[{"id":4233,"title":"Demolition Office Baroque: Photos ","dimensions":"","date_begin":null,"material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":32,"stream_count":0,"collection":"","cached_tag_list":"Foundation Gordon Matta-Clark, demolition, Gordon Matta-Clark, office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":137,"permalink":"demolition-office-baroque-photos","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/786/large/Matta%20Clark,%20Gordon,%20afbraak.jpg?1332157066","poster_credits":"(c)image: Nick Goyvaerts","translations":[{"locale":"en","description":"Photos of the demolition of *Office Baroque*. One early morning (June 2, 1980) *Office Baroque* was destroyed."},{"locale":"nl","description":"Foto's van de sloop van *Office Baroque*. Op een vroege ochtend (2 juni 1980) werd *Office Baroque* vernietigd."},{"locale":"fr","description":""}]},{"id":3426,"title":"Day's End (also called Day's Passing)","dimensions":"","date_begin":"1975-01-01","material":"","short_description":"Location: Pier 52, Gansevoort Street and West Street, New York","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"","cached_tag_list":"cutting, site-specific, architecture, intervention, anarchitecture","publishing_process_id":1,"annotation":"Also called Day's Passing\r\nimages: ICC exhibition catalogue","date_end":null,"reference":"","stream_count_app":30,"permalink":"day-s-end-also-called-day-s-passing","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/553/large/days%20end%201.jpg?1328529910","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"Het clandestiene project *Day’s End* (1974), dat twee jaar overleefde (en dus een van de weinige interventies met een bepaalde duur was) bestond uit monumentale uitsnijdingen in de achterwand, de vloer en het dak van een overdekte pier in een verarmde historische buurt van New York. Een verlaten industrieel gebouw wordt zo omgetoverd tot een tempel van licht."},{"locale":"fr","description":""}]},{"id":3421,"title":"Bingo","dimensions":"","date_begin":"1974-01-01","material":"","short_description":"Location: 349 Erie Avenue, Niagara Falls, New York","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"images: ICC exhibition catalogue","date_end":null,"reference":"","stream_count_app":20,"permalink":"bingo","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/551/large/bingo%201.jpg?1328529679","poster_credits":null,"translations":[{"locale":"en","description":"Also called *Bingo X Ninths*, *Bingone X Ninths*, *Bin.go.ne*, *Bin-go.ne by Ninths and Days*, and *Been-Gone by Ninth*"},{"locale":"nl","description":"In augustus 1974 maakte Matta-Clark een cutting in een huis in Niagara Falls, New York. De kunstenaar verdeelde de buitengevel in negen delen. Deze delen werden verwijderd behalve het middelste stuk.  Segmenten van de gevel werden naar Art Park vervoerd en daar gedumpt. "},{"locale":"fr","description":""}]},{"id":3427,"title":"Conical Intersect","dimensions":"","date_begin":"1975-01-01","material":"","short_description":"Location: 27-29, rue Beaubourg, Paris","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"","cached_tag_list":"intervention, architecture, site-specific, cutting","publishing_process_id":1,"annotation":"Also called Etant d'art pour locataire, Quel Con, Quel Can, and Cal Can.\r\nImages: ICC exhibition catalogue","date_end":null,"reference":"","stream_count_app":40,"permalink":"conical-intersect--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/699/large/37b4c02f5a.jpg?1328790519","poster_credits":null,"translations":[{"locale":"en","description":"For the 1975 Paris Biennale, Matta-Clark made large cone-shaped holes in two houses near the Centre Georges Pompidou, in Les Halles, a district that was being demolished. His aim was to allow passers-by to see through to the Centre Pompidou while it was under construction.\r\n\r\n*‘A non-monumental counterpart to the magnificent backdrop of Centre Pompidou. During the two weeks that the façade and walls were cut away, the activity created its own ‘amphitheatre-like stage’ for passers-by.’*(GMC) \r\n"},{"locale":"nl","description":"Voor de Biënnale van Parijs in 1975 maakte Matta-Clark, in de afbraakbuurt Les Halles, een groot kegelvormig gat in twee huizen nabij het Centre Georges Pompidou. Bedoeling was dat de voorbijgangers doorzicht kregen naar het in aanbouw zijnde Centre Pompidou.\r\n\r\n*“Een niet-monumentale tegenhanger tegen de grandioze achtergrond van het Centre Pompidou,. Gedurende de twee weken waarin de gevel en de muren weggekapt werden, creëerde de activiteit een eigen ‘amfitheaterachtige’ toneelruimte voor de voorbijgangers.”*(GMC)"},{"locale":"fr","description":""}]},{"id":4270,"title":"Office Baroque: photographic documentation","dimensions":"","date_begin":"1977-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":44,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":217,"permalink":"office-baroque-photographic-documentation","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/912/large/Matta-Clark__Gordon__404__33__foto_Florent_Bex.jpg?1345470430","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":3402,"title":"Fresh Air Cart","dimensions":"cart: 175.3 x 165.1 x 85.1 cm","date_begin":"1972-01-01","material":"steel cart with nylon canopy, two seats, oxygen tank","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"fresh-air-cart","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/558/large/FreshAirCart.jpg?1348146470","poster_credits":null,"translations":[{"locale":"en","description":"Wall Street, and 42nd Street and Vanderbilt Avenue, New York\r\n\r\nIn his works Matta-Clark dealt with issues of urban ecology and his Fresh Air Cart pointedly critized the unhealthy quality of our air. This antipollution performance made use of this small vehicle that he constructed. It was equipped with a tank of \"pure air\" that was administered through oxygen masks to passersby. Matta-Clark staged the event under the pseudonym George Smudge, publicizing him as a \"para-medical philanthropist\"."},{"locale":"nl","description":"Wall Street, and 42nd Street and Vanderbilt Avenue, New York\r\n\r\nGordon Matta-Clark hield zich met vele stadsecologische problemen bezig en ondermeer zijn *Fresh Air Cart* bekritiseerde op treffende wijze de kwaliteit van de stadslucht. Deze antipollutie-performance gebeurde via \r\neen voertuigje dat hij met twee stoelen rug aan rug op vier wielen bouwde, met een wit linnen dak, een een drukcilinderfles met 'zuivere lucht' (79% stikstof, 21% zuurstof), die voorbijgangers via gasmaskers konden opnemen. "},{"locale":"fr","description":""}]},{"id":3403,"title":"Wallspaper","dimensions":"","date_begin":"1972-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"an artists' book of the installation was published by Buffallo Press","date_end":null,"reference":"","stream_count_app":11,"permalink":"wallspaper","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/543/large/Wallspaper.jpg?1348051495","poster_credits":null,"translations":[{"locale":"en","description":"Over a period of time, Matta-Clark made numerous photographs of exposed walls in buildings that had been partially torn down around the city of New York, revealing their internal structure, rooms and coloration. He printed these images on a newspaper offset press in soft-coloured hues, recycling urban decay into decorative beauty. Mounted on the wall the sheets resembled wallpaper; on the floor newspaper: the title refers to both aspects. "},{"locale":"nl","description":"Een hele periode lang heeft Gordon Matta-Clark foto's samengesteld uit beelden van blootgestelde muren in gebouwen die gedeeltelijk werden afgebroken in New York, een onthullling van hun interne structuur, kamers en kleuren. Hij drukte deze beelden af in zachte kleurtinten, op een offsetpers van kranten, en zette stedelijk verval om in decoratieve schoonheid. Gemonteerd op de muur lijk de vellen papier op behang, op de vloer kranten; de titel verwijst naar beide aspecten."},{"locale":"fr","description":""}]},{"id":3432,"title":"City Slivers","dimensions":"00:15:00","date_begin":"1976-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eFilming and Editing Assistance: Betsy Sussler. Partially funded by National Endowment for the Arts and a New York State CAPS Grant. 1976, 15 min, color, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7765_M492_3","stream_count_app":27,"permalink":"city-slivers","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/533/large/Gordon-Matta-Clark-City-Slivers-1976.jpg?1348047389","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe film \u003cem\u003eCity Slivers\u003c/em\u003e is a formal study of urban architecture and street life in New York. The film was scheduled to be projected onto the fa\u0026ccedil;ade of a building and was shown for the first time at the ARCADES outdoor exhibition and later on in the Holly Solomon Gallery. The play of buildings and the empty spaces between them created geometrical shapes. These recorded shapes are doubled by vertically covering a part of what has been filmed with a ribbon. A void that once again divides the photographic images of the architecture.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe film *City Slivers* is een formeel onderzoek naar de stedelijke architectuur en het straatgebeuren van New York. De film was gepland om te worden geprojecteerd op de buitengevel van een gebouw, en werd voor het eerst in de openluchttentoonstelling ARCADES en later in de Holly Solomon Gallery getoond. Het spel van gebouwen en de leegtes ertussen cre\u0026euml;ert geometrische figuren. Deze opgenomen vormen worden verdubbeld door met een lint een deel van wat werd gefilmd verticaal af te dekken. Een leegte die de fotografische beelden van de architectuur opnieuw opdeelt.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eImages urbaines de New York projet\u0026eacute;es verticalement, en photogrammes isol\u0026eacute;s ou associ\u0026eacute;s avec d\u0026#39;autres, s\u0026eacute;par\u0026eacute;s par des espaces noirs. Ce film, con\u0026ccedil;u pour \u0026ecirc;tre projet\u0026eacute; sur la fa\u0026ccedil;ade ou \u0026agrave; l\u0026#39;int\u0026eacute;rieur d\u0026#39;un b\u0026acirc;timent, a \u0026eacute;t\u0026eacute; pr\u0026eacute;sent\u0026eacute; pour la premi\u0026egrave;re fois \u0026agrave; l\u0026#39;exposition en plein air, \u0026#39;Arcades\u0026#39;, puis \u0026agrave; la Galerie Holly Solomon.\u003c/p\u003e\r\n"}]},{"id":3375,"title":"Garbage Wall","dimensions":"","date_begin":"1970-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"Location: St. Mark's Church, Tenth Street and Second Avenue, New York\r\nThe film Firechild was made upon the creation of this sculpture","date_end":null,"reference":"","stream_count_app":14,"permalink":"garbage-wall","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/555/large/TheWall.jpg?1348136128","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4249,"title":"Letter from Gordon Matta-Clark to Florent Bex, 28.7.76","dimensions":"","date_begin":"1976-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"ICC, Gordon Matta-Clark, office baroque, letter","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"letter-from-gordon-matta-clark-to-florent-bex-28-7-76","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/829/large/brief%2028.7.jpg?1332164687","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4262,"title":"Walls Paper","dimensions":"25.8 cm x 19.8 cm","date_begin":"1973-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"artistbook","publishing_process_id":1,"annotation":"Artist's book. Publisher: Buffalo Press. Edition 13/500. Signed by Gordon Matta-Clark. \r\nhttp://www.amazon.com/Walls-paper-Gordon-Matta-Clark/dp/B0007AH3K8","date_end":null,"reference":"","stream_count_app":18,"permalink":"walls-paper","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/848/large/walls%20paper_book.jpg?1332167579","poster_credits":null,"translations":[{"locale":"en","description":"The prints used for the installation [*Wallspaper*](http://ensembles.mhka.be/items/3403) (1972) were cut into artists' books and bound with a black-and-white photograph of rows of exposed walls on the cover."},{"locale":"nl","description":"De prints uit de installatie [*Wallspaper*](http://ensembles.mhka.be/items/3403) (1972) werden versneden tot artists' books en gebonden met een zwart-wit afbeelding met rijen van de geëxposeerde muren op de omslag."},{"locale":"fr","description":""}]},{"id":4245,"title":"Letter from Gordon Matta-Clark to Florent Bex, 25.7.77","dimensions":"","date_begin":"1977-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"ICC, Gordon Matta-Clark, office baroque, 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Bex","translations":[{"locale":"en","description":"\u003cp\u003eScans from 35 mm negatives of photos taken by Florent Bex. All negatives have been included. Images of the working process of \u003cem\u003eJacob\u0026#39;s Ladder\u003c/em\u003e\u0026nbsp;in \u003cem\u003eDocumenta 6\u003c/em\u003e in Kassel, Germany.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":5167,"title":"Open House","dimensions":"00:41:00","date_begin":"1972-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1972, 41 min, color, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7761_M488_2","stream_count_app":17,"permalink":"open-house","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/532/large/OpenHouse.jpg?1348047156","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn May 1972 Matta-Clark placed an industrial container between 98 and 112 Greene Street in New York\u0026#39;s SoHo neighbourhood. He collected discarded doors and pieces of wood to transform the container into an open architecture in which a series of activities such as dance performances could take place. This documentary records the opening day with performances by Tina Girouard, [Keith Sonnier](http://sonnierstudio.com) and other friends. Because on that day it suddenly started to rain umbrellas were used to create an improvised roof.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn mei 1972 plaatst Matta-Clark een industrie\u0026euml;le afvalcontainer tussen 98 en 112 Greene Street in de New Yorkse wijk SoHo. Hij verzameld er weggegooide deuren en stukken hout om er de container mee om te vormen tot een open architectuur waarin een reeks activiteiten zoals dansperformances kunnen plaatsvinden. Deze documentaire legt de openingsdag met performances van Tina Girouard, [Keith Sonnier](http://sonnierstudio.com), en andere vrienden vast. Omdat het op die dag plots begint te regenen wordt er met paraplu\u0026#39;s een dak ge\u0026iuml;mproviseerd.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5169,"title":"Fire Child","dimensions":"00:09:47 ","date_begin":"1971-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1971, 9:47 min, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7762_M489_1","stream_count_app":22,"permalink":"fire-child","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/528/large/FireChild.jpg?1348046377","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn 1971 Matta-Clark participated in the \u0026lsquo;Brooklyn Bridge Event\u0026rsquo; exhibition. Using litter, he built a wall [*Garbagewall*](http://ensembles.mhka.be/items/3375), a sort of anchorage serving as a setting for domestic activities like eating, cleaning and washing. This film shows the terrible conditions in which the poor and homeless of the Lower East Side in New York lived.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 1971 nam Matta-Clark deel aan de tentoonstelling \u0026#39;Brooklyn Bridge Event\u0026#39;. Met zwerfvuil bouwde hij een muur [*Garbage Wall*](http://ensembles.mhka.be/items/3375), een soort ankerplaats die moet dienen als setting voor huiselijke activiteiten als eten, schoonmaken, wassen. Deze film toont de erbarmelijke omstandigheden waarin de armen en daklozen van de Lower East Side, New York leefden.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn mai 1971, Gordon Matta-Clark r\u0026eacute;alisa plusieurs oeuvres pour le Festival du Pont de Brooklyn, organis\u0026eacute; par Alanna Heiss. Ce film enregistre le proc\u0026egrave;s de fabrication d\u0026#39;une sculpture: un petit mur de d\u0026eacute;chets, papiers et bo\u0026icirc;tes de conserve ramass\u0026eacute;s dans les alentours, le tout compress\u0026eacute; dans un grillage.\u003c/p\u003e\r\n"}]},{"id":5170,"title":"Fresh Kill","dimensions":"00:12:56 ","date_begin":"1972-01-01","material":"16 mm film on video","short_description":"\u003cp\u003eShown as a part of a compilation in Documenta 5, 1973.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCamera: Burt Spielvogel, Rudy Burkhardt. Producer: Holly Solomon, Burt Spielvogel. 1972, 12:56 min, color, sound, 16 mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7762_M489_2","stream_count_app":25,"permalink":"fresh-kill","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/527/large/FreshKill.jpg?1348046147","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eFresh Kill\u003c/em\u003e\u0026nbsp;shows how Matta-Clark\u0026rsquo;s van (which he called \u0026lsquo;Herman Meydag\u0026rsquo;) was completely destroyed by a bulldozer at Fresh Kills dump. The film revolves around the inevitable course of decay (entropy), the red car heads straight towards its accident with the bulldozer. De film is part of \u003cem\u003e98.5\u003c/em\u003e, a compilation of films by Ed Baynard, George Schneeman and Charles Simons which were also shown at Documenta 5 in Kassel. Camera: Burt Spielvogel, Rudy Burkhardt. Producer: Holly Solomon, Burt Spielvogel.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eFresh Kill\u003c/em\u003e\u0026nbsp;toont hoe op de New Yorkse stortplaats het vrachtwagentje van Matta-Clark (die hij \u0026quot;Herman Meydag\u0026quot; noemde) totaal vernietigd wordt door een bulldozer. De film draait rond het onafwendbaar verloop van verval (entropie); de rode auto stevent op zijn ongeluk af, onder de bulldozer. De film maakt deel uit van \u003cem\u003e98.5\u003c/em\u003e, een compilatie van films van Ed Baynard, George Schneeman en Charles Simons die werd getoond op Documenta 5 in Kassel. Camera: Burt Spielvogel, Rudy Burkhardt. Producent: Holly Solomon, Burt Spielvogel.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eClin d\u0026#39;oeil \u0026agrave; certaines s\u0026eacute;quences de s\u0026eacute;rie B, le film enregistre comme un drame la destruction syst\u0026eacute;matique de \u003cem\u003eHerman Meydag\u003c/em\u003e, le camion de Gordon Matta-Clark, par un bulldozer dans une d\u0026eacute;charge. Ce film fait partie de \u0026quot;98.5\u0026quot;, compilation de films de Ed Baynard, Suzanne Hall, George Scheemar et Charles Simonds produits par Holly Solomon et pr\u0026eacute;sent\u0026eacute;s \u0026agrave; Documenta V de Kassel, en 1972.\u003c/p\u003e\r\n"}]},{"id":5172,"title":"Food","dimensions":"00:43:00","date_begin":"1972-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCamera and Sound: Robert Frank, Suzanne Harris, Gordon Matta-Clark, Danny Seymour. Editing: Roger Welch 1972, 43 min, b\u0026amp;w, sound, 16 mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7763_M490","stream_count_app":24,"permalink":"food","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/524/large/gordon-at-food-from-food-by-gm-c-1072.jpg?1348045509","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThis film documents the legendary Soho restaurant \u0026lsquo;Food\u0026rsquo;, which opened in 1971. It was a project by the \u0026#39;anarchitecture\u0026#39; group. It was an artistic project, a commercial enterprise and a social initiative. A cheap restaurant that provided Soho artists with work and was a meeting place where artistic projects regularly took place. \u0026lsquo;Food\u0026rsquo; was largely converted by Matta-Clark, who also organised art events and performances here.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze film documenteert het legendarische Soho restaurant \u0026#39;Food\u0026rsquo;, dat geopend werd in 1971. Het was een project van de groep \u0026#39;anarchitecture\u0026#39;. Het was tegelijk een artistiek project, een commerci\u0026euml;le onderneming en een sociaal initiatief . Een goedkoop restaurant dat de Soho-kunstenaars werk verschafte terwijl het ook een ontmoetingsplaats was waar geregeld artistieke projecten plaatsvonden. Food werd grotendeels verbouwd door Matta-Clark, hij organiseerde er ook kunstevenementen en optredens.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5173,"title":"Automation House","dimensions":"00:32:00","date_begin":"1972-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eProducer: Carlotta Schoolman 1972, 32 min, b\u0026amp;w, sound, 16 mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7765_M492_1","stream_count_app":24,"permalink":"automation-house","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/523/large/automationhouse.jpg?1348045243","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThis film is an exercise in spatial perception. People and their movements are recorded with the aid of a mirror. Reality is distorted into a ballet of illogical appearances and disappearances by way of reflections and opaque windows.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze film is een oefening in ruimtelijke waarneming. Met behulp van een spiegel worden mensen en hun bewegingen vastgelegd. De realiteit wordt via de reflecties en de ondoorzichtige ramen vervormd tot een ballet van onlogische verschijningen en verdwijningen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eCette vid\u0026eacute;o constitue un exercise sur la perception spatiale, r\u0026eacute;alis\u0026eacute; avec des images de personnes et de leurs mouvements refl\u0026eacute;t\u0026eacute;s dans des miroirs.\u003c/p\u003e\r\n"}]},{"id":5174,"title":"Sauna View","dimensions":"00:61:30","date_begin":"1973-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1973, 61:30 min, b\u0026amp;w, sound\u003c/p\u003e\r\n","date_end":null,"reference":"BK7764_M491","stream_count_app":15,"permalink":"sauna-view","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/521/large/Mattaclark-Saunaview-1973.jpg?1348044816","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eMatta-Clark films his friends taking a sauna. The changing room and shower are filmed from a small window thus enhancing the sense of voyeurism.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eMatta-Clark filmt zijn vrienden die een sauna nemen. De kleedkamer en douche worden vanachter een venstertje gefilmd waardoor het voyeuristisch gevoel versterkt.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5178,"title":"Splitting","dimensions":"00:09:40","date_begin":"1974-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1974, 10:50 min, b\u0026amp;w and color, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7766_M493_1","stream_count_app":36,"permalink":"splitting--3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/516/large/mattaclark_splitting.jpg?1348041950","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn this film Matta-Clark documents his \u003ca href=\"http://ensembles.mhka.be/items/5899\"\u003eintervention\u003c/a\u003e in an average American wooden house on Humphrey Street in Englewood, New Jersey. He saws through the middle of the house. Pieces of the foundation are then carefully removed so that the whole gently folds open into two symmetrical parts. \u003cem\u003eSplitting\u003c/em\u003e\u0026nbsp;was carried out in a neighbourhood in transition from a black to a white neighbourhood, so the existing population was forced to move. He breaks open the form of standardised houses which, as a result of all sorts of rules and modularisation had become uniform.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eMet deze film documenteert Matta-Clark de \u003ca href=\"http://ensembles.mhka.be/items/5899\"\u003einterventie\u003c/a\u003e\u0026nbsp;in een doorsnee Amerikaans, houten woonhuis op Humphrey Street in Englewood, New Jersey. Hij zaagt het huis middendoor. Vervolgens worden stukken uit de fundering omzichtig weggehaald, zodat het geheel lichtjes open plooit in twee symmetrische delen. \u003cem\u003eSplitting\u003c/em\u003e\u0026nbsp;vond plaats in een buurt die in transitie was van een zwarte buurt naar een witte buurt, waardoor de bestaande bevolking moest wijken. Hij verbreekt de vorm van de gestandaardiseerde huizen die door allerlei regels en moduleringen uniform geworden waren.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eFilm qui documente la d\u0026eacute;coupe r\u0026eacute;alis\u0026eacute;e par Gordon Matta-Clark dans une maison situ\u0026eacute;e dans Mumfrey Street, Englewood \u0026agrave; New York.\u003c/p\u003e\r\n"}]},{"id":5179,"title":"Bingo/Ninths","dimensions":"00:09:40","date_begin":"1974-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1974, 9:40 min, color, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7766_M493_2","stream_count_app":29,"permalink":"bingo-ninths","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/515/large/Bingo.jpg?1348041732","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn August 1974 Matta-Clark carried out a \u0026lsquo;cutting\u0026rsquo; in a house at Niagara Falls, New York. The artist divided the north fa\u0026ccedil;ade into nine parts. In the film you hear him ask the builders to postpone the demolition. Hence the word play \u003cem\u003eBingo/Ninths\u003c/em\u003e, which became beagone by ninth. The house was demolished an hour after he had finished. The segments were transported to Art Park, where some of them were dumped to be gradually swept away by the Niagara River.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn augustus 1974 realiseerde Matta-Clark een cutting in een huis in Niagara Falls, New York. De kunstenaar verdeelde de noordgevel in negen delen. In de film hoor je hem uitstel vragen aan de slopers. Vandaar het woordspel \u0026#39;Bingo/Ninths\u0026#39; dat \u003cem\u003ebeagone by ninth\u003c/em\u003e\u0026nbsp;werd. Een uur nadat hij klaar was, werd het huis gesloopt. De segmenten werden vervoerd naar Art Park waar ze deels gedumpt werden om geleidelijk te worden meegesleurd de Niagra-rivier.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn ao\u0026ucirc;t 1974, Gordon Matta-Clark r\u0026eacute;alisa une d\u0026eacute;coupe dans une maison typique du village de Niagara Falls \u0026agrave; New York. Il avait obtenu l\u0026#39;autorisation de sectionner la fa\u0026ccedil;ade en 9 morceaux, laissant la partie centrale intacte. Une partie des fragments de la fa\u0026ccedil;ade furent transport\u0026eacute;s \u0026agrave; la d\u0026eacute;charge d\u0026#39;Art Park.\u003c/p\u003e\r\n"}]},{"id":5176,"title":"Conical Intersect","dimensions":"00:18:40","date_begin":"1975-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCamera: Bruno Dewitt, Gordon Matta-Clark. 1975, 18:40 min, color, silent, 16 mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":25,"permalink":"conical-intersect","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/520/large/conical.jpg?1348044495","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eFor the Paris Biennale in 1975, Matta-Clark made a major cut in two houses adjacent to the Centre Georges Pompidou in Les Halles. The cut, shaped like a twisted cone, was inspired by Anthony McCall\u0026#39;s film \u003ca href=\"http://www.youtube.com/watch?v=8vr_lYSTfIo\"\u003e\u003cem\u003eLine Describing a Cone\u003c/em\u003e\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eVoor de Bi\u0026euml;nnale van Parijs in 1975 maakte Matta-Clark een groot gat in twee huizen nabij het Centre Georges Pompidou in Les Halles. De cut, in de vorm van een gedraaide kegel, is ge\u0026iuml;nspireerd op de film \u003ca href=\"http://www.youtube.com/watch?v=8vr_lYSTfIo\"\u003e\u003cem\u003eLine Describing a Cone\u003c/em\u003e\u003c/a\u003e van Anthony McCall.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePour la Biennale de Paris de 1975, Gordon Matta-Clark d\u0026eacute;coupa deux maisons adjacentes au Centre Georges-Pompidou alors en construction. Pour la d\u0026eacute;coupe, en forme de cone torse, il s\u0026#39;est inspir\u0026eacute; du film \u003ca href=\"http://www.youtube.com/watch?v=8vr_lYSTfIo\"\u003e\u003cem\u003eLine Describing a Cone\u003c/em\u003e\u003c/a\u003e\u0026nbsp;(Ligne d\u0026eacute;crivant un cone)\u0026nbsp;d\u0026#39;Anthony McCall.\u003c/p\u003e\r\n"}]},{"id":5175,"title":"Chinatown Voyeur","dimensions":"00:60:00","date_begin":"1971-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1973, 61:30 min, b\u0026amp;w, sound\u003c/p\u003e\r\n","date_end":null,"reference":"BK7760_M487","stream_count_app":21,"permalink":"chinatown-voyeur","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/512/large/Gordon-Matta-Clark-Chinatown-Voyeur-19711.jpg?1348041288","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eChinatown Voyeur\u003c/em\u003e\u0026nbsp;is not the result of an intervention but exists in its own right and shows Chinatown in New York from sunset to sunrise. The skyline is alternated with zoomed-in images of windows, thus giving you a view of certain interiors. These seemingly voyeuristic images refer to early memories. Matta-Clark claimed that his first contact with other people did not take place on the street but from window to window. There is a clear parallel here with Hitchcock\u0026rsquo;s \u003ca href=\"http://www.youtube.com/watch?v=PsxIDPhg4bo\"\u003e\u003cem\u003eRear Window\u003c/em\u003e\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eChinatown Voyeur\u003c/em\u003e\u0026nbsp;is niet de neerslag van een interventie maar staat op zich en toont Chinatown, New York van zonsondergang tot zonsopgang. De skyline wordt afgewisseld met beelden die inzoomen op vensters waardoor je een zicht krijgt op bepaalde interieurs. Deze voyeuristisch aandoende beelden refereren aan vroege herinneringen. Matta-Clark beweerde dat zijn eerste contact met andere mensen niet via de straat was verlopen maar wel van venster tot venster. De analogie met Hitchcock\u0026rsquo;s \u003ca href=\"http://www.youtube.com/watch?v=PsxIDPhg4bo\"\u003e\u003cem\u003eRear Window\u003c/em\u003e\u003c/a\u003e\u0026nbsp;spreekt voor zich.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5962,"title":"Het Gevecht Neemt Geen Einde","dimensions":"","date_begin":"1987-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"MuHKA, Gordon Matta-Clark, office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":25,"permalink":"het-gevecht-neemt-geen-einde--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/150/large/gmc_knack_1987_Page_1.jpg?1346759793","poster_credits":"(c)Knack","translations":[{"locale":"en","description":"Article in the Belgian Magazine *Knack*, 1-7-1987, p. 82-85. Article on the work of Gordon Matta-Clark linked with *Office Baroque* and the new museum MuHKA in Antwerp."},{"locale":"nl","description":"Artikel in het Belgische magazine *Knack*, 1-7-1987, p. 82-85. Artikel omtrent *Office Baroque* en andere verwante werken en ook het nieuwe museum MuHKA in Antwerpen."},{"locale":"fr","description":""}]},{"id":5876,"title":"De Brokstukken vlogen Ogier om de oren. Slopingswerken op Ernest Van Dijckkaai: start of formaliteit.","dimensions":"","date_begin":"1980-01-01","material":"paper, ink","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA","cached_tag_list":"ICC, gordon matta clark, office baroque","publishing_process_id":1,"annotation":"Slopingswerken op Ernest Van Dijckkaai: start of formaliteit! in Gazet Van Antwerpen, bijlage, 3.6.80\r\n(cut out of original newspaper)","date_end":null,"reference":"","stream_count_app":17,"permalink":"de-brokstukken-vlogen-ogier-om-de-oren-slopingswerken-op-ernest-van-dijckkaai-start-of-formaliteit","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/845/large/articelGMC.jpg?1349108268","poster_credits":"(c)Gazet van Antwerpen, 1980","translations":[{"locale":"en","description":"Item on the demolition of *Office Baroque* by Piet Sterckx in *Gazet van Antwerpen* of 3.6.1980.\r\nThe article is not about *Office Baroque* as an artwork but about the demolition of the site and the repercussions on the city."},{"locale":"nl","description":"Nieuwsitem over de afbraak van *Office Baroque* van Piet Sterckx in de *Gazet van Antwerpen* van 3.6.1980. Dit artikel gaat niet over *Office Baroque* als kunstwerk maar over de afbraak van de site en de gevolgen voor de stad."},{"locale":"fr","description":""}]},{"id":3453,"title":"Office Baroque","dimensions":"","date_begin":"1977-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"","cached_tag_list":"cutting, site-specific, antwerp, architecture, intervention","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":37,"permalink":"office-baroque--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/542/large/Matta-Clark_color_slide3.JPG?1348051064","poster_credits":null,"translations":[{"locale":"en","description":"Ernest van Dijckkaai 1, Antwerp\r\n\r\nAntwerp was the headquarters of the sea shipping company and will be the site of an Antwerp Hilton. After being obliged to make a major changes in the original project, the work was done totally internally using all five floors and the roof.  For the first time it was possible to orchestrate a multy leved structure using two circular arches that modulate the space as the shape and size of rooms change up through the building. \r\nThe result is a series arabesque slices opening whole building to a ever changing promenade of views internal views.\r\n"},{"locale":"nl","description":"Ernest van Dijckkaai 1, Antwerpen\r\n\r\n*\"Het is de verstarde mentaliteit die architecten oplegt muren te bouwen, en kunstenaars om ze te versieren, die mijn gevoel voor beide groepen beledigt. Ik wil geen totaal nieuw kader van visie of kern scheppen. Ik wil het bestaande kader van ons denken en waarnemen hergebruiken.\"* (Gordon Matta-Clark, 1977)\r\n\r\nIn 1977 transformeerde Matta-Clark in Antwerpen een kantoorgebouw tot *Office Baroque*. In een eerste ontwerp wil hij uitsluitend de gevel bewerken: een boogvormige uitsnijding van de benedenhoek tot bovenaan de gevel. Dit zou het gebouw doorzichtig maken en de voorbijgangers zouden er dwars doorheen kunnen kijken. Het stadsbestuur gaf echter geen toestemming. Daarom maakte hij een tweede ontwerp dat zich beperkte tot de binnenruimte van het gebouw. Twee elkaar overlappende cirkels vormden doorheen alle verdiepingen een bizar patroon van doorkijkjes en ruimtelijke figuren. Door kleine variaties in de uitsnijdingen werd een effect van beweeglijkheid opgeroepen. \r\n\r\nKlik [hier](http://ensembles.mhka.be/items/4270) voor meer documentatie en afbeeldingen."},{"locale":"fr","description":""}]},{"id":5899,"title":"Splitting: Four Corners, 1974","dimensions":"","date_begin":null,"material":"","short_description":"Splitting: Four Corners, 1974, 322 Humphrey Street, Englewood, New Jersey\r\n\r\nA cut in half house folds slightly open. Then the four corners on the second floor are cut out.\r\nMatta-Clark rids the house of his banality. He points to the alienating uniformity of suburban architecture and undermines the stability of the middle-class home.\r\n","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"Splitting, Gordon Matta-Clark","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"splitting-four-corners-1974","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/547/large/mattaclark_splitting.jpg?1348132442","poster_credits":null,"translations":[{"locale":"en","description":"Splitting: Four Corners, 1974, 322 Humphrey Street, Englewood, New Jersey\r\n\r\nA cut in half house folds slightly open. Then the four corners on the second floor are cut out.\r\nMatta-Clark rids the house of his banality. He points to the alienating uniformity of suburban architecture and undermines the stability of the middle-class home.\r\n"},{"locale":"nl","description":"Splitting: Four Corners [Splijting: vier hoeken], 1974, 322 Humphrey Street, Englewood, New Jersey\r\n\r\nEen in tweeën gezaagd huis plooit lichtjes open. Daarna worden ook de vier bovenhoeken uit de verdiepingen gesneden. Matta-Clark ontdoet het huis van zijn banaliteit. Hij wijst op de vervreemdende uniformiteit van de voorstedelijke architectuur en ondergraaft de stabiliteit van het middenklasse-huis."},{"locale":"fr","description":"Splitting: Four Corners [Fission: quatre coins], 1974, 322 Humphrey Street, Englewood, New Jersey\r\n\r\nUne maison coupé dans la moitié plie entrouverte. Par la suite, les quatre coins supérieurs sont évidements coupé. Matta-Clark débarrasse la maison de son banalité. Il souligne l'uniformité aliénante de l'architecture de banlieue et sape la stabilité de la maison de classe moyenne."}]},{"id":5895,"title":"Day's End (also called Day's Passing) - 1","dimensions":"20.3 cm   x 25.3 cm    image  24 cm x 19 cm","date_begin":null,"material":"vintage print, B/W photography","short_description":"B/W photography of  exterior Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York. exterior view (riverside façade) An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade. ","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA","cached_tag_list":"Gordon Matta-Clark, Day's End (also called Day's Passing), vintage print","publishing_process_id":1,"annotation":"vintage print of Day's End (also called Day's Passing) 1975","date_end":null,"reference":"","stream_count_app":27,"permalink":"day-s-end-also-called-day-s-passing-1","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/951/large/Matta-Clark_Gordon_vintage%287%29.jpg?1346062973","poster_credits":null,"translations":[{"locale":"en","description":"B/W photography of  exterior Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York. exterior view (riverside façade) An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade. "},{"locale":"nl","description":"Zwart-wit foto façade van  : Het einde van de dag (ook Het voorbijgaan van de dag genoemd) 1975, Pier 52, Gansevoort Street and West Street, New York\r\nBuiten aanzicht (façade kant rivier)\r\nEen verlaten indusriële hangar omgebouwd tot 'zonne-en-watertempel' door circelvormige uitsnijdingen in vloer, dak en de  façade aan de kant van de rivier."},{"locale":"fr","description":"Photo noir et blanc de de l'exterieur de: Jour de fin (également appelée en passant la journée) 1975, au Quai 52, Gansevoort Street et West Street, New York\r\nVu d'exterieur (façade)\r\nUn hangar industriel abandonné transformé en  «temple-de-soleil-et-d'eau» par le biais des coupes circulaires dans le plancher, le toit et la façade riveraine."}]},{"id":5896,"title":"Day's End (also called Day's Passing) - 2","dimensions":"30.3 cm  x 23.9 cm    image 20.2 cm  x 22.6 cm","date_begin":null,"material":"vintage print, B/W photography","short_description":"B/W photo of Exterior Day's End (also called Day's Passing) 1975","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA","cached_tag_list":"Day's End (also called Day's Passing), Gordon Matta-Clark, vintage print","publishing_process_id":1,"annotation":"vintage print Day's End (also called Day's Passing) - 2","date_end":null,"reference":"","stream_count_app":23,"permalink":"day-s-end-also-called-day-s-passing-2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/954/large/Matta-Clark_Gordon_vintage%281%29.jpg?1346063615","poster_credits":null,"translations":[{"locale":"en","description":"B/W photo of exterior of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York. exterior view (riverside façade) An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade."},{"locale":"nl","description":"Zwart-wit foto van façade van: Het einde van de dag (ook Het voorbijgaan van de dag genoemd) 1975, Pier 52, Gansevoort Street and West Street, New York\r\nBuiten aanzicht (façade kant rivier)\r\nEen verlaten indusriële hangar omgebouwd tot 'zonne-en-watertempel' door circelvormige uitsnijdingen in vloer, dak en de  façade aan de kant van de rivier."},{"locale":"fr","description":"Photo noir et blanc de l' exterieur de  : Jour de fin (également appelée en passant la journée) 1975, au Quai 52, Gansevoort Street et West Street, New York\r\nVu d'exterieur (façade)\r\nUn hangar industriel abandonné transformé en  «temple-de-soleil-et-d'eau» par le biais des coupes circulaires dans le plancher, le toit et la façade riveraine."}]},{"id":5898,"title":"Day's End (also called Day's Passing) - 4","dimensions":"23.8 cm  x 29.9 cm       image   23.7 cm x 22.5","date_begin":null,"material":"vintage print, B/W photography","short_description":"B/W photo of interior with floor of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York. exterior view (riverside façade) An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade.","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA","cached_tag_list":"vintage print, Gordon Matta-Clark, Day's End (also called Day's Passing)","publishing_process_id":1,"annotation":"vintage print, B/W photo of interior with floor of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York.","date_end":null,"reference":"","stream_count_app":21,"permalink":"day-s-end-also-called-day-s-passing-4","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/956/large/Matta-Clark_Gordon_vintage%289%29.jpg?1346070258","poster_credits":null,"translations":[{"locale":"en","description":"B/W photo of interior with floor of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York. exterior view (riverside façade) An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade."},{"locale":"nl","description":"Zwart-wit foto façade van  : Het einde van de dag (ook Het voorbijgaan van de dag genoemd) 1975, Pier 52, Gansevoort Street and West Street, New York\r\nBinnenzicht  vloer\r\nEen verlaten indusriële hangar omgebouwd tot 'zonne-en-watertempel' door circelvormige uitsnijdingen in vloer, dak en de  façade aan de kant van de rivier.\r\n"},{"locale":"fr","description":"Photo noir et blanc de de l'exterieur de: Jour de fin (également appelée en passant la journée) 1975, au Quai 52, Gansevoort Street et West Street, New York\r\nVu d'exterieur (façade)\r\nUn hangar industriel abandonné transformé en  «temple-de-soleil-et-d'eau» par le biais des coupes circulaires dans le plancher, le toit et la façade riveraine.\r\n"}]},{"id":5986,"title":"Alte Schuppen wurden zu kühnen Skulpturen","dimensions":"","date_begin":"1979-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"Press, Foundation Gordon Matta-Clark, demolition, Gordon Matta-Clark, Düsseldorf, office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"alte-schuppen-wurden-zu-kuhnen-skulpturen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/267/large/20120411125123868.jpg?1346857832","poster_credits":null,"translations":[{"locale":"en","description":"Article on Gordon Matta-Clark mentioning *Office Baroque*, the saving action and the exhibition: *Gordon Matta-Clark : one for all, all for one : eine Ausstellung zur Unterstützung des \"Fonds Gordon Matta-Clark*, Zentrum für Zeitgenössische Kunst Antwerpen, 5. Mai bis 4. Juni 1979, Städtische Kunsthalle Düsseldorf.\r\n in *Handelsblat*, 28-5-1979."},{"locale":"nl","description":"Artikel over Gordon Matta-Clark en *Office Baroque*, de actie omtrent het 'bewaren' en de tentoonstelling: *Gordon Matta-Clark : one for all, all for one : eine Ausstellung zur Unterstützung des Fonds Gordon Matta-Clark* (Zentrum für Zeitgenössische Kunst Antwerpen, 5. Mai bis 4. Juni 1979, Städtische Kunsthalle Düsseldorf) in het *Handelsblat*, 28-5-1979."},{"locale":"fr","description":""}]},{"id":5976,"title":"Stichting Gordon Matta-Clark, GvA, 16-10-79","dimensions":"","date_begin":"1979-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"Foundation Gordon Matta-Clark, demolition, Gordon Matta-Clark, office baroque, Press","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"stichting-gordon-matta-clark-gva-16-10-79","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/253/large/20120411124508996.jpg?1346854185","poster_credits":"(c)Gazet van Antwerpen, 1979","translations":[{"locale":"en","description":"A call for financial support."},{"locale":"nl","description":"Een oproep voor financiële hulp."},{"locale":"fr","description":""}]},{"id":5984,"title":"Antwerpen wil uniek kunst-huis slopen","dimensions":"","date_begin":"1979-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"demolition, Gordon Matta-Clark, Stichting Gordon Matta-Clark, office baroque, Press","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"antwerpen-wil-uniek-kunst-huis-slopen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/264/large/20120411125013572.jpg?1346856851","poster_credits":"(c)De Nieuwe Gazet, 1979","translations":[{"locale":"en","description":"Article on Gordon Matta-Clark, *Office Baroque* and the saving of the building in the Belgian newspaper *De Nieuwe Gazet* of 12-10-1979."},{"locale":"nl","description":"Artikel over Gordon Matta-Clark, *Office Baroque* en het behouden van het gebouw in *De Nieuwe Gazet* van 12-10-1979."},{"locale":"fr","description":""}]},{"id":5971,"title":"Office Baroque: color slides","dimensions":"","date_begin":null,"material":"color slide","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":53,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":148,"permalink":"office-baroque-color-slides","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/163/large/Matta-Clark_color_slide2.jpg?1346834977","poster_credits":null,"translations":[{"locale":"en","description":"Color slides of *Office Baroque*.\r\n\r\nColor slides taken with the camera of Florent Bex by Florent Bex and others (amongst them Matta-Clark himself and Cherica Convents) of the exhibition Gordon Matta-Clark in ICC, Office Baroque.\r\n\r\nA selection can be viewed in the list below."},{"locale":"nl","description":"Kleurennegatieven van *Office Baroque*.\r\n\r\nNaast de video-opnames van *Office Baroque* werden er foto’s gemaakt, met de camera van Flor Bex en met die van Gordon Matta-Clark. Met de camera van Flor Bex werd daarbij door diverse mensen foto’s gemaakt, ook door Cherica Convents en wellicht zelfs door Gordon Matta-Clark zelf. De foto’s die Cherica heeft gemaakt toen met deze camera, waren zwart wit. \r\n\r\nDe kleurbeelden zijn dus ofwel afkomstig van een andere moment, ofwel van een andere camera?\r\n\r\n[Deze informatie werd verkregen in een gesprek met  Cherica Convents, 26.9.2012]\r\n\r\nEen selectie kan je in onderstaand overzicht bekijken."},{"locale":"fr","description":""}]},{"id":4271,"title":"Office Baroque: sketches","dimensions":"","date_begin":null,"material":"ink, paper","short_description":"Scetch of the first design of Office Baroque. This design was banned by the city  and Matta-Clark made an introvert piece in stead.\r\nMatta-Clark explains it as follows:\r\n","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"","cached_tag_list":"Gordon Matta-Clark, office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":27,"permalink":"office-baroque-sketches","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/918/large/Matta_Cl1.jpg?1332236227","poster_credits":null,"translations":[{"locale":"en","description":"Sketches and first designs of *Office Baroque*. These designs were banned by the citycouncel and Matta-Clark made an introvert piece instead.\r\n\r\nMatta-Clark explains this as following: *\"Antwerp was the headquarters of the sea shipping company and will be the site of an Antwerp Hilton. After being obliged to make a major changes in the original project, the work was done totally internally using all five floors and the roof. For the first time it was possible to orchestrate a multy leved structure using two circular arches that modulate the space as the shape and size of rooms change up through the building.  The result is a series arabesque slices opening whole building to a ever changing promenade of views internal views.\"*\r\n\r\n"},{"locale":"nl","description":"Schetsen en eerste ontwerpen voor *Office Baroque*. Deze ontwerpen werden afgewezen door het stadsbestuur en Matta-Clark maakte een interieur-installatie in de plaats.\r\n\r\nMatta-Clark verklaart hierover het volgende:  *\"Antwerp was the headquarters of the sea shipping company and will be the site of an Antwerp Hilton. After being obliged to make a major changes in the original project, the work was done totally internally using all five floors and the roof. For the first time it was possible to orchestrate a multy leved structure using two circular arches that modulate the space as the shape and size of rooms change up through the building.  The result is a series arabesque slices opening whole building to a ever changing promenade of views internal views.\"*"},{"locale":"fr","description":""}]},{"id":3450,"title":"Jacob's Ladder","dimensions":"","date_begin":"1977-01-01","material":"","short_description":"Location: Leipzigerstrasse and Melsungerstrasse, Kassel, West Germany","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":30,"stream_count":1,"collection":"","cached_tag_list":"Gordon Matta-Clark, Documenta 6, Jacob's Ladder","publishing_process_id":1,"annotation":"Documenta 6","date_end":null,"reference":"","stream_count_app":60,"permalink":"jacob-s-ladder","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/891/large/Matta-Clark,%20Gordon,%20401,%2037,%20foto%20Florent%20Bex.jpg?1332173762","poster_credits":"(c)image: Florent Bex","translations":[{"locale":"en","description":""},{"locale":"nl","description":"Jacob’s Ladder was een webachtige structuur opgespannen aan een fabriekschoorsteen, die hij maakte voor de Documenta 6. Het was een soort van net/tunnel/ladder en bedoeld als  memoriaal voor zijn tweelingsbroer."},{"locale":"fr","description":""}]},{"id":4252,"title":"Letter from Gordon Matta-Clark to Florent Bex, 11.9.77","dimensions":"","date_begin":"1977-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"ICC, Gordon Matta-Clark, office baroque, letter","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"letter-from-gordon-matta-clark-to-florent-bex-11-9-77","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/835/large/brief-11.9.gif?1332165202","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":5900,"title":"Splitting: Four Corners, 1974","dimensions":"30.4 x 24 cm, image: 22.5 x 19.5 cm","date_begin":null,"material":"vintage print, B/W photo","short_description":"Splitting: Four Corners, 1974, 322 Humphrey Street, Englewood, New Jersey\r\nExterior, side view\r\nA cut in half house folds slightly open. Then the four corners on the second floor are cut out.\r\nMatta-Clark rids the house of his banality. He points to the alienating uniformity of suburban architecture and undermines the stability of the middle-class home.\r\n","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"cuttings, Gordon Matta-Clark, Splitting, vintage print","publishing_process_id":1,"annotation":"Splitting, 1974, vintage B/W photo\r\n","date_end":null,"reference":"","stream_count_app":21,"permalink":"splitting-four-corners-1974--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/957/large/Matta-Clark_Gordon_vintage%288%29.jpg?1346071771","poster_credits":null,"translations":[{"locale":"en","description":"Splitting: Four Corners, 1974, 322 Humphrey Street, Englewood, New Jersey\r\nExterior, side view\r\nA cut in half house folds slightly open. Then the four corners on the second floor are cut out.\r\nMatta-Clark rids the house of his banality. He points to the alienating uniformity of suburban architecture and undermines the stability of the middle-class home.\r\n"},{"locale":"nl","description":"Splijting: vier hoeken, 1974, 322 Humphrey Street, Englewood, New Jersey\r\nBuiten zijaanzicht\r\nDeze foto documenteert Matta-Clark interventie in een doorsnee Amerikaans, houten woonhuis huis op Humphrey Street in Englewood, New Jersey. Hij zaagt het huis middendoor. Vervolgens worden stukken uit de fundering omzichtig weggehaald, zodat het geheel lichtjes open plooit  i n twee symmetrische delen. Splitting vond plaats in een buurt die in transitie was van een zwarte buurt naar een witte buurt, waardoor de bestaande bevolking moest wijken. In Splitting verbreekt hij ook de vorm van de gestandaardiseerde huizen die door allelei regels en moduleringen uniform geworden waren. "},{"locale":"fr","description":"Fission: quatre coins, 1974, 322, rue Humphrey, Englewood, New Jersey\r\nvue latérale extérieure\r\nUne maison coupé dans la moitié plie entrouverte. Par la suite, les quatre coins supérieurs sont évidements coupé. Matta-Clark débarrasse la maison de son banalité. Il souligne l'uniformité aliénante de l'architecture de banlieue et sape la stabilité de la maison de classe moyenne\r\n"}]},{"id":6035,"title":"Advertisement [Advertentie]","dimensions":"","date_begin":"1977-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":113,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"Gordon Matta-Clark, office baroque, ad, Marcel Peeters","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"advertisement-advertentie","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/618/large/Untitled208.jpg?1348585557","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"Matta-Clark pobeerde zijn ingreep zo publiek mogelijk te maken. Zowel naar *Splitting* als naar *Day’s End* op de Pier in New York werden shuttles ingelegd. In Antwerpen had hij er het volgende op gevonden: hij plaatste een advertentie in de *Gazet van Antwerpen* om het pand te verhuren, een vermakelijke kwajongenstreek die niet vreemd is aan dada en het surrealisme. \r\n\r\n\r\n[ADVERTENTIE]\r\n\"Antwerpen\r\nRiver – View Studio’s\r\nBurelen, op een verrassende artistieke manier verbouwd, tegenover het “Steen”.  Zeer ruime, bewoonbare werkruimte’s, 1200 m2, uniek ontwerp, prachtig zicht, volledige acclimatisatie, stromend water op alle verdiepingen, zeer zonnig, zeer lage huurprijzen (vanaf 5.000,- fr/md.)\r\nTe bezichtigen: elke zaterdag van 12-17u.\r\nErnest Van Dyckkaai 1\"\r\n"},{"locale":"fr","description":""}]},{"id":5891,"title":"Office Baroque removals: photographic documentation","dimensions":"","date_begin":null,"material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"","cached_tag_list":"Gordon Matta-Clark, cutting, office baroque, removal, anarchitecture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"office-baroque-removals-photographic-documentation","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/935/large/Matta-Clark__Godon__403__9__foto_Florent_Bex.jpg?1345476022","poster_credits":null,"translations":[{"locale":"en","description":"B/W 135 film single-frame negatives of the removals of *Office Baroque*."},{"locale":"nl","description":"Zich bewust van de vergankelijkheid van zijn werk stelde Matta Clark alles in het werk om zijn performances en ingrepen in leegstaande gebouwen zo uitgebreid mogelijk te documenteren: allereerst zijn er de zogenaamde removals, sculpturen die een soort ‘negatieven’ vormen van de cuttings: stukken die werden uitgezaagd en weggenomen uit de gebouwen. Het zijn werken waarin op de meest letterlijke wijze een stuk van de hardware van de maatschappij, de architectuur; tot kunstwerk wordt verheven door het als 'objet trouvé' te importeren in een privé-collectie, de museale ruimte of galerie. Het zijn sculpturale 'ready mades' (Gordon was ten slotte niet alleen zoon van de surrealist Matta maar, zoals gezegd, ook petekind van Marcel Duchamps himself)."},{"locale":"fr","description":""}]},{"id":6020,"title":"Press release Office Baroque","dimensions":"","date_begin":null,"material":"paper, ink","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"press-release-office-baroque","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/525/large/Untitled146.jpg?1348047016","poster_credits":null,"translations":[{"locale":"en","description":"Press release of the ICC for the project *Office Baroque* and the exhibition Gordon Matta-Clark in the ICC."},{"locale":"nl","description":"Persmededeling van het ICC voor het project *Office Baroque* en de tentoonstelling omtrent Gordon Matta-Clark in het ICC."},{"locale":"fr","description":""}]},{"id":5967,"title":"Stichting wil project in Antwerpen Behouden","dimensions":"","date_begin":"1979-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"Gordon Matta-Clark, Stichting Gordon Matta-Clark, office baroque, De Standaard","publishing_process_id":1,"annotation":"Andries, Pool, Stichting wil project in Antwerpen Behouden, in De Standaard, 13-12-1979","date_end":null,"reference":"","stream_count_app":9,"permalink":"stichting-wil-project-in-antwerpen-behouden","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/158/large/gmc_SMC_Standaard_1979.jpg?1346766545","poster_credits":null,"translations":[{"locale":"en","description":"Article in the Belgian newspaper De Standaard of 13-12-1979 on Gordon Matta-Clark, Office Baroque and the saving of the project by the Foundation Gordon Matta-Clark and a call for donation."},{"locale":"nl","description":"Artikel in de krant *De Standaard* van 13 december 1979 over Gordon Matta-Clark, *Office Baroque*, het bewaren van het project via de Stichting Gordon Matta-Clark en een oproep voor schenkingen."},{"locale":"fr","description":""}]},{"id":6046,"title":"Registered letter of Marcel Peeters nv to ICC, 29.7.1977","dimensions":"","date_begin":"1977-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"office baroque, Gordon Matta-Clark, ICC, Marcel Peeters","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"registered-letter-of-marcel-peeters-nv-to-icc-29-7-1977","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/667/large/Untitled219.jpg?1348761469","poster_credits":null,"translations":[{"locale":"en","description":"Registered letter of Marcel Peeters nv. to the ICC, with a summary of the agreed conditions for the making of *Office Baroque* and the order to immediate termination of the project."},{"locale":"nl","description":"Aangetekende brief van Marcel Peeters nv. aan het ICC, met een overzicht van de voorheen overeengekomen afspraken voor de productie van *Office Baroque*, en de beslissing tot onmiddellijke stopzetting van het project."},{"locale":"fr","description":""}]},{"id":6045,"title":"Letter to Marcel Peeters by Florent Bex, 4-10-1977","dimensions":"","date_begin":"1977-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"office baroque, Gordon Matta-Clark, ICC, Marcel Peeters","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"letter-to-marcel-peeters-by-florent-bex-4-10-1977","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/666/large/Untitled212.jpg?1348760369","poster_credits":null,"translations":[{"locale":"en","description":"Thanking letter of Florent Bex to Marcel Peeters for his collaboration on *Office Baroque*."},{"locale":"nl","description":"Bedankingsbrief van Flor Bex aan Marcel Peeters voor zijn medewerking aan *Office Baroque*."},{"locale":"fr","description":""}]},{"id":6038,"title":"Letter of the Belgian Association of Art Critics with reward of Best Exhibition","dimensions":"","date_begin":"1977-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"letter, ICC, Gordon Matta-Clark, office baroque, Vereniging van Belgische Kunstcritici","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"letter-of-the-belgian-association-of-art-critics-with-reward-of-best-exhibition","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/621/large/Untitled211.jpg?1348589111","poster_credits":null,"translations":[{"locale":"en","description":"Letter of congratulations to the best exhibition in Belgium between 1 July and 31 October 1977 for the exhibition *Gordon Matta-Clark*."},{"locale":"nl","description":"Brief met felicitaties voor de beste tentoonstelling in België tussen 1 juli and 31 oktober 1977 voor de tentoonstelling *Gordon Matta-Clark*."},{"locale":"fr","description":""}]},{"id":5965,"title":"Stichting Gordon Matta-Clark, advertisement","dimensions":"","date_begin":"1979-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA Archive","cached_tag_list":"Gordon Matta-Clark Foundation, office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"stichting-gordon-matta-clark-advertisement","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/156/large/gmc_SMC_gva_1979.jpg?1346763457","poster_credits":"(c)Gazet van Antwerpen, 1979","translations":[{"locale":"en","description":"Call for a donation of 1000 BFR. in the Belgian Newspaper *Gazet van Antwerpen*, 23/25-10-1979."},{"locale":"nl","description":"Oproep voor giften van 1000 BFR. in de *Gazet van Antwerpen*, 23/25-10-1979."},{"locale":"fr","description":""}]},{"id":3431,"title":"Substrait (Underground Dailies)","dimensions":"00:30:00","date_begin":"1976-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1976, 30 min, b\u0026amp;w and color, sound, 16 mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7766_M493_3","stream_count_app":29,"permalink":"substrait-underground-dailies","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/513/large/MATTA-CLARK-SUBSTRAITUNDE-1976_1.jpg?1348041530","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn \u003cem\u003eSubstrait (Underground Dailies)\u003c/em\u003e, Matta-Clark examines and documents the underground spaces and tunnels in the metropolitan area of New York City to reveal their diversity and complexity. The recordings were joined together chronologically and without editing. With: Jerry Hovagimyan, John Faherty, Jabez Van Cleef, JW McCarthy, Canon West, Jerry Levy, Jim McCullough, Jane Crawford, Arthur Deflefsen.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn \u003cem\u003eSubstrait (Underground Dailies)\u003c/em\u003e\u0026nbsp;onderzoekt en documenteert Matta-Clark de ondergrondse ruimten van New York City, om de verscheidenheid en complexiteit van de ondergrondse ruimten en tunnels in het grootstedelijk gebied te laten zien. De opnames werden chronologisch en zonder montage aan elkaar gelast. Met: Jerry Hovagimyan, John Faherty, Jabez Van Cleef, JW McCarthy, Canon West, Jerry Levy, Jim McCullough, Jane Crawford, Arthur Deflefsen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eDans ce film, Gordon Matta-Clark explore le sous-sol de la ville de New York. En choisissant des lieux sp\u0026eacute;cifiques (gare routi\u0026egrave;re, gare centrale, 13e rue, Croton Aqueduct \u0026agrave; Highgate), il montre la diversit\u0026eacute; et la complexit\u0026eacute; des espaces, des pleins et des vides excav\u0026eacute;s dans l\u0026#39;espace m\u0026eacute;tropolitain. Avec: Jerry Hovagimyan, John Faherty, Jabez Van Cleef, JW McCarthy, Canon West, Jerry Levy, Jim McCullough, Jane Crawford, Arthur Deflefsen.\u003c/p\u003e\r\n"}]},{"id":5177,"title":"Sous-Sols de Paris [Paris Underground]","dimensions":"00:25:20","date_begin":"1977-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1977-2005, 25:20 min, b\u0026amp;w, sound, Super 8mm film on video\u003c/p\u003e\r\n","date_end":"2005-01-01","reference":"BK7767_M494_2","stream_count_app":23,"permalink":"sous-sols-de-paris-paris-underground","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/519/large/gordon_sous_sol.jpg?1348044202","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn this film, Matta-Clark explores underground Paris. The artist shows us the complexity of the underground spaces in the Opera district with images of ruins, car parks, tunnels, ossuaries, cellars and tombs. Matta-Clark describes them as *\u0026lsquo;forgotten spaces buried under the city, an historic reservation of living memories of past projects and fantasies.\u0026rsquo;*\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn deze film verkent Matta-Clark ondergronds Parijs. De kunstenaar toont de complexiteit van de ondergrondse ruimtes van het Opera district met beelden van ru\u0026iuml;nes, parkeergarages, tunnels, ossuaria, kelders, en graven. Voor Gordon Matta-Clark zijn het: *\u0026quot;vergeten ruimtes begraven onder de stad, als historisch reservaat of levende herinneringen aan vervlogen projecten en fatasie\u0026euml;n.\u0026rdquo;*\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":6019,"title":"Fresh Air Cart","dimensions":"","date_begin":"1985-01-01","material":"plastics","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"M00085","stream_count_app":24,"permalink":"fresh-air-cart--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/484/large/Matta-Clark__Gordon__A_Retrospective__Museum_of_contemporary_art_Chicago__1985-3.jpg?1347964070","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThis oxygen mask with label \u0026#39;Gordon Matta-Clark Fresh Air Cart\u0026#39; was produced in 1985 by the Museum of Contemporary Art in Chicago on the occasion of the retrospective exhibition. In the original zip lock plastic bag there is also a photocopied explanatory text leaf, guest pass and color postcard which refer to the intervention [*Fresh Air Cart*](http://ensembles.mhka.be/items/3402) of 1972.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDit zuurstofmasker met opschrift \u0026#39;Gordon Matta-Clark Fresh Air Cart\u0026#39; werd in 1985 geproduceerd door het Museum of Contemporary Art in Chicago ter gelegenheid van de overzichtstentoonstelling. In de oorspronkelijke zip-lock plastiek zak is er een gekopieerde tekst met uitleg, een bezoekerspas en een postkaart die verwijzen naar de interventie [*Fresh Air Cart*](http://ensembles.mhka.be/items/3402) uit 1972 .\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":3329,"title":"Office Baroque","dimensions":"00:44:00","date_begin":"1977-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eInterview with Gordon Matta-Clark in English. Camera: Eric Convents. Assistant: Dirk Geens. Audio: Roger Steglaerts. Montage: Roger Steylaerts, Eric Convents. Music: Andre Stordeur \u0026quot;syntheses.\u0026quot; Realization: Eric Convents. Producer: E.C.F., Roger Steylaerts. 1977-2005, 44 min, b\u0026amp;w and color, sound, 16 mm film on video\u003c/p\u003e\r\n","date_end":"2005-01-01","reference":"","stream_count_app":54,"permalink":"office-baroque","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/425/large/image_526.jpg?1328110925","poster_credits":"(c)image: Syb'l S Pictures","translations":[{"locale":"en","description":"\u003cp\u003eIn 1977 Matta-Clark transformed an office block in Antwerp into \u003cem\u003eOffice Baroque\u003c/em\u003e. In the first draft, his idea was to only work on the fa\u0026ccedil;ade, by removing an arch-shaped wedge from the bottom corner to the top of the facade. This would make the building transparent and passers-by would be able to look right through it. The city council refused him permission, however. He made a second draft which was limited to the interior of the building. Two overlapping circles through all the floors formed a bizarre pattern of view-holes and spatial figures. Minor variations in the cut-outs evoked a lively effect.\u003c/p\u003e\r\n\r\n\u003cp\u003eCamera: Cherica Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eAssistant: Dirk Geens.\u003c/p\u003e\r\n\r\n\u003cp\u003eAudio: Roger Steglaerts.\u003c/p\u003e\r\n\r\n\u003cp\u003eMontage: Roger Steylaerts, Eric Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eMusic: Andre Stordeur \u0026quot;syntheses.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003eRealisation: Cherica Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eProducer: E.C.F., Roger Steylaerts.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 1977 transformeerde Matta-Clark in Antwerpen een kantoorgebouw tot \u003cem\u003eOffice Baroque\u003c/em\u003e. In een eerste ontwerp wil hij uitsluitend de gevel bewerken: een boogvormige uitsnijding van de benedenhoek tot bovenaan de gevel. Dit zou het gebouw doorzichtig maken en de voorbijgangers zouden er dwars doorheen kunnen kijken. Het stadsbestuur gaf echter geen toestemming. Daarom maakte hij een tweede ontwerp dat zich beperkte tot de binnenruimte van het gebouw. Twee elkaar overlappende cirkels vormden doorheen alle verdiepingen een bizar patroon van doorkijkjes en ruimtelijke figuren. Door kleine variaties in de uitsnijdingen werd een effect van beweeglijkheid opgeroepen.\u003c/p\u003e\r\n\r\n\u003cp\u003eCamera: Cherica Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eAssistent: Dirk Geens.\u003c/p\u003e\r\n\r\n\u003cp\u003eAudio: Roger Steglaerts.\u003c/p\u003e\r\n\r\n\u003cp\u003eMontage: Roger Steylaerts, Eric Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eMuziek: Andre Stordeur \u0026quot;syntheses.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003eRealisatie: Cherica Convents.\u003c/p\u003e\r\n\r\n\u003cp\u003eProducer: E.C.F., Roger Steylaerts.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eGordon Matta-Clark a r\u0026eacute;alis\u0026eacute; la d\u0026eacute;coupee d\u0026#39;un \u0026eacute;difice de bureaux de cinq \u0026eacute;tages promis \u0026agrave; la d\u0026eacute;molition et situ\u0026eacute; face au ch\u0026acirc;teau de Steen, haut lieu touristique d\u0026#39;Anvers. A la mort de Matta-Clark, peu apr\u0026egrave;s l\u0026#39;ach\u0026egrave;vement du projet, Flor Bex et ses amis ont tent\u0026eacute; de sauver l\u0026#39;oeuvre en projetant d\u0026#39;y installer un futur mus\u0026eacute;e d\u0026#39;art contemporain mais l\u0026#39;\u0026eacute;difice fut d\u0026eacute;moli sans avertissement.\u003c/p\u003e\r\n"}]},{"id":9552,"title":"A Jacob's Ladder. Remembering Gordon Matta Clark.","dimensions":"00:35:00","date_begin":"1977-01-01","material":"hard disc with digital “HD pro res Quick Time” ","short_description":"\u003cp\u003eAquisition on behalf of the Flemish Community. This original so far unused footage colour images and sound is digitised and digitally edited and post produced in 2012 and 2013. It concerns movie images and sound testimony\u0026rsquo;s and interviews who where captured by Cherica Convents around the art project \u0026ldquo;Jacob\u0026rsquo;s Ladder\u0026rdquo; performed by Gordon Matta-Clark in June 1977 during Documenta 6 in Kassel.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"Cherica Convents Documenta 6 gordon matta clark DVD happening performance","publishing_process_id":1,"annotation":"","date_end":"2013-01-01","reference":"BK007808","stream_count_app":34,"permalink":"a-jacob-s-ladder-remembering-gordon-matta-clark","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/114/medium_500/GMC_jacob_s_Ladder_1977_still14_2013_cherica_convents.jpg?1394725223","cached_actor_names":"Gordon Matta-Clark, Cherica Convents ","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/114/large/GMC_jacob_s_Ladder_1977_still14_2013_cherica_convents.jpg?1394725223","poster_credits":"Collection M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThis original so far unused footage colour images and sound (16mm image and full track analogue sound) were recorded on the 21, 22 and 23 of June 1977, and all digitised and digitally edited and post produced in 2012 and 2013. It concerns movie images and sound testimony\u0026rsquo;s and interviews who where captured by Cherica Convents around the art project \u0026ldquo;Jacob\u0026rsquo;s Ladder\u0026rdquo; performed by Gordon Matta-Clark in June 1977 during Documenta 6 in Kassel, Germany (Location: Leipzigerstrasse and Melsungerstrasse). Jacob\u0026#39;s Ladder was a project to honour his twin brother Batan who committed suicide by jumping out of the window of Gordon\u0026#39;s atelier. Originally Matta-Clark wanted to hang a sort of web connecting 6 abandoned factory chimneys. He finally only got permission to install one net/ladder. This intervention is connected (in an opposite way) with other works that honoured Baton; The \u0026#39;Sous-sols\u0026#39; in Paris, instead of reaching out to heaven in the \u0026#39;sous-sols\u0026#39; Gordon is digging for meaning. The Jacob\u0026#39;s Ladder is also connected with later sketches for projects high in the skye and former projects like \u0026#39;Tree Dance\u0026#39;.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":13664,"title":"Gordon Matta-Clark : A Retrospective","dimensions":"30.4 x 26.6 cm, 152 p., language : English, publisher : Museum of Contemporary Art, Chicago, ISBN : 0-933856-20-2","date_begin":"1985-01-01","material":"Ink, paper","short_description":"\u003cp\u003eBook by Mary Jane Jacob, with an essay by Robert Pincus-Witten and interviews conducted by Joan Simon.\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n\u003cb\u003e \u0026ndash; \u0026ndash; \u003c/b\u003e\u003c/pre\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1994/947","stream_count_app":8,"permalink":"gordon-matta-clark-a-retrospective","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/894/large/photoM_HKA_114.jpg?1456816952","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cb\u003eSold out!\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cb\u003eUitverkocht!\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cb\u003e\u0026Eacute;puis\u0026eacute;!\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":5849,"title":"Gordon Matta-Clark: Een Retrospectief Overzicht 1968-1978","dimensions":"27.5  x 21 cm, 31p., language : Dutch, publisher : Museum van Hedendaagse Kunst, Antwerpen","date_begin":"1987-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1994/948","stream_count_app":10,"permalink":"gordon-matta-clark-een-retrospectief-overzicht-1968-1978","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/895/large/photoM_HKA_113.jpg?1456817108","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eBrochure, gepubliceerd als bijlage met Nederlandse vertalingen van de catalogus \u0026#39;Gordon Matta-Clark : A Retrospective\u0026#39;, uitgegeven door het Museum of Contemporary Art te Chicago en gerealiseerd onder de leiding van Mary Jane Jacob.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe publicatie bevat een tekst van Robert Pincus-Witten, een voorwoord van Patrick De Wael, Gemeenschapsminister van Cultuur en informatieve teksten over kunstwerken.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eBrochure, gepubliceerd als bijlage met Nederlandse vertalingen van de catalogus \u0026#39;Gordon Matta-Clark : A Retrospective\u0026#39;, uitgegeven door het Museum of Contemporary Art te Chicago en gerealiseerd onder de leiding van Mary Jane Jacob.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe publicatie bevat een tekst van Robert Pincus-Witten, een voorwoord van Patrick De Wael, Gemeenschapsminister van Cultuur en informatieve teksten over kunstwerken.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop\u003c/b\u003e\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e- \u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eBrochure, gepubliceerd als bijlage met Nederlandse vertalingen van de catalogus \u0026#39;Gordon Matta-Clark : A Retrospective\u0026#39;, uitgegeven door het Museum of Contemporary Art te Chicago en gerealiseerd onder de leiding van Mary Jane Jacob.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe publicatie bevat een tekst van Robert Pincus-Witten, een voorwoord van Patrick De Wael, Gemeenschapsminister van Cultuur en informatieve teksten over kunstwerken.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":3392,"title":"Clockshower","dimensions":"00:13:50","date_begin":"1973-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eLocation: The Clocktower, New York\u003c/p\u003e\r\n","date_end":null,"reference":"BK007765_2","stream_count_app":35,"permalink":"clockshower--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/535/large/Clockshower.jpg?1348047563","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThis film shows one of Matta-Clark\u0026rsquo;s most daring happenings. Suspended from the huge face of a clock tower high above the streets of New York, he washes and shaves and brushes his teeth. The film clearly refers to the slapstick of the silent movie.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze film toont een van Matta-Clark\u0026#39;s meest gewaagde happenings. Hangend aan de enorme wijzerplaat van een klokkentoren, hoog boven de straten van New York, wast en scheert hij zich en poetst zijn tanden. De film verwijst duidelijk naar de slapstick van de \u0026#39;stomme\u0026#39; film.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eDans ce film, Gordon Matta-Clark r\u0026eacute;alise une de ses performances le plus risqu\u0026eacute;es. Apr\u0026egrave;s avoir escalad\u0026eacute; Clocktower, le c\u0026eacute;l\u0026egrave;bre \u0026eacute;difice de Downtown, il se douche, se rase et se lave les dents devant l\u0026#39;horloge.\u003c/p\u003e\r\n"}]},{"id":1208,"title":"Clockshower","dimensions":"00:13:50","date_begin":"1971-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1976-01-01","reference":"BK7765_M492_2","stream_count_app":26,"permalink":"clockshower","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/647/large/mattaclark-clockshower-1974.jpg?1460557251","poster_credits":"Collection M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn this film of one of his most daring performances, Matta-Clark climbed to the top of the Clocktower in New York and washed, shaved and brushed his teeth while suspended over the streets in front of the huge clockface.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eClockshower \u003c/em\u003e(1973) was een van Matta-Clarks meest gewaagde optredens. Deze video is de verfilming van de performance. Het slapstickgehalte is hoog. Hangend aan de wijzerplaat van een klokkentoren, hoog boven de straten van New York, wast en scheert hij zich en poetst zijn tanden.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5168,"title":"Tree Dance","dimensions":"00:09:32","date_begin":"1971-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1971, 9:32 min, b\u0026amp;w, silent, 16 mm film on video also called *Tree House* [boomhut]\u003c/p\u003e\r\n","date_end":null,"reference":"BK7761_M488_1","stream_count_app":30,"permalink":"tree-dance--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/529/large/TreeDance.jpg?1348046548","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eFor the \u003cem\u003eTwenty-Six by Twenty Six\u003c/em\u003e\u0026nbsp;exhibition in the Vassar College of Art Gallery in Poughkeepsie, New York, Matta-Clark initially planned to build a sort of tree house where he would stay for three days. Ultimately it became a performance inspired by spring and fertility rituals. He built a structure, a kind of hammock, with ladders, ropes and towels in a big tree. At the end seeds were scattered so that an explosive spring could be expected for the following year.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eVoor de tentoonstelling \u003cem\u003eTwenty-Six by Twenty Six\u003c/em\u003e\u0026nbsp;in de Vassar College of Art Gallery in Poughkeepsie, New York, wilde Matta-Clark in eerste instantie een soort van boomhut bouwen waarin hij een drietal dagen zou vertoeven. Uiteindelijk wordt het een performance ge\u0026iuml;nspireerd op lente en vruchtbaarheidsrituelen. Hij bouwt een structuur, een soort hangmat, met ladders, touwen en doeken in een grote boom. Op het einde worden zaden uitgestrooid zodat er ook het jaar daarop een explosieve lente kon worden verwacht.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":285,"title":"Office Baroque # 669","dimensions":"175 x 105 cm","date_begin":"1977-01-01","material":"cibachrome, tape, hard board, plexi","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e3 cibachromes (51 x 101 cm) met zwarte tape op hardboard bevestigd en bedekt met plexi plaat bevestigd met bouten met vleugelmoeren.\u003c/p\u003e\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e","date_end":null,"reference":"S0187","stream_count_app":65,"permalink":"office-baroque-669","description_ru":"","description_de":"\u003cp style=\"text-align:justify;\"\u003eWeil er sich der Vergänglichkeit seines Werkes bewusst war, setzte Matta Clark alles daran um seine Performances und Eingriffe in leerstehenden Gebäuden so ausführlich wie möglich zu dokumentieren. \u003ci\u003eOffice Baroque #669\u003c/i\u003e, aus dem Jahr 1977, ist eine Collage von drei Ilfochromen, die mit schwarzem Klebeband auf einer Hartfaserplatte befestigt worden sind und die Matta-Clark Florent Bex für sein, zukünftig zu gründendes, Museum für zeitgenössische Kunst schenkte. In seinen Fotocollagen versucht Matta-Clark die räumliche Erfahrung seiner Architektureingriffe zu evozieren, indem er Fotos zerschneidet, vergröβert, und in allerlei Richtungen wieder aneinander montiert.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/448/medium_500/Matta-Clark,%20Gordon,%20Office%20Baroque%20%23%20669,%201977%20collectie%20M%20HKA.jpg?1332231645","cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/448/large/Matta-Clark,%20Gordon,%20Office%20Baroque%20%23%20669,%201977%20collectie%20M%20HKA.jpg?1332231645","poster_credits":"(c)image: Syb'l. S. - Pictures","translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003eAware of the impermanence of his work, Matta-Clark did everything in his power to document his performances and interventions in abandoned buildings as extensively as possible. \u003ci\u003eOffice Baroque # 669\u003c/i\u003e, from 1977, is a collage of three Cibachrome prints stuck onto hardboard with black tape, which Matta-Clark donated to Florent Bex for his future Museum of Contemporary Art. In his collages, Matta-Clark tried to evoke the spatial experience of his architectural interventions by cutting photos, enlarging them and putting them together again in all directions.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp style=\"text-align:justify;\"\u003eZich bewust van de vergankelijkheid van zijn werk stelde Matta Clark alles in het werk om zijn performances en ingrepen in leegstaande gebouwen zo uitgebreid mogelijk te documenteren. \u003ci\u003eOffice Baroque # 669\u003c/i\u003e\u0026nbsp;uit 1977 is een collage van drie cibachromes die met zwarte tape op hardboard gekleefd werden en die Matta-Clark schonk aan Florent Bex voor zijn toekomstig op te richten Museum voor Hedendaagse Kunst. In zijn fotocollages tracht Matta-Clark de ruimtelijke ervaring van zijn architecturale ingrepen te evoceren door foto’s te versnijden, te vergroten en in allerlei richtingen terug aan elkaar te monteren.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp style=\"text-align:justify;\"\u003eConscient du caractère éphémère de son travail, Matta-Clark a tout mis en œuvre pour documenter de manière aussi détaillée que possible ses performances et ses interventions dans des bâtiments abandonnés. \u003ci\u003eOffice Baroque #\u0026nbsp;669\u003c/i\u003e de 1977 est un collage de trois Cibachrome fixés sur des panneaux isorel à l’aide de bande adhésive noire que Matta-Clark a offert à Flor Bex pour la création future d’un musée d’art contemporain. Dans ses collages photographiques, Matta-Clark tente d’évoquer l’expérience spatiale de ses interventions architecturales en découpant des photos, en les agrandissant et en réalisant un montage avec les pièces découpées et agrandies disposées dans tous les sens.\u003c/p\u003e"}]},{"id":18194,"title":"Gordon Matta-Clark","dimensions":"30.5 x 22 cm, 49 p., language : English, Dutch, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1977-01-01","material":"ink, paper","short_description":"\u003cp\u003eICC publication.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditor \u0026amp; Author : Florent Bex.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum, Antwerpen (8.10. - 6.11.1977).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1993/185","stream_count_app":6,"permalink":"gordon-matta-clark-db6d762b-3dea-4785-970e-a065488a0504","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/884/medium_500/20180302084939709_0001.jpg?1519977103","cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/884/large/20180302084939709_0001.jpg?1519977103","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":286,"title":"Office Baroque (Doors Crossing)","dimensions":"198 x 77 x 4 cm","date_begin":"1977-01-01","material":"wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Press Foundation Gordon Matta-Clark Goldberg Gordon Matta-Clark office baroque","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007593","stream_count_app":84,"permalink":"office-baroque-doors-crossing","description_ru":"","description_de":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e ist ein Satellit von \u003ci\u003eOffice Baroque\u003c/i\u003e. Das Werk wurde im Haus des Sammlers Jo Goldberg realisiert. Jo Goldberg bekam das Werk des Künstlers geschenkt, weil er die notwendigen Flugtickets bezahlt hat und so \u003ci\u003eOffice Baroque\u003c/i\u003e ermöglicht hat. \u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e ist eine Kombination von einer ursprünglichen Tür aus \u003ci\u003eOffice Baroque \u003c/i\u003e(oben) und einer Tür (aus der Wohnung des Sammlers, unten), die durch kreisförmige Einschnitte ein Ganzes formen. Es ist also nicht einfach so ein ‘removal’, sondern eine Kreuzung zwischen ‘objet trouvé’ und einer neuen in situ Installation. Es ist einerseits ein ‘Importgut’, aber zugleich auch ein neues ‘cutting’.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/451/medium_500/Matta%20-%20Clark,%200010%20doors%20crossing.jpg?1301058457","cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/451/large/Matta%20-%20Clark,%200010%20doors%20crossing.jpg?1301058457","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e\u0026nbsp;is an off-shoot of the 'Office Baroque' project. The work was created in the house of the collector Jo Goldberg and is also part of \u003ci\u003eOffice Baroque\u003c/i\u003e. The artist gave Jo Goldberg the work because by paying for the necessary plane tickets he had made the creation of \u003ci\u003eOffice Baroque\u003c/i\u003e\u0026nbsp;possible. \u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e\u0026nbsp;is a combination of an original door from \u003ci\u003eOffice Baroque\u003c/i\u003e\u0026nbsp;(above) and a door from the collector’s house (below) which by means of circular incisions were combined into a single whole. Consequently, it is not just a ‘removal’, but a hybrid of a ‘found object’ and a new site-specific installation. On the one hand it is an 'import', but on the other it is also a new ‘cutting’.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e\u0026nbsp;is een sateliet van \u003ci\u003eOffice Baroque\u003c/i\u003e. Het werk werd in het huis van verzamelaar Jo Goldberg gerealiseerd. Jo Goldberg kreeg het werk van de kunstenaar omdat hij door het betalen van de nodige vliegtuigtickets het tot stand komen van \u003ci\u003eOffice Baroque\u003c/i\u003e\u0026nbsp;had mogelijk gemaakt.\u003ci\u003e Office Baroque (Doors Crossing)\u003c/i\u003e\u0026nbsp;is een combinatie van een originele deur uit \u003ci\u003eOffice Baroque\u003c/i\u003e\u0026nbsp;(boven) en een deur (uit de woning van de verzamelaar, onder) die door cirkelvormige incisies tot één geheel werden samengebracht. Het is dus niet zomaar een 'removal', maar een hybride tussen 'objet trouvé' en een nieuwe in situ installatie. Het is enerzijds een ‘import’ maar tegelijkertijd ook een nieuwe 'cutting'.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eOffice Baroque (Doors Crossing)\u003c/i\u003e est une émanation d’\u003ci\u003eOffice Baroque\u003c/i\u003e. Il s’agit d’une œuvre créée dans la maison du collectionneur Jo Goldberg qui a financé les billets d’avion nécessaires à l’artiste pour réaliser \u003ci\u003eOffice Baroque\u003c/i\u003e. L’œuvre se compose de la combinaison d’une partie de porte originale d’\u003ci\u003eOffice Baroque\u003c/i\u003e (au-dessus) et d’une partie de porte de l’habitation du collectionneur (en dessous) qui sont réunies par des incisions circulaires. Il ne s’agit donc pas d’un simple \u003ci\u003eremoval \u003c/i\u003e(enlèvement, retrait), mais de quelque chose d’hybride entre un objet trouvé et une nouvelle installation in situ. C’est d’une part un «\u0026nbsp;import\u0026nbsp;», mais en même temps aussi une nouvelle «\u0026nbsp;découpe\u0026nbsp;».\u003c/p\u003e"}]},{"id":5171,"title":"Day's End","dimensions":"00:23:10 ","date_begin":"1975-01-01","material":"super 8mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCamera: Betsy Susler. 1975, 23:10 min, color, silent, Super 8mm film on video\u003c/p\u003e\r\n","date_end":null,"reference":"BK7762_M489_3","stream_count_app":27,"permalink":"day-s-end","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/526/large/DaysEnd.jpg?1348045975","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn May 1972 Matta-Clark worked for two months on a deserted pier in New York, where he made incisions in the door, the floor and the roof and magically transformed an abandoned industrial building into a temple of light.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn mei 1972 werkte Matta-Clark twee maanden op een verlaten pier in New York, hij maakt er incisies in de deur, de vloer en het dak en tovert een verlaten industrieel gebouw om tot een tempel van licht.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEn mai 1975, Gordon Matta-Clark travailla pendant deux mois dans un entrep\u0026ocirc;t abandonn\u0026eacute; sur les quais de New York, d\u0026eacute;coupant diverses sections dans la porte, le toit et le plancher.\u003c/p\u003e\r\n"}]},{"id":5180,"title":"The Wall","dimensions":"00:15:04","date_begin":"1976-01-01","material":"16 mm film on video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eMusic: Peter Gordon. Assembly: Jane Crawford. Post Production: Alex Gunuay. 1976-2007, 15:04 min, color, sound, 16 mm, video\u003c/p\u003e\r\n","date_end":"2007-01-01","reference":"BK7768_M495","stream_count_app":23,"permalink":"the-wall","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/848/large/matta_wall_xl.jpg?1349352294","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThis film was made after the death of Gordon Matta-Clark. It documents an action Matta-Clark carried out around the Berlin Wall in 1976. Initially he planned to dynamite a hole in the wall but ultimately it became a performance. The film shows Matta-Clark hanging up posters with \u0026lsquo;Made in America\u0026rsquo; on the Wall, commercial ads stuck over graffiti, and a clash with the police. Music: Peter Gordon. Montage: Jane Crawford. Production: Alex Gunuay.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze film werd samengesteld na de dood van Gordon Matta-Clark. Hij documenteerd een actie van Matta-Clark rond de Berlijnse Muur in 1976. De film opent met het volgende statement: \u003cem\u003e\u0026quot;In 1976, as part of the Akademie der Kunst and Berliner Festwochen exhibition \u0026#39;Soho in Berlin,\u0026#39; Gordon Matta-Clark went to Germany with the intention of blowing up a section of the Berlin Wall. Dissuaded by friends from such a suicidal action, the result was the following performance.\u0026quot;\u003c/em\u003e\u0026nbsp;In eerste instantie wilde hij dus een gat in de muur dynamiteren maar uiteindelijk werd het een performance. De film toont Matta-Clark terwijl hij affiches met \u0026#39;Made in America\u0026#39; op de Muur aanbrengt, commerci\u0026euml;le advertenties over graffitis plakt, en een aanvaring met de politie heeft.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eMuziek: Peter Gordon. Montage: Jane Crawford. Bericht Productie: Alex Gunuay.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4257,"title":"Office Baroque","dimensions":"89 x 62 cm/ 91,5 x 64,5 cm","date_begin":"1977-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eOffset. Edition: 41/350\u003c/p\u003e","date_end":null,"reference":"M00028","stream_count_app":41,"permalink":"office-baroque--3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/072/150/medium_500/2021_04_30_MHKA_-056-31.jpg?1620302444","cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/072/150/large/2021_04_30_MHKA_-056-31.jpg?1620302444","poster_credits":"image: (c) We Document Art, Collection M HKA, Antwerp, Foundation Gordon Matta-Clark","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eOffset gemaakt voor affiche voor ICC en voor verkoop editie. Ontwerp Matta-Clark\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":5897,"title":"Day's End (also called Day's Passing) - 3","dimensions":"20.2 cm X 25.2 cm image 19 cm x 24 cm","date_begin":null,"material":"vintage print, B/W photography","short_description":"\u003cp\u003eB/W photo of an interior with a hole in the roof of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York and exterior view (riverside façade). An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade.\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA","cached_tag_list":"Gordon Matta - Clark Day's End (also called Day's Passing) vintage print","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":26,"permalink":"day-s-end-also-called-day-s-passing-3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Gordon Matta-Clark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/955/large/Matta-Clark_Gordon_vintage%285%29.jpg?1346065316","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eB/W photo of interior with hole in the roof of Day's End (also called Day's Passing) 1975, Pier 52 Gansevoort, Street and West Street, New York and an exterior view (riverside façade). An abandoned industrial hangar turned into a 'sun-and-water-temple' through circular cuts into the floor, the roof and riverside façade.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eZwart-wit foto binnenzicht met gat in het dak van: Het einde van de dag (ook Het voorbijgaan van de dag genoemd) 1975, Pier 52, Gansevoort Street and West Street, New York Binnenzicht (muur) Een verlaten industriële hangar omgebouwd tot 'zonne-en-watertempel' door cirkelvormige uitsnijdingen in vloer, dak en de façade aan de kant van de rivier.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePhoto noir et blanc de l' interieur avec un trou dans le plafond de : Jour de fin (également appelée en passant la journée) 1975, au Quai 52, Gansevoort Street et West Street, New York Vu d'exterieur (façade) Un hangar industriel abandonné transformé en «temple-de-soleil-et-d'eau» par le biais des coupes circulaires dans le plancher, le toit et la façade riveraine.\u003c/p\u003e"}]}]