[{"id":5507,"title":"Zelfportret in huiskamer [Self-Portrait in Living Room]","dimensions":"194 x 205 cm","date_begin":"1991-01-01","material":"acrylic, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK6121_M121","stream_count_app":26,"permalink":"zelfportret-in-huiskamer-self-portrait-in-living-room","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/005/large/Bervoets__Fred__Zelfportret_in_huiskamer__1991_foto_Ludo_Geysels.jpg?1342596672","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eFrom 1988 Bervoets his work sobers up and becomes visibly more austere. This is also reflected in his self-portraits. \u003cem\u003eZelfportret in huiskamer\u003c/em\u003e\u0026nbsp;is an example of his\u003cem\u003e \u0026lsquo;White Series\u0026rsquo;\u003c/em\u003e: the white surface of the canvas is just as important as the areas covered with paint. Bervoet\u0026rsquo;s home environment and family situation is another recurrent subject matter. For him, family life is both a pain and the ultimate bliss. In his many etchings and paintings on this theme we encounter simple compositions with just a few centrally located and almost linear figures.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eVanaf 1988 wordt Bervoets\u0026rsquo; werk soberder en sterk uitgezuiverd. Dat weerspiegelt zich ook in zijn zelfportretten. Het \u003cem\u003eZelfportret in huiskamer\u003c/em\u003e\u0026nbsp;is een voorbeeld van de reeks \u003cem\u003e\u0026lsquo;Witten\u0026rsquo;\u003c/em\u003e: het wit van het doek krijgt een even belangrijke plaats toegemeten als de kleur van de verf. Bervoets\u0026rsquo; familiale en huiselijke omgeving is een ander weerkerend onderwerp. Voor de schilder is het gezinsleven tegelijk een kwelling en de ultieme zegen. Net als in de etsen die hij aan dit thema wijdt, gaat het om zeer eenvoudige composities met slechts enkele centraal geplaatste, bijna lineaire motieven.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5508,"title":"Hommage aan van Gogh, eenzaam café [Hommage to van Gogh: Lonely Café]","dimensions":"320 x 203 cm","date_begin":"1991-01-01","material":"acrylic, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7251","stream_count_app":30,"permalink":"hommage-aan-van-gogh-eenzaam-cafe-hommage-to-van-gogh-lonely-cafe","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/006/large/Bervoets__Hommage_aan_Van_Gogh_eenzaam_caf%C3%A9__1991_Fred__foto_Ludo_Geysels.jpg?1342596938","poster_credits":"(c)image:  M HKA","translations":[{"locale":"en","description":"\u003cp\u003eFred Bervoets is an important Antwerp painter. He knows the language of painting inside out: not just his own personal language, but also that of old and modern masters. This knowledge is evident in his technique, and perhaps even more in his choice of motifs, such as this reference to the gas-lit \u003cem\u003enight caf\u0026eacute;\u003c/em\u003e\u0026nbsp;in Arles by Van Gogh. Never restricted by any feelings of art-historical shame, Bervoets borrows freely also from other paintings. He makes his own \u0026lsquo;free variations\u0026rsquo; on themes from Rubens, Van Gogh and Ensor.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn the same way he also revisits and reworks his own earlier work. These paintings also illustrate Bervoets\u0026rsquo;s constant struggle with his own academic education. He calls himself a \u0026lsquo;classical\u0026rsquo; painter who feels obliged to \u0026lsquo;violate the classical in a plastic way\u0026rsquo;. \u003cem\u003eHommage aan van Gogh\u003c/em\u003e\u0026nbsp;is part of the \u003cem\u003e\u0026lsquo;White Series\u0026rsquo;\u003c/em\u003e from the early 1990s. These are starkly reduced images that form an obvious contrast with the earlier works, which were characterised by an overload of colour and motifs. In the \u003cem\u003e\u0026lsquo;White Series\u0026rsquo;\u003c/em\u003e the almost calligraphic drawing becomes more prominent than Bervoets\u0026rsquo;s usual expressive colorism.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eFred Bervoets is een belangrijk Antwerps schilder, hij kent de taal van het schilderen door en door. Niet enkel zijn persoonlijke taal, maar ook die van oude en moderne meesters. Zijn kennis van de schilderkunst toont zich niet enkel in techniek, maar net zozeer in motieven, zoals hier in de verwijzing naar het werk \u003cem\u003eNachtcaf\u0026eacute;\u003c/em\u003e\u0026nbsp;van Van Gogh. Niet geremd door enig kunsthistorisch schaamtegevoel gaat hij ook bij anderen beelden ontlenen. Zo maakt hij \u0026lsquo;vrije bewerkingen\u0026rsquo; naar Rubens, Van Gogh en Ensor.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp eenzelfde manier herneemt en herwerkt Bervoets ook eigen, oudere werken. Deze werken illustreren de constante strijd van Bervoets met zijn academische opleiding. Hij noemt zichzelf een \u0026lsquo;klassiek\u0026rsquo; schilder die zich genoodzaakt ziet het \u0026lsquo;klassieke plastisch te verkrachten\u0026rsquo;. \u003cem\u003eHommage aan Van Gogh, eenzaam caf\u0026eacute;\u003c/em\u003e\u0026nbsp;maakt deel uit van de zogenaamde \u003cem\u003eWitten\u003c/em\u003e, een reeks uit de vroege jaren 1990: sterk uitgezuiverde schilderijen die in fel contrast staan met een vroegere reeks als \u003cem\u003eSpaghetti\u0026rsquo;s\u003c/em\u003e, horror vacui beelden met een overvloed aan kleur en motieven. In de reeks \u003cem\u003eWitten\u003c/em\u003e\u0026nbsp;haalt het bijna kalligrafische aspect de bovenhand op het coloristische: de tekening krijgt voorrang op de kleur en het wit eist een hoofdrol op.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":6211,"title":"Nevada","dimensions":"300 x 1500 cm ","date_begin":"1991-01-01","material":"ink, paper, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"etching","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0479","stream_count_app":15,"permalink":"nevada","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Fred Bervoets","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/527/large/Bervoets__Fred__Nevada_photo_M_HKAclinckx.JPG?1354798436","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn 1989 the renowned painter and printmaker Fred Bervoets travelled \u0026ndash; in a move contrary to his sedentary nature \u0026ndash; to Death Valley in the Nevada Desert, to visit fellow artist Albert Szuzalski. The series created during this period is a visual imprint of his memories of that trip: the sharp sunlight, the grandiose landscape, but also boredom, loneliness and emptiness, are themes obviously present in these works. This cycle comprises both paintings and etchings, both works made on site and works produced after Bervoets\u0026rsquo;s return to Antwerp, based on memories or sketches. Over time the difference between painting and etching has become so minimal for him that we can speak of painted etchings or etched paintings. This is clearly shown by this large-scale work, entitled \u003cem\u003eNevada\u003c/em\u003e. Etching traditionally means immersing an engraving in acid, whereby lines will be etched into the supporting metal plate. Bervoets replaces this method with the \u0026lsquo;inverted acid\u0026rsquo; technique. He paints directly on a zinc plate with a brush soaked in acid. After the imprint is made, he usually paints on it, thus completely invalidating the multiple character of a normal etching. The directness of this technique, the limited and severe palette and the raw motifs combine to make \u003cem\u003eNevada\u003c/em\u003e\u0026nbsp;visually overwhelming.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 1989 trekt schilder en graficus Fred Bervoets -tegen zijn honkvaste natuur in- naar Death Valley in de Nevadawoestijn om er zijn collega-kunstenaar Albert Szuzalski te bezoeken. De \u0026#39;Nevada-cyclus\u0026#39; die tijdens deze periode het licht ziet, vormt een visuele neerslag van de indrukken die deze reis op hem heeft nagelaten. Het felle zonlicht, het weidse landschap, maar ook de verveling, de eenzaamheid en de leegte zijn thema\u0026rsquo;s die hierin onmiskenbaar aanwezig zijn. De cyclus bevat zowel werken die ter plaatse zijn gemaakt, alsook werken die Bervoets nadien in Antwerpen maakte, gebaseerd op herinneringsbeelden of schetsen. Zowel schilderijen als etsen maken deel uit van deze reeks. In de loop der jaren is het onderscheid tussen deze twee technieken voor Bervoets zo miniem geworden dat we kunnen spreken van geschilderde etsen of ge\u0026euml;tste schilderijen. Dit wordt duidelijk ge\u0026iuml;llustreerd door het werk \u003cem\u003eNevada\u003c/em\u003e. Een traditionele etstechniek bestaat erin een gravure onder te dompelen in een acidebad, waardoor de lijnen als het ware weggezuurd worden. In plaats daarvan ontwikkelt Bervoets de zogenaamde \u0026lsquo;acide-verkeerd\u0026rsquo;-techniek; hij schildert met een in zuur gedrenkte borstel rechtstreeks op een zinken plaat. Nadat de plaat wordt afgedrukt, beschildert hij deze meestal nog, waardoor het inherente multipliceerbare karakter van de ets door hem volledig ontkend wordt. De directheid van deze techniek, het extreem grote formaat, het beperkte, harde kleurenpallet en de rauwe motieven zorgen ervoor dat \u003cem\u003eNevada\u003c/em\u003e\u0026nbsp;een overweldigende indruk nalaat bij de toeschouwer.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn 1989, le peintre et l\u0026rsquo;artiste graphique, Fred Bervoets, va \u0026agrave; la Vall\u0026eacute;e de la Mort dans le d\u0026eacute;sert de Nevada \u0026ndash; contre sa nature casani\u0026egrave;re \u0026ndash; pour rendre visite \u0026agrave; son coll\u0026egrave;gue artiste Albert Szuzalski. Le \u0026lsquo;cycle Nevada\u0026rsquo; qui voit le jour pendant cette p\u0026eacute;riode, constitue les r\u0026eacute;miniscences visuelles des impressions que ce voyage a produites sur lui. La lumi\u0026egrave;re solaire de plomb, le paysage impressionnant, mais aussi l\u0026rsquo;ennui, la solitude et le vide sont des th\u0026egrave;mes ind\u0026eacute;niablement pr\u0026eacute;sents. Le cycle comprend tant des \u0026oelig;uvres produites sur place que des \u0026oelig;uvres que Bervoets a \u0026eacute;labor\u0026eacute;es par apr\u0026egrave;s \u0026agrave; Anvers, bas\u0026eacute;es sur des souvenirs ou des esquisses. Tant des peintures que des gravures font partie de cette s\u0026eacute;rie. Au cours des ann\u0026eacute;es, la distinction entre ces deux\u0026nbsp; techniques est devenue si minime pour Bervoets que nous pouvons parler de gravures peintes ou des peintures grav\u0026eacute;es. Cela est clairement illustr\u0026eacute; par l\u0026rsquo;\u0026oelig;uvre \u003cem\u003eNevada.\u003c/em\u003e Une technique de gravure traditionnelle consiste \u0026agrave; submerger une gravure dans un bain acide, faisant en sorte que l\u0026rsquo;acide enl\u0026egrave;ve les lignes. Bervoets a remplac\u0026eacute; cette technique par la technique \u0026laquo;\u0026nbsp;acide \u0026agrave; l\u0026rsquo;inverse\u0026nbsp;\u0026raquo;\u0026nbsp;; il peint directement sur une plaque en zinc au moyen d\u0026rsquo;une brosse tremp\u0026eacute;e dans l\u0026rsquo;acide. Apr\u0026egrave;s l\u0026rsquo;impression de la plaque, souvent, il la peint encore, contestant, de ce fait, enti\u0026egrave;rement le caract\u0026egrave;re multipliable inh\u0026eacute;rent \u0026agrave; la gravure. L\u0026rsquo;imm\u0026eacute;diatet\u0026eacute; de cette technique, le format extr\u0026ecirc;mement grand, la palette de couleurs limit\u0026eacute;e et dure et les motifs crus font en sorte que \u003cem\u003eNevada \u003c/em\u003eproduit une impression \u0026eacute;crasante sur le spectateur.\u003c/p\u003e\r\n"}]},{"id":5515,"title":"Welcome Home (Hommage aan Fred Bervoets)","dimensions":"23.5 x 17.5 cm, 76 p., language : Dutch, publisher : J.P. De Paepe, Brugge in collaboration with MuHKA Museum van Hedendaagse Kunst Antwerpen, ISBN : 9789077064115","date_begin":"2007-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2001/938","stream_count_app":18,"permalink":"welcome-home-hommage-aan-fred-bervoets","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/832/large/2682.jpg?1415979389","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eBook, published of the occasion of an exhibition of Fred Bervoets in MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditors : Vincent Geyskens \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director MuHKA), Paul Ilegems \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eOf this book,\u0026nbsp;a bibliophilic edition of 100 numbered items was published. Each item contains original works by Fred Bervoets, Vaast Colson, Vincent Geyskens, Tom Liekens \u0026amp; Dennis Tyfus, as well as the DVD with the title \u0026#39;Fred in zijn eeuwige storm\u0026#39; by Lieven Segers. The MuHKA library has number H.C.009 in its collection.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eBook, published of the occasion of an exhibition of Fred Bervoets in MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditors : Vincent Geyskens \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director MuHKA), Paul Ilegems \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eOf this book,\u0026nbsp;a bibliophilic edition of 100 numbered items was published. Each item contains original works by Fred Bervoets, Vaast Colson, Vincent Geyskens, Tom Liekens \u0026amp; Dennis Tyfus, as well as the DVD with the title \u0026#39;Fred in zijn eeuwige storm\u0026#39; by Lieven Segers. The MuHKA library has number H.C.009 in its collection.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eBook, published of the occasion of an exhibition of Fred Bervoets in MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditors : Vincent Geyskens \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director MuHKA), Paul Ilegems \u0026amp; Johan Pas.\u003c/p\u003e\r\n\r\n\u003cp\u003eOf this book,\u0026nbsp;a bibliophilic edition of 100 numbered items was published. Each item contains original works by Fred Bervoets, Vaast Colson, Vincent Geyskens, Tom Liekens \u0026amp; Dennis Tyfus, as well as the DVD with the title \u0026#39;Fred in zijn eeuwige storm\u0026#39; by Lieven Segers. The MuHKA library has number H.C.009 in its collection.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":5509,"title":"Doorsnee Vlaamse Familie","dimensions":"200 x 280 cm","date_begin":"1995-01-01","material":"paper, canvas, ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7253","stream_count_app":12,"permalink":"doorsnee-vlaamse-familie","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":17584,"title":"De Gezegende Nederlaag","dimensions":"237 x 275 x 5.5 cm","date_begin":"1971-01-01","material":"oil on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Dendermonde","cached_tag_list":"barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"de-gezegende-nederlaag","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/924/medium_500/Fred_Bervoets_De_Gezegende_Nederlaag.jpg?1521814206","cached_actor_names":"Fred Bervoets","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/924/large/Fred_Bervoets_De_Gezegende_Nederlaag.jpg?1521814206","poster_credits":"Private Collection, Dendermonde","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eIn the exhibition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, Bervoets is brought into resonance with the photographic portraiture of Gautherot. By displaying the spaghetti painting from the seventies on a black wall, the use of colour in the teeming forms is emphasised and the work acquires a compelling presence. In the endless entanglement of depth and perspective \u0026ndash; reminiscent of psychotic delusions \u0026ndash; a busy and especially complex world is evoked. Here, Bervoets shows the aesthetic violence of a machine in the form of a modern \u003cem\u003epittura metaphysica\u003c/em\u003e.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eIn de tentoonstelling \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e wordt Fred Bervoets in resonantie gebracht met de fotografische portretkunst van Gautherot. Door het \u003cem\u003espaghetti\u003c/em\u003e-schilderij uit de jaren zeventig op een zwarte wand te tonen, wordt het kleurgebruik in de wemelende vormen benadrukt en krijgt het werk een dwingende aanwezigheid. In de eindeloze verstrengeling van diepgang en perspectief \u0026ndash; die doet denken aan psychotische hersenkronkels \u0026ndash; evoceert zich een drukke en vooral complexe wereld. Bervoets toont hier de esthetische gewelddadigheid van een machine in de vorm van een moderne \u003cem\u003epittura metafisica\u003c/em\u003e.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eDans l\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, des \u0026oelig;uvres de Bervoets sont mises en r\u0026eacute;sonance directe avec l\u0026rsquo;art du portrait photographique de Gautherot. La pr\u0026eacute;sentation du tableau \u003cem\u003espaghetti\u003c/em\u003e des ann\u0026eacute;es\u0026nbsp;70 sur fond noir souligne l\u0026rsquo;utilisation de la couleur dans le foisonnement de formes et donne \u0026agrave; l\u0026rsquo;\u0026oelig;uvre une pr\u0026eacute;sence imp\u0026eacute;rieuse. L\u0026rsquo;imbrication infinie de profondeur et de perspective, qui fait penser \u0026agrave; des circonvolutions c\u0026eacute;r\u0026eacute;brales psychotiques, \u0026eacute;voque un monde agit\u0026eacute; et surtout complexe. Bervoets montre ici la violence esth\u0026eacute;tique d\u0026rsquo;une machine qui adopte la forme d\u0026rsquo;une peinture m\u0026eacute;taphysique moderne.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabel Grynberg\u003c/p\u003e\r\n"}]},{"id":18433,"title":"Fred Bervoets [ t i : j k e n e ]","dimensions":"29.5 x 21 cm, 28 p., language : Dutch, English, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1985-01-01","material":"Ink, paper","short_description":"\u003cp\u003eICC publication, n\u0026deg;256.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditor \u0026amp; Author : Glenn van Looy.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum, Antwerpen (19.4.-19.5.1985).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2028/44","stream_count_app":6,"permalink":"fred-bervoets-t-i-j-k-e-n-e","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/064/medium_500/20180321095327168_0001.jpg?1521622506","cached_actor_names":"Fred Bervoets","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/064/large/20180321095327168_0001.jpg?1521622506","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":19892,"title":"De aanbidding","dimensions":"40 x 30 cm","date_begin":"1967-01-01","material":"geschilderde ets, papier op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie De Zwarte Panter, Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"de-aanbidding","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/417/medium_500/DSC_7411.JPG?1532509060","cached_actor_names":"Fred Bervoets","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/417/large/DSC_7411.JPG?1532509060","poster_credits":"Collectie De Zwarte Panter, Antwerpen, image: (c) Luc Vuegen","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eBervoets has the reputation of an Einzelg\u0026auml;nger, a role which is perfect for him and allows him total artistic freedom. His oeuvre can be characterised as radical, uncompromising and contains narrative, autobiographical and expressionist (in some instances even baroque) stylistic elements. All of the above was quite the opposite of the reigning stylistic works of the contemporary fine arts in the eighties and nineties.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn the last couple of years, the general painting style in the contemporary arts has shifted to a more open and expressionistic style (for example the works of Jonathan Meese and Kati Heck). This style of painting resonates more with Bervoets\u0026rsquo; oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eFred Bervoets geniet al enige tijd de reputatie van de einzelg\u0026auml;nger, een rol die hem uitstekend ligt en hem bovendien een grote artistieke vrijheid geeft. Het compromisloze en radicale oeuvre dat doorspekt is van narrativiteit, autobiografische thema\u0026rsquo;s en expressionistische (soms zelfs barokke) vormentaal ging dan ook staalhard in tegen het dominante discours in de beeldende kunst van de jaren tachtig en negentig. De laatste jaren zien we opnieuw een opening naar een meer expressieve schilderspraktijk (denk aan het uitgesproken picturale werk van Jonathan Meese en Kati Heck) dat toelaat verbindingen te maken met Bervoets\u0026rsquo; oeuvre.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20716,"title":"Hello Frie(n)ds, Come In","dimensions":"","date_begin":"2005-01-01","material":"","short_description":"\u003cp\u003eCreated by Fred Bervoets, Hugo Claus \u0026amp;\u0026nbsp;Jan Decleir\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy De Zwarte Panter","cached_tag_list":"Art's Birthday","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"hello-frie-n-ds-come-in","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eCreated by Fred Bervoets, Hugo Claus \u0026amp;\u0026nbsp;Jan Decleir\u003c/p\u003e\r\n","short_description_fr":"\u003cp\u003eCreated by Fred Bervoets, Hugo Claus \u0026amp;\u0026nbsp;Jan Decleir\u003c/p\u003e\r\n","short_description_ru":"","short_description_de":"\u003cp\u003eCreated by Fred Bervoets, Hugo Claus \u0026amp;\u0026nbsp;Jan Decleir\u003c/p\u003e\r\n","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/270/medium_500/FredBervoets_HelloFriends_2019_Art%27s_Birthday_photo_M_HKAcc.jpg?1548169667","cached_actor_names":"Fred Bervoets","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/270/large/FredBervoets_HelloFriends_2019_Art's_Birthday_photo_M_HKAcc.jpg?1548169667","poster_credits":"Courtesy De Zwarte Panter, image: (c) M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":24100,"title":"Negen hedendaagse tekenaars uit Vlaanderen","dimensions":"29.6 x 21 cm, 24 p., language : Dutch, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1985-01-01","material":"ink, paper","short_description":"\u003cp\u003eText : Marcel van Jole.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum Antwerpen, 09.08.-01.09.1985\u003c/p\u003e\r\n\r\n\u003cp\u003eArtists : Fred Bervoets, Hugo Duchateau, Ado Hamelryck, Mark Luyten, Walter Swennen, Philippe Vandenberg, Jan Vanriet, Pierre Vlerick \u0026amp; Roger Wittevrongel.\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2030/405","stream_count_app":16,"permalink":"negen-hedendaagse-tekenaars-uit-vlaanderen-f52199b5-e2e3-44bd-bfef-a72d01775088","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/415/medium_500/20200220091320654_0001.jpg?1582186507","cached_actor_names":"Marcel van Jole, Philippe Vandenberg, Fred Bervoets, Ado Hamelryck, Walter Swennen, Mark Luyten, Hugo Duchateau, Jan Vanriet, Roger Wittevrongel , Pierre Vlerick ","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/051/415/large/20200220091320654_0001.jpg?1582186507","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":25393,"title":"Knipsel Nieuwjaars-museum","dimensions":"12 x 18 cm","date_begin":"1983-01-01","material":"paper, ink (printing)","short_description":"\u003cp\u003eArticle about New years (83/84) Happening surrounding the inaugural stone for a new museum (1970) in Middelheimparrk, the stone as kaaba\u0026nbsp; \u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":84,"category_id":112,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Newspaper clipping","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":27,"permalink":"knipsel-nieuwjaars-museum","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003e\u0026nbsp;Knipsel over BIWA-happening (nieuwjaar 83/84) rond grondsteen van nieuw museum (1970) - de steen des aanstoots als kaaba...\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/055/489/medium_500/Im307JL027.jpg?1587989778","cached_actor_names":"Jef Lambrecht, Fred Bervoets, Karel Schoetens","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/055/489/large/Im307JL027.jpg?1587989778","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003eHappening surrounding the inaugural stone for a new museum (1970) in Middelheimparrk, the inaugural stone as kaaba (deel van NB vs PS collectie)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u0026nbsp; Knipsel over BIWA-happening rond grondsteen van nieuw museum (1970) - de grondsteen des aanstoots... (deel van \u0026quot;NB vs PS bible\u0026quot; collectie)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":25556,"title":"Oprichting Museum voor Moderne Kunst","dimensions":"variable","date_begin":"1983-01-01","material":"paper, ink (printing)","short_description":"\u003cp\u003eInstallation of the (temporary) Museum of Modern Art at the site of the first stone in the Herborium of Park den Brandt\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":84,"category_id":155,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"happening performance (photo of)","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":25,"permalink":"oprichting-museum-voor-moderne-kunst","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eOprichting van het (voorlopige) Museum van Moderne Kunst in de plantentuin van Park den Brandt (nu Middelheim annex)\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/463/medium_500/FotMapBr1026.jpg?1588838359","cached_actor_names":"Fred Bervoets, Karel Schoetens, Jef Lambrecht","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/463/large/FotMapBr1026.jpg?1588838359","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003e(everyone lends a hand at the) Installation of the (temporary) Museum of Modern Art at the site of the first stone in the Herborium of Park den Brandt\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003enow Middelheim annex - part of a BIWA campaign to rekindle the plans for a contemporay museum in Antwerp\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(iedereen helpt bij de) Oprichting van het (voorlopige) Museum van Moderne Kunst in de plantentuin van Park den Brandt (nu Middelheim annex)\u003c/p\u003e\r\n\r\n\u003cp\u003eBIWA niewjaarsactie om de discussie rond een nieuw mseum weer aan te wakkeren\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33128,"title":"3 x 3","dimensions":"11 x 21 cm","date_begin":"1992-01-01","material":"Prin on paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":218,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA 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