[{"id":4876,"title":"X of Y [X or Y]","dimensions":"(l) 1700 cm","date_begin":"1985-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":1,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK5220_M33","stream_count_app":49,"permalink":"x-of-y-x-or-y","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp\u003e\u0026Omicron; \u0026Gamma;\u0026kappa;\u0026iota; \u0026Rho;ό\u0026mu;\u0026pi;\u0026alpha;\u0026omicron;\u0026upsilon;\u0026tau;\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026phi;\u0026alpha;\u0026nu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ό\u0026sigmaf; \u0026sigma;\u0026upsilon;\u0026lambda;\u0026lambda;έ\u0026kappa;\u0026tau;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omega;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026upsilon;\u0026lambda;\u0026iota;\u0026kappa;ώ\u0026nu;. \u0026Delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά \u0026sigma;\u0026upsilon;\u0026nu;\u0026epsilon;\u0026chi;ώ\u0026sigmaf; \u0026tau;\u0026eta;\u0026nu; \u0026epsilon;\u0026upsilon;\u0026alpha;ί\u0026sigma;\u0026theta;\u0026eta;\u0026tau;\u0026eta; \u0026phi;ύ\u0026sigma;\u0026eta; \u0026tau;\u0026upsilon;\u0026chi;\u0026alpha;ί\u0026omega;\u0026nu;, \u0026sigma;\u0026upsilon;\u0026chi;\u0026nu;ά \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ώ\u0026nu;, \u0026upsilon;\u0026lambda;\u0026iota;\u0026kappa;ώ\u0026nu;, \u0026chi;\u0026rho;\u0026eta;\u0026sigma;\u0026iota;\u0026mu;\u0026omicron;\u0026pi;\u0026omicron;\u0026iota;ώ\u0026nu;\u0026tau;\u0026alpha;\u0026sigmaf; \u0026tau;\u0026alpha; \u0026gamma;\u0026iota;\u0026alpha; \u0026nu;\u0026alpha; \u0026epsilon;\u0026xi;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ή\u0026sigma;\u0026epsilon;\u0026iota; \u0026tau;\u0026iota;\u0026sigmaf; \u0026gamma;\u0026lambda;\u0026upsilon;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026delta;\u0026upsilon;\u0026nu;\u0026alpha;\u0026tau;ό\u0026tau;\u0026eta;\u0026tau;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ή\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon;. Έ\u0026tau;\u0026sigma;\u0026iota;, \u0026kappa;\u0026alpha;\u0026theta;\u0026iota;\u0026sigma;\u0026tau;ά \u0026tau;\u0026eta; \u0026gamma;\u0026lambda;ώ\u0026sigma;\u0026sigma;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026pi;\u0026tau;ή, \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026mu;\u0026beta;\u0026alpha;\u0026theta;ύ\u0026nu;\u0026epsilon;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026omicron;\u0026rho;\u0026phi;ή\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026epsilon;\u0026chi;\u0026omicron;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;, \u0026sigma;\u0026eta;\u0026mu;\u0026alpha;\u0026sigma;\u0026iota;\u0026omicron;\u0026lambda;\u0026omicron;\u0026gamma;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026delta;\u0026epsilon;ί\u0026kappa;\u0026tau;\u0026eta; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026omicron;ή\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;. \u0026Sigma;\u0026tau;\u0026eta;\u0026nu; \u0026epsilon;\u0026gamma;\u0026kappa;\u0026alpha;\u0026tau;ά\u0026sigma;\u0026tau;\u0026alpha;\u0026sigma;\u0026eta; X ή Y, \u0026eta; \u0026beta;\u0026alpha;\u0026theta;\u0026iota;ά \u0026alpha;ί\u0026sigma;\u0026theta;\u0026eta;\u0026sigma;ή \u0026tau;\u0026omicron;\u0026upsilon; \u0026gamma;\u0026iota;\u0026alpha; \u0026tau;\u0026alpha; \u0026upsilon;\u0026lambda;\u0026iota;\u0026kappa;ά \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; έ\u0026kappa;\u0026delta;\u0026eta;\u0026lambda;\u0026eta;. \u0026Pi;\u0026rho;ό\u0026kappa;\u0026epsilon;\u0026iota;\u0026tau;\u0026alpha;\u0026iota; \u0026gamma;\u0026iota;\u0026alpha; \u0026mu;\u0026iota;\u0026alpha; \u0026tau;\u0026rho;\u0026iota;\u0026sigma;\u0026delta;\u0026iota;ά\u0026sigma;\u0026tau;\u0026alpha;\u0026tau;\u0026eta; \u0026alpha;\u0026pi;\u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026iota;\u0026sigma;\u0026eta; \u0026tau;\u0026omega;\u0026nu; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ά\u0026tau;\u0026omega;\u0026nu; \u0026Chi; \u0026kappa;\u0026alpha;\u0026iota; \u0026Upsilon;. \u0026Sigma;\u0026tau;\u0026omicron; Azart (\u0026tau;\u0026omicron; \u0026epsilon;\u0026nu;\u0026alpha;\u0026lambda;\u0026lambda;\u0026alpha;\u0026kappa;\u0026tau;\u0026iota;\u0026kappa;ό \u0026alpha;\u0026lambda;\u0026phi;\u0026alpha;\u0026beta;\u0026eta;\u0026tau;\u0026iota;\u0026kappa;ό \u0026sigma;ύ\u0026sigma;\u0026tau;\u0026eta;\u0026mu;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;έ\u0026pi;\u0026tau;\u0026upsilon;\u0026xi;\u0026alpha;\u0026nu; \u0026omicron; \u0026Gamma;\u0026kappa;\u0026iota; \u0026Rho;ό\u0026mu;\u0026pi;\u0026alpha;\u0026omicron;\u0026upsilon;\u0026tau;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026eta; \u0026Mu;ό\u0026nu;\u0026iota;\u0026kappa;\u0026alpha; \u0026Nu;\u0026tau;\u0026rho;ό\u0026sigma;\u0026tau;\u0026epsilon;) \u0026alpha;\u0026upsilon;\u0026tau;ά \u0026tau;\u0026alpha; \u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026alpha;\u0026theta;ί\u0026sigma;\u0026tau;\u0026alpha;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026alpha;\u0026pi;ό \u0026mu;\u0026iota;\u0026alpha; \u0026epsilon;\u0026upsilon;\u0026theta;\u0026epsilon;ί\u0026alpha; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ή, \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; ά\u0026xi;\u0026omicron;\u0026nu;\u0026alpha; \u0026Chi; ή \u0026Upsilon;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/008/798/large/Rombouts__Guy__X_of_Y__001__1985_photo_Syb'l._S._-_Pictures.jpg?1334760562","poster_credits":"(c)image: Syb'l S'Pictures","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eGuy Rombouts is a fanatical collector of all kinds of objects and materials. He continually explores the delicate nature of found \u0026ndash; often natural \u0026ndash; materials, using them to explore the sculptural possibilities for his script. In this way, he makes his language tangible, and investigates the link between form and content, sign and meaning. In this installation,\u003cem\u003e X of Y\u003c/em\u003e, his feeling for materials is prominently displayed. He presents a three-dimensional display of the letters X and Y. In the Azart (the alternative lettering system developed by Guy Rombouts and Monica Droste) these letters are actually replaced by a straight line, referring to the X or Y axis.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eGuy Rombouts is een verwoed verzamelaar van allerlei objecten en materialen. Hij exploreert steeds de specifieke gevoeligheid van gevonden - vaak natuurlijke - materialen en onderzoekt daarbij de plastische mogelijkheden voor zijn schrift. Op die manier maakt hij zijn taal tastbaar, en onderzoekt hij het verband tussen vorm en inhoud, teken en betekenis. In deze installatie, \u003cem\u003eX of Y\u003c/em\u003e, komt die gevoeligheid voor materialen zeer sterk tot uiting. Op een driedimensionale manier geeft hij zijn voorstelling van de lettertekens X of Y weer. In het Azart (het alternatieve tekensysteem ontwikkeld door Guy Rombouts en Monica Droste) worden deze letters immers vervangen door een rechte lijn, refererend aan de X- of Y-as.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eGuy Rombouts est un collectionneur passionn\u0026eacute; de divers objets et mat\u0026eacute;riaux. Il explore toujours la sensibilit\u0026eacute; sp\u0026eacute;cifique de mat\u0026eacute;riaux trouv\u0026eacute;s \u0026ndash; souvent naturels \u0026ndash; et en examine ce faisant les potentialit\u0026eacute;s plastiques pour son \u0026eacute;criture. Ainsi, il rend son langage tangible et \u0026eacute;tudie le rapport entre la forme et le contenu, le signifi\u0026eacute; et le signifiant. Dans l\u0026rsquo;installation *X of Y*, cette sensibilit\u0026eacute; pour les mat\u0026eacute;riaux s\u0026rsquo;exprime avec force. De mani\u0026egrave;re tridimensionnelle, il donne sa repr\u0026eacute;sentation des caract\u0026egrave;res X ou Y. Dans Azart, le syst\u0026egrave;me de signes graphiques d\u0026eacute;velopp\u0026eacute; par Guy Rombouts et Monica Droste, ces lettres sont remplac\u0026eacute;es par une ligne droite, qui fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; l\u0026rsquo;axe X ou Y.\u003c/p\u003e\r\n"}]},{"id":6114,"title":"Geen dag zonder lijn [No Day Without a Line]","dimensions":"140 x 100 x 1040 cm","date_begin":"1989-01-01","material":"metal, aluminium, lacquer","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e27 aluminium tubes/nails with an 8 mm diameter, folded in the shape of the alphabet, and painted.\u003c/p\u003e\r\n","date_end":null,"reference":"S0031","stream_count_app":22,"permalink":"geen-dag-zonder-lijn-no-day-without-a-line","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Guy Rombouts, Monica Droste","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/710/large/Rombouts_S0031_1.jpg?1366722221","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":6113,"title":"Leegte is vorm [Emptiness is form]","dimensions":"","date_begin":"2007-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0394","stream_count_app":29,"permalink":"leegte-is-vorm-emptiness-is-form","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/703/large/Rombouts__Guy__Leegte_is_vorm__zaalzicht_photo_clinckx_12.jpg?1366720034","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eGuy Rombouts always explores the implicit sensitivity of all types of found materials, on the lookout for the visual/sculptural potentialities of script. He develops \u0026lsquo;writings\u0026rsquo; where form and content coincide in as exemplary a manner as possible. The installation\u003cem\u003e Leegte is vorm\u003c/em\u003e\u0026nbsp;(Emptiness is Form), that Rombouts made for an exhibition at the artists\u0026rsquo; forum Factor 44, is a good example here. The 26 colorful shopping bags from which this work is constituted, in each case contains a found object that represents a certain letter of the alphabet, beginning with \u0026lsquo;amfoor\u0026rsquo; (amphora) and ending with \u0026lsquo;zeef\u0026rsquo; (sieve). In this way Rombouts makes a concrete, sculptural and more intuitive variant of our alphabet.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eGuy Rombouts exploreert steeds de impliciete gevoeligheid van allerlei gevonden materialen en zoekt daarbij vaak naar plastische mogelijkheden van het schrift. Hij ontwikkelt schrifturen waarin vorm en inhoud zo exemplarisch mogelijk samenvallen. De installatie \u003cem\u003eLeegte is vorm\u003c/em\u003e, die Rombouts voor een tentoonstelling van het kunstenaarsinitiatief Factor 44 maakte, is hier een goed voorbeeld van. De 26 kleurrijke boodschappentassen waaruit dit werk bestaat, bevatten telkens een gevonden object dat een bepaalde letter van het alfabet vertegenwoordigt, beginnend met \u0026#39;amfoor\u0026#39; en eindigend met \u0026#39;zeef\u0026#39;. Zo maakt Rombouts een concrete, plastische en meer intu\u0026iuml;tieve variant van ons alfabet.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eGuy Rombouts explore toujours la sensibilit\u0026eacute; implicite de toutes sortes de mat\u0026eacute;riaux trouv\u0026eacute;s et dans ce cadre, il recherche souvent des possibilit\u0026eacute;s plastiques de l\u0026#39;\u0026eacute;crit. Il con\u0026ccedil;oit des textes o\u0026ugrave; le fond et la forme correspondent de mani\u0026egrave;re aussi exemplaire que possible. L\u0026#39;installation \u003cem\u003eLe vide est la forme\u003c/em\u003e, r\u0026eacute;alis\u0026eacute;e par Rombouts pour une exposition de l\u0026#39;initiative artistique Factor 44, en est un bon exemple. Les 26 sacs de courses color\u0026eacute;s dont cette \u0026oelig;uvre est constitu\u0026eacute;e contiennent \u0026agrave; chaque fois un objet trouv\u0026eacute; repr\u0026eacute;sentant une lettre donn\u0026eacute;e de l\u0026#39;alphabet, commen\u0026ccedil;ant par \u0026#39;amphore\u0026#39; et s\u0026#39;achevant par \u0026#39;tamis\u0026#39; (\u0026#39;zeef\u0026#39; en n\u0026eacute;erlandais). Ainsi, Rombouts cr\u0026eacute;e une variante plastique et plus intuitive de notre alphabet.\u003c/p\u003e\r\n"}]},{"id":5425,"title":"A4 (2) Multiple Magazine","dimensions":"34 x 23.9 x 3 cm","date_begin":"2008-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"M00069_1, M00069_2","stream_count_app":21,"permalink":"a4-2-multiple-magazine","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Lode Geens, Guy Rombouts, Dennis Tyfus, Kati Heck, Timothy Segers, Philippe Van Wolputte, Danny Devos, Hans Theys","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":6112,"title":"Gebeurtenissen die zich verharden tot het object waarop we zitten en abstracte zelfstandige naamwoorden die de stevigheid van een tafel verwerven","dimensions":"variable dimensions","date_begin":"1986-01-01","material":"MDF, metal, wood, lacquer","short_description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u0026quot;Events that harden into the object we are sitting on and abstract nouns that acquire the solidity of a table\u0026quot;\u003c/strong\u003e\u003c/em\u003e\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK5271","stream_count_app":29,"permalink":"gebeurtenissen-die-zich-verharden-tot-het-object-waarop-we-zitten-en-abstracte-zelfstandige-naamwoorden-die-de-stevigheid-van-een-tafel-verwerven","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Monica Droste, Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/934/large/Rombouts__0016_-Droste__001.jpg?1350308455","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eFor the \u003cem\u003eInitiatief \u0026rsquo;86\u003c/em\u003e\u0026nbsp;exhibition in Ghent (1986), Guy Rombouts and Monica Droste from Warsaw created the monumental, room-filling work \u003cem\u003eEvents that harden into the object we are sitting on and abstract nouns that acquire the solidity of a table\u003c/em\u003e. The title is a quote from [Stefan Themerson](http://www.themersonarchive.com/index.htm), the British composer, poet, writer, film-maker and philosopher of Polish origin. The quote is also literally a part of the installation. The typeface used for this was one that Rombouts had developed and which he was to perfect and make use of together with Droste in the years that followed. In their \u0026lsquo;Azart\u0026rsquo;, each letter is designed by means of a specifically designated linear figure, from the A, which is \u0026lsquo;angular\u0026rsquo;, to the Z, which becomes \u0026lsquo;zigzag\u0026rsquo;. Written in this way, words are again able to form an organically delineated entity, whereby the first and last letter are always linked together. The quote itself was written down this way on chairs; the tables are English nouns, starting with \u0026lsquo;absurdity\u0026rsquo;; the blackboard says \u0026lsquo;\u0026eacute;v\u0026eacute;nements\u0026rsquo; in French.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eVoor de tentoonstelling \u003cem\u003eInitiatief \u0026lsquo;86\u003c/em\u003e\u0026nbsp;(Gent, 1986) cre\u0026euml;erden Guy Rombouts en de uit Warschau afkomstige Monica Droste het monumentale, kamervullende werk\u0026nbsp;\u003cem\u003e\u0026#39;Gebeurtenissen die zich verharden tot het object waarop we zitten en abstracte zelfstandige naamwoorden die de stevigheid van een tafel verwerven\u0026#39;\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe titel is een citaat van de Britse componist, dichter, schrijver, filmmaker en filosoof van Poolse afkomst \u003ca href=\"http://www.themersonarchive.com/index.htm\"\u003eStefan Themerson\u003c/a\u003e. Het citaat werd in de installatie ook letterlijk gerealiseerd. Daarvoor werden de lettervormen gebruikt die Rombouts had ontwikkeld en hij samen met Droste de volgende jaren zou vervolmaken en bespelen. In hun \u0026lsquo;Azart\u0026rsquo; wordt elke letter vormgegeven via een specifiek benoemde lijnfiguur; van de A die \u0026lsquo;angular\u0026rsquo; is, tot de Z die een \u0026lsquo;zigzag\u0026rsquo; wordt. Zo geschreven kunnen woorden weer een organisch afgesloten geheel vormen, waarbij begin- en eindletter van het woord telkens met elkaar verbonden zijn. Het citaat zelf werd op die manier neergeschreven in de stoelen; de tafels zijn Engelse zelfstandige naamwoorden, te beginnen met \u0026lsquo;absurdity\u0026rsquo;; het schoolbord zegt \u0026lsquo;\u0026eacute;v\u0026eacute;nements\u0026rsquo; in het Frans.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePour l\u0026#39;exposition \u003cem\u003eInitiatief \u0026lsquo;86\u003c/em\u003e\u0026nbsp;(Gand, 1986), Guy Rombouts et Monica Droste, originaire de Varsovie, ont cr\u0026eacute;\u0026eacute; l\u0026#39;\u0026oelig;uvre monumentale, occupant tout une pi\u0026egrave;ce\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;Des \u0026eacute;v\u0026eacute;nements qui se rapportent \u0026agrave; l\u0026#39;objet sur lequel nous sommes assis et des mots ind\u0026eacute;pendants abstraits qui acqui\u0026egrave;rent la robustesse d\u0026#39;une table\u0026#39;\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe titre est une citation du compositeur, po\u0026egrave;te, \u0026eacute;crivain, r\u0026eacute;alisateur de film et philosophe britannique d\u0026#39;origine polonaise \u003ca href=\"http://www.themersonarchive.com/index.htm\"\u003eStefan Themerson\u003c/a\u003e. Cette citation a \u0026eacute;galement \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;e litt\u0026eacute;ralement dans l\u0026#39;installation. Pour ce faire, les lettres que Rombouts avait con\u0026ccedil;ues ont \u0026eacute;t\u0026eacute; utilis\u0026eacute;es. Au cours des ann\u0026eacute;es suivantes, il allait les perfectionner et les manipuler avec Droste. Dans leur \u0026lsquo;Azart\u0026rsquo;, chaque lettre prend forme par le biais d\u0026#39;une ligne sp\u0026eacute;cifique, du A qui est \u0026lsquo;angulaire\u0026rsquo; au Z qui forme un \u0026lsquo;zigzag\u0026rsquo;. \u0026Eacute;crits ainsi, les mots peuvent \u0026agrave; nouveau former un tout ferm\u0026eacute; de mani\u0026egrave;re organique, o\u0026ugrave; la lettre du d\u0026eacute;but et de la fin du mot sont li\u0026eacute;s \u0026agrave; chaque fois. La citation elle-m\u0026ecirc;me est inscrite de cette mani\u0026egrave;re dans les chaises. Les tables sont des mots ind\u0026eacute;pendants anglais, \u0026agrave; commencer par \u0026lsquo;absurdity\u0026rsquo;. Le tableau noir dit \u0026#39;\u0026eacute;v\u0026eacute;nements\u0026#39; en fran\u0026ccedil;ais.\u003c/p\u003e\r\n"}]},{"id":6111,"title":"Direction of Interpretations","dimensions":" 400 x 290 cm / 70 x 0,5 x 0,5 cm","date_begin":"1989-01-01","material":"drawings, photos, found objects","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK6179","stream_count_app":23,"permalink":"direction-of-interpretations","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Monica Droste, Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/706/large/Rombouts-Droste__Directions_of_Interpretations___1989_photo_Jan_Kempenaers.jpg?1366721451","poster_credits":"(c)image: Jan Kempenaers","translations":[{"locale":"en","description":"\u003cp\u003eThe work *Directions of Interpretations* was first shown in Rome in 1989. It is an installation consisting of objects, photographs of the objects and black cut-outs that match the objects. *Directions of Interpretations* is one of the many alphabets designed and executed by Guy Rombouts. At the basis of this alphabet lie Old Italian musical terms that successively begin with a, b, c, etc.: acuto, bizzaro, coperto\u0026hellip; An exception is the term *hot*, borrowed from Jazz music. Each music term thus stands for one of the letters of our alphabet. The terms are represented by a composition of objects, referring to the number of letters and the meaning of the term. Fresco, for instance, consists of six letters and means \u0026lsquo;fresh\u0026rsquo;, and is expressed by a composition of six vegetables each beginning with the letters that go to form fresco: finocchio (fennel); ravanello (radish), etc. Thus, a combination of objects refers to one of the terms. These objects are assembled in the museum rooms, but are also to be seen on the photographs. Only with the word \u0026lsquo;bizzaro\u0026rsquo; does the picture of the objects differ from what we see in the new assemblage. Here the artist opts for creating for each new assemblage of this work a new bizarre composition.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eHet werk *Directions of Interpretations* werd voor de eerste keer tentoongesteld in 1989 in Rome. Het is een installatie die bestaat uit objecten, foto\u0026rsquo;s van de objecten en zwarte uitsneden die bij de objecten passen. *Directions of Interpretations* is \u0026eacute;\u0026eacute;n van de vele alfabetten die Guy Rombouts ontworpen en uitgevoerd heeft. Aan de basis van dit alfabet liggen oude Italiaanse muziektermen die achtereenvolgens met een a, een b, een c enz. beginnen: acuto, bizarro, coperto\u0026hellip; Uitzondering is de term *hot*, die ontleend is aan de Jazzmuziek. Elke muziekterm staat dus voor \u0026eacute;\u0026eacute;n van de letters van ons alfabet. De termen worden voorgesteld door een compositie van voorwerpen, die verwijst naar het aantal letters en de betekenis van de term. Fresco bijvoorbeeld bestaat uit zes letters en betekent fris en wordt uitgebeeld door een compositie van zes groenten, die in het Italiaans met de letters van fresco beginnen: finocchio (venkel), ravanello (radijs) enz. Steeds verwijst een combinatie van voorwerpen dus naar \u0026eacute;\u0026eacute;n van de termen. Deze voorwerpen staan opgesteld in de museumzalen, maar zijn ook terug te vinden op foto\u0026rsquo;s. Alleen bij het woord bizarro verschilt de afbeelding van de objecten die te zien zijn in de nieuwe opstelling. De kunstenaar opteert er namelijk voor om bij elke nieuwe opstelling van dit werk een nieuwe bizarre compositie te cre\u0026euml;ren.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7098,"title":"Guy Rombouts - Nieuw Nederlands Drieletterwoordenboek","dimensions":"29.3 x 21.5 cm, language : Dutch, author : Guy Rombouts, Publisher : Galerie Anny De Decker, Antwerpen, ISBN 90-6848-003-0","date_begin":"1985-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Artist publication ; Artist book","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2002/755","stream_count_app":31,"permalink":"guy-rombouts-nieuw-nederlands-drieletterwoordenboek-new-dutch-three-letter-dictionary","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/408/large/DSC_5107.jpg?1366187423","poster_credits":"(c)image: M HKA ","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eUit een gesprek tussen Hilde Van Canneyt en Guy Rombouts in 2009:\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u0026quot;Kan je je nog de dag herinneren waarop je dacht: Ik ben het beu, nu maak ik een ander eigen alfabet?\u003c/strong\u003e\u003c/em\u003e\u003cbr /\u003e\r\n\u003cem\u003eRombouts:\u003c/em\u003e Dat is een heel langzaam proces geweest. Zo heb ik eens de hele Dikke Vandale gelezen, waarbij ik op zoek ging naar alle drieletterwoorden. Deze heb ik dan samengebracht in het Nieuw Nederlands Drieletterwoordenboek. Daarbij mocht ik ook de werkwoorden in de eerste persoon enkelvoud niet vergeten.\u003cbr /\u003e\r\n\u003cem\u003e\u003cstrong\u003eWaarom vond je dat je zo\u0026rsquo;n drieletterwoordenboek moest maken?\u003c/strong\u003e\u003cbr /\u003e\r\nRombouts:\u003c/em\u003e Ik zag dat manuscript als een kader om binnen te werken. \u0026quot;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eExtrait d\u0026#39;une discussion entre Hilde Van Canneyt et Guy Rombouts en 2009 :\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;Vous souvenez-vous du jour o\u0026ugrave; vous avez pens\u0026eacute; : j\u0026#39;en ai marre, maintenant je vais cr\u0026eacute;er mon propre alphabet totalement diff\u0026eacute;rent ?\u003c/em\u003e\u003cbr /\u003e\r\n\u003cem\u003eRombouts :\u003c/em\u003e Ce processus a \u0026eacute;t\u0026eacute; tr\u0026egrave;s lent. Ainsi, j\u0026#39;ai lu une fois la totalit\u0026eacute; du Grande Van Dale, o\u0026ugrave; j\u0026#39;ai recherch\u0026eacute; tous les mots \u0026agrave; trois lettres. Je les ai ensuite rassembl\u0026eacute;s dans le Nouveau Dictionnaire de n\u0026eacute;erlandais \u0026agrave; trois lettres. Je ne pouvais pas non plus oublier les verbes au singulier de la premi\u0026egrave;re personne.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cbr /\u003e\r\n\u003cem\u003ePourquoi avez-vous senti que vous deviez r\u0026eacute;diger ce dictionnaire \u0026agrave; trois lettres ?\u003c/em\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cbr /\u003e\r\n\u003cem\u003eRombouts :\u003c/em\u003e J\u0026#39;ai vu ce manuscrit comme un cadre pour travailler \u0026agrave; l\u0026#39;int\u0026eacute;rieur. \u0026quot;\u003c/p\u003e\r\n"}]},{"id":14128,"title":"Ze liggen samen onder één deken","dimensions":"210 x 175 cm","date_begin":"1982-01-01","material":"wool, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Annie De Decker","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cem\u003eZe\u003c/em\u003e\u0026nbsp;\u003cem\u003ehoren samen onder een deken\u0026nbsp;\u003c/em\u003evan\u003cem\u003e\u0026nbsp;\u003c/em\u003eGuy Rombouts bestond uit een op de grond uitgespreid deken waar de titelzin onderuit piepte.\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":8,"permalink":"ze-liggen-samen-onder-een-deken","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/508/large/2016_INBOX_Montevideo_photo_M_HKA_10.jpg?1467017183","poster_credits":"(c)image: M HKA, Courtesy Anny De Decker","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20152,"title":"GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.5, nr.4, maart-april 1986","dimensions":"57.7 x 41.7 cm, 1 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster","date_begin":"1986-01-01","material":"Ink, paper","short_description":"\u003cp\u003eArtikelen :\u003c/p\u003e\r\n\r\n\u003cp\u003e-\u0026nbsp;De huid van het beeld - scarificaties en lichaamsbeschildering op Centraal-Afikaanse sculptuur (Frank Herreman)\u003c/p\u003e\r\n\r\n\u003cp\u003e- Guy Rombouts (Guy Rombouts)\u003c/p\u003e\r\n\r\n\u003cp\u003e- Koen Muller\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"T \u0026 P/GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster","stream_count_app":16,"permalink":"ga-tijdschrift-van-de-galerij-van-de-akademie-van-waasmunster-jrg-5-nr-4-maart-april-1986","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/054/medium_500/Image00010.jpg?1546502780","cached_actor_names":"Koen Muller , Guy Rombouts, Wilfried Huet","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/054/large/Image00010.jpg?1546502780","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20156,"title":"GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.5, nr.1, september-oktober 1985","dimensions":"57.7 x 41.7 cm, 1 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster","date_begin":"1985-01-01","material":"Ink, paper","short_description":"\u003cp\u003eArtikelen :\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e-\u0026nbsp;Guy Rombouts \u0026quot;La grande exposition de L\u0026#39;A\u0026quot; (Max Borka e.a.)\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"T \u0026 P/GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster","stream_count_app":12,"permalink":"ga-tijdschrift-van-de-galerij-van-de-akademie-van-waasmunster-jrg-5-nr-1-september-oktober-1985-9cbbdc62-12e3-447a-a81a-8ee7e04ab39d","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/046/medium_500/Image00002.jpg?1546500820","cached_actor_names":"Guy Rombouts, Wilfried Huet","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/046/large/Image00002.jpg?1546500820","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20158,"title":"DIMPNANFMYD","dimensions":"","date_begin":"2018-01-01","material":"Video","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Annie Gentils Gallery","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"dimpnanfmyd","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/652/medium_500/GuyRombouts_JurgenAddiers.jpg?1536832229","cached_actor_names":"Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/652/large/GuyRombouts_JurgenAddiers.jpg?1536832229","poster_credits":"image: (c) M HKA, Courtesy Annie Gentils Gallery","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThe colour alphabet is an ode to synaesthesia and designed in a similar way as the azart-line alphabet, without intersections. Every first letter of the name of the colour is the same as the saturation of the letter. \u0026lsquo;I\u0026rsquo; is indigo, \u0026lsquo;A\u0026rsquo; is aquamarine and so on.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn cooperation with\u0026nbsp;Teun de Lange.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eMore at\u0026nbsp;\u003ca href=\"http://www.azart.be\" target=\"_blank\"\u003eAZART\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eHet kleurenalfabet is een ode aan de synesthesie en is op dezelfde wijze ontworpen als het snijpuntloze azart-lijnenalfabet: elke eerste letter van de naam van de\u003cbr /\u003e\r\nkleur is gelijk aan de kleurwaarde van de letter. De \u0026lsquo;I\u0026rsquo; is indigo, de \u0026lsquo;A\u0026rsquo; is is aquamarijn enzovoort.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn samenwerking met Teun de Lange.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eMeer op \u003ca href=\"http://www.azart.be\" target=\"_blank\"\u003eAZART\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":20157,"title":"Uplifting Things","dimensions":"","date_begin":"2018-01-01","material":"Paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy Annie Gentils Gallery","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"janhoetbc-z","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/662/medium_500/Rombouts_JurgenAddiers.JPG?1536839466","cached_actor_names":"Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/662/large/Rombouts_JurgenAddiers.JPG?1536839466","poster_credits":"image: (c) Jürgen Addiers, Courtesy Annie Gentils Gallery","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eFor \u003ci\u003eMiddle Gate II\u003c/i\u003e Guy Rombouts creates a hat alphabet. The folded hats are made of unprinted newspaper \u0026ndash; once intended for the Geel newspaper \u003ci\u003eNieuwsblad van Geel\u003c/i\u003e \u0026ndash; from the old French standard paper size, a half Colombier. Each hat is folded different; 13 times a fold sharper. Repeating the process in the opposite direction. A letter in the corresponding shape of Rombouts\u0026rsquo; \u0026lsquo;Azart\u0026rsquo; alphabet is attached to each hat: \u0026lsquo;angular\u0026rsquo; for \u0026lsquo;A\u0026rsquo;, \u0026lsquo;bairnsteel\u0026rsquo; for \u0026lsquo;B\u0026rsquo; and so on. The hats are presented on the chairs in the church.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eGuy Rombouts maakt voor \u003ci\u003eMiddle Gate II\u003c/i\u003e een hoedenalfabet. De gevouwen hoeden zijn gemaakt van onbedrukt krantenpapier \u0026ndash; ooit bestemd voor het Nieuwsblad van Geel \u0026ndash; op het formaat van een halve Colombier, een oud Frans papierformaat. Elke hoed is anders gevouwen; 13 keer een slagje scherper en dan in de andere richting weer terug. Op elke hoed zit een letter bevestigd in de overeenkomstige vorm van het \u0026lsquo;Azart\u0026rsquo;-alfabet van Rombouts: \u0026lsquo;angulair\u0026rsquo; voor de \u0026lsquo;A\u0026rsquo;, \u0026lsquo;barensteel\u0026rsquo; voor de \u0026lsquo;B\u0026rsquo;, enzovoort. De hoeden worden getoond op het zitmeubilair in de kerk.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":25555,"title":"Labrys in Time (related 2)","dimensions":"variable","date_begin":null,"material":"paper, ink (printing)","short_description":"\u003cp\u003ePerformances\u0026nbsp; during the presentation of an \u0026#39;artistbook\u0026#39; object by Rombouts-Droste (AWAWA) at galerie Camomille Brussels\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":220,"legal_status_id":84,"category_id":128,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Presentation books performance","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":32,"permalink":"labrys-in-time-related-2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003ePerformances tijdens de presentatie van een \u0026#39;artistbook\u0026#39; object van Rombouts-Droste (AWAWA) in galerij Camomille te Brussel\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/454/medium_500/CamiJL019.jpg?1588833050","cached_actor_names":"Jef Lambrecht, Monica Droste, Suzy Biernaert , Angel Vergara, Chris Straetling, Guy Rombouts","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/454/large/CamiJL019.jpg?1588833050","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePerformances\u0026nbsp; during the presentation of an \u0026#39;artistbook\u0026#39; object by Rombouts-Droste (AWAWA) at galerie Camomille Brussels\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara as Straatman, Jef Lambrecht \u0026#39;Labrys in Time\u0026#39; and C. Straetling \u0026#39;knip\u0026#39;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003ePerformances tijdens de presentatie van een \u0026#39;artistbook\u0026#39; object van Rombouts-Droste (AWAWA) in galerij Camomille te Brussel\u003c/p\u003e\r\n\r\n\u003cp\u003eAngel Vergara als Straatman, Jef Lambrecht met Labrys in Time en C. Straetling met \u0026#39;Knip\u0026#39;.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":27923,"title":"3K-Kelder AK-37","dimensions":"10 x 15 cm","date_begin":"1994-01-01","material":"paper, emulsion","short_description":"\u003cp\u003ePictures of an exhibition opening or evening presentation at AK-37 - probably Saint Nicholas and/or three kings - basement installation by JL\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":84,"category_id":23,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Photo opening","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":49,"permalink":"3k-kelder-ak-37","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eFoto\u0026#39;s gemaakt tijdens opening of presentatie in AK-37, waarschijnlijk Sint Niklaas en/of Driekoningen - kelderinstallatie door JL\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/795/medium_500/PXak37woutjef.jpg?1603620996","cached_actor_names":"Jef Lambrecht, Jan van Veen , Wout Vercammen, Guy Rombouts, Danny Devos, Anne-Mie Van Kerckhoven / AMVK, Rudi Renson, Nicole van Goethem, Laetitia Yalon","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/795/large/PXak37woutjef.jpg?1603620996","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePictures of an exhibition opening or evening presentation at AK-37 - probably Saint Nicholas and/or three kings - basement installation by JL - either during saint nicholas or three kings (the 3 magi)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eFoto\u0026#39;s gemaakt tijdens opening of presentatie in AK-37, waarschijnlijk Sint Niklaas en/of Driekoningen - kelderinstallatie door JL (of tijdens sinterklaas of drie koningen (Zwarte Wijze)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":25946,"title":"Facteur Cheval (expo)","dimensions":"50 x 40  cm","date_begin":"1986-01-01","material":"paper, ink (printing)","short_description":"\u003cp\u003ePoster for a group exhibition of Mail Art at the \"Palais Ideal\" of the Facteur Cheval in Hautrives (F) organized by the MAMAC, Liège\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","art_status_id":13,"legal_status_id":84,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Mail Art Graphic art","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":33,"permalink":"facteur-cheval-expo","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik\u003c/p\u003e","short_description_fr":"\u003cp\u003eAffiche pour une exposition collective de Mail Art au \"Palais Idéal\" du Facteur Cheval à Hautrives (F) organisée par le MAMAC, Liège\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/057/416/medium_500/Im464JL002.jpg?1590659831","cached_actor_names":"Jef Lambrecht, Guy Bleus, Maria Thereza Alves, Guy Rombouts, Monica Droste, Jacques Lizène, Luc Deleu, Johan van Geluwe","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/057/416/large/Im464JL002.jpg?1590659831","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik\u003c/p\u003e\u003cp\u003enote that Jef Lambrecht is represented three times, as himself, as Yo Picasso and as La Lanterne de Lantin\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik -\u003c/p\u003e\u003cp\u003eJef Lambrecht is drie keer vermeld: als zichzelf, als Yo Picasso en als La Lanterne de Lantin\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eAffiche pour une exposition collective de Mail Art au \"Palais Idéal\" du Facteur Cheval à Hautrives (F) organisée par le MAMAC, Liège A noter que Jef Lambrecht est représenté trois fois - comme lui-même, La Lanterne de Lantin et 'Yo Picasso'\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]}]