e Bahman Homa\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEndroit: \u003c/strong\u003eBruxelles\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBahman est originaire de Kirmashan (Iran). Il est musicien. Il a travers\u0026eacute;\u0026nbsp;monts et rivi\u0026egrave;res, cach\u0026eacute; dans des camions, et, apr\u0026egrave;s 23 jours, il est arriv\u0026eacute; \u0026agrave; la gare du Midi. Sa travers\u0026eacute;e lui a co\u0026ucirc;t\u0026eacute; 200.000 FB. Il ne veut plus retourner en Iran: il vient de demander le statut de r\u0026eacute;fugi\u0026eacute; politique et attend sa r\u0026eacute;gularisation. Avec lui nous gardons l\u0026#39;espoir! Nous avons\u0026nbsp;cherch\u0026eacute; avec Bahman un langage pour raconter son long voyage, la fragilit\u0026eacute; de chandelles et \u0026agrave; la fin du trajet... la sigarette.\u003c/p\u003e\r\n"}]},{"id":21028,"title":"The Prince (videoloop 'Illusions')","dimensions":"00:10:00","date_begin":"2000-01-01","material":"","short_description":"\u003cp\u003e\u003cbr /\u003e\r\nvideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ED06\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cstrong\u003eeau! eau! eau! Phase 2 / part 2: the videoloops (Illusions) - Videoloop 1: The Prince\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eRole of applicant in the production: director/producer\u003c/p\u003e\r\n\r\n\u003cp\u003eSynopsis: Miguel is a young male prostitute. His dream is to be the Prince of Belgium. Together with him we visit a village in France where is recognised as prince.\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":55,"permalink":"the-prince","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/795/medium_500/2000_DePrins_LePrince_titel.JPG?1569335133","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/008/large/20190312135508221_0001.jpg?1552396140","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026#39;Genoeg gezien. Droomgezichten verschenen bij elk weer.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eGenoeg gehad. Stadsgeruchten s\u0026#39;avonds, en in de zon, en altijd.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eGenoeg gekend. De stilstanden van het leven. - O Geruchten en Gezichten! Vertrek in een nieuwe hartstocht en een nieuw geluid!\u0026#39;\u003c/em\u003e\u0026nbsp;(A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs:\u003c/strong\u003e Miguel Devaux, Sergio Bianchini, Massimiliano Tocci\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlaats:\u003c/strong\u003e Brussel, Charleville-M\u0026eacute;zi\u0026egrave;res\u003c/p\u003e\r\n\r\n\u003cp\u003eMiguel had zijn rol al lang vastgelegd. Hij was voorbestemd om Prins te zijn. Nog het liefst de Prins van Prinses Diana. Maar zij heeft een accident gehad en dus is hij op zoek naar een andere prinses, of andere prins... Hij wandelde Brussel buiten via de Zuidpoort en begon aan zijn lange en vermoeiende tocht naar Charleville-M\u0026eacute;zi\u0026egrave;res. Daar hoopte hij op een ontmoeting met Rimbaud, maar stootte op verre bekenden die hem met open armen ontvingen.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u0026laquo;\u003cem\u003eAssez vu. La vision s\u0026#39;est rencontr\u0026eacute;e \u0026agrave; tous les airs.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eAssez eu. Rumeurs des villes, le soir, et au soleil, et toujours.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eAssez connu. Les arr\u0026ecirc;ts de la vie. \u0026Ocirc; Rumeurs et Visions!\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eD\u0026eacute;part dans l\u0026#39;affection et le bruit neufs!\u003c/em\u003e\u0026raquo;\u0026nbsp;(A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs:\u003c/strong\u003e Miguel Devaux, Sergio Bianchini, Massimiliano Tocci\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEndroit:\u003c/strong\u003e Bruxelles, Charleville-M\u0026eacute;zi\u0026egrave;res\u003c/p\u003e\r\n\r\n\u003cp\u003eMiguel avait d\u0026eacute;j\u0026agrave; fix\u0026eacute; son r\u0026ocirc;le depuis longtemps. Il \u0026eacute;tait destin\u0026eacute; \u0026agrave; \u0026ecirc;tre Prince, de pr\u0026eacute;f\u0026eacute;rence le Prince de la Princesse Diana. Mais malheureusement, elle a eu un accident. Et donc, le voil\u0026agrave; \u0026agrave; la recherche d\u0026#39;une autre princesse, ou d\u0026#39;un autre prince... Il a quitt\u0026eacute; Bruxelles par la Porte du Midi pour entamer son long et fatiguant trajet pour Charleville-M\u0026eacute;zi\u0026egrave;res. Son grand espoir \u0026eacute;tait de rencontrer Rimbaud, mais il est tomb\u0026eacute; sur de vieux amis qui l\u0026#39;ont accueilli \u0026agrave; bras ouverts.\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":21029,"title":"Drunken Morning (videoloop 'Illusions')","dimensions":"00:10:00","date_begin":"2000-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":11,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003evideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ED06\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cstrong\u003eeau! eau! eau! Phase 2 / part 2: the videoloops (Illusions) - Videoloop 2: Drunken Mornings\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eRole of applicant in the production: director/producer\u003c/p\u003e\r\n\r\n\u003cp\u003eSynopsis: A morning in a poor neighbourhood in Brussels, the bakery starts making bread while the cleaners clean the street.\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":120,"permalink":"drunken-morning","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/557/medium_500/2000_DronkenMorgen_MartinD%27Ivresse07.JPG?1568624020","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/006/large/20190312135723930_0001.jpg?1552396021","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003eVideoloop 2: Dronken Morgen\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;O mijn Goedheid! O mijn Schoonheid! Grimmige fanfare waarin ik niet wankel! Sprookjesachtige pijnbank! Hoera voor het ongehoorde werk en voor het wonderbare lichaam, voor het eerst! Het begon in kinderlach, het eindigt daar ook mee...\u0026#39; \u003c/em\u003e(A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs:\u003c/strong\u003e Petit Gilbert, Antonio, Annette \u0026amp; Flocati\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZang:\u003c/strong\u003e Petit Gilbert, Antonio\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlaats:\u003c/strong\u003e Brussel\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe dinsdagochtend is een drukke dag in de Anneessenswijk. De St. Antoniuskerk bereidt zich voor op een hele dag Antoniusverering, de bakkers bereiden hun brood en de marktkramers stallen hun kraampjes uit.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe laatsten van de nacht verdwijnen al neuri\u0026euml;nd. De resten worden weggeveegd door de straatvegers. De ochtend begint met een propere lei. En zie daar is het blauwe licht, het stoot Anneessens van zijn troon... En de nachtegaal zingt... Petit Gilbert wou de nachtegaal van de morgen zijn. Hij wou de stad, zijn stad\u0026nbsp;wakker zingen met oud-Brusselse liedjes. Anneessens kijkt toe en zag dat het goed was. Maar \u0026eacute;\u0026eacute;n bar geeft zich\u0026nbsp;niet gewonnen, het rode hart blijft er branden, de jukebox blijft draaien... een stuk de ochtend in!\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cstrong\u003eVideoloop 2: Matin\u0026eacute;e d\u0026#39;Ivresse\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026laquo;\u0026Ocirc; mon Bien! \u0026Ocirc; mon Beau! Fanfare atroce o\u0026ugrave; je ne tr\u0026eacute;buche point! Chevalet f\u0026eacute;erique! Hourra pour l\u0026#39;oeuvre inou\u0026iuml;e et pour le sorps merveilleux, pour la premi\u0026egrave;re fois! Cela commen\u0026ccedil;a sous les rires des anfants, cela finira par eux...\u0026raquo;\u003c/em\u003e (A. Rimbaud)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActeurs:\u003c/strong\u003e Petit Gilbert, Antonio, Annette \u0026amp; Flocati\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEndroit:\u003c/strong\u003e Bruxelles\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eUn grand merci \u0026agrave; la Ville de Bruxelles pour les balayeurs. Merci \u0026eacute;galement au caf\u0026eacute; \u0026laquo;Rouge et Noir\u0026raquo;, au caf\u0026eacute; \u0026laquo;Le Limousin\u0026raquo; et \u0026agrave; la boulangerie \u0026laquo;Les Amis\u0026raquo;.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMardi matin, le quartier Anneessens est tr\u0026egrave;s anim\u0026eacute;. L\u0026#39;\u0026eacute;glise Saint-Antoine se pr\u0026eacute;pare pour les messes qui durent toute la journ\u0026eacute;e, les boulangers font leurs pains et les commer\u0026ccedil;ants installent leur \u0026eacute;tals au march\u0026eacute;.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLes derniers f\u0026ecirc;tards disparaissent en fredonnant dans la nuit. Les balayeurs nettoient les restes. Le matin commence, sans le poids du pass\u0026eacute;. Et voil\u0026agrave; la lumi\u0026egrave;re bleue qui r\u0026eacute;veille le ciel et d\u0026eacute;tr\u0026ocirc;ne\u0026nbsp;Anneessens... et le rossignol chante....Petit Gilbert aimerait bien \u0026ecirc;tre le rossignol du matin. Il aimerait r\u0026eacute;veiller la ville, sa ville, avec ses vieilles chansons bruxelloises. Anneessens observe et approuve. Toutefois, un bar ne se rend pas \u0026agrave; l\u0026#39;evidence: son coeur rouge continue \u0026agrave; briller, le jukebox continue \u0026agrave; jouer... jusqu\u0026#39;\u0026agrave;u petit matin.\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":21139,"title":"Memento Mori! !iroM otnemeM","dimensions":"01:15:00","date_begin":"2019-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003etheater\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":13,"permalink":"memento-mori-irom-otnemem","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/342/medium_500/a1i0N00000GU3IbQAL-975x445_%28internetbron%29.jpg?1554899150","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eClick \u003ca href=\"https://vimeo.com/368459476\"\u003ehere\u003c/a\u003e to watch the trailer.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eKlik \u003ca href=\"https://vimeo.com/368459476\"\u003ehier\u003c/a\u003e om de trailer te bekijken.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":21222,"title":"Skull 3","dimensions":"","date_begin":"2015-01-01","material":"wood, loam","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eWe met with Els at the Moscow Biennale where she created her work Skull. In the very beginning the idea of our role and input was not quite clear for me, but when she gave a detailed vision of the project, the picture crystalized. Her interpreter and assistant Daria helped us a lot in terms of communication.\u003c/p\u003e\r\n\r\n\u003cp\u003eThis was the first time in my practice that I was to create a sculpture of such an impressive scale. I believe it was fair for each member of our team. Initially the wooden frame was quite far from a skull shape. For 10 days we struggled to achieve the right form, but Els convinced us that a perfect shape was not the heart (major concept) of her work. The essential details of the \u0026ldquo;skull\u0026rdquo; she brought with her. Those were\u0026nbsp;small assorted human shape wooden bars. They served as teeth of the skull and looked like carved chunks with polished heads and pyrographed eyes and noses.\u003c/p\u003e\r\n\r\n\u003cp\u003eAnother challenge of our work was to lift the whole construction for 20-30 сm above the floor. After lots of effort spent we had to face the bitter truth - it was technically impossible. And finally we agreed with Els that we would lift it just 10 сm high.\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe covered the wooden frame with metal gauze and fabrics on top. We had to make several cuts stuffing those with hay where necessary to get the right shape of a skull. When we finished with shaping, we covered the whole sculpture with clay to give a fleur of time and decay.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe had two major goals in our work; the first was to make Els happy with what we do and the second one to amaze the audience. Hopefully we met Els\u0026rsquo;s expectations, as for the second task it\u0026rsquo;s difficult for me to judge.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe language barrier was also quite an issue in our cooperation with Els. But it did not discourage her. She did her best and used gestures and Dasha\u0026rsquo;s help. We were really happy to work with Els and hopefully it was mutual.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp\u003e- Ganiev Suckrob.\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":42,"permalink":"skull-3","description_ru":"","description_de":"\u003cp\u003eThe third \u003cem\u003eSkull\u003c/em\u003e (2015) was made during the ten days of the Moscow Biennal of Contemporary Art and was a metaphor for immigration, respect and human transcendence.\u003c/p\u003e\r\n\r\n\u003cp\u003eSculpture is beside drawing, writing and video an important medium in my artpratice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe form of every skull is based on the Skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals.They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin. The Skull sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u0026nbsp;\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/573/medium_500/EXH_IE_20.jpg?1556544780","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/573/large/EXH_IE_20.jpg?1556544780","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe third \u003cem\u003eSkull\u003c/em\u003e (2015) was made during the ten days of the Moscow Biennal of Contemporary Art and was a metaphor for immigration, respect and human transcendence.\u003c/p\u003e\r\n\r\n\u003cp\u003eSculpture is beside drawing, writing and video an important medium in my artpratice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe form of every skull is based on the Skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals.They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin. The Skull sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eThe third \u003cem\u003eSkull\u003c/em\u003e (2015) was made during the ten days of the Moscow Biennal of Contemporary Art and was a metaphor for immigration, respect and human transcendence.\u003c/p\u003e\r\n\r\n\u003cp\u003eSculpture is beside drawing, writing and video an important medium in my artpratice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe form of every skull is based on the Skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals.They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin. The Skull sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eThe third \u003cem\u003eSkull\u003c/em\u003e (2015) was made during the ten days of the Moscow Biennal of Contemporary Art and was a metaphor for immigration, respect and human transcendence.\u003c/p\u003e\r\n\r\n\u003cp\u003eSculpture is beside drawing, writing and video an important medium in my artpratice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe form of every skull is based on the Skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals.They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin. The Skull sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":20846,"title":"After the Flood [Na de zondvloed, Aprés le déluge]","dimensions":"01:05:00","date_begin":"2002-01-01","material":"digital file (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":38,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"\u003cp\u003eThis film shows fragments of every emotion the actors want to play. Every actor playes an emotion. Leading element is the life of writer Arthur Rimbaud.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003evideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ED 36\u003cbr /\u003e\r\nondertitels Nederlands, stops, without credits / 01:01:51 /\u0026nbsp;subtitles Dutch\u0026nbsp;/\u0026nbsp;stops, without credits\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAVM/Video/238\u0026nbsp; Apr\u0026egrave;s le d\u0026eacute;luge / Na de zondvloed\u0026nbsp;\u0026copy; 2001 00:65:00\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":563,"permalink":"after-the-flood","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/851/medium_500/ED36_09.JPG?1569840155","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/851/large/ED36_09.JPG?1569840155","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eAfter the Flood\u003c/em\u003e consists of numerous pieces of theatre and recitation, with exclusively texts by Arthur Rimbaud. In the process of \u003cem\u003ethe Return of the Swallows\u003c/em\u003e this marks the first time the Swallows leave their neighbourhood to act in the cultural centre of Strombeek-Bever. The decor bathes in only three colours: red, black and white, the favorite colours of both Dietvorst and Rimbaud. Every swallow had the same exposure time.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003eEls Dietvorst\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFase III Apr\u0026egrave;s le d\u0026eacute;luge / After the flood / Na de vloed\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDit is de toonfase (fase 3) van het project \u003cem\u003eDe Terugkeer van de Zwaluwen\u003c/em\u003e van Els Dietvorst. Een project dat diep verankerd is in de wijk rond het Anneessens plein.\u003c/p\u003e\r\n\r\n\u003cp\u003eFase 3 (januari 2001 - januari 2003) loopt over twee jaar, het bundelt de elementen uit de eerste en de tweede fase in een scenario, draaiboek en langspeelfilm. Samen met de wijk en de acteurs maken we het proces mee hoe een film gemaakt wordt, het eerste jaar de voorbereiding, het tweede jaar het filmen zelf. De jukeboxverhalen (gebaseerd op verhalen van wijkbewoners) van Anna Luyten worden verdergezet en vormen een basis voor het scenario. Orla Barry wijdt zich aan twee nieuwe magazines. Els Dietvorst werkt aan de voorbereidingen van acteurs, een film en tekstperformance. Tekstfragmenten uit de wijk worden met flarden Rimbaud geconfronteeerd. Bij al deze processen zijn repetities en workshops een rode draad: ze worden telkens op video opgenomen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn september doken de zwaluwen onder in de kerk St Antonius voor de repetities, in oktober worden er in het CC Strombeek filmstudio\u0026#39;s gebouwd voor filmopnames. (6 oktober - 31 oktober 2001).\u003c/p\u003e\r\n\r\n\u003cp\u003eAl deze opnames worden door elkaar geschud, mixt en getoond in een performance, de acteurs worden hierin losgelaten en aan u voorgesteld!!\u003c/p\u003e\r\n\r\n\u003cp\u003eDeze performance heeft een groot absurd gehalte en vermengt de straat met het podium. Rode draad is Rimbaud, zijn leven en teksten. We zoeken naar een nieuwe communicatie- en beeldtaal waar muziek en ritme mekaar vinden. Het resultaat van dit jaar werk wordt nu getoond in samenwerking met BSBbis in een avondvullend spektakel.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cstrong\u003eEls Dietvorst\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFase III Apr\u0026egrave;s le d\u0026eacute;luge / After the flood / Na de vloed\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eVoici la phase de pr\u0026eacute;sentation (phase 3) du projet \u0026quot;Le Retour des Hirondelles\u0026quot; d\u0026#39;Els Dietvorst, projet profond\u0026eacute;ment ancr\u0026eacute; dans le quartier de la place Anneessens.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLa Phase 3 (janvier 2001 - janvier 2002) s\u0026#39;\u0026eacute;tend sur deux ans et r\u0026eacute;unit les \u0026eacute;l\u0026eacute;ments des deux premi\u0026egrave;res phases dans un sc\u0026eacute;nario, un scripte et un long m\u0026eacute;trage. Avec le quartier et les acteurs, nous suivons le processus de r\u0026eacute;alisation d\u0026#39;un film, de la pr\u0026eacute;paration, la premi\u0026egrave;re ann\u0026eacute;e, au tournage, m\u0026ecirc;me, dans le courant de la deuxi\u0026egrave;me.\u003c/p\u003e\r\n\r\n\u003cp\u003eLes histoires du juke-box (bas\u0026eacute;es sur les r\u0026eacute;cits des habitants du quartier) d\u0026#39;Anna Luyten se prolongent et constituent la base du sc\u0026eacute;nario. Orla Barry se consacre \u0026agrave; deux magazines nouveaux. Els Dietvorst s\u0026#39;occupe de la pr\u0026eacute;paration des acteurs, du film et de performances bas\u0026eacute;es sur des textes. Des fragments de texte tir\u0026eacute;s du contexte du quartier sont confront\u0026eacute;s \u0026agrave; des bribes de Rimbaud. Les r\u0026eacute;p\u0026eacute;titions et ateliers sevent de fil rouge \u0026agrave; tous ces processus: elles font, chaque fois, l\u0026#39;objet d\u0026#39;un enregistrement vid\u0026eacute;o.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAu mois de juillet, des r\u0026eacute;p\u0026eacute;titions ont eu lieu, \u0026quot;live\u0026quot;, \u0026agrave; la place Anneessens. L\u0026#39;interaction \u0026eacute;tait surprenante, l\u0026#39;action \u0026eacute;norme: les \u0026quot;Streettapes\u0026quot; sont l\u0026agrave; pour en t\u0026eacute;moigner.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEn\u0026nbsp;septembre, l\u0026#39;\u0026eacute;glise Saint-Antoine a servi de local de r\u0026eacute;p\u0026eacute;tition; en octobre, des studios de cin\u0026eacute;ma sont construits au Centre Culturel de Strombeek \u0026agrave; des fins de tournage (du 6 au 31 octobre 2001).\u003c/p\u003e\r\n\r\n\u003cp\u003eToutes ces prises de vues sont brass\u0026eacute;es, mix\u0026eacute;es et montr\u0026eacute;es lors d\u0026#39;une performance r\u0026eacute;unissant les acteurs, qui est aussi une occasion de pr\u0026eacute;senter ces derniers.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa performance, \u0026agrave; taux d\u0026#39;absurdit\u0026eacute; \u0026eacute;lev\u0026eacute;, m\u0026eacute;lange la rue \u0026agrave; la sc\u0026egrave;ne. Le fil rouge est Rimbaud, sa vie et ses textes. Le but, la recherche d\u0026#39;un nouvel idiome de communication et d\u0026#39;images dans lequel se rencontrent la musique et le rythme.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe r\u0026eacute;sultat de cette ann\u0026eacute;e de travail vous est montr\u0026eacute; maintenant en collaboration avec le BSBbis, dans un spectacle s\u0026#39;\u0026eacute;tendant sur toute la soir\u0026eacute;e. Fragments de films, photos et rapports vous sont montr\u0026eacute;s dans le acdre d\u0026#39;une exposition. Et on vous pr\u0026eacute;sente le dernier magazine de l\u0026#39;ann\u0026eacute;e!\u003c/p\u003e\r\n"}]},{"id":21762,"title":"Tante Paula beentjes [Aunty Paula Legs]","dimensions":"","date_begin":"2000-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist  ","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"tante-paula-beentjes","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/436/medium_500/ED_FOTO_021_05072019.jpg?1577196709","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/436/large/ED_FOTO_021_05072019.jpg?1577196709","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21750,"title":"One was killed for beauty, the other one was shot, the two others died naturally","dimensions":"variable dimensions","date_begin":"2014-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Mu.Zee, Ostend","cached_tag_list":"sound installation sculpture sound","publishing_process_id":1,"annotation":"","date_end":"2019-01-01","reference":"","stream_count_app":22,"permalink":"one-was-killed-for-beauty-the-other-one-was-shot-the-two-others-died-naturally-5d166e4f-4394-4d64-94d8-facd67bc7bae","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/094/medium_500/Schermafbeelding-2020-02-26-om-14.01.44.png?1685197414","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/094/large/Schermafbeelding-2020-02-26-om-14.01.44.png?1685197414","poster_credits":"(c)Els Dietvorst, photo: Steven Decroos","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\"One was killed for beauty, the other one was shot, the two others died naturally\"\u003c/i\u003e \u0026nbsp;is a sound piece and installation written by Els Dietvorst.\u0026nbsp;\u003cbr\u003eIt was part of her solo exhibition in Argos, Brussels, May 2014 and was re-installed in MUZEE/Ostend during her expo Wintrum Ford in 2019.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eInspired by her life at the farm and texts from Goethe, Goya and the Gilgamesh, Dietvorst writes a fairytale and transforms it into a sound installation. In a dark room, 4 animals are shown as the main character. The animals are stuffed and all had their life on the farm. They are brought to life by a light installation, projected drawings and a sound piece. \u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eClick \u003ca href=\"https://youtu.be/oK5YArCSEfA\"\u003ehere\u003c/a\u003e to listen.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\"One was killed for beauty, the other one was shot, the two others died naturally\"\u003c/i\u003e \u0026nbsp;is a sound piece and installation written by Els Dietvorst.\u0026nbsp;\u003cbr\u003eIt was part of her solo exhibition in Argos, Brussels, May 2014 and was re-installed in MUZEE/Ostend during her expo Wintrum Ford in 2019.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eInspired by her life at the farm and texts from Goethe, Goya and the Gilgamesh, Dietvorst writes a fairytale and transforms it into a sound installation. In a dark room, 4 animals are shown as the main character. The animals are stuffed and all had their life on the farm. They are brought to life by a light installation, projected drawings and a sound piece. \u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eKlik \u003ca href=\"http://youtu.be/oK5YArCSEfA\"\u003ehier\u003c/a\u003e om te luisteren.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":21751,"title":"De denker en het ei","dimensions":"variabel","date_begin":"2000-01-01","material":"wood, loam, jute","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Cera Foundation, Leuven","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"\u003cp\u003eTitel = \u003cstrong\u003eDe denker en het ei\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eCera_0216\u003cbr /\u003e\r\nscreenshot uit\u0026nbsp;CERA_ed_LijstElsDietvorst.pdf\u003cbr /\u003e\r\nhout 20\u0026nbsp;x 40\u0026nbsp;x 22 cm\u003cbr /\u003e\r\nklei - jute 22 x\u0026nbsp;34 x 23 cm\u003cbr /\u003e\r\nhout (geel) 16 x 33 x 16 cm\u003cbr /\u003e\r\nklei (rond) 19 x 85 x 20 cm\u003cbr /\u003e\r\nklei (groot) 40 x 40 x 27 cm\u003cbr /\u003e\r\nhoofd 59 x 59 x 42 cm\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":20,"permalink":"torso-met-hoofden","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/874/medium_500/ED_CERA_0216_DeDenkerEnHetEi.png?1569848002","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/874/large/ED_CERA_0216_DeDenkerEnHetEi.png?1569848002","poster_credits":"(c)Els Dietvorst, photo: CERA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21755,"title":"Swallow Landscape [Zwaluwenlandschap]","dimensions":"00:40:00","date_begin":"2019-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"\u003cp\u003eInstallatie decors Zwaluwen + film \u0026#39;Apr\u0026egrave;s le deluge\u0026#39;\u003c/p\u003e\r\n\r\n\u003cp\u003eNEW WORK to be produced !\u003c/p\u003e\r\n\r\n\u003cp\u003e(bestaande film)\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":23,"permalink":"installatie-decors-zwaluwen-film-apres-le-deluge","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/247/medium_500/05.jpg?1584452224","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/247/large/05.jpg?1584452224","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eDuring the project \u003ci\u003eThe Return of the Swallo\u003c/i\u003ews, Els Dietvorst investigates the \u0026#39;roots\u0026#39; of the Anneessens neighbourhood in Brussels and its inhabitants for four years. It\u0026#39;s a search for individual and collective creation. People from Brussels with different cultural and social backgrounds depict their life experiences using a variety of artistic media. In the next phase of the project, they transcend these realities, incorporating and performing various imagined personalities. Their improvisations, life stories and emotions are woven together into an impressionistic sketch: \u003cb\u003e\u003ci\u003eZwaluwenlandschap \u003c/i\u003e\u003c/b\u003e(Swallows Landscape).\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eTijdens het project \u003cem\u003eDe Terugkeer van de Zwaluwen\u003c/em\u003e onderzoekt Els Dietvorst vier jaar lang de \u0026lsquo;wortels\u0026rsquo; van de Anneessens wijk in Brussel en haar inwoners. Het is een zoektocht naar individuele en collectieve creatie. Mensen uit Brussel met uiteenlopende culturele- en sociale achtergronden verbeelden hun levenservaringen met een variatie aan artistieke media. In een volgende fase van het proces overstijgen ze deze werkelijkheden en voeren ze verschillende ingebeelde persoonlijkheden op. Hun improvisaties, levensverhalen en emoties worden samen geweven tot een impressionistische schets: \u003cstrong\u003e\u003cem\u003eZwaluwenlandschap\u003c/em\u003e\u003c/strong\u003e.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePour son projet \u003cem\u003eDe Terugkeer van de Zwaluwen\u003c/em\u003e [Le retour des hirondelles], Els Dietvorst a examin\u0026eacute; quatre ans durant les \u0026laquo;\u0026nbsp;racines\u0026nbsp;\u0026raquo; du quartier bruxellois Anneessens et de ses habitants. Il s\u0026rsquo;agit d\u0026rsquo;une qu\u0026ecirc;te de cr\u0026eacute;ation individuelle et collective. Des citoyens bruxellois aux ant\u0026eacute;c\u0026eacute;dents socio-culturels divers repr\u0026eacute;sentent leurs exp\u0026eacute;riences de vie \u0026agrave; travers une vari\u0026eacute;t\u0026eacute; de disciplines artistiques. Dans la phase suivante du projet, ils transcendent ces r\u0026eacute;alit\u0026eacute;s et interpr\u0026egrave;tent plusieurs personnages imaginaires. Leurs improvisations, leurs r\u0026eacute;cits de vie et leurs \u0026eacute;motions s\u0026rsquo;entrelacent en une esquisse impressionniste\u0026nbsp;: \u003cstrong\u003e\u003cem\u003eZwaluwenlandschap\u003c/em\u003e\u003c/strong\u003e [Paysage d\u0026rsquo;hirondelles].\u003c/p\u003e\r\n"}]},{"id":21691,"title":"Fox ","dimensions":"16.9 x 12.3 cm","date_begin":"2014-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"\u003cp\u003eBron: catalogus Field Guide Mu.ZEE\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":15,"permalink":"fox-f000cd8d-9bd5-4578-adfe-0ad188bd2c61","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/343/medium_500/ED_TEK_095_05082019.jpg?1567004258","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/343/large/ED_TEK_095_05082019.jpg?1567004258","poster_credits":"(c)Els Dietvorst - scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20976,"title":"Time Is A Book (Time Festival)","dimensions":"34 x 24,5 cm, 34 p.","date_begin":"2009-01-01","material":"ink on paper","short_description":"\u003cp\u003eLanguage: Dutch\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher: Gent: Time Festival vzw\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B2024/469","stream_count_app":17,"permalink":"time-is-a-book-time-festival","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/632/medium_500/Time_is_a_book-_Braeckman_en_Dietvorst.jpg?1549963855","cached_actor_names":"Dirk Braeckman, Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/632/large/Time_is_a_book-_Braeckman_en_Dietvorst.jpg?1549963855","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21747,"title":"Mandrake, Manhole, Bunker, Trou","dimensions":"in situ","date_begin":"1998-01-01","material":"red-black ink on the wall","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy the artist ","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":"2019-01-01","reference":"","stream_count_app":22,"permalink":"dolle-mol","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/782/medium_500/Els_Dietvorst_Dolle_Mol_1998_foto_Orla_Barry_4.jpg?1573767413","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/782/large/Els_Dietvorst_Dolle_Mol_1998_foto_Orla_Barry_4.jpg?1573767413","poster_credits":"Courtesy of the Artist - Photo: Orla Barry","translations":[{"locale":"en","description":"\u003cp\u003eIn 1998, Els Dietvorst presents a pen drawing at the exhibition \u003cem\u003eMandrake, Manhole, Bunker, Trou\u003c/em\u003e, that unfolds on the walls of Brussels bar De Dolle Mol. For \u003cem\u003e*Dooltocht/A desperate quest to find a base for hope\u003c/em\u003e, a new version will be realised in the M HKA. The wall drawing is reminiscent of ancient rock paintings; in it, people, trees and earth seem to be intertwined. The mandragora from the title is a plant that, allegedly, was already described on Assyrian clay tablets in the 15th century BC; in ancient times, magical powers were attributed to its root. But the work might just as well be a vision of the future. Dietvorst advocates a more cyclical approach to the concept of time, in which present, past and future are interconnected.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 1998 presenteert Els Dietvorst op de tentoonstelling \u003cem\u003eMandrake, Manhole, Bunker, Trou\u003c/em\u003e een pentekening die zich op de muren van het Brusselse caf\u0026eacute; De Dolle Mol ontrolt. Voor \u003cem\u003e*Dooltocht/A desperate quest to find a base for hope \u003c/em\u003ewordt een nieuwe versie in het M HKA gerealiseerd. De tekening herinnert aan oeroude rotsschilderingen. Op de muurtekening lijken mensen, bomen en aarde met elkaar verweven te zijn. De mandragora uit de titel is een plant die al in de 15\u003csup\u003ede\u003c/sup\u003e eeuw voor Christus zou zijn beschreven op Assyrische kleitabletten en waarvan de wortel in de oudheid magische krachten werd toegedicht. Maar het werk kan evengoed een visioen van de toekomst zijn. Dietvorst staat een meer cyclische benadering van het concept tijd voor, waarin heden, verleden en toekomst met elkaar verbonden zijn.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026ldquo;Het was heel interessant om dit werk na 15 jaar opnieuw te realiseren. Ik gebruik het druppen van de inkt tijdens het proces van het tekenen, om nieuwe landschappen te cre\u0026euml;ren. De figuren zijn aan het graven. Een groot deel van de tekening speelt zich ondergronds af. Wormen zijn voor mij interessante dieren. Ze zijn in staat tot transformatie. Als ze een deel verliezen, leven ze verder. Ik zie hier afgeknapte boomstamman in. Of mensen die bomen zijn geworden. Bomen en hout zijn voor mij zeer belangrijk. Ik zoek naar de textuur van hout en de structuur van lijnen, die repetitief werken. Mijn hele oeuvre is repetitief opgebouwd, omdat je door veel te herhalen tot een soort zuiverheid kan komen. Ik heb lang gezocht naar inkt met een bloedkleur, maar die vond ik niet. Daarom maak ik mijn inkt zelf. Ik meng een zwarte inkt, die op water gebaseerd is met kalligrafische rode inkt. Na verloop van tijd blijft alleen het rood over, omdat de zwarte inkt onder invloed van het licht verdwijnt. Hierin zit transformatie en vergankelijkheid vervat.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn\u0026nbsp;1998, lors de l\u0026rsquo;exposition \u003cem\u003eMandrake, Manhole, Bunker, Trou\u003c/em\u003e, Els Dietvorst a pr\u0026eacute;sent\u0026eacute; un dessin \u0026agrave; l\u0026rsquo;encre qui se d\u0026eacute;ployait sur les murs du caf\u0026eacute; bruxellois De Dolle Mol. Pour son exposition \u003cem\u003e*Dooltocht/A desperate quest to find a base for hope \u003c/em\u003eau M\u0026nbsp;HKA, elle en r\u0026eacute;alise une nouvelle version. Sur cette peinture murale, qui rappelle les peintures rupestres pr\u0026eacute;historiques, les \u0026ecirc;tres humains, les arbres et la terre paraissent en osmose. La mandragore du titre est une plante d\u0026eacute;crite d\u0026egrave;s le XV\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;si\u0026egrave;cle av. J.-C. sur des tablettes assyriennes en argile. Dans l\u0026rsquo;antiquit\u0026eacute;, on attribuait des propri\u0026eacute;t\u0026eacute;s magiques \u0026agrave; ses racines. Mais cette \u0026oelig;uvre pourrait tout aussi bien repr\u0026eacute;senter une vision de l\u0026rsquo;avenir. Dietvorst adopte une approche plus cyclique du concept \u0026laquo;\u0026nbsp;temps\u0026nbsp;\u0026raquo;, dans laquelle le pr\u0026eacute;sent, le pass\u0026eacute; et le futur s\u0026rsquo;entrem\u0026ecirc;lent.\u003c/p\u003e\r\n"}]},{"id":22182,"title":"Crying Tree","dimensions":"12 x 16.3 cm","date_begin":"2004-01-01","material":"black ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist  ","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"zonder-titel-untitled-10406bd0-fe01-44ca-b5a3-6ffb67983059","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/415/medium_500/ED_TEK_008_02082019.jpg?1568026364","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/415/large/ED_TEK_008_02082019.jpg?1568026364","poster_credits":"(c)Els Dietvorst _ scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22173,"title":"Sappho (Daughters of Zeus)","dimensions":"108 x 75.5 cm","date_begin":"1988-01-01","material":"woodcut; ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection / Courtesy of the Artist ","cached_tag_list":"woodcut","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":21,"permalink":"zonder-titel-untitled-35bec23c-180d-4017-b7f3-42bfcb3cf9e0","description_ru":"","description_de":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Dit is mijn afstudeerwerk aan de academie. Het werd ook op deze manier tentoongesteld. Grafiek in zware, gelaste kaders in het zand. Het staat hier symbool voor het begin van de zoektocht.\u0026rdquo;\u003c/em\u003e (Els Dietvorst)\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/229/medium_500/ED_P_29112019_3_web.jpg?1584443873","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/229/large/ED_P_29112019_3_web.jpg?1584443873","poster_credits":"(c)Els Dietvorst - photo: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Dit is mijn afstudeerwerk aan de academie. Het werd ook op deze manier tentoongesteld. Grafiek in zware, gelaste kaders in het zand. Het staat hier symbool voor het begin van de zoektocht.\u0026rdquo;\u003c/em\u003e (Els Dietvorst)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Dit is mijn afstudeerwerk aan de academie. Het werd ook op deze manier tentoongesteld. Grafiek in zware, gelaste kaders in het zand. Het staat hier symbool voor het begin van de zoektocht.\u0026rdquo;\u003c/em\u003e (Els Dietvorst)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Dit is mijn afstudeerwerk aan de academie. Het werd ook op deze manier tentoongesteld. Grafiek in zware, gelaste kaders in het zand. Het staat hier symbool voor het begin van de zoektocht.\u0026rdquo;\u003c/em\u003e (Els Dietvorst)\u003c/p\u003e\r\n"}]},{"id":22172,"title":"Sappho (Daughters of Zeus)","dimensions":"105 x 75 cm","date_begin":"1988-01-01","material":"woodcut; ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of the Artist / Private Collection","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"\u003cp\u003eImage taken by Lode Geens, production, at the home of Els Dietvorst\u0026#39;s sister, Aug/Sept 2019\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":11,"permalink":"zonder-titel-untitled-23631d10-7e22-4da4-83fb-e8b8c74ab23d","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/240/medium_500/ED_P_29112019_2_web.jpg?1584445542","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/240/large/ED_P_29112019_2_web.jpg?1584445542","poster_credits":"(c)Els Dietvorst - photo: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21102,"title":"Pereman","dimensions":"","date_begin":"2000-01-01","material":"loam","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"\u003cp\u003e(bron; De Morgen, Anne Milkers, 26.6.2000)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eHet vruchtbare Zuid-Haspengouw moet Els Dietvorst hebben ge\u0026iuml;nspireerd. De perenman, een lemen man die haast bezwijkt onder zijn vruchten, is er het sterkste voorbeeld van. Het project vormt tevens de aanleiding tot de uitgave van een boek met tekeningen van Dietvorst en met teksten van Knack-redacteur Jan Braet en van de Ierse kunstenares Orla Barry, die al een tijd in Brussel woont. Het totaalproject speelt in op de locatie en vertoont een hechte betekenissfeer, maar valt visueel wat mager uit.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp data-element-id=\"eeef6e6b-c58c-4f83-ad36-8e4cfd360697\"\u003e\u003cem\u003eMuurtekeningen van Dietvorst waren voor het eerst te zien in 1998 in De Dolle Mol in Brussel. Deze en andere tekeningen zijn nu verzameld in het boek en doen qua vorm en sfeer sterk denken aan de levensgrote in leem of klei gesculpteerde beelden waarmee Dietvorst zich gedurende de laatste tien jaar deed opmerken. Vooral haar projecten in het stadsweefsel van Brussel stoelen op een grote sociale betrokkenheid en spelen in op de identiteit van de locatie. Dat is ook in Sint-Truiden het geval.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp data-element-id=\"4106890a-8ede-4ac1-88f6-4d32939b43ec\"\u003e\u003cem\u003eDe reuzegrote perenman is ontstaan uit een van haar tekeningen. Hij staat opgesteld op een paardenkar in het midden van het plein en verwijst uitdrukkelijk naar de fruitstreek Zuid-Haspengouw. De man bezwijkt haast onder zijn vracht vruchten, zoals de talloze laagstammige fruitbomen die in het voorjaar en de zomer het beeld van de regio domineren. Zijn lemen huid verwijst naar de vruchtbare grond.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp data-element-id=\"fc0e4fe6-5934-4f01-9b36-2438eb2e143a\"\u003e\u003cem\u003eDe lemen man richt zijn blik naar een schacht in de buik van de kerk. ...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp data-element-id=\"fc0e4fe6-5934-4f01-9b36-2438eb2e143a\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp data-element-id=\"fc0e4fe6-5934-4f01-9b36-2438eb2e143a\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDutch title:\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\n\u0026quot;the Pearman\u0026quot; the pears of Limburg hanging from his chest\u003c/p\u003e\r\n\r\n\u003cp\u003ebreasts of unfulfilled love or bankers\u0026#39; bags weigh him down\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe droops MASSIVE\u003c/p\u003e\r\n\r\n\u003cp\u003ehe was pulled in circles around the church in St. Truiden\u003c/p\u003e\r\n\r\n\u003cp\u003eby workhorses with brass buckles, he wobbled would he topple?\u003c/p\u003e\r\n\r\n\u003cp\u003edust is in movement and rain can kill this hefty softy\u003c/p\u003e\r\n\r\n\u003cp\u003e- Orla Barry\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"S0619","stream_count_app":46,"permalink":"the-pearman-de-fruit-carrier-from-limburg","description_ru":"","description_de":"\u003cp\u003e\u003cstrong\u003e\u0026quot;the Pearman\u0026quot; the pears of Limburg hanging from his chest\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ebreasts of unfulfilled love or bankers\u0026#39; bags weigh him down\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ehe droops MASSIVE\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ehe was pulled in circles around the church in St. Truiden\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eby workhorses with brass buckles, he wobbled would he topple?\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003edust is in movement and rain can kill this hefty softy\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e- Orla Barry\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/955/medium_500/ED_ARC_037_12092019_foto-ED.jpg?1570018623","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/181/large/20190327115137609_0001.jpg?1553684190","poster_credits":"(c)scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u0026quot;the Pearman\u0026quot; the pears of Limburg hanging from his chest\u003c/p\u003e\r\n\r\n\u003cp\u003ebreasts of unfulfilled love or bankers\u0026#39; bags weigh him down\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe droops MASSIVE\u003c/p\u003e\r\n\r\n\u003cp\u003ehe was pulled in circles around the church in St. Truiden\u003c/p\u003e\r\n\r\n\u003cp\u003eby workhorses with brass buckles, he wobbled would he topple?\u003c/p\u003e\r\n\r\n\u003cp\u003edust is in movement and rain can kill this hefty softy\u003c/p\u003e\r\n\r\n\u003cp\u003e- Orla Barry\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Ik werk altijd vanuit een specifieke plek en een specifiek moment waarbinnen ik iets schep. Het gaat om een gevoel van hier en nu. De Perenman bezwijkt bijna onder zijn vruchten, zoals fruitbomen in het voorjaar en de zomer. Hij verwijst naar de fruitstreek Zuid-Haspengouw en werd gerealiseerd voor een project in Sint-Truiden.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026quot;the Pearman\u0026quot; the pears of Limburg hanging from his chest\u003c/p\u003e\r\n\r\n\u003cp\u003ebreasts of unfulfilled love or bankers\u0026#39; bags weigh him down\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe droops MASSIVE\u003c/p\u003e\r\n\r\n\u003cp\u003ehe was pulled in circles around the church in St. Truiden\u003c/p\u003e\r\n\r\n\u003cp\u003eby workhorses with brass buckles, he wobbled would he topple?\u003c/p\u003e\r\n\r\n\u003cp\u003edust is in movement and rain can kill this hefty softy\u003c/p\u003e\r\n\r\n\u003cp\u003e- Orla Barry\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u0026quot;the Pearman\u0026quot; the pears of Limburg hanging from his chest\u003c/p\u003e\r\n\r\n\u003cp\u003ebreasts of unfulfilled love or bankers\u0026#39; bags weigh him down\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe droops MASSIVE\u003c/p\u003e\r\n\r\n\u003cp\u003ehe was pulled in circles around the church in St. Truiden\u003c/p\u003e\r\n\r\n\u003cp\u003eby workhorses with brass buckles, he wobbled would he topple?\u003c/p\u003e\r\n\r\n\u003cp\u003edust is in movement and rain can kill this hefty softy\u003c/p\u003e\r\n\r\n\u003cp\u003e- Orla Barry\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":22274,"title":"The Pheasant Plucker's Wife","dimensions":"16.1 x 12.2 cm","date_begin":"2010-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst 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Naast de omheining bevinden zich verschillende kleine figuurtjes\u003c/p\u003e\r\n","date_end":null,"reference":"BK009353-003","stream_count_app":16,"permalink":"zonder-titel-untitled-f27dea25-0460-4ffb-84b7-6f696650552b","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/728/medium_500/ED_TEK_0167_20190902.jpg?1568992636","cached_actor_names":"Els 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De kooi waarin ze Skull 2 plaatst, is een replica daarvan, op mensenmaat gemaakt. Deze skull doet dienst als duiventil. Het werk wordt geinstalleerd op het dakterras van het museum. Rond die skull plaatst ze bankjes waarop mensen kunnen \u0026#39;genieten\u0026#39; van het gevangenschap.\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"S0410","stream_count_app":202,"permalink":"maquette-skull-3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/056/medium_500/Els__Dietvorst_maquette_skull3_photo_clinckx__6.png?1424946711","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/056/large/Els__Dietvorst_maquette_skull3_photo_clinckx__6.png?1424946711","poster_credits":"(c)Els Dietvorst, photo: M HKA, 2008","translations":[{"locale":"en","description":"\u003cp\u003eSculpture is beside drawing, writing and video an important medium in my artpractice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.\u0026nbsp;\u003cem\u003eSkull 2\u003c/em\u003e (2008) was made on the roof of the M HKA, Museum of modern art in Antwerp and was a reaction on the War on terror.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe form of every skull is based on the skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals. They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to \u0026#39;us\u0026#39; the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin.The Skull-sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.\u003c/p\u003e\r\n\r\n\u003cp\u003eEls Dietvorst\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eThe Skulls series is created in reaction to the wars in former Yugoslavia, Darfur and Iraq. The first is a gigantic version created \u0026ndash; almost symbolically \u0026ndash; in a warehouse in the heart of the Maria Ter Heide military base. This skull is large enough to enter, and once inside, you can peer through its teeth, which are formed to look like figures. This Skull is made based on the solitary confinement cages of the Guantanamo prison. The cage in which Maquette: SKULL stands, serves as a dovecote. Dietvorst positions small benches around the Skull, on which people can \u0026lsquo;enjoy\u0026rsquo; the imprisonment.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026ldquo;In 2009, on the roof of M HKA in Antwerp, she exhibited the gigantic work Skull, a figure in a cage, fashioned from mud and wood. This powerfully visual work is Dietvorst\u0026rsquo;s way of reacting to the numerous images of war that the media floods us with. This specific work alludes to Guantanamo; to solitary confinement in cages. Dietvorst made a life-sized model of one of them, inhabited by a gigantic skull. On the roof of the museum, the head appears to be imprisoned in a dovecote, which can be viewed from a nearby bench. After a while, two pigeons built their nest in the cage and hatched out their eggs there \u0026ndash; thus a piece about murder facilitates the creation of new life at a totally different level\u0026hellip;\u0026rdquo;(source; Eva Wittocx, ED2)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eDietvorst boetseert, met maatschappelijke situaties, maar ook met vergankelijk materiaal als hout en leem. Zo ontstond \u0026ndash; in reactie op de oorlogssituaties in ex-Joegoeslavi\u0026euml;, Darfur, Irak \u0026ndash; de reeks \u003cem\u003eSKULLS\u003c/em\u003e. De eerste is een gigantische versie die ze \u0026ndash; quasi symbolisch \u0026ndash; maakte in haar loods in het hart van het militair domein van Maria Ter Heide. In die schedel kan je binnenstappen en door de tanden kijken, die de vorm van figuurtjes hebben. Een tweede kleine versie toonde ze samen met de bijhorende tekeningen in 2006 in de aula van de Universiteit Gent naar aanleiding van de conferentie \u0026lsquo;Making Sense in the City\u0026rsquo;.\u0026nbsp;\u003cbr /\u003e\r\nDe basis van het project dat ze voor het M HKA maakt zijn de \u0026lsquo;solitary confinement cages\u0026rsquo; van Guantanamo. De kooi waarin ze \u003cem\u003eMaquette: SKULL 3\u003c/em\u003e\u0026nbsp;plaatst is een replica daarvan, op mensenmaat gemaakt. Deze skull doet dienst als duiventil. Rond de skull plaatst ze bankjes waarop mensen kunnen \u0026lsquo;genieten\u0026rsquo; van het gevangenschap.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eDietvorst fait du modelage, avec des situations sociales mais aussi avec une mat\u0026eacute;riel \u0026eacute;ph\u0026eacute;m\u0026egrave;re comme le bois et la terre glaise.\u0026nbsp;C\u0026#39;est ainsi qu\u0026#39;est n\u0026eacute;e (en r\u0026eacute;action aux situations de guerre en ex-Yougoslavie, au Darfour, en Irak) la s\u0026eacute;rie \u003cem\u003eSKULLS\u003c/em\u003e. Le premier est une version gigantesque (quasiment symbolique) qu\u0026#39;elle a fabriqu\u0026eacute; dans son hangar au c\u0026oelig;ur du domaine militaire Maria Ter Heide. Vous pouvez entrer dans le cr\u0026acirc;ne et regarder \u0026agrave; travers les dents, qui ont la forme de petits personnages. Elle a pr\u0026eacute;sent\u0026eacute; une deuxi\u0026egrave;me version avec les dessins correspondants en 2006, dans l\u0026#39;amphith\u0026eacute;\u0026acirc;tre de l\u0026#39;Universit\u0026eacute; de Gand suite \u0026agrave; la conf\u0026eacute;rence \u0026lsquo;Making Sense in the City\u0026rsquo;.\u0026nbsp;A la base du projet qu\u0026#39;elle a r\u0026eacute;alis\u0026eacute; pour le M HKA, nous trouvons les \u0026lsquo;solitary confinement cages\u0026rsquo; de Guantanamo. La cage dans laquelle elle place \u003cem\u003eMaquette: SKULL 3\u003c/em\u003e\u0026nbsp;en est une reproduction, \u0026agrave; taille humaine. Ce cr\u0026acirc;ne sert de pigeonnier. L\u0026#39;\u0026oelig;uvre est install\u0026eacute;e sur le toit-terrasse du mus\u0026eacute;e. Autour du cr\u0026acirc;ne, elle place des bancs sur lesquels les gens peuvent \u0026#39;profiter\u0026#39; de la captivit\u0026eacute;.\u003c/p\u003e\r\n"}]},{"id":21753,"title":"Ur / C'est de la Babylone","dimensions":"variable dimensions","date_begin":"2019-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"Els Dietvorst M HKA","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"kruipende-figuren","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/255/medium_500/2020_Els_Dietvorst_photo_M_HKAclinckx_22_web.jpg?1581005637","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/255/large/2020_Els_Dietvorst_photo_M_HKAclinckx_22_web.jpg?1581005637","poster_credits":"(c)Els Dietvorst / photo: M HKA, 2020","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Deze beelden zijn gemaakt uit een houten structuur, stro, kippengaas en leem. Ik wilde werken rond het idee van een exodus. Ik wilde er beweging in steken. Het is een vloot van mensen onderweg naar iets. Ze zijn op weg naar buiten. Mijn werk speelt zich eigenlijk af buiten de muren van het museum. Ik wil de muren openbreken. De beeldengroep heeft alles in zich om een desperaat werk te zijn, maar het is een werk van hoop geworden. Door bijvoorbeeld de kleine engel voorop te laten gaan. Verschillende figuren trekken ook iets mee, eten bijvoorbeeld. Of omgekeerd, worden door iets meegetrokken. Mijn werk gaat ook over fragiliteit. Dat was met deze beelden ook zo. Soms was het nodig om de arm of het been van beeld te breken om tot de juiste houding te komen. Hierbij is de zwaartekracht mijn \u003c/em\u003epartner in crime\u003cem\u003e.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":22964,"title":"Beast","dimensions":"variable dimensions","date_begin":"1993-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":"1994-01-01","reference":"","stream_count_app":13,"permalink":"beast","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/260/medium_500/Els_Dietvorst_Veronika_Pot_Beest_1.jpg?1584456077","cached_actor_names":"Veronika  Pot, Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/052/260/large/Els_Dietvorst_Veronika_Pot_Beest_1.jpg?1584456077","poster_credits":"(c)Els Dietvorst \u0026 Veronika Pot","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21013,"title":"Engel [Angel]","dimensions":"","date_begin":"2001-01-01","material":"loam, wood, sackcloth","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":16,"stream_count":0,"collection":"Stad Antwerpen, in langdurige bruikleen in M HKA","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"\u003cp\u003ealternatieve titel:\u0026nbsp;Zonder titel (meisjesfiguur met gespreide armen)\u0026nbsp;\u003c/p\u003e","date_end":null,"reference":"SCA0006","stream_count_app":125,"permalink":"zonder-titel-6c8a1fe6-f41a-4794-9883-39db498ea106","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eDe menselijke kwetsbaarheid is een hoofdthema in\u0026nbsp;zowel de sculpturen als de sociale projecten van Els Dietvorst. Dit beeld, een in leem geboetseerde meisjesfiguur zonder gezicht en met gespreide armen, waarvoor een stoel als sokkel dienst doet, is voor Dietvorst een symbool van vrijheid.\u0026nbsp;\u003c/p\u003e","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/956/medium_500/Els_Dietvorst0042.jpg?1574762191","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/956/large/Els_Dietvorst0042.jpg?1574762191","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e“De hele tentoonstelling is een ode aan mijn tante Paula. Ze had osteoporosis imperfecta, waardoor ze altijd in een rolstoel zat. Ze was veel bezig met meditatie en kunst. Ze heeft me erg geïnspireerd en is één van de redenen waarom ik kunstenaar geworden ben. Ze heeft me doen beseffen dat een imperfect lichaam fantastisch mooi kan zijn. Zo heb ik ook mijn fascinatie voor fragiliteit meegekregen. Als kind werkte ik tijdens vakanties in het zorgcentrum waar tante Paula verbleef. Er woonden zowel mensen met een fysieke als mensen met een mentale beperking. De vakanties waren van zo’n schoonheid en zo’n menselijkheid dat ze me altijd zijn bijgebleven. Met dit beeld laat ik tante Paula vliegen. Ik maak er een engel van. Ze staat klaar om op te stijgen.”\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eED\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":23236,"title":"Now!","dimensions":"","date_begin":"2020-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAur\u0026eacute;lie Di Marino\u003c/p\u003e\r\n\r\n\u003cp\u003eGat in de muur.\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":5,"permalink":"now","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22369,"title":"Mandrake, Manhole, Bunker, Trou","dimensions":"16 x 12.5 cm","date_begin":"2003-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"zonder-titel-untitled-e54355df-901b-4356-b843-be5310746462","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/720/medium_500/ED_TEK_0159_20190902.jpg?1568991665","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/720/large/ED_TEK_0159_20190902.jpg?1568991665","poster_credits":"(c)Els Dietvorst - photo: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":23232,"title":"The Dance of the Thatcher","dimensions":"00:40:00","date_begin":"2019-01-01","material":"digital file","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"film","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":28,"permalink":"the-dance-of-the-thatcher","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/962/medium_500/CORN_DOLLIES.jpg?1580474781","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/962/large/CORN_DOLLIES.jpg?1580474781","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eFor \u003cem\u003eThe Dance of the Thatcher\u003c/em\u003e, Dietvorst follows Matt, a thatcher, for eight years during his work. Thatching is an old craft and a profession that is threatened by current socio-economic conditions. Matt\u0026#39;s way of life is at odds with today\u0026#39;s super-fast and virtual world. In his world, knowledge is acquired through action and words are sparingly spoken. Traditions and rituals are not in the service of capital or ideology, but of life itself. The film fits in with Dietvorst\u0026#39;s interest in phenomena that are being ignored by modern progress ideology.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eVoor \u003cem\u003eThe Dance of the Thatcher\u003c/em\u003e volgt Dietvorst Matt, een rietdekker, gedurende acht jaar tijdens zijn werk. Rietdekken is een oud ambacht en een beroep dat bedreigd wordt door de huidige socio-economische omstandigheden. De manier van leven van Matt staat haaks op de razendsnelle en virtuele wereld van vandaag. In zijn wereld wordt kennis verworven door te handelen en worden woorden spaarzaam uitgesproken. Tradities en rituelen staan er niet in dienst van kapitaal of ideologie, maar van het leven zelf. De film kadert binnen de interesse van Dietvorst in fenomenen die worden genegeerd door de moderne vooruitgangsideologie.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eDans \u003cem\u003eThe Dance of the Thatcher\u003c/em\u003e [La Danse du chaumier], Dietvorst suit pendant huit ans le travail de Matt, un chaumier. Couvrir de chaume des toits est un m\u0026eacute;tier ancien, que les conditions socio-\u0026eacute;conomiques actuelles menacent de disparition. Le mode de vie de Matt est en contradiction avec le monde virtuel et fulgurant d\u0026rsquo;aujourd\u0026rsquo;hui. Dans son monde, la connaissance s\u0026rsquo;acquiert par l\u0026rsquo;exp\u0026eacute;rience et les mots sont prononc\u0026eacute;s avec parcimonie. Les traditions et les rituels ne sont pas au service du capital ou d\u0026rsquo;une id\u0026eacute;ologie, mais de la vie elle-m\u0026ecirc;me. Ce film cadre avec l\u0026rsquo;int\u0026eacute;r\u0026ecirc;t de Dietvorst pour des ph\u0026eacute;nom\u0026egrave;nes dont l\u0026rsquo;id\u0026eacute;ologie moderne du progr\u0026egrave;s fait fi.\u003c/p\u003e\r\n"}]},{"id":23238,"title":"Vive la Démocracie","dimensions":"00:60:00","date_begin":"2002-01-01","material":"digital file","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"film","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"vive-la-democracie","description_ru":"","description_de":"\u003cp\u003e\u003cem\u003eVive la D\u0026eacute;mocracie\u003c/em\u003e is a monologue based on the life story of Kokou Zokli, who fled from Togo. Together with Kokou, Els Dietvorst processed his story of migration to a monologue and film; Kokou filmed his own footage of a demonstration in Togo as the backbone.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst and Dan Zokli.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/984/medium_500/democratie1.jpg?1580478417","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/984/large/democratie1.jpg?1580478417","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eVive la D\u0026eacute;mocracie\u003c/em\u003e is a monologue based on the life story of Kokou Zokli, who fled from Togo. Together with Kokou, Els Dietvorst processed his story of migration to a monologue and film; Kokou filmed his own footage of a demonstration in Togo as the backbone.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst and Dan Zokli.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eVive la D\u0026eacute;mocracie\u003c/em\u003e is een monoloog gebaseerd op het levensverhaal van Kokou Zokli, die vluchtte uit Togo. Samen met Kokou vertaalde Dietvorst zijn verhaal over migratie naar een theatermonoloog en een film. Door Kokou zelf gefilmde beelden van een demonstratie in Togo vormen de ruggengraat.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst and Dan Zokli.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003eVive la d\u0026eacute;mocratie\u003c/em\u003e est un monologue inspir\u0026eacute; de l\u0026rsquo;histoire de Kokou Zokli, un r\u0026eacute;fugi\u0026eacute; originaire du Togo. Avec Kokou, Dietvorst a transpos\u0026eacute; son histoire de migration en monologue th\u0026eacute;\u0026acirc;tral et en film dont la trame de fond se compose d\u0026rsquo;images d\u0026rsquo;une manifestation au Togo que Kokou a film\u0026eacute;es lui-m\u0026ecirc;me.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst and Dan Zokli.\u003c/p\u003e\r\n"}]},{"id":23237,"title":"Now!","dimensions":"","date_begin":"2020-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"soundpiece","publishing_process_id":1,"annotation":"\u003cp\u003eGeluidswerk\u003c/p\u003e\r\n\r\n\u003cp\u003e(water in emmer)\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":8,"permalink":"now-1c180601-0e39-4f29-9b60-3490ebf6aa23","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/254/medium_500/2020_Els_Dietvorst_photo_M_HKAclinckx_1_2_4_web.jpg?1581003224","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/254/large/2020_Els_Dietvorst_photo_M_HKAclinckx_1_2_4_web.jpg?1581003224","poster_credits":"(c)Els Dietvorst / photo: M HKA, 2020","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":23234,"title":"First Impressions","dimensions":"00:05:00","date_begin":"2011-01-01","material":"digital file","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"film","publishing_process_id":1,"annotation":"","date_end":"2012-01-01","reference":"","stream_count_app":26,"permalink":"first-impressions","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/974/medium_500/IMG_2391.jpeg?1580476804","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/974/large/IMG_2391.jpeg?1580476804","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eIn 2010, Dietvorst moves to Ireland. \u003cem\u003eFirst Impressions \u003c/em\u003efollows the seasons and changes in the garden for a year, from the same camera angle.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026ldquo;I don\u0026rsquo;t think I\u0026rsquo;ve ever learned so much as in these last ten years: living with the seasons, growing vegetables, appreciating weeds, squeezing caterpillars, killing ducks, plucking chickens, snaring rabbits, and driving a tractor. And what it means to live, love and die with nature.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 2010 verhuist Dietvorst naar Ierland. \u003cem\u003eFirst Impressions\u003c/em\u003e volgt de seizoenen \u0026nbsp;en veranderingen in de tuin gedurende een jaar vanuit hetzelfde camerastandpunt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026ldquo;Ik heb waarschijnlijk nog nooit zoveel geleerd als tijdens die afgelopen tien jaar: leven op het ritme van de seizoenen, groenten kweken, onkruid beminnen, rupsen doodknijpen, eenden slachten, kippen plukken, konijnen strikken, een tractor besturen en vooral leven, liefhebben en sterven met de natuur.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn\u0026nbsp;2010, Dietvorst d\u0026eacute;m\u0026eacute;nage en Irlande. \u003cem\u003eFirst Impressions\u003c/em\u003e [Premi\u0026egrave;res impressions] suit, \u0026agrave; partir du m\u0026ecirc;me point de vue de la cam\u0026eacute;ra, les saisons et les changements du jardin au cours d\u0026rsquo;une ann\u0026eacute;e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;Je n\u0026rsquo;ai sans doute jamais tant appris qu\u0026rsquo;au cours des dix derni\u0026egrave;res ann\u0026eacute;es\u0026nbsp;: vivre au rythme des saisons, cultiver des l\u0026eacute;gumes, sarcler des mauvaises herbes, \u0026eacute;craser des chenilles, abattre des canards, plumer des poules, pi\u0026eacute;ger des lapins, conduire un tracteur, et surtout vivre, aimer et mourir avec la nature.\u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"}]},{"id":23192,"title":"*Dooltocht / A desperate quest to find a base for hope","dimensions":"63.5 x 70.5 cm","date_begin":"2019-01-01","material":"bister on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cstrong\u003eMentioned in Adlib as \u0026#39;Boom\u0026#39; (inv. no. S0621)\u003c/strong\u003e\u003c/p\u003e\r\n","date_end":null,"reference":" S0621","stream_count_app":9,"permalink":"dooltocht-a-desperate-quest-to-find-a-base-for-hope-d32b381d-3f12-41ca-bf75-ae456e3d5613","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/702/medium_500/ED_TEK_BOOM_1122019_web.jpg?1579706845","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/702/large/ED_TEK_BOOM_1122019_web.jpg?1579706845","poster_credits":"(c)image: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":23745,"title":"Drijfhout [Driftwood]","dimensions":"","date_begin":"2019-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":25,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"driftwood-08c4db5a-981a-4b91-ad34-950e4c6451ac","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/093/medium_500/mementomori_6_c_wannes_cre.jpg?1685196402","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/093/large/mementomori_6_c_wannes_cre.jpg?1685196402","poster_credits":"(c)Els Dietvorst / Aurelie di Marino, photo: Wannes Cre","translations":[{"locale":"en","description":"\u003cp\u003eAfter a series of meetings with \u0026ldquo;ACM\u0026rdquo;, a homeless person living in Brussels, Els Dietvorst wrote the monologue \u003cem\u003eIk ga naar mijn kippen\u003c/em\u003e (I\u0026rsquo;m going to my chickens) three years ago, for Dirk Roofthooft. The text is a continuation of the documentary trilogy she made about the life of this philosopher-wanderer and his struggle for a decent life. When Dietvorst worked on one of her Skull sculptures for the Moscow Biennale two years later, her brother was dying. This experience led her to write a monologue: \u003cem\u003eDriftwood\u003c/em\u003e.\u003cbr /\u003e\r\n\u003cem\u003eDriftwood\u003c/em\u003e is a monologue for Aurelie di Marino that premiered at Kaaitheatre in Brussels, in 2019.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDRIFTWOOD\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am dead\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am stiff\u003c/p\u003e\r\n\r\n\u003cp\u003eI am cold\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI\u0026rsquo;ve always had a thing with death\u003c/p\u003e\r\n\r\n\u003cp\u003eon my tenth birthday I was given my first animal\u003c/p\u003e\r\n\r\n\u003cp\u003ea hamster\u003c/p\u003e\r\n\r\n\u003cp\u003eit died within a year\u003c/p\u003e\r\n\r\n\u003cp\u003ethe day before she had been spinning joyfully in the wheel\u003c/p\u003e\r\n\r\n\u003cp\u003ein the morning she lay on her back\u003c/p\u003e\r\n\r\n\u003cp\u003ewith her paws in the air\u003c/p\u003e\r\n\r\n\u003cp\u003emy mother threw her in the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI have known where truth lives, ever since\u003c/p\u003e\r\n\r\n\u003cp\u003ein the black hole of the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWhat did I do wrong?\u003c/p\u003e\r\n\r\n\u003cp\u003eI know my priorities\u003c/p\u003e\r\n\r\n\u003cp\u003eI respect my fellow man\u003c/p\u003e\r\n\r\n\u003cp\u003eI never hurt anyone\u003c/p\u003e\r\n\r\n\u003cp\u003esometimes though\u003c/p\u003e\r\n\r\n\u003cp\u003ewhen the humiliation gets too great\u003c/p\u003e\r\n\r\n\u003cp\u003ethen I\u0026rsquo;ll twist a hand\u003c/p\u003e\r\n\r\n\u003cp\u003eor do a snake\u0026rsquo;s grip\u003c/p\u003e\r\n\r\n\u003cp\u003eor a knuckle rap\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eNothing too serious\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI must admit\u003c/p\u003e\r\n\r\n\u003cp\u003esometimes I am afraid\u003c/p\u003e\r\n\r\n\u003cp\u003ethe white canvas gawks at me\u003c/p\u003e\r\n\r\n\u003cp\u003eI do not wish to be second rate\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eYou have to stay alert\u003c/p\u003e\r\n\r\n\u003cp\u003epinch yourself in the jaw\u003c/p\u003e\r\n\r\n\u003cp\u003efly up and down acrobatically\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIf you\u0026rsquo;re not careful\u003c/p\u003e\r\n\r\n\u003cp\u003ethere is a chance\u003c/p\u003e\r\n\r\n\u003cp\u003ethat you end up choosing the wrong life for yourself\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eYou have to eat\u003c/p\u003e\r\n\r\n\u003cp\u003ebefore you get eaten\u003c/p\u003e\r\n\r\n\u003cp\u003ethat\u0026rsquo;s how IT works\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIT takes possession of you\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIT sits like a louse on your skin\u003c/p\u003e\r\n\r\n\u003cp\u003eIT makes you believe you need all kinds of things to exist\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWhere is my brother?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI hope I get killed\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBy a falling tree\u003c/p\u003e\r\n\r\n\u003cp\u003eor just by accident\u003c/p\u003e\r\n\r\n\u003cp\u003ein a sudden effacement\u003c/p\u003e\r\n\r\n\u003cp\u003eI hate the idea that the cause could be an apparatus\u003c/p\u003e\r\n\r\n\u003cp\u003ea car or blender or circular saw\u003c/p\u003e\r\n\r\n\u003cp\u003ethey make too much noise\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAn artist is what I am\u003c/p\u003e\r\n\r\n\u003cp\u003ea small artist\u003c/p\u003e\r\n\r\n\u003cp\u003eone day I will grow big\u003c/p\u003e\r\n\r\n\u003cp\u003ean estate in my name\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI paint every day\u003c/p\u003e\r\n\r\n\u003cp\u003ein the attic\u003c/p\u003e\r\n\r\n\u003cp\u003eI sometimes wear the same clothes for weeks\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI eat crusts of bread\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd drink only tepid milk\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd then\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eRed\u003c/p\u003e\r\n\r\n\u003cp\u003eGreen\u003c/p\u003e\r\n\r\n\u003cp\u003eBlue\u003c/p\u003e\r\n\r\n\u003cp\u003eRed\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEvery canvas is a major work of art\u003c/p\u003e\r\n\r\n\u003cp\u003enever been made before by anyone\u003c/p\u003e\r\n\r\n\u003cp\u003eI am inspired\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI don\u0026rsquo;t want to show anyone\u003c/p\u003e\r\n\r\n\u003cp\u003ethis will make history\u003c/p\u003e\r\n\r\n\u003cp\u003eI believe in my grandeur\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI cannot part with this\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThey say\u003c/p\u003e\r\n\r\n\u003cp\u003eyou have to sell it\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eyou have to sell it\u003c/p\u003e\r\n\r\n\u003cp\u003eyou have to hang it on our walls\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBut I get nervous from such expectations\u003c/p\u003e\r\n\r\n\u003cp\u003eAll that excitement makes me want to go to the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003eCrusts of bread and milk mixed in with the lukewarm smell of piss\u003c/p\u003e\r\n\r\n\u003cp\u003eI can smell my own fear\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI put on my best suit\u003c/p\u003e\r\n\r\n\u003cp\u003eThe evenings are full of gold and glitter\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEverything is vanity\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThat\u0026rsquo;s how it goes every time\u003c/p\u003e\r\n\r\n\u003cp\u003eevery time I start again\u003c/p\u003e\r\n\r\n\u003cp\u003eI make something else\u003c/p\u003e\r\n\r\n\u003cp\u003eI believe in grandeur\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBut I know that one day it will all be over\u003c/p\u003e\r\n\r\n\u003cp\u003ethe hall is emptying out\u003c/p\u003e\r\n\r\n\u003cp\u003eI can see it in their faces\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThey say\u003c/p\u003e\r\n\r\n\u003cp\u003eit\u0026rsquo;s bad\u003c/p\u003e\r\n\r\n\u003cp\u003eit\u0026rsquo;s not of this time\u003c/p\u003e\r\n\r\n\u003cp\u003eit no longer fits on the walls\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAm I a master or am I a subject?\u003c/p\u003e\r\n\r\n\u003cp\u003eam I eating or am I being eaten?\u003c/p\u003e\r\n\r\n\u003cp\u003eis it masturbation or meditation?\u003c/p\u003e\r\n\r\n\u003cp\u003eam I a monk or a mule?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWhere is my brother?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI rush up to the attic\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI throw Red Blue Green onto the canvas\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003epush my hand in\u003c/p\u003e\r\n\r\n\u003cp\u003eBrown, Dark brown\u003c/p\u003e\r\n\r\n\u003cp\u003ethe canvas gapes at me like a Dark Brown hole\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI pour all the paint on the ground\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBrown\u003c/p\u003e\r\n\r\n\u003cp\u003eI smear the paste on my face\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eand roll in it with my whole body\u003c/p\u003e\r\n\r\n\u003cp\u003eBrown\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThen I ask myself\u003c/p\u003e\r\n\r\n\u003cp\u003ewhat on earth am I doing?\u003c/p\u003e\r\n\r\n\u003cp\u003ewhat is the point?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEverything will one day disappear\u003c/p\u003e\r\n\r\n\u003cp\u003eso will I\u003c/p\u003e\r\n\r\n\u003cp\u003eso will you\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI start anew\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am going to do IT differently\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI will put on a blue suit\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI enter into something grand\u003c/p\u003e\r\n\r\n\u003cp\u003elike a church but without faith\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI work\u003c/p\u003e\r\n\r\n\u003cp\u003eI hit nails into walls\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to change things\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to share\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to smear\u003c/p\u003e\r\n\r\n\u003cp\u003eI smear mud onto a large sculpture\u003c/p\u003e\r\n\r\n\u003cp\u003ethat looks like a human skull\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eNow I am a servant of the arts\u003c/p\u003e\r\n\r\n\u003cp\u003eI work from nine to five\u003c/p\u003e\r\n\r\n\u003cp\u003eI close the door behind me\u003c/p\u003e\r\n\r\n\u003cp\u003eI climb ladders\u003c/p\u003e\r\n\r\n\u003cp\u003eI hang from ropes\u003c/p\u003e\r\n\r\n\u003cp\u003eI am in the mood\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMy brother is attached to a machine\u003c/p\u003e\r\n\r\n\u003cp\u003ewith plastic tubes\u003c/p\u003e\r\n\r\n\u003cp\u003ehe says\u003c/p\u003e\r\n\r\n\u003cp\u003estick out your arms\u003c/p\u003e\r\n\r\n\u003cp\u003eturn them round\u003c/p\u003e\r\n\r\n\u003cp\u003elay them on mine\u003c/p\u003e\r\n\r\n\u003cp\u003edon\u0026rsquo;t forget the swallows\u003c/p\u003e\r\n\r\n\u003cp\u003eI can see them flying but I can\u0026rsquo;t reach them\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThere is a tall man\u003c/p\u003e\r\n\r\n\u003cp\u003eHe is lighting the fire\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003esharing his food\u003c/p\u003e\r\n\r\n\u003cp\u003epouring tea\u003c/p\u003e\r\n\r\n\u003cp\u003ewhispering in riddles\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWater, liGht AND WARMTH ARE THE DRIVING FORCES BEHIND THE UNVEILING\u003c/p\u003e\r\n\r\n\u003cp\u003eSacramentAL GESTURES HOLD A PROMISE FOR THE EVERYDAY\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMy brother can no longer eat\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eno longer drink\u003c/p\u003e\r\n\r\n\u003cp\u003ewhat do you long for most\u003c/p\u003e\r\n\r\n\u003cp\u003eI \u003ca\u003easked\u003c/a\u003e\u003ca href=\"#_msocom_1\" id=\"_anchor_1\" name=\"_msoanchor_1\" uage=\"JavaScript\"\u003e[KM1]\u003c/a\u003e\u0026nbsp; him\u003c/p\u003e\r\n\r\n\u003cp\u003ehe said\u003c/p\u003e\r\n\r\n\u003cp\u003ea glass of water\u003c/p\u003e\r\n\r\n\u003cp\u003ea glass of water\u003c/p\u003e\r\n\r\n\u003cp\u003eI would commit a murder for a glass of water\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe smear more mud\u003c/p\u003e\r\n\r\n\u003cp\u003eThe sculpture is getting bigger\u003c/p\u003e\r\n\r\n\u003cp\u003eit\u0026rsquo;s growing\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eA young woman is looking at me\u003c/p\u003e\r\n\r\n\u003cp\u003eshe stretches out her arms\u003c/p\u003e\r\n\r\n\u003cp\u003eturns her hands around\u003c/p\u003e\r\n\r\n\u003cp\u003eshows them\u003c/p\u003e\r\n\r\n\u003cp\u003eturns them around again\u003c/p\u003e\r\n\r\n\u003cp\u003eand says\u003c/p\u003e\r\n\r\n\u003cp\u003eI am the echo\u003c/p\u003e\r\n\r\n\u003cp\u003eI come from a country\u003c/p\u003e\r\n\r\n\u003cp\u003eWhere they chop your body to pieces\u003c/p\u003e\r\n\r\n\u003cp\u003eIf you tell the truth\u003c/p\u003e\r\n\r\n\u003cp\u003eThey threw my child out of the window\u003c/p\u003e\r\n\r\n\u003cp\u003eI didn\u0026rsquo;t want to escape\u003c/p\u003e\r\n\r\n\u003cp\u003eI made myself ugly\u003c/p\u003e\r\n\r\n\u003cp\u003eSmeared shit all over me\u003c/p\u003e\r\n\r\n\u003cp\u003ewalked for two weeks\u003c/p\u003e\r\n\r\n\u003cp\u003ewith my cow in the forest\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe have to be quiet to hear\u003c/p\u003e\r\n\r\n\u003cp\u003ewhat the tall man is saying\u003c/p\u003e\r\n\r\n\u003cp\u003ehe is whispering\u003c/p\u003e\r\n\r\n\u003cp\u003ehe has a swallow in his hand\u003c/p\u003e\r\n\r\n\u003cp\u003ehe points as he speaks\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE NAILS HAVE ELVES\u0026rsquo; HEADS\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE SKULL IS THE HIDING PLACE\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE TEETH ARE MADE OF DRIFTWOOD\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMy brother says\u003c/p\u003e\r\n\r\n\u003cp\u003ego and find the truth\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eworking together has in it the possibility of dreaming\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI start to feel unwell\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewalk to the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003eI shout\u003c/p\u003e\r\n\r\n\u003cp\u003emy brother is dying!\u003c/p\u003e\r\n\r\n\u003cp\u003emy brother is dying!\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eOn the way downstairs\u003c/p\u003e\r\n\r\n\u003cp\u003eI bump into a man\u003c/p\u003e\r\n\r\n\u003cp\u003ehe is glowing\u003c/p\u003e\r\n\r\n\u003cp\u003ehe says\u003c/p\u003e\r\n\r\n\u003cp\u003eI am the forgotten one\u003c/p\u003e\r\n\r\n\u003cp\u003eI come from a land\u003c/p\u003e\r\n\r\n\u003cp\u003ewhere poison drips from pipes\u003c/p\u003e\r\n\r\n\u003cp\u003eI have seen people with holes in their bodies\u003c/p\u003e\r\n\r\n\u003cp\u003edogs became wolves\u003c/p\u003e\r\n\r\n\u003cp\u003ecats ate their own kittens\u003c/p\u003e\r\n\r\n\u003cp\u003eI am empty\u003c/p\u003e\r\n\r\n\u003cp\u003eI have neither ambition nor desire\u003c/p\u003e\r\n\r\n\u003cp\u003ewho are you?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eHis breath reeks, the smell of death\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to get past him\u003c/p\u003e\r\n\r\n\u003cp\u003eHave to go to the toilet urgently\u003c/p\u003e\r\n\r\n\u003cp\u003eBut I can\u0026rsquo;t get past\u003c/p\u003e\r\n\r\n\u003cp\u003eI call out\u003c/p\u003e\r\n\r\n\u003cp\u003eI am from the promised land\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am everyone and no one\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd storm down the stairs\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI smear more mud on the sculpture\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ethe echo joins in\u003c/p\u003e\r\n\r\n\u003cp\u003ethe shadow joins in\u003c/p\u003e\r\n\r\n\u003cp\u003ethe forgotten one joins in\u003c/p\u003e\r\n\r\n\u003cp\u003ewe smear rhythmically\u003c/p\u003e\r\n\r\n\u003cp\u003esometimes our hands touch\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewarmth\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe forgotten one whispers in my ear\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEVERY HUMAN BEING LIVES IN SILENT DESPAIR\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWhat am I doing here?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIt makes me uneasy\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI can\u0026rsquo;t bear to look\u003c/p\u003e\r\n\r\n\u003cp\u003eThe skull and my dying brother\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe echo comes towards me\u003c/p\u003e\r\n\r\n\u003cp\u003etouches my arm\u003c/p\u003e\r\n\r\n\u003cp\u003eI can feel the warmth\u003c/p\u003e\r\n\r\n\u003cp\u003ehe says\u003c/p\u003e\r\n\r\n\u003cp\u003eI have the same birthmark as you\u003c/p\u003e\r\n\r\n\u003cp\u003ehe strokes my cheek\u003c/p\u003e\r\n\r\n\u003cp\u003eI jump\u003c/p\u003e\r\n\r\n\u003cp\u003eHow does he know that?\u003c/p\u003e\r\n\r\n\u003cp\u003eI run to the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003etake off my clothes\u003c/p\u003e\r\n\r\n\u003cp\u003estudy my body\u003c/p\u003e\r\n\r\n\u003cp\u003eand see another birthmark on my right leg\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMy brother says\u003c/p\u003e\r\n\r\n\u003cp\u003ethe light is going out\u003c/p\u003e\r\n\r\n\u003cp\u003edying is difficult\u003c/p\u003e\r\n\r\n\u003cp\u003eI stretch out my arms\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003elay them on his\u003c/p\u003e\r\n\r\n\u003cp\u003efeeling the warmth\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI say\u003c/p\u003e\r\n\r\n\u003cp\u003ehang in there\u003c/p\u003e\r\n\r\n\u003cp\u003ethink of all the good things\u003c/p\u003e\r\n\r\n\u003cp\u003ethink of your sandals\u003c/p\u003e\r\n\r\n\u003cp\u003eyour friends\u003c/p\u003e\r\n\r\n\u003cp\u003eembrace your loved ones\u003c/p\u003e\r\n\r\n\u003cp\u003ehang in there hang in there\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am exhausted\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewould like to sleep\u003c/p\u003e\r\n\r\n\u003cp\u003ebut am afraid of the black flies in my dreams\u003c/p\u003e\r\n\r\n\u003cp\u003ethey\u0026rsquo;re on everything and everyone\u003c/p\u003e\r\n\r\n\u003cp\u003ebuzzing\u003c/p\u003e\r\n\r\n\u003cp\u003epushing in through every orifice\u003c/p\u003e\r\n\r\n\u003cp\u003ethrough my nose my ears my mouth\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI know this is the end\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe forgotten one is standing before me\u003c/p\u003e\r\n\r\n\u003cp\u003ehe speaks in oracles\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE ERA OF CALAMITIES HAS NOW BEGUN!\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE EARTH OPENS LIKE A SPIDER\u0026rsquo;s WEB\u003c/p\u003e\r\n\r\n\u003cp\u003eANIMALS WALK TO THEIR LAIRS\u003c/p\u003e\r\n\r\n\u003cp\u003eA WHITE MASS\u003c/p\u003e\r\n\r\n\u003cp\u003eFIRE\u003c/p\u003e\r\n\r\n\u003cp\u003eTHE SEA TURNS TO BLACK\u003c/p\u003e\r\n\r\n\u003cp\u003eRIVERS BECOME SEAS\u003c/p\u003e\r\n\r\n\u003cp\u003eMANURE AND DEATH BLACK MASS SKULL OF MAN AND OF ANIMAL\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI walk to the toilet\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI smell the stench of barley juice\u003c/p\u003e\r\n\r\n\u003cp\u003ePiss and drool\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThere are people everywhere\u003c/p\u003e\r\n\r\n\u003cp\u003ehanging lying down standing\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eflies in their nose in their eyes in their mouth\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI can hear helpless animals screeching\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIn the distance I can hear a child\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe wind is pounding\u003c/p\u003e\r\n\r\n\u003cp\u003eCrows crow\u003c/p\u003e\r\n\r\n\u003cp\u003eIt\u0026rsquo;s raining sheets of water\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWhere is my brother?\u003c/p\u003e\r\n\r\n\u003cp\u003eWhere is my brother?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eSweat drips from my face\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eSomeone taps on my back\u003c/p\u003e\r\n\r\n\u003cp\u003eThe tall man says\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eCOME\u003c/p\u003e\r\n\r\n\u003cp\u003ei WILL TAkE YOU TO THE CATACOMBS OF HUMANITY\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe circle\u003c/p\u003e\r\n\r\n\u003cp\u003ewe descend\u003c/p\u003e\r\n\r\n\u003cp\u003edeeper and deeper under the toilet\u003c/p\u003e\r\n\r\n\u003cp\u003eunder the sewers\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWarmth comes towards us\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI can hear a voice\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eBoy seventeen run over by a bus \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnknown man found covered by a metre of snow \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eA girl of ten a woman the mother caught under a capsized boat girl drowned mother died on the way to the hospital \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnknown man electrocuted as he climbed on the roof of a goods train \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eBoy nine years old his body found at sea\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnknown man sets himself on fire \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThree women unknown drowned in the river \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eFive children unknown drowned when boat sank \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eWoman unknown died from exposure \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnknown man jumped out of the window when fire broke out \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnknown woman frozen to death \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eBoy six months old strangled by his desperate mother \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe descend further\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ethe voice fades\u003c/p\u003e\r\n\r\n\u003cp\u003eand makes room for the noise of the wind\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIt\u0026rsquo;s full of drawings there\u003c/p\u003e\r\n\r\n\u003cp\u003eportraits in Brown ink\u003c/p\u003e\r\n\r\n\u003cp\u003ethere are hundreds of them\u003c/p\u003e\r\n\r\n\u003cp\u003ethousands\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;I want to go to the toilet but keep it in\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe tall man looks at me\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTHESE ARE THE LOST ONES THE MUTE ONES THE FORGOTTEN ONES\u003c/p\u003e\r\n\r\n\u003cp\u003eSOULS QUASJED BY HUMAN INDIFFERENCE\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;They too were brother sister daughter son father mother\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTenderness is always an answer\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI follow him into another room\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewe take off our shoes\u003c/p\u003e\r\n\r\n\u003cp\u003eI can see embroidered carpets with big and small texts on them\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI kneel\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI read\u003c/p\u003e\r\n\r\n\u003cp\u003eI would like a little humanity help\u003c/p\u003e\r\n\r\n\u003cp\u003eI am cold help\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to be loved help\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am afraid help\u003c/p\u003e\r\n\r\n\u003cp\u003eI am lonely help\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am weak help\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eHe says\u003c/p\u003e\r\n\r\n\u003cp\u003ethis is human plasma\u003c/p\u003e\r\n\r\n\u003cp\u003eit arises in the human spirit\u003c/p\u003e\r\n\r\n\u003cp\u003ebut then it is forgotten again\u003c/p\u003e\r\n\r\n\u003cp\u003eit is erased by them\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd then suddenly there is light\u003c/p\u003e\r\n\r\n\u003cp\u003ea large ball of light fills the room\u003c/p\u003e\r\n\r\n\u003cp\u003ea little swallow flies in\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI look at the text beneath my feet\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI am looking for the truth help me\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe tall man looks me in the eyes\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ei HAVE BURNT ALL MY BRIDGES\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTO GET AS CLOSE TO THE TRUTH AS POSSIBLE\u003c/p\u003e\r\n\r\n\u003cp\u003eAND AFTER YEARS OF SEEKING YOU REALIZE\u003c/p\u003e\r\n\r\n\u003cp\u003eTHAT ALL YOU CAN BEAR\u003c/p\u003e\r\n\r\n\u003cp\u003eIS THE TRUTH\u003c/p\u003e\r\n\r\n\u003cp\u003eAND NOTHING BUT THE TRUTH\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMy brother says\u003c/p\u003e\r\n\r\n\u003cp\u003ethey have taken away all my humanity\u003c/p\u003e\r\n\r\n\u003cp\u003emy sandals my phone my vest\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI light candles for him\u003c/p\u003e\r\n\r\n\u003cp\u003eI whisper\u003c/p\u003e\r\n\r\n\u003cp\u003elet go get rid of your body let yourself go let go\u003c/p\u003e\r\n\r\n\u003cp\u003emaybe you\u0026rsquo;ll come back\u003c/p\u003e\r\n\r\n\u003cp\u003eas the wind a swallow a branch\u003c/p\u003e\r\n\r\n\u003cp\u003eas fertile soil for your loved ones\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eat night I dream of my brother\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe isn\u0026rsquo;t ill\u003c/p\u003e\r\n\r\n\u003cp\u003ehe looks good\u003c/p\u003e\r\n\r\n\u003cp\u003ehe has a nocturnal lightness like flakes of snow\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehe is laughing\u003c/p\u003e\r\n\r\n\u003cp\u003ehe has his sandals his phone his vest\u003c/p\u003e\r\n\r\n\u003cp\u003ehe says\u003c/p\u003e\r\n\r\n\u003cp\u003eI am dead\u003c/p\u003e\r\n\r\n\u003cp\u003eI only have one hour here then I have to go back\u003c/p\u003e\r\n\r\n\u003cp\u003ehe laughs great laughs\u003c/p\u003e\r\n\r\n\u003cp\u003ehe makes great strides\u003c/p\u003e\r\n\r\n\u003cp\u003ehe stretches out his long arms in from of him\u003c/p\u003e\r\n\r\n\u003cp\u003eand asks me to do the same\u003c/p\u003e\r\n\r\n\u003cp\u003ehe puts his underarm on mine\u003c/p\u003e\r\n\r\n\u003cp\u003eI can feel the warmth\u003c/p\u003e\r\n\r\n\u003cp\u003ehe goes around hugging his loved ones\u003c/p\u003e\r\n\r\n\u003cp\u003ehe calls out\u003c/p\u003e\r\n\r\n\u003cp\u003elight the fire light all fires\u003c/p\u003e\r\n\r\n\u003cp\u003eI ask\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ehow is it there?\u003c/p\u003e\r\n\r\n\u003cp\u003ehe says\u003c/p\u003e\r\n\r\n\u003cp\u003eradiant!\u003c/p\u003e\r\n\r\n\u003cp\u003eIt\u0026rsquo;s everything here and I am nothing here\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd then he is gone\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe smear\u003c/p\u003e\r\n\r\n\u003cp\u003ewe whisper\u003c/p\u003e\r\n\r\n\u003cp\u003ewe swear\u003c/p\u003e\r\n\r\n\u003cp\u003ewe know\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe animals already knew\u003c/p\u003e\r\n\r\n\u003cp\u003ethe animals have always known\u003c/p\u003e\r\n\r\n\u003cp\u003ea cat runs away when it is going to die\u003c/p\u003e\r\n\r\n\u003cp\u003echickens bathe in ashes\u003c/p\u003e\r\n\r\n\u003cp\u003ecrows crow tokens\u003c/p\u003e\r\n\r\n\u003cp\u003ehedgehogs bury themselves in manure\u003c/p\u003e\r\n\r\n\u003cp\u003eto draw water from their bones\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAll hands go the same way\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ethe skull is raised gently off the ground\u003c/p\u003e\r\n\r\n\u003cp\u003ethe scent of burnt firewood\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eRed Green Blue\u003c/p\u003e\r\n\r\n\u003cp\u003eRed Green Blue\u003c/p\u003e\r\n\r\n\u003cp\u003eRed Green Blue\u003c/p\u003e\r\n\r\n\u003cp\u003ebecome white\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe sun is the moon\u003c/p\u003e\r\n\r\n\u003cp\u003ethe moon is the sun\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003efire\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEarth air water fire\u003c/p\u003e\r\n\r\n\u003cp\u003eearth air water fire\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eSwallows fly up and down\u003c/p\u003e\r\n\r\n\u003cp\u003edogs bark\u003c/p\u003e\r\n\r\n\u003cp\u003edonkeys scatter gold\u003c/p\u003e\r\n\r\n\u003cp\u003eswines spit pearls\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI run I run I run\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBecause to arrive\u003c/p\u003e\r\n\r\n\u003cp\u003ewhere you want to be\u003c/p\u003e\r\n\r\n\u003cp\u003eto get\u003c/p\u003e\r\n\r\n\u003cp\u003eto where you are not\u003c/p\u003e\r\n\r\n\u003cp\u003eit\u0026rsquo;s this way\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAll is streaming\u003c/p\u003e\r\n\r\n\u003cp\u003eAll is in movement\u003c/p\u003e\r\n\r\n\u003cp\u003eAll is one\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to go home\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eI want to go home\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eAfter a series of meetings with \u0026ldquo;ACM\u0026rdquo;, a homeless person living in Brussels, Els Dietvorst wrote the monologue \u003cem\u003eIk ga naar mijn kippen\u003c/em\u003e (I\u0026rsquo;m going to my chickens) three years ago, for Dirk Roofthooft. The text is a continuation of the documentary trilogy she made about the life of this philosopher-wanderer and his struggle for a decent life. When Dietvorst worked on one of her Skull sculptures for the Moscow Biennale two years later, her brother was dying. This experience led her to write a monologue: \u003cem\u003eDriftwood\u003c/em\u003e.\u0026nbsp;\u003cem\u003eDriftwood\u003c/em\u003e is a monologue for Aurelie di Marino that premiered at Kaaitheatre in Brussels, in 2019.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDRIJFHOUT\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ben dood.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ben stijf.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb het kou.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb altijd iets gehad met de dood.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp mijn tiende kreeg ik mijn eerste dier. \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEen hamster. Het stierf een jaar later.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe dag ervoor draaide het nog vrolijk rond in het rad,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lsquo;S ochtends lag het op zijn rug, pootjes naar boven.\u003c/p\u003e\r\n\r\n\u003cp\u003eMijn moeder gooide het in het WC.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk weet sindsdien dat daar de waarheid zit:\u003c/p\u003e\r\n\r\n\u003cp\u003eIn het zwarte gat van het WC.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWat heb ik eigenlijk verkeerd gedaan?\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb mijn prioriteiten.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk respecteer mijn medemensen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb nooit iemand pijn gedaan.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eSoms wel.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls de vernedering\u003c/p\u003e\r\n\r\n\u003cp\u003eTe groot was\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb soms een hand omgedraaid\u003c/p\u003e\r\n\r\n\u003cp\u003eof\u003c/p\u003e\r\n\r\n\u003cp\u003eSlangenkneep.\u003c/p\u003e\r\n\r\n\u003cp\u003eof\u003c/p\u003e\r\n\r\n\u003cp\u003eKnokelslag.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eNiets te erg, toch.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk geef toe, soms ben ik bang.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet witte doek gaapt me aan.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn ik wil niet tweederangs zijn.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eJe moet alert blijven\u003c/p\u003e\r\n\r\n\u003cp\u003eJezelf in de kaak knijpen\u003c/p\u003e\r\n\r\n\u003cp\u003eJe moet acrobatisch op en neer vliegen\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eals je niet waakzaam bent,\u003c/p\u003e\r\n\r\n\u003cp\u003ekun je uiteindelijk het verkeerde leven kiezen voor jezelf.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eJe moet opeten\u003c/p\u003e\r\n\r\n\u003cp\u003evoordat je zelf gegeten wordt.\u003c/p\u003e\r\n\r\n\u003cp\u003eZo werkt HET.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eHET neemt bezit van je\u003c/p\u003e\r\n\r\n\u003cp\u003eHET zit als een luis op je huid\u003c/p\u003e\r\n\r\n\u003cp\u003eDoet je geloven dat je vanalles nodig hebt om te bestaan.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar is mijn broer?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk hoop dat ik ben doodgegaan\u003c/p\u003e\r\n\r\n\u003cp\u003edoor een omgevallen boom.\u003c/p\u003e\r\n\r\n\u003cp\u003eOf gewoon per ongeluk\u003c/p\u003e\r\n\r\n\u003cp\u003eIn een plotselinge vervaging\u003c/p\u003e\r\n\r\n\u003cp\u003eIk haat het idee dat het een apparaat zou geweest zijn.\u003c/p\u003e\r\n\r\n\u003cp\u003eeen auto of een mixer of een cirkelzaag.\u003c/p\u003e\r\n\r\n\u003cp\u003eDat maakt teveel geluid.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ben ne kunstenaar,\u003c/p\u003e\r\n\r\n\u003cp\u003eeen kleine kunstenaar\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar ik ga ooit groot worden,\u003c/p\u003e\r\n\r\n\u003cp\u003eEen Estate met mijn naam.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk schilder elke dag.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp de zolderkamer.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk draag soms dezelfde kleren voor weken\u003c/p\u003e\r\n\r\n\u003cp\u003eEet korsten droog brood\u003c/p\u003e\r\n\r\n\u003cp\u003eDrink enkel lauwe melk\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eEn dan\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eRood\u003c/p\u003e\r\n\r\n\u003cp\u003eGroen\u003c/p\u003e\r\n\r\n\u003cp\u003eBlauw\u003c/p\u003e\r\n\r\n\u003cp\u003eRood\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eElk doek is een groots kunstwerk,\u003c/p\u003e\r\n\r\n\u003cp\u003eUniek, nog nooit door iemand gemaakt\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ben begeesterd.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wil het aan niemand laten zien\u003c/p\u003e\r\n\r\n\u003cp\u003eDit gaat geschiedenis maken\u003c/p\u003e\r\n\r\n\u003cp\u003eIk geloof in mijn eigen grootsheid\u003c/p\u003e\r\n\r\n\u003cp\u003eDit geef ik niet meer weg\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eZe zeggen:\u003c/p\u003e\r\n\r\n\u003cp\u003eJe moet het laten zien,\u003c/p\u003e\r\n\r\n\u003cp\u003eje moet het verkopen,\u003c/p\u003e\r\n\r\n\u003cp\u003eje moet het aan onze muren hangen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar ik word zenuwachtig van zoveel verwachtingen\u003c/p\u003e\r\n\r\n\u003cp\u003eDan moet ik lopen naar het toilet van al die opwinding.\u003c/p\u003e\r\n\r\n\u003cp\u003eKorsten brood en melk vermengd in een lauwe geur van pis.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ruik mijn eigen angst.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk doe mijn beste pak aan\u003c/p\u003e\r\n\r\n\u003cp\u003eDe avonden zijn vol goud en glitter\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEn..\u003c/p\u003e\r\n\r\n\u003cp\u003eAlles is ijdelheid, eigenlijk gewoon?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eZo gaat het elke keer\u003c/p\u003e\r\n\r\n\u003cp\u003eIedere keer begin ik opnieuw\u003c/p\u003e\r\n\r\n\u003cp\u003eMaakt iets anders\u003c/p\u003e\r\n\r\n\u003cp\u003eGeloof in grootsheid\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar ik weet dat het op een dag gedaan ga zijn\u003c/p\u003e\r\n\r\n\u003cp\u003eDe zaal loopt leeg\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zie het aan hun gezichten\u003c/p\u003e\r\n\r\n\u003cp\u003eZe zeggen het is slecht\u003c/p\u003e\r\n\r\n\u003cp\u003ehet is niet van deze tijd,\u003c/p\u003e\r\n\r\n\u003cp\u003ehet past niet meer aan de muren.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBen ik een meester of ben ik een onderdaan\u003c/p\u003e\r\n\r\n\u003cp\u003eEet ik of word ik gegeten\u003c/p\u003e\r\n\r\n\u003cp\u003eIs het masturbatie of is het meditatie\u003c/p\u003e\r\n\r\n\u003cp\u003eBen ik een monnik of ben ik een muilezel\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar is mijn broer?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk storm naar de zolderkamer\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kwak Rood Blauw Groen tegen het doek\u003c/p\u003e\r\n\r\n\u003cp\u003eDruk mijn hand erin\u003c/p\u003e\r\n\r\n\u003cp\u003eBruin, donkerbruin\u003c/p\u003e\r\n\r\n\u003cp\u003eHet doek gaapt naar mij als een bruin donker gat\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kap alle verf op de grond\u003c/p\u003e\r\n\r\n\u003cp\u003ebruin\u003c/p\u003e\r\n\r\n\u003cp\u003eIk smeer het smeersel over mijn gezicht\u003c/p\u003e\r\n\r\n\u003cp\u003een rol erin met mijn hele lijf\u003c/p\u003e\r\n\r\n\u003cp\u003ebruin\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDan vraag ik mij af\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar ben ik eigenlijk mee bezig,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewat heeft het eigenlijk voor zin,\u003c/p\u003e\r\n\r\n\u003cp\u003eOp een gegeven moment verdwijnt alles. Ik ook. Gij ook.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ga opnieuw beginnen. Ik ga HET anders doen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ga het dus anders doen!\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk doe een blauw pak aan\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ga iets groots binnen als een kerk maar zonder geloof.\u003c/p\u003e\r\n\r\n\u003cp\u003eik werk, ik klop nagels in muren.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wil iets veranderen, ik wil delen ik wil smeren\u003c/p\u003e\r\n\r\n\u003cp\u003eIk smeer leem op een groot beeld,\u003c/p\u003e\r\n\r\n\u003cp\u003edat lijkt op een menselijke schedel.\u003c/p\u003e\r\n\r\n\u003cp align=\"right\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk ben nu een dienaar van de kunst\u003c/p\u003e\r\n\r\n\u003cp\u003eWork from 9 to 5, doe de deur achter me dicht\u003c/p\u003e\r\n\r\n\u003cp\u003eIk heb er goesting in.\u003c/p\u003e\r\n\r\n\u003cp\u003eIk klim op ladders.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lsquo;k hang aan touwen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMijn broer hangt aan een machien\u003c/p\u003e\r\n\r\n\u003cp\u003emet plastieken tubes\u003c/p\u003e\r\n\r\n\u003cp\u003eHij zegt\u003c/p\u003e\r\n\r\n\u003cp\u003eSteek je armen uit\u003c/p\u003e\r\n\r\n\u003cp\u003edraai ze om leg ze op die van mij\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003evergeet de zwaluwen niet\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zie ze vliegen maar kan er niet bij\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk werk verder ik smeer meer leem\u003c/p\u003e\r\n\r\n\u003cp\u003eEr is een man, een lange man\u003c/p\u003e\r\n\r\n\u003cp\u003eHij steekt het vuur aan,\u003c/p\u003e\r\n\r\n\u003cp\u003eHij deelt zijn eten, schenkt thee in\u003c/p\u003e\r\n\r\n\u003cp\u003eHij fluistert raadsels:\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ewater licht en warmte zijn de drijvende kracht achter de ontluiking\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003esacramentele gebaren geven belofte aan het dagelijkse \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003esacramentele gebaren geven belofte aan het dagelijkse \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMijn broer kan niet meer eten,\u003c/p\u003e\r\n\r\n\u003cp\u003eKan niet meer drinken\u003c/p\u003e\r\n\r\n\u003cp\u003ewat verlang je eigenlijhk het meeste vraag ik hem\u003c/p\u003e\r\n\r\n\u003cp\u003eHij zei: een glas water, een glas water, ik zou een moord voor doen voor een glas water.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe smeren meer leem.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet beeld wordt groter, het groeit.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEen jonge vrouw kijkt naar mij\u003c/p\u003e\r\n\r\n\u003cp\u003eze strekt haar armen uit\u003c/p\u003e\r\n\r\n\u003cp\u003edraait haar handen om\u003c/p\u003e\r\n\r\n\u003cp\u003etoont ze\u003c/p\u003e\r\n\r\n\u003cp\u003edraait ze weer om\u003c/p\u003e\r\n\r\n\u003cp\u003een ze zegt ik ben de echo zegt ze\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kom uit een land\u003c/p\u003e\r\n\r\n\u003cp\u003ewaar ze je lijf in stukken hakken als je de waarheid spreekt.\u003c/p\u003e\r\n\r\n\u003cp\u003eZe gooiden mijn kind uit het raam\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wou niet vluchten\u003c/p\u003e\r\n\r\n\u003cp\u003eIk maakte me lelijk,\u003c/p\u003e\r\n\r\n\u003cp\u003esmeerde me in met stront\u003c/p\u003e\r\n\r\n\u003cp\u003ewandelde voor twee weken\u003c/p\u003e\r\n\r\n\u003cp\u003emet mijn koe in het bos\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWe moeten stil zijn om te horen wat de lange man zegt, hij fluistert\u003c/p\u003e\r\n\r\n\u003cp\u003ehij heeft een zwaluw in zijn hand\u003c/p\u003e\r\n\r\n\u003cp\u003eHij wijst terwijl hij spreekt\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eDe nagels hebben elvenkoppen, de schuilplaats is de schedel, \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n\u003cem\u003eDe tanden zijn van drijfhout. \u003c/em\u003e\u003c/pre\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMijn broer zegt:\u003c/p\u003e\r\n\r\n\u003cp\u003eGa en vindt de waarheid\u003c/p\u003e\r\n\r\n\u003cp\u003eIn samenwerken zit de mogelijkheid tot dromen\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wordt ongemakkelijk, ik loop naar het toilet\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Ik roep: )\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003emijn broer gaat dood!\u003c/p\u003e\r\n\r\n\u003cp\u003emijn broer gaat dood!\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eOp de weg naar beneden naar het toilet, naar beneden bots ik tegen een man,\u003c/p\u003e\r\n\r\n\u003cp\u003ehij gloeit, hij zegt: ik ben de vergetene\u003c/p\u003e\r\n\r\n\u003cp\u003eik kom uit een land\u003c/p\u003e\r\n\r\n\u003cp\u003ewaar het vergif uit pijpen sijpelt\u003c/p\u003e\r\n\r\n\u003cp\u003eik heb mensen met gaten in hun lijf gezien,\u003c/p\u003e\r\n\r\n\u003cp\u003ehonden werden wolven,\u003c/p\u003e\r\n\r\n\u003cp\u003ekatten aten hun eigen kittens,\u003c/p\u003e\r\n\r\n\u003cp\u003eik ben leeg, heb geen ambities noch verlangens.\u003c/p\u003e\r\n\r\n\u003cp\u003eWie ben jij?\u003c/p\u003e\r\n\r\n\u003cp\u003eZijn adem stinkt, de geur van sterfte.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wil hem passeren wil dringend naar het toilet\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar ik geraak er niet door\u003c/p\u003e\r\n\r\n\u003cp\u003eik roep ik kom uit het beloofde land,\u003c/p\u003e\r\n\r\n\u003cp\u003eik ben niemand en iedereen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk smeer meer leem op het beeld.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe echo doet mee, de schaduw doet mee,\u003c/p\u003e\r\n\r\n\u003cp\u003ede vergetene doet mee\u003c/p\u003e\r\n\r\n\u003cp\u003eSoms raken onze handen elkaar, warmte\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eHij fluistert in mijn oor:\u003c/p\u003e\r\n\r\n\u003cp\u003eelke mens leeft in stille wanhoop.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWat doe ik hier\u003c/p\u003e\r\n\r\n\u003cp\u003eik wordt er wat ongemakkelijk van\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kan het niet aanzien\u003c/p\u003e\r\n\r\n\u003cp\u003ede schedel en mijn doodgaande broer.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe echo komt naar mij,\u003c/p\u003e\r\n\r\n\u003cp\u003eraakt mijn arm aan,\u003c/p\u003e\r\n\r\n\u003cp\u003eik voel de warmte\u003c/p\u003e\r\n\r\n\u003cp\u003eik heb dezelfde moedervlek als jij, zegt ze\u003c/p\u003e\r\n\r\n\u003cp\u003eZe streelt mijn wang\u003c/p\u003e\r\n\r\n\u003cp\u003eIk schrik, hoe weet zij dat, ik loop naar het toilet\u003c/p\u003e\r\n\r\n\u003cp\u003eTrek mijn kleren uit, bestudeer mijn lijf en zie op mijn rechterbeen nog een vlek\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMijn broer zei: het licht gaat uit.\u003c/p\u003e\r\n\r\n\u003cp\u003eDoodgaan is moeilijk\u003c/p\u003e\r\n\r\n\u003cp\u003eIk strek mijn armen uit\u003c/p\u003e\r\n\r\n\u003cp\u003eLeg ze op de zijne\u003c/p\u003e\r\n\r\n\u003cp\u003eVoel de warmte\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zeg volhouden\u003c/p\u003e\r\n\r\n\u003cp\u003eDenk aan alle leuke dingen\u003c/p\u003e\r\n\r\n\u003cp\u003eDenk aan je sandalen, je vrienden.\u003c/p\u003e\r\n\r\n\u003cp\u003eOmarm je geliefden.\u003c/p\u003e\r\n\r\n\u003cp\u003eHoe vol, hou vol.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBen kapot eigenlijk\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zou willen slapen\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar ik ben bang dat ik ga dromen van zwarte vliegen\u003c/p\u003e\r\n\r\n\u003cp\u003eIk krijg soms die dromen\u003c/p\u003e\r\n\r\n\u003cp\u003eVan die vliegen, die vliegen\u003c/p\u003e\r\n\r\n\u003cp\u003eZe zitten op alles en iedereen\u003c/p\u003e\r\n\r\n\u003cp\u003eZoemen, dringen langs alle gaten binnen\u003c/p\u003e\r\n\r\n\u003cp\u003ein neus, in oren,in mijn mond\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk weet:\u003c/p\u003e\r\n\r\n\u003cp\u003edit is het einde\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe laatste keer stond de vergetene voor mij\u003c/p\u003e\r\n\r\n\u003cp\u003eHij orakelde\u003c/p\u003e\r\n\r\n\u003cp\u003eDe geschiedenis van de rampen is nu begonnen!!!\u003c/p\u003e\r\n\r\n\u003cp\u003eDe aarde opent zich als een spinneweb\u003c/p\u003e\r\n\r\n\u003cp\u003eDieren lopen naar hun hollen\u003c/p\u003e\r\n\r\n\u003cp\u003ewitte massa, vuur.\u003c/p\u003e\r\n\r\n\u003cp\u003ede zee wordt zwart, rivieren worden zee-en.\u003c/p\u003e\r\n\r\n\u003cp\u003eMest en dood, zwarte massa, schedel van mens en dier\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk loop naar het toilet weg,\u003c/p\u003e\r\n\r\n\u003cp\u003eik riek de geur van gerstesap, pis en kwijl,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eOveral zijn mensen hangend liggend staand\u003c/p\u003e\r\n\r\n\u003cp\u003eVliegen in hun neus, in hun ogen, in hun mond\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk hoor hulpeloze dieren krijsen,\u003c/p\u003e\r\n\r\n\u003cp\u003eErgens hoor ik een kind,\u003c/p\u003e\r\n\r\n\u003cp\u003ede wind beukt, kraaien kraaien.\u003c/p\u003e\r\n\r\n\u003cp\u003ehet regent bakken water.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar is mijn broer?\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar is mijn broer?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eZweet druipt van mijn gezicht.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIemand tikt op mijn rug.\u003c/p\u003e\r\n\r\n\u003cp\u003eKom, zegt de lange man\u003c/p\u003e\r\n\r\n\u003cp\u003eIk neem je mee naar de catacomben van de mensheid\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ewe cirkelen, we dalen\u003c/p\u003e\r\n\r\n\u003cp\u003ewe dalen dieper en dieper onder het toilet,\u003c/p\u003e\r\n\r\n\u003cp\u003eonder de riolen\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWarmte komt ons tegemoet\u003c/p\u003e\r\n\r\n\u003cp\u003eIk hoor een stem:\u003c/p\u003e\r\n\r\n\u003cp\u003eJongen, 17, overreden door een bus.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMan, onbekend, dood gevonden, bedekt onder een meter sneeuw.\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n1 meisje, 10 jaar; 1 vrouw, de moeder, gevangen onder een gekapseisde boot, \u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nmeisje verdronken, moeder stierf op weg naar het ziekenhuis.\u003c/pre\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMan, onbekend, ge\u0026euml;lektrocuteerd toen hij op het dak van de goederentrein klom.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eJongen, 9 jaar, zijn lichaam gevonden drijvend in de zee.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMan, onbekend, zet zichzelf in brand.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e3 vrouwen, onbekend, verdronken in de rivier.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e5 kinderen, onbekend, verdronken toen de boot zonk.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eVrouw, onbekend, gestorven aan onderkoeling.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMan, onbekend, sprong uit het raam toen er brand uitbrak\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eVrouw, onbekend, doodgevroren.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\nJongen, 6 maanden gewurgd door zijn wanhopige moeder.\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nWe dalen dieper, de stem ebt weg en maakt plaats voor het geluid van wind. \u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cp\u003eHet hangt er vol tekeningen, portretten in bruine inkt\u003c/p\u003e\r\n\r\n\u003cp\u003ehet zijn er honderden, duizenden,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;en ik wil naar het toilet maar hou me in.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\nDe lange man kijkt naar mij:\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\ndit zijn de verlorenen, de onmondigen, de vergetenen.\u003c/pre\u003e\r\n\r\n\u003cp\u003eVerpletterde zielen door de menselijke negligencie.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eook zij waren broer, zus, dochter, zoon, vader, moeder.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eTederheid is een altijd een antwoord.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eTederheid is een altijd een antwoord.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk volg hem naar een andere zaal\u003c/p\u003e\r\n\r\n\u003cp\u003eWe doen onze schoenen uit.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zie geborduurde tapijten met grote en kleine teksten op.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kniel neer.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eik lees: ik wil een beetje menselijkheid, help me\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\nik heb het koud help me,\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nik wil geliefd worden help me,\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nik heb angst, help me\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nik ben eenzaam, help me\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nik ben zwak, help me\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cp\u003eHij zegt dit is het menselijk plasma,\u003c/p\u003e\r\n\r\n\u003cp\u003ehet komt op in de menselijke geest\u003c/p\u003e\r\n\r\n\u003cp\u003emaar men vergeet het weer,\u003c/p\u003e\r\n\r\n\u003cp\u003emen wist het uit\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEn dan is is er ineens licht\u003c/p\u003e\r\n\r\n\u003cp\u003eEen grote bol licht vult de kamer\u003c/p\u003e\r\n\r\n\u003cp\u003eEen kleine zwaluw vliegt binnen\u003c/p\u003e\r\n\r\n\u003cp\u003eIk kijk naar de tekst onder mijn voeten:\u003c/p\u003e\r\n\r\n\u003cp\u003eIk zoek de waarheid, help me\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nDe lange man kijkt in mijn ogen:\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nik heb al mijn bruggen verbrand \u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nom zo dicht mogelijk bij de waarheid te komen \u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nen na jaren van zoeken merk je dat al wat je kan verdragen \u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\nde waarheid is en niks anders dan de waarheid.\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cp\u003emijn broer die zei:\u003c/p\u003e\r\n\r\n\u003cp\u003eze hebben alle menselijkheid van me afgenomen\u003c/p\u003e\r\n\r\n\u003cp\u003emijn sandalen, mijn telefoon, mijn onderhemd\u003c/p\u003e\r\n\r\n\u003cp\u003eik brand kaarsen voor hem,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLaat los, ontdoe je van je lijf, laat u gaan, laat los\u003c/p\u003e\r\n\r\n\u003cp\u003eMisschien kom je terug als de wind, een zwaluw, een tak,\u003c/p\u003e\r\n\r\n\u003cp\u003eAls een vruchtbare grond voor je geliefden.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lsquo;s Nachts droom ik van hem, hij is niet ziek meer, hij ziet er goed uit\u003c/p\u003e\r\n\r\n\u003cp\u003ehij heeft een nachtelijke lichtheid, als vlokken sneeuw\u003c/p\u003e\r\n\r\n\u003cp\u003eHij lacht, hij heeft zijn sandalen, zijn onderhemd, zijn telefoon\u003c/p\u003e\r\n\r\n\u003cp\u003ehij zegt ik ben dood, ik ben hier maar 1 uur dan moet ik terug,\u003c/p\u003e\r\n\r\n\u003cp\u003ehij lacht grote lachen, zet grote stappen\u003c/p\u003e\r\n\r\n\u003cp\u003eHij strekt zijn lange armen voor zich uit en vraagt mij hetzelfde te doen\u003c/p\u003e\r\n\r\n\u003cp\u003eHij legt zijn onderarm op de mijne\u003c/p\u003e\r\n\r\n\u003cp\u003eIk voel de warmte\u003c/p\u003e\r\n\r\n\u003cp\u003eHij gaat rond hij knuffelt zijn geliefden\u003c/p\u003e\r\n\r\n\u003cp\u003eHij roept: steek het vuur aan, steek alle vuren aan\u003c/p\u003e\r\n\r\n\u003cp\u003eIk vraag: hoe is het daar?\u003c/p\u003e\r\n\r\n\u003cp\u003eEn hij zegt \u0026hellip;stralend\u003c/p\u003e\r\n\r\n\u003cp\u003ehet is er alles en ik ben er niets.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn dan is hij weg.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e--------------------------\u003c/p\u003e\r\n\r\n\u003ch1\u003eWe smeren\u003c/h1\u003e\r\n\r\n\u003ch1\u003ewe fluisteren\u003c/h1\u003e\r\n\r\n\u003ch1\u003ewe zweren\u003c/h1\u003e\r\n\r\n\u003ch1\u003ewe weten\u003c/h1\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe dieren wisten het al\u003c/p\u003e\r\n\r\n\u003cp\u003ede dieren hebben het altijd geweten\u003c/p\u003e\r\n\r\n\u003cp\u003eeen kat loopt weg als ze gaat sterven\u003c/p\u003e\r\n\r\n\u003cp\u003ekippen baden in asse\u003c/p\u003e\r\n\r\n\u003cp\u003ekraaien krijsen tokens\u003c/p\u003e\r\n\r\n\u003cp\u003eegels begraven zich met mest\u003c/p\u003e\r\n\r\n\u003cp\u003eom het water uit hun botten te trekken\u003c/p\u003e\r\n\r\n\u003ch1\u003ealle handen\u003c/h1\u003e\r\n\r\n\u003ch1\u003ealle handen gaan dezelfde weg\u003c/h1\u003e\r\n\r\n\u003ch1\u003ede schedel komt lichtjes van de grond\u003c/h1\u003e\r\n\r\n\u003ch1\u003eDe geur van gebrand vurenhout\u003c/h1\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eROOD GROEN BLAUW.\u003c/p\u003e\r\n\r\n\u003cp\u003eROOD GROEN BLAUW.\u003c/p\u003e\r\n\r\n\u003cp\u003eROOD GROEN BLAUW.\u003c/p\u003e\r\n\r\n\u003cp\u003eWordt wit.\u003c/p\u003e\r\n\r\n\u003ch1\u003eDe zon is de maan\u003c/h1\u003e\r\n\r\n\u003ch1\u003ede maan is de zon\u003c/h1\u003e\r\n\r\n\u003ch1\u003eVuur\u003c/h1\u003e\r\n\r\n\u003ch1\u003eAARDE LUCHT WATER EN VUUR\u003c/h1\u003e\r\n\r\n\u003ch1\u003eAARDE LUCHT WATER EN VUUR\u003c/h1\u003e\r\n\r\n\u003ch1\u003eZwaluwen vliegen op en neer,\u003c/h1\u003e\r\n\r\n\u003ch1\u003ehonden blaffen, ezels strooien goud, zwijnen spuwen parels\u003c/h1\u003e\r\n\r\n\u003ch1\u003eIk ren ik ren ik ren\u003c/h1\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWant om aan te komen\u003c/p\u003e\r\n\r\n\u003cp\u003eom aan te komen waar je wil zijn\u003c/p\u003e\r\n\r\n\u003cp\u003eom te komen waar je nog niet zijt\u003c/p\u003e\r\n\r\n\u003cp\u003emoet je langs hier\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ealles stroomt\u003c/p\u003e\r\n\r\n\u003cp\u003ealles is in beweging\u003c/p\u003e\r\n\r\n\u003cp\u003ealles is 1\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003eMemento mori\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wil naar huis.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIk wil naar huis.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20830,"title":"Koningskinderen ","dimensions":"00:38:34","date_begin":"2004-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":15,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst ED, film","publishing_process_id":1,"annotation":"\u003cp\u003evideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ ED11\u003cbr /\u003e\r\n\u003cstrong\u003eAVM/Video/262\u003c/strong\u003e\u0026nbsp;\u0026nbsp;Koningskinderen \u0026copy; 2004 Firefly, 40 min, Ned. Ondertiteling\u003c/p\u003e\r\n","date_end":null,"reference":"ED11","stream_count_app":155,"permalink":"koningskinderen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eEen documentaire over de Hutten, een gesloten instelling voor minderjarige delinquenten in Mol.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/546/medium_500/ED_Koningskinderen13.JPG?1568368159","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/373/large/20190122145412106_0001.jpg?1548754589","poster_credits":"(c)Els Dietvorst Archief, scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eKoningskinderen\u003c/em\u003e (The King\u0026rsquo;s Children) is art integration project by Els Dietvorst at De Kempen Juvenile Welfare and Correctional Centre in Mol, where the artist talks to several boys living in the centre about guilt, innocence and dreams, plans and freedom which served as the basis to produce to produce Koningskinderen (The King\u0026rsquo;s Children). The image sketched here is both critical and hopeful.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe Gemeenschapsinstelling voor Bijzondere Jeugdzorg te Mol is een jeugdinstelling voor opvang van jongens van twaalf tot achttien jaar die in een problematische opvoedingssituatie verkeren of een crimineel feit hebben gepleegd. Els Dietvorst startte eind 2003 met een reeks enqu\u0026ecirc;tes en workshops met de jongens van de gesloten afdeling De Hutten. Deze vonden hun neerslag in het boek \u003cem\u003eDe Koningskinderen\u003c/em\u003e, dat voor en door de jongeren is gemaakt, en in een video-documentaire. Beide werden in november 2004 in het Antwerpse Museum voor Hedendaagse Kunst aan een breed publiek voorgesteld en ingeleid door Louis Vervaeren van de afdeling Gemeenschapsinstellingen. Anderzijds stelde Els Dietvorst op basis van de enqu\u0026ecirc;tes een kleurenpalet samen voor het schilderen van de kamerdeuren.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20833,"title":"Song for the Price of a Goat 1","dimensions":"00:10:00","date_begin":"2000-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":45,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst, film","publishing_process_id":1,"annotation":"\u003cp\u003eNederlandse titel \u0026#39;Lied voor de prijs van een geit\u0026#39;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026#39;I learned that the source of true happiness is in us and that you can\u0026#39;t make people who mit is given the art to be happy, unhappy...\u0026#39; (J.J. Rousseau)\u003c/p\u003e\r\n\r\n\u003cp\u003eA film about an italian imigrant Luigi who lives on the edges of town (Brussels) and walks every day his herd of sheeps and goats.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eOriginele titel van het project:\u0026nbsp;\u003c/u\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:16px;\"\u003e\u003cstrong\u003e\u0026#39;Lied voor de Prijs van een Geit\u0026#39;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eExperimentele video die de grens met de documentaire aftast. Over de oude herder Luigi die dagelijks met zijn kleine kudde schapen en geiten langs het kanaal Brussel-Charleroi trekt alsof het Zuid-Itali\u0026euml; is en een leven leidt dat radicaal ingaat tegen het ritme van de hedendaagse maatschappij.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eEen pastorale. Een hommage aan zuiverheid, geluk en traagheid.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eIntentieverklaring regisseur over de keuze van het onderwerp, de stijl, de structuur en de visuele aanpak:\u0026nbsp;\u003c/strong\u003e\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":185,"permalink":"song-for-the-price-of-a-goat","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eExperimentele video die de grens met de documentaire aftast. Over de oude herder Luigi die dagelijks met zijn kleine kudde schapen en geiten langs het kanaal Brussel-Charleroi trekt alsof het Zuid-Itali\u0026euml; is en een leven leidt dat radicaal ingaat tegen het ritme van de hedendaagse maatschappij.\u003c/p\u003e\r\n\r\n\u003cp\u003eEen pastorale. Een hommage aan zuiverheid, geluk en traagheid.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/723/medium_500/20190219103530440_0001.jpg?1550569205","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/723/large/20190219103530440_0001.jpg?1550569205","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eDuring one of her walks in Brussels, Els Dietvorst met Luigi, who tends sheep and goats on the banks of the Brussels-Charleroi Canal. The film captures an old man from southern Italy who is trying to lead the idyllic shepherd\u0026rsquo;s life an almost surreal setting, the messy banks along the canal that lies on in the shadow of Brussels.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDuring one of her walks in Brussels, Els Dietvorst met Luigi, who tends sheep and goats on the banks of the Brussels-Charleroi Canal. The film captures an old man from southern Italy who is trying to lead the idyllic shepherd\u0026rsquo;s life an almost surreal setting, the messy banks along the canal that lies on in the shadow of Brussels.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;Deze film is ontstaan uit een intens verlangen om dichter bij de natuur te zijn.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eOp dat moment kwam ik Luigi tegen.\u0026nbsp;\u003cbr /\u003e\r\nIk volg hem sinds twee jaar op de voet, gesteund door teksten van Rousseau, vooral uit zijn laatste boek \u0026#39;Overpeinzingen van een eenzaam wandelaar\u0026#39;. Zelf hou ik ook een dagboek bij...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eDeze film toont Luigi als een mens en toont zijn leven. Een leven dat totaal ingaat tegen het ritme van de hedendaagse maatschappij.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eLuigi als contra-symbool van deze communicatie- en consumptiemaatschappij. In de uitlopers van de grootstad wandelt hij met zijn kudde. Elke dag dezelfde weg, elke dag hetzelfde ritme.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eIk volg hem en probeer daarbij de camera te gebruiken als een deel van mezelf. Ik film intu\u0026iuml;tief en laat me absoluut\u0026nbsp;niet vastzetten door filmtechnieken. Er wordt gedraaid met het bestaande licht, met een kleine camera.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eIkzelf wordt een deel van de film. De relatie tussen\u0026nbsp;mij en hem wordt zo eerlijk mogelijk in beeld gebracht.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eZo wordt deze film een hommage aan puurheid, geluk, traagheid... En aan Luigi.\u0026#39;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(ED)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":23778,"title":"Song for the Price of a Goat 2","dimensions":"00:40:00","date_begin":"2005-01-01","material":"mini DV (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"sonf-for-the-price-of-a-goat-2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/244/medium_500/lampedusa1.jpg?1580992863","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/244/large/lampedusa1.jpg?1580992863","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eIn \u003cem\u003eSong for the Price of a Goat 2\u003c/em\u003e, Els Dietvorst returned to Luigi\u0026rsquo;s native region of Southern Italy. There she encountered a new wave of migration: refugee boats docked en masse and were flooding the southern Italian islands. Through conversations with residents it becomes clear how conflicting these interests are.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn \u003cem\u003eSong for the Price of a Goat 2\u003c/em\u003e, Els Dietvorst returned to Luigi\u0026rsquo;s native region of Southern Italy. There she encountered a new wave of migration: refugee boats docked en masse and were flooding the southern Italian islands. Through conversations with residents it becomes clear how conflicting these interests are.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20852,"title":"A Walk with ACM","dimensions":"00:15:00","date_begin":"2009-01-01","material":"digital file","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"\u003cp\u003e\u003ca href=\"https://www.youtube.com/watch?v=NBemNFabrOw\"\u003ehttps://www.youtube.com/watch?v=NBemNFabrOw\u003c/a\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":43,"permalink":"acm-the-whole-story","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/435/medium_500/20190122110647083_0001.jpg?1548856259","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/435/large/20190122110647083_0001.jpg?1548856259","poster_credits":"(c)Els Dietvorst Archief, scan: M HKA, 2019","translations":[{"locale":"en","description":"\u003cp\u003eYears after she had lost track of him, Els Dietvorst tracks ACM down again. Together they walk to the places he stayed and where he was chased away. The film starts with a quote by Walter Benjamin, stayed extended metaphor for the poetic method, as Baudelaire practised it. \u0026lsquo;Ragpicker\u0026#39; and poet: both are concerned with refuse\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eACM is a ragpicker, a poet, a walker, philosopher, architect, sculptor, scavenger. He consumed whatever we throw away. ACM stands for Art-Coeur-Merci. Art-Heart-Thank you. ACM was born in Cameroon and ended up in Belgium for several reasons. The moment I met him, he lived, in an abandoned industrial housingstate near the canal Brussel-Charleroi, on the edge of the city. The moment I wanted to make a film about him, he disappeared. His shed was burned down and I had recuperated works, drawings\u0026nbsp;and belongings. The film \u003cem\u003e\u0026#39;As long as the blackbird sings\u0026#39;\u003c/em\u003e\u0026nbsp; is a film based of what I could experience of ACM\u0026#39;s life, mixed with experiences and stories out of Walden (Henry David Thoreau). I followed him through all this different periods of his life\u0026nbsp;and portretted him in 3 different films. Never did I experience art, living and surviving so closely entwined. This shared experience is turned into the monologue \u003cem\u003e\u0026#39;I\u0026#39;M GOING TO SEE MY CHICKENS\u0026#39;\u003c/em\u003e. The monologue will be performed in\u0026nbsp;May 2008 by the famous Belgian actor Dirk Roofthooft.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":23787,"title":"ACM Lost and Found*","dimensions":"00:24:00","date_begin":"2019-01-01","material":"digital file","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"acm-lost-and-found","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/245/medium_500/Screenshot_2020-01-03_at_12.26.59.png?1580994036","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/245/large/Screenshot_2020-01-03_at_12.26.59.png?1580994036","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eIn the winter of 2013, ACM goes dark again. Six years later, Els Dietvorst and students from the Royal Academy of Fine Arts in Antwerp are working around ACM\u0026rsquo;s story and set out to look for him once again.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst, Indiana Callebaut, Gijs Savelberg, Maria Feenstra, Anke Verschueren, Soraya van Welsenis and Mathias Peersman.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn the winter of 2013, ACM goes dark again. Six years later, Els Dietvorst and students from the Royal Academy of Fine Arts in Antwerp are working around ACM\u0026rsquo;s story and set out to look for him once again.\u003c/p\u003e\r\n\r\n\u003cp\u003eA film by Els Dietvorst, Indiana Callebaut, Gijs Savelberg, Maria Feenstra, Anke Verschueren, Soraya van Welsenis and Mathias Peersman.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":23797,"title":"I Watched the White Dogs of the Dawn","dimensions":"","date_begin":"2016-01-01","material":"digital file (colour, sound)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst, film","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"i-watched-the-white-dogs-of-the-dawn-2d42ba05-972f-4e71-9753-36c936c6819e","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/256/medium_500/Iwatchedthewhitedogsofthedawn_1.png?1581007959","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/256/large/Iwatchedthewhitedogsofthedawn_1.png?1581007959","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eIn \u003cem\u003eI watched the White Dogs of the Dawn\u003c/em\u003e, Els Dietvorst addresses the troubles of Irish fishermen in coping with European fishing quotas. She talks to the inhabitants of Kilmore Quay village and provides a rough sketch of the tension underlying the personal and deeply human stories and the political-economic context.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20841,"title":"Cahier 2. Els Dietvorst / Ralf Bas: Hoe stichtend is een gesticht? Een utopische gedachtenwisseling over het opsluiten van delinquente jongeren door Ralf Bas en Els Dietvorst.","dimensions":"23.4 x 18 cm","date_begin":"2004-01-01","material":"ink on paper","short_description":"\u003cp\u003eEnglish title:\u003cbr /\u003e\r\nThe assimilating asylum.\u003cbr /\u003e\r\nA utopian exchange of views on the imprisonment of juvenile\u003cbr /\u003e\r\ndelinquents by RB and ED.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nThe quotations are from\u0026nbsp;\u003cem\u003eDe geboorte van een jeugddelinquent\u0026nbsp;\u003c/em\u003eby Jenneke Christiaens (VUB Press) and from talks with educators and juveniles at De Hutten in Mol. This cahier accompanies the film\u0026nbsp;\u0026#39;Koningskinderen\u0026#39; by Els Dietvorst. Ralf Bas is Licentiate in Criminology and Master in Prison Studies, Cambridge, UK. Els Dietvorst is artist and filmmaker.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\nEach Firefly project is crowned by a film, in which the valuable persons, thoughts and moments it delivered, are shown. Each film has its own subject and atmosphere. This often forces us to choices in the presentation by which some aspects of the project are highlighted and others neglected. With these \u0026#39;cahiers\u0026#39; we develop \u0026#39;side\u0026#39; ideas that can function as an amplification or a consideration.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDrawing: Els Dietvorst\u003cbr /\u003e\r\nEditing: Liesbet Vaes, Astrid Bonduel\u003cbr /\u003e\r\nTranslation: Gregory ball\u003cbr /\u003e\r\nGraphic Design: Kim Beirnaert\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"artist book kunstenaarsboek","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":40,"permalink":"cahier-2-els-dietvorst-ralf-bas-the-assimilating-asylum-a-utopian-exchange-of-views-on-the-imprisonment-of-juvenile-delinquents-by-rb-and-ed","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eSynopsis: gedachtengangen\u003c/p\u003e\r\n\r\n\u003cp\u003eSoms kan niet alles in een film verwerkt worden. Elke film heeft zijn specifiek onderwerp en soms zijn er details waar men niet diep genoeg kan op ingaan. Met de cahiers worden \u0026#39;rand\u0026#39;gedachten ontwikkeld die een aanvulling zijn of een bepaald idee in de kijker wil zetten.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/982/medium_500/20190306160943546_0001.jpg?1551885678","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/982/large/20190306160943546_0001.jpg?1551885678","poster_credits":"(c)Els Dietvorst, scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22305,"title":"The Pheasant Plucker's Wife","dimensions":"23.9 x 32.2 cm","date_begin":"2011-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"zonder-titel-untitled-7310b740-982b-4ea9-b4ad-ed66807bcaa5","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/646/medium_500/ED_TEK_130_09082019.jpg?1568897876","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/646/large/ED_TEK_130_09082019.jpg?1568897876","poster_credits":"(c)Els Dietvorst / scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22121,"title":"Ur / C'est de la Babylone","dimensions":"16.5 x 12.3 cm","date_begin":"2019-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"zonder-titel-untitled-da4b3de1-1c1d-4dc6-9d9b-07a975929740","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/324/medium_500/ED_TEK_114_05082019.jpg?1566999804","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/324/large/ED_TEK_114_05082019.jpg?1566999804","poster_credits":"(c)Els Dietvorst / scan: M HKA, 2019","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21012,"title":"Act One","dimensions":"00:02:00","date_begin":"2002-01-01","material":"mini DV","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEen samenwerking tussen Orla Barry en Els Dietvorst\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nIn samenwerking met Kunsthalle Lophem\u003c/p\u003e\r\n\r\n\u003cp\u003evideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/act1\u003cbr /\u003e\r\n\u003cstrong\u003etryouts: videoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/ED 25\u003c/strong\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":25,"permalink":"act-1","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/840/medium_500/2002_Act1_01.JPG?1569837672","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/840/large/2002_Act1_01.JPG?1569837672","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":"\u003cp\u003eEls Dietvorst and Orla Barry filmed \u003cem\u003eAct One\u003c/em\u003e in the atic of an abandoned school building in Bruges, between twilight and nightfall. The building itself seems to produce a whole succession of stories, evoking an array of different moods. The video was commissioned by the city of Bruges when it was named European Capital of Culture in 2002.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAct one\u003c/em\u003e\u003c/strong\u003e is gemaakt door Els Dietvorst en Orla Barry op de zolder van een verlaten schoolgebouw in Brugge op het moment tussen de schemering en het vallen van de avond. Het gebouw zelf leek een hele reeks verhalen en sferen voort te brengen. De video is gecre\u0026euml;erd op vraag van Brugge toen de stad in 2002 Culturele hoofdstad van Europa was.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026ldquo;Ik wilde het beeld van iets heel ouds met iets nieuws verbinden. Op de zolder hebben we een grote binnenband opgehangen, waarin Orla hing. Het is een soort van verschijning die meteen weer verdwijnt. Een eenmalige beweging.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEls Dietvorst et Orla Barry ont r\u0026eacute;alis\u0026eacute; \u003cstrong\u003e\u003cem\u003eAct one\u003c/em\u003e\u003c/strong\u003e dans le grenier d\u0026rsquo;une \u0026eacute;cole abandonn\u0026eacute;e \u0026agrave; Bruges, entre chien et loup. Le b\u0026acirc;timent lui-m\u0026ecirc;me paraissait raconter une multitude d\u0026rsquo;histoires et produire diff\u0026eacute;rentes atmosph\u0026egrave;res. Les deux artistes ont cr\u0026eacute;\u0026eacute; cette vid\u0026eacute;o \u0026agrave; la demande de la ville de Bruges, dans le cadre de Bruges\u0026nbsp;2002, Capitale europ\u0026eacute;enne de la culture.\u003c/p\u003e\r\n"}]},{"id":21010,"title":"Giant's Feet","dimensions":"00:10:00","date_begin":"2001-01-01","material":"mini DV","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst ED","publishing_process_id":1,"annotation":"\u003cp\u003eEen samenwerking tussen Marc Vanrunxt en Els Dietvorst\u003cbr /\u003e\r\nNon-spoken (with different pieces of music)\u003c/p\u003e\r\n\r\n\u003cp\u003eProduction: Firefly vzw\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003evideoserver/05_TENTOONSTELLINGEN/2020_Els_Dietvorst/act1\u003cbr /\u003e\r\n00:18:00\u003c/p\u003e\r\n\r\n\u003cp\u003euit:\u0026nbsp;\u003cem\u003eMonopolis/Antwerpen\u003c/em\u003e, p.44 Beeld- en tekstredactie catalogus Renske Janssen (B2000/554)\u003cbr /\u003e\r\nAanvankelijk maakte Els Dietvorst vooral gebruik van sculpturale middelen. Vanaf eind jaren negentig verkent zij de media video en film. Centraal in haar werk staat de menselijke interactie. Dietvorst kreeg vooral bekendheid met het veelbesproken multimediaproject\u0026nbsp;\u003cem\u003eDe terugkeer van de zwaluwen\u003c/em\u003e\u0026nbsp;dat ze in 1999 opstartte in de verarmde wijk rond het Anneessensplein in Brussel. Door middel van intensieve communicatie heeft ze de bewoners van de wijk kunnen betrekken bij het project,\u0026nbsp;dat is gebaseerd op het leven van Arthur Rimbaud en de levenservaring van deze amateur-acteurs.\u003cbr /\u003e\r\nDit project gaf een beslissende wending aan haar latere werk zoals \u003cem\u003eLied voor de prijs van een geit\u003c/em\u003e\u0026nbsp;(2003) en \u003cem\u003eKoningskinderen\u0026nbsp;\u003c/em\u003e(2005).\u0026nbsp;\u003cem\u003eKoningskinderen\u0026nbsp;\u003c/em\u003eis een film over drie jonge criminelen in jeugdgevangenis De Hutte in Mol. Deze gesloten instelling huisvest veertig van de zwaarste minderjarige delinquenten in Belgi\u0026euml;. Sommigen van hen zijn er voor een korte tijd, anderen brengen er meerdere jaren van hun leven door. De film toont, zonder sentimenteel te worden, hun verlangens, gevoelens en dromen. De jongeren mochten niet herkenbaar gefilmd worden; naam en gezicht zijn bij wet beschermd.\u0026nbsp;\u003cem\u003eKoningskinderen\u0026nbsp;\u003c/em\u003eis slechts een deel van het engagement van Dietvorst met de jongeren in Mol. In overleg met bewoners en begeleiders voerde zij tevens een aantal ingrepen in de architectuur uit en publiceerde zij met Ralf Bas het cahier\u0026nbsp;\u003cem\u003eEen utopie voor een jeugdgevangenis.\u003c/em\u003e\u003cbr /\u003e\r\n\u003cem\u003e\u003cem\u003eGiant\u0026#39;s Feet\u0026nbsp;\u003c/em\u003e\u003c/em\u003eis gemaakt op verzoek van danser Mark Vanrunxt. Ze werkten een jaar samen om de relatie tussen dans en ritme op film vast te leggen. Het resultaat was niet het tonen van een vorm van dans als geheel, maar als een hypothese over een ultiem moment daarin. 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Op die manier is het werk organisch ontstaan. Ik zoek vaak naar een soort puurheid, de essentie. Wie is Marc? Wat is een danser? Zijn voeten. Hij danst met de zwaartekracht, die alles rechthoudt.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eED\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003eGiant\u0026rsquo;s Feet\u003c/em\u003e [Les Pieds du g\u0026eacute;ant] est le fruit de la collaboration entre Els Dietvorst et le danseur et chor\u0026eacute;graphe Marc Vanrunxt. Pendant un an, ils ont recherch\u0026eacute; ensemble des m\u0026eacute;thodes permettant de fixer en images la relation entre la danse et le rythme.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":19945,"title":"Stigmata","dimensions":"16 x 11.9 cm","date_begin":"2018-01-01","material":"red-black ink on simili japon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Stigmata","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"stigmata","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/458/medium_500/ElsDietvorst_Stigmata_2018_Courtesytheartist.jpg?1533816407","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/458/large/ElsDietvorst_Stigmata_2018_Courtesytheartist.jpg?1533816407","poster_credits":"Courtesy of the artist","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003eStigmata.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eI consider violence to be a faceless thing.\u003cbr /\u003e\r\nThe face has lost all its recognisable features.\u003cbr /\u003e\r\nHuman barbarity has made it unrecognisable.\u003cbr /\u003e\r\nWhen I attempt to draw the face of violence.\u003cbr /\u003e\r\nI create white, faded holes.\u003cbr /\u003e\r\nthey are like stigmata, which we should cherish and feel\u003cbr /\u003e\r\nin the hopes that they will accompany us freely.\u003c/p\u003e\r\n\r\n\u003cp\u003eED 2018.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Dit werk werd gemaakt in het kader Middle Gate II \u0026ndash; Het verhaal van Dimpna, gecureerd door Bart De Baere. E\u0026eacute;n van de thema\u0026rsquo;s in de tentoonstelling was geweld op vrouwen. Bart De Baere vroeg me een werk te maken rond dit thema. Normaal ga ik niet in op dit soort opdrachten, maar omdat ik het onderwerp zo belangrijk vind, heb ik het toch gedaan. 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Dietvorst","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eAl wandelend langs de kust van Ierland, ontdekte Els Dietvorst hoe de wind de bomen lichtjes op hun knie\u0026euml;n dwingt. Bij de lokale bevolking staan deze buigende bomen bekend als \u0026lsquo;shrugs\u0026rsquo;. Ge\u0026iuml;ntrigeerd door hun vorm, verzamelde Dietvorst verschillende aangespoelde stukken drijfhout. Na twee jaar sprokkelen, timmerde ze samen met een lokale ambachtsman een nieuwe, naar beneden knikkende boom in elkaar. De geassembleerde stukken hout kan je, net als zijn origineel, zien als een vluchtig schuiloord. Voorbijgangers vinden onder de gebogen takken beschutting tegen regenbuien of felle wind. Omdat de houten takken erg broos zijn, vervaardigde Dietvorst voor Beaufort een bronzen tegenhanger. Zo veredelt ze de aangespoelde stukken hout tot een plek van geborgenheid.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eWindswept\u0026nbsp;\u003c/em\u003everwerft op die manier een plaats binnen het sociaal ge\u0026euml;ngageerde oeuvre van de kunstenaar. Verhalen, elementen of figuren die vaak aan het oog van de samenleving ontsnappen, grijpt Dietvorst sinds de jaren negentig aan als grondstof voor haar kunst. De vorm richt zich - net als de boom - naar de situatie: met tekeningen, sculptuur, video, performance, theater of installatie bespeelt Dietvorst een ruim arsenaal aan media. Haar werk is een vehikel voor communicatie tussen publiek en omgeving, en leunt hiermee dicht aan bij Joseph Beuys\u0026rsquo; \u0026lsquo;Soziale Skulptur\u0026rsquo;. Het kunstwerk is nooit het einddoel op zich, maar een manier om interactie tussen verschillende groepen uit de samenleving te bewerkstelligen.\u0026nbsp;Met\u0026nbsp;\u003cem\u003eWindswept\u0026nbsp;\u003c/em\u003evereeuwigt ze door middel van de nieuw samengestelde boom het idee van kwetsbaarheid.\u003c/p\u003e\r\n\r\n\u003cp\u003e(bron:\u0026nbsp;https://www.beaufort21.be/kunstenaars/els-dietvorst)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":34033,"title":"Shanti! Shanti! Shanti!","dimensions":"90 x 30 x 36 cm","date_begin":"2021-01-01","material":"driftwood, beeswax and stones","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist \u0026 Otty Park, Antwerp","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"shanti-shanti-shanti","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/330/medium_500/ottypark_elsdietvorst_044!637799961674054064.jpg?1677058652","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/330/large/ottypark_elsdietvorst_044!637799961674054064.jpg?1677058652","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34034,"title":"The wound is bleeding 1","dimensions":"76 x 51 cm","date_begin":"2021-01-01","material":"watercolour with homemade charcoal soaked in beetroot juice and tea","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist \u0026 Otty Park, Antwerp","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"the-wound-is-bleeding-1","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/331/medium_500/163169664255!637799958336057510.jpg?1677058807","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/331/large/163169664255!637799958336057510.jpg?1677058807","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34237,"title":"Tempel","dimensions":"","date_begin":"2020-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist \u0026 Otty Park, Antwerp","cached_tag_list":"Els Dietvorst","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"tempel","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/808/medium_500/tempel_b_w-1!637408709486723791.jpg?1682325915","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/808/large/tempel_b_w-1!637408709486723791.jpg?1682325915","poster_credits":"(c)Els Dietvorst","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34312,"title":"This is What You Came for","dimensions":"00:08:15","date_begin":"2022-01-01","material":"MP4","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"sound piece sound installation","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"candle-song","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/387/medium_500/2773129_main_img_horizontal.jpg?1714382086","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/387/large/2773129_main_img_horizontal.jpg?1714382086","poster_credits":"(c)Els Dietvorst - photo: BOZAR","translations":[{"locale":"en","description":"\u003cp\u003eClick \u003ca href=\"https://www.youtube.com/watch?v=GWFksZMVCDE\"\u003ehere\u003c/a\u003e to watch \u0026amp; listen.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eKlik \u003ca href=\"https://www.youtube.com/watch?v=GWFksZMVCDE\"\u003ehier\u003c/a\u003e om de performance bekijken en song te beluisteren.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":34313,"title":"Blood Drawing","dimensions":"00:06:15","date_begin":null,"material":"MP4","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"blood-drawing","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34314,"title":"Coastal Shrine","dimensions":"","date_begin":"2020-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"public sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"covid-shrine","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/984/medium_500/Copy_of_78863E80-DC71-464D-BAA8-83E74F3DE38B_1_105_c.jpeg?1684508579","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/984/large/Copy_of_78863E80-DC71-464D-BAA8-83E74F3DE38B_1_105_c.jpeg?1684508579","poster_credits":"(c)Els Dietvorst, photo: Els Dietvorst, Bannow, 2020","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eApril 17th, 2020\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003eCovid19 Temple \u0026ndash; an poignant homage by the sea.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eWexford-based Belgian artist Els Dietvorst - whose recent exhibition \u003cem\u003e\u0026ldquo;Dooltocht: a desperate quest to find a base for hope\u0026rdquo;\u003c/em\u003e at M HKA in Antwerp celebrated her last 20 years as an artist \u0026ndash; has created a \u0026ldquo;shrine\u0026rdquo; composed of white stones to honour those who have suffered due to the current pandemic.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls Dietvorst, who lives by the sea in a low-populated area of Wexford, encountered a couple of stones that a girl had inscribed with the words: \u0026ldquo;Covid 19\u0026rdquo; and \u0026ldquo;I am bored.\u0026rdquo; Els then felt inspired to place several white stones around it and she kept doing it every day. After a week of working on it, Els noticed that anonymous walkers had also been contributing to the temple. She started this project in March and now the installation has well over 500 stones.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThere are many sacred places throughout the world where pilgrims used to travel to in an effort to connect to a special energy. \u003cem\u003eCovid19 Temple\u003c/em\u003e\u0026nbsp; is nested in a memorable place that can only be reached after walking for thirty minutes in a desolate area. It entails a different kind of pilgrimage. One that shows how despite the fact that our world is a completely different place from what it was 4 months ago, the need to connect and honour those who suffer is greater than ever.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls\u0026rsquo;s prolific body of work has always had at its core issues such as massive migration, social conflict, homelessness, nature, climate change, and our own mortality. She prefers to work in collaboration with others so it is only fitting that despite current limitations Els organically found a way to continue working \u0026ldquo;with others\u0026rdquo; in the creation of a \u0026ldquo;temple\u0026rdquo;.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eArt historian Karla S\u0026aacute;nchez said: \u0026ldquo;Coivd 19 Temple is not only touching and meaningful to Els Dietvorst but to all of us. As our humanity is tested more than ever in this generation we have to keep reaching out for one another, even from a distance, and find hope in our company.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eApril 17th, 2020\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003eCovid19 Temple \u0026ndash; an poignant homage by the sea.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eWexford-based Belgian artist Els Dietvorst - whose recent exhibition \u003cem\u003e\u0026ldquo;Dooltocht: a desperate quest to find a base for hope\u0026rdquo;\u003c/em\u003e at M HKA in Antwerp celebrated her last 20 years as an artist \u0026ndash; has created a \u0026ldquo;shrine\u0026rdquo; composed of white stones to honour those who have suffered due to the current pandemic.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls Dietvorst, who lives by the sea in a low-populated area of Wexford, encountered a couple of stones that a girl had inscribed with the words: \u0026ldquo;Covid 19\u0026rdquo; and \u0026ldquo;I am bored.\u0026rdquo; Els then felt inspired to place several white stones around it and she kept doing it every day. After a week of working on it, Els noticed that anonymous walkers had also been contributing to the temple. She started this project in March and now the installation has well over 500 stones.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThere are many sacred places throughout the world where pilgrims used to travel to in an effort to connect to a special energy. \u003cem\u003eCovid19 Temple\u003c/em\u003e\u0026nbsp; is nested in a memorable place that can only be reached after walking for thirty minutes in a desolate area. It entails a different kind of pilgrimage. One that shows how despite the fact that our world is a completely different place from what it was 4 months ago, the need to connect and honour those who suffer is greater than ever.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls\u0026rsquo;s prolific body of work has always had at its core issues such as massive migration, social conflict, homelessness, nature, climate change, and our own mortality. She prefers to work in collaboration with others so it is only fitting that despite current limitations Els organically found a way to continue working \u0026ldquo;with others\u0026rdquo; in the creation of a \u0026ldquo;temple\u0026rdquo;.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eArt historian Karla S\u0026aacute;nchez said: \u0026ldquo;Coivd 19 Temple is not only touching and meaningful to Els Dietvorst but to all of us. As our humanity is tested more than ever in this generation we have to keep reaching out for one another, even from a distance, and find hope in our company.\u0026rdquo;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eApril 17th, 2020\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003eCovid19 Temple \u0026ndash; an poignant homage by the sea.\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eWexford-based Belgian artist Els Dietvorst - whose recent exhibition \u003cem\u003e\u0026ldquo;Dooltocht: a desperate quest to find a base for hope\u0026rdquo;\u003c/em\u003e at M HKA in Antwerp celebrated her last 20 years as an artist \u0026ndash; has created a \u0026ldquo;shrine\u0026rdquo; composed of white stones to honour those who have suffered due to the current pandemic.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls Dietvorst, who lives by the sea in a low-populated area of Wexford, encountered a couple of stones that a girl had inscribed with the words: \u0026ldquo;Covid 19\u0026rdquo; and \u0026ldquo;I am bored.\u0026rdquo; Els then felt inspired to place several white stones around it and she kept doing it every day. After a week of working on it, Els noticed that anonymous walkers had also been contributing to the temple. She started this project in March and now the installation has well over 500 stones.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThere are many sacred places throughout the world where pilgrims used to travel to in an effort to connect to a special energy. \u003cem\u003eCovid19 Temple\u003c/em\u003e\u0026nbsp; is nested in a memorable place that can only be reached after walking for thirty minutes in a desolate area. It entails a different kind of pilgrimage. One that shows how despite the fact that our world is a completely different place from what it was 4 months ago, the need to connect and honour those who suffer is greater than ever.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEls\u0026rsquo;s prolific body of work has always had at its core issues such as massive migration, social conflict, homelessness, nature, climate change, and our own mortality. She prefers to work in collaboration with others so it is only fitting that despite current limitations Els organically found a way to continue working \u0026ldquo;with others\u0026rdquo; in the creation of a \u0026ldquo;temple\u0026rdquo;.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eArt historian Karla S\u0026aacute;nchez said: \u0026ldquo;Coivd 19 Temple is not only touching and meaningful to Els Dietvorst but to all of us. As our humanity is tested more than ever in this generation we have to keep reaching out for one another, even from a distance, and find hope in our company.\u0026rdquo;\u003c/p\u003e\r\n"}]},{"id":34340,"title":"Shelter","dimensions":"","date_begin":"2023-01-01","material":"loam","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"public sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"shelter","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/089/medium_500/0bc1fed9-e71d-454e-8310-d005784cf524.JPG?1685192915","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/089/large/0bc1fed9-e71d-454e-8310-d005784cf524.JPG?1685192915","poster_credits":"(c)Els Dietvorst, photo: Els Dietvorst, Tongeren, 2023","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eShelter (schuilplaats)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026ldquo;Egocentrisme, ongelijkheid en onze sociaaleconomische modellen drijven mensen uit elkaar. We vervreemden van elkaar en onze omgeving. Dat leidt tot eenzaamheid, verdriet en angst. Els Dietvorst maakt kunst uit noodzaak, uit hoop op verandering. Met haar werk cre\u0026euml;ert ze ontmoetingsplaatsen, manieren van samenzijn, samen delen en handelen.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eVoor het Pliniuspark in Tongeren cre\u0026euml;erde Els de sculptuur \u0026lsquo;Shelter\u0026rsquo; (oftewel Schuilplaats).\u0026nbsp; Het werk verbindt een aantal essenti\u0026euml;le elementen die aanwezig zijn in de geschiedenis van onze stad, maar die tevens relevant zijn in het artistieke pad dat Els aflegt en bewandelt.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e1. Bron/ Oerkracht.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn Tongeren zijn er naast de Pliniusbron nog enkele andere bronnen aanwezig. Water speelde een belangrijke rol bij het ontstaan van Romeins Tongeren (en zoveel andere steden). Water is dan ook cruciaal voor en ligt aan de basis van om het even welke levensvorm.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eVoor de mens is water verder ook een opslagplaats voor energie (zie de Romeinse baden en thermen).\u0026nbsp; Water geeft een gevoel van innerlijke vrijheid.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEen bron verbindt de mens met zijn basis: de aarde, innerlijke reinheid, energie en de oerkracht.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDie verbinding is noodzakelijk voor de mens en wil Els bewerkstelligen middels de sculptuur \u0026lsquo;Shelter\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e2. Schuilplaats. Verbinding buiten/binnen.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe sculptuur \u0026lsquo;Shelter\u0026rsquo; biedt tegelijkertijd bescherming en rust. Je kan er even binnenwandelen, een ogenblik tot rust komen of zomaar even schuilen voor een regenbui. Zij verbindt de innerlijke wereld van het individu met de buitenwereld (i.c. het park/de lucht/de bron). Zij biedt een moment van rust. Het water van de bron in het bassin staat door een gat in de top van \u003cem\u003ede dome\u003c/em\u003e in verbinding met de lucht. Het weerspiegelt de kosmos en bewerkstelligt een connectie met de omgeving.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3. Ontmoeting/tekeningen.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe vorm van de sculptuur is niet toevallig gekozen.\u0026nbsp; Zij wordt al ontzettend lange tijd door mensen gebruikt bij de creatie van schuil- en woonplaatsen.\u0026nbsp; Door de ronde vorm wordt de mogelijkheid tot verbinding makkelijker. De dome biedt plaats voor drie tot vijf mensen die kunnen neerzitten en naar de weerspiegeling van de lucht in het water kijken. Aan de binnenkant van de shelter zijn tekeningen aangebracht die metaforisch verwijzen naar \u003cem\u003e\u0026lsquo;water en verbinding\u0026rsquo;\u003c/em\u003e. De tekeningen zijn special gemaakt in een ovalen lichtcirkel die binnenvalt op het middaguur.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e4. Uitvoering.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026lsquo;Shelter\u0026rsquo; bevat finaal een aantal cruciale elementen waar het werk van Els voor staat:\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e5. Ontmoeting, verbinding, ecologie en oerkracht\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eVoor dit project trachtte Els maximaal te werken met natuurlijke materialen en dit uit respect voor de wereld waarin we leven.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":34341,"title":"The Guardians","dimensions":"3 x","date_begin":"2020-01-01","material":"driftwood, beeswax","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"Courtesy of the 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