[{"id":5907,"title":"Compositie [Composition]","dimensions":"69 x 54 cm","date_begin":"1956-01-01","material":"oil, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"compositie-composition--3","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/000/large/Guy_Van_den_Branden__Compositie_1956_Priv%C3%A9_verzameling_Antwerpen.jpg?1346153260","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn the 1950s Vandenbranden becomes an active member of Art Abstrait, Formes and Art Construit, artist groups that work towards having art take up its rightful place alongside science and technology. He is not a \u0026lsquo;follower\u0026rsquo; but a logical researcher who in his experiments succeeds in uniting sound calculation with a subtle feeling for form, as in this example with a rhythmical, fa\u0026ccedil;ade-like structure. He says that through his work he wishes to bring \u0026lsquo;rest, pleasure and harmony\u0026rsquo;.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eVandenbranden wordt in de jaren 1950 actief lid van Art Abstrait, Formes en Art Construit, kunstenaarsgroepen die zich inzetten voor kunst die naast wetenschap en techniek kan staan. Hij is geen \u0026lsquo;volgeling\u0026rsquo; maar een consequente zoeker die in zijn experimenten grondige berekening weet te verenigen met subtiel vormgevoel, zoals hier met een ritmische, gevelachtige structuur. Hij zegt dat hij met zijn werk \u0026lsquo;rust, genot en harmonie\u0026rsquo; wil brengen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":33098,"title":"Initiatieven","dimensions":"1/4 page","date_begin":"1958-01-01","material":"Ink on newspaper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen G58 Hessenhuis Craeybeckx Middelheim Rubensstraat Galerie Aksent Galerie Accent Atelier 14 Guy Vandenbranden Paul Van Hoeydonck","publishing_process_id":1,"annotation":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThis article is enclosed in one of the artist\u0026#39;s notebooks (see linked item). The article is about the start of G 58 as well as the new gallery space in Rubensstraat, above the\u0026nbsp;Atelier 14 workshop, shared by 4 artists or as stated\u0026nbsp;\u0026quot;two cold\u0026nbsp;artists and two warm artists\u0026quot;: Guy Vandenbranden and Paul Van Hoeydonck, Jef Verheyen and Bert De Leeuw.\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"JV_08_37","stream_count_app":23,"permalink":"initiatieven","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/752/medium_500/JV_08_37_c.jpg?1662985862","cached_actor_names":"Jef Verheyen, Guy Vandenbranden, Paul Van Hoeydonck, Bert De Leeuw, Galerie Accent (Antwerpen)","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/752/large/JV_08_37_c.jpg?1662985862","poster_credits":"(c) Scan: CKV, 2022 - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31429,"title":"Nieuwe Vlaamse School","dimensions":"2 sides","date_begin":"1961-01-01","material":"Ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Nieuwe Vlaamse School VECU V.E.C.U. Breugelmans Bert De Leeuw Jan Dries Vic Gentils Englebert Van Anderlecht Guy Vandenbranden Paul Van Hoeydonck Nic Van Bruggen","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003c/p\u003e\r\n\r\n\u003cp\u003ePamphlet was printed before, not as exhibition poster.\u003c/p\u003e\r\n","date_end":null,"reference":"JV_53_01","stream_count_app":32,"permalink":"nieuwe-vlaamse-school","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/075/817/medium_500/JV_38_01_a.jpg?1637844264","cached_actor_names":"Guy Vandenbranden, Englebert Van Anderlecht, Guy Mees, Nic Klerks, Jef Kersting, Vic Gentils, Jan Dries, Herman  Denkens, Mark Claus, Bert De Leeuw, VECU, Nic van Bruggen, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003eNieuwe Vlaamse School\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eerkent in zichzelf DEZE vlaamse traditie, dat het universele van de moderniteit in de eigen aard, d.i. de vlaamse, vervat ligt;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003eis zich bewust dat onze oudere vlaamse schildersscholen hun eigen aard door vergelijking met de buitenlandse, d.w.z. andere schilderscholen, vonden en opdrongen;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003eis de overtuiging toegedaan dat de autentieke schilderkunst in wezen nooit formeel of modieus is geweest, maar uiteraard alleen essenti\u0026euml;l, waardoor zij verstaat de essentie niet te verwarren met de tijdelijke mededeling der vroegere meesters;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij erkent derhalve alleen de OVERSCHRIJDENDE instelling van het individu als bepalend voor het avant-gardisme;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij keert zich af van de in Belgi\u0026euml; en in het buitenland opgeldmakende opvatting als zou er een \u0026ldquo;Belgische\u0026rdquo; schilderschool bestaan, een opvatting die een contradictio in terminis insluit;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003evermits Belgisch niet met het Vlaamse autochtone samenvalt \u0026ndash; en die zich wil staande houden door een kultus van formalismen.\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij wenst in de zin van HAAR BEGINSELEN effektief tegen deze laatste opvatting te handelen, door zich openlijk af te scheiden en zich als de \u0026ldquo;nieuwe vlaamse school\u0026rdquo; te bekennen.\u003c/li\u003e\r\n\u003c/ul\u003e\r\n\r\n\u003cp\u003eMARK CLAUS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; JEF KERSTING\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; ENG. VAN ANDERLECHT\u003cbr /\u003e\r\nHERMAN DENKENS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; NIC KLERKS \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; GUY VANDENBRANDE\u003cbr /\u003e\r\nJAN DRIES\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; GUY MEES\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; WIM VAN DE VELDE\u003cbr /\u003e\r\nVIC GENTILS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; JEF VERHEYEN\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\n\u003cstrong\u003eLigt de universaliteit in de traditie?\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eIs het niet juist door het feit dat hij zijn aard bepaalt dat de mens eerbied voor de dingen krijgt, en aldus de kennis verwerft, of het bewustzijn, dat alle dingen de delen zijn die de samenleving, kosmos of\u0026nbsp; eenheid vormen? Is zelfbewust worden niet het verschil tussen het ik en het andere opmerken?\u003c/p\u003e\r\n\r\n\u003cp\u003eAls men het eigenaard-ige van zichzelf kent weet men dat het iets is dat de anderen niet bepaald hebben, en dat al wat de anderen bezitten dat is wat men zelf niet heeft. Hieruit vloeit voort dat men eerst het andere moet kennen om de eigen aard te herkennen. De vlaamse traditie kan men slechts herkennen wanneer men de andere tradities aanneemt, vermits het aannemen het begin der kennis is.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls men het ene ziet, ziet men automatisch het andere, en als men het andere aanneemt neemt men het ene aan. Hier is van keuze geen sprake: ofwel eerbiedigt en ziet men het andere en wordt men bewust, of men ziet niets anders waardoor men niet bestaat.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet is gemakkelijk te zeggen dat men in Belgi\u0026euml; internationaal wil worden of universeel wil erkend zijn, maar het is zeker dat hij, die bij geen enkele traditie wil aansluiten, tot niets zal behoren, daar hij geen bepaling zal geven en aldus de anderen hem aan niets bepaald zullen herkennen.\u003c/p\u003e\r\n\r\n\u003cp\u003eWas het de schuld van Van Eyck, Memling, Metsijs, Bosch, Dirc Bouts e.a. dat zij vlaams waren en schilderden? Als Rik Wouters, Ensor, Brusselmans, van den Berghe, Permeke, door dat zij vlaams voelden, bij hun traditie aansloten, kan men hen dat nog minder verwijten.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls nu de Belgische offici\u0026euml;le instanties die Vlaamse schilderkunst als Belgisch willen tonen wordt dit even moeilijk als appelen voor citroenen verkopen.\u003c/p\u003e\r\n\r\n\u003cp\u003eVermits wij nooit voor de Belgische staat als autonoom zullen aangenomen worden zal geen Vlaams schilder een kans krijgen om zich officieel als aanhanger of voortzetter der Vlaamse traditie te manifesteren. Nooit zal men in Belgi\u0026euml; schilders, die bewust tot de Vlaamse traditie behoren, kunnen propageren of verdedigen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn wezen is pikturaliteit zonder grenzen, van het ogenblik dat de mens deze voorstelt wordt het een produkt\u0026nbsp; van die mens plus zijn omgeving. Als iemand schilder is kan die niets anders dan een produkt van zijn gemeenschap zijn en zijn productie ook, een produktie die tot het progressiefste zal uitgroeien en tot de avantgarde moet behoren, vermits het nieuwe altijd uit het oude geboren wordt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDrukkerij M. VAN HAVER, St. Niklaas\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e[French version t.b.c.]\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":21275,"title":"• 0138 • Untitled","dimensions":"Ø 120 cm, 152 x 152 cm with box","date_begin":"1962-01-01","material":"Matt lacquer on fibreboard","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":10,"stream_count":0,"collection":"Private","cached_tag_list":"Jef Verheyen Tondo Piron Gilberte Jacobs","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr /\u003e\r\nSigned and dated on the reverse (paint)\u003cbr /\u003e\r\nNo original frame anymore (in 2010)\u003cbr /\u003e\r\nSquare wooden dark green box\u0026nbsp;\u003cbr /\u003e\r\nNo stretcher\u003cbr /\u003e\r\nCondition \u0026quot;intact\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003eFormer collection of Guy Vandenbranden and afterwards, collection dr.\u0026nbsp;Piron.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e= 671\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":45,"permalink":"138-untitled","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/787/medium_500/138_asset5.jpg?1557387069","cached_actor_names":"Guy Vandenbranden, Herman Piron, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/787/large/138_asset5.jpg?1557387069","poster_credits":"(c)Jef Verheyen, photo: ? - Axel Vervoordt","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":35764,"title":"Untitled (voor Jef Verheyen)","dimensions":"60 x 60 cm","date_begin":"1958-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"untitled-voor-jef-verheyen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/941/medium_500/Vandenbranden_Guy.jpg?1721125230","cached_actor_names":"Guy Vandenbranden","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/941/large/Vandenbranden_Guy.jpg?1721125230","poster_credits":"© SABAM Belgium, 2024, Jan Liégeois on behalf of the Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]