[{"id":3254,"title":"Versailles","dimensions":"16.5 x 23.6 cm","date_begin":"1921-01-01","material":"aquarel/paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Ceuleers - Van de Velde, Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eRonny Van de Velde, Cogels Osylei 34, 2600 Berchem ronnyvandevelde@skynet.be\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":13,"permalink":"versailles","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/759/large/Jozef%20Peeters,%20Versailles,%201921.jpg?1328799889","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eJozef Peeters personified the avant-garde in Antwerp in the 1920s: abstract painter, tireless promoter of the latest art, international publisher of journals that count: Het Overzicht, De Driehoek. Stops with painting in 1927, and begins again in 1955. Exhibits with G58 Hessenhuis and is much more than an honorary member, always ready to jump in. Versailles illustrates how he departs from reality to obtain a non-figurative result, with occasional notes that reflect a methodical approach.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eJozef Peeters verpersoonlijkt in de jaren 1920 de avant-garde in Antwerpen: abstract schilder, onvermoeibaar promotor van de nieuwste kunst, uitgever van tijdschriften die internationaal meetellen: Het Overzicht, De Driehoek. Houdt op met schilderen in 1927, herbegint in 1955. Exposeert met G58 Hessenhuis en is veel meer dan een erelid, altijd bereid om in te springen. Versailles illustreert hoe hij van de werkelijkheid vertrekt om een niet-figuratief resultaat te bereiken, met zeldzame nota\u0026rsquo;s die getuigen van een methodische aanpak.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":3265,"title":"Zonder titel [Untitled]","dimensions":"191 x 95.5 cm","date_begin":"1924-01-01","material":"oil, picture","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie Verbaet","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollectie Verbaet maurice@verbaet.com, 2600 Berchem\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":13,"permalink":"zonder-titel-untitled--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/938/large/Peeters.JPG?1329225254","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u0026quot;De meest essenti\u0026euml;le wet is: een vlak animeren zonder andere bedoeling dan de animatie zelf. Heden kan de animatie slechts door geometrale vlakken geschieden. Iedere nabootsende vorm, en zelfs een werk dat als uitingsvorm de lijn in se nam, wijst op bedoelingen die buiten de zuivere animatie van het vlak liggen\u0026quot;. (Jozef Peeters, \u0026#39;Driehoek-Manifest\u0026#39;, Oktober 1925)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u0026quot;De meest essenti\u0026euml;le wet is: een vlak animeren zonder andere bedoeling dan de animatie zelf. Heden kan de animatie slechts door geometrale vlakken geschieden. Iedere nabootsende vorm, en zelfs een werk dat als uitingsvorm de lijn in se nam, wijst op bedoelingen die buiten de zuivere animatie van het vlak liggen\u0026quot;. (Jozef Peeters, \u0026#39;Driehoek-Manifest\u0026#39;, Oktober 1925)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":18225,"title":"Jozef Peeters (1895-1960)","dimensions":"29.6 x 21.5 cm, 144 p., language : Dutch, French, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1978-01-01","material":"ink, paper","short_description":"\u003cp\u003eICC publication.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditor \u0026amp; Author : Flor Bex.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum, Antwerpen (1.7. - 3.9.1978).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1995/582","stream_count_app":6,"permalink":"jozef-peeters-1895-1960","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/936/medium_500/20180308120840152_0001.jpg?1520507422","cached_actor_names":"Jozef Peeters","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/936/large/20180308120840152_0001.jpg?1520507422","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33719,"title":"Notebook","dimensions":"","date_begin":"1958-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Jozef Peeters Shakespeare Hamlet I X I","publishing_process_id":1,"annotation":"","date_end":"1961-01-01","reference":"JV_08_41","stream_count_app":26,"permalink":"notebook-8731bf60-284c-4865-bf9d-06f2beaea503","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/267/medium_500/img02022022_0044.jpg?1666851488","cached_actor_names":"Jef Verheyen, Jozef Peeters, Englebert Van Anderlecht","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/267/large/img02022022_0044.jpg?1666851488","poster_credits":"(c) Scan: CKV, 2022 - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33931,"title":"(Farewell) Letter from Jef Verheyen to Jozef Peeters (September 1960)","dimensions":"","date_begin":"1960-01-01","material":"Ink in notebook","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Jozef Peeters Tijl Uilenspiegel","publishing_process_id":1,"annotation":"","date_end":null,"reference":"part of JV_08_41","stream_count_app":18,"permalink":"farewell-letter-from-jef-verheyen-to-jozef-peeters-september-1960","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/806/medium_500/img02022022_0046.jpg?1673859192","cached_actor_names":"Jef Verheyen, Jozef Peeters","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/806/large/img02022022_0046.jpg?1673859192","poster_credits":"(c) Scan: CKV, 2022 - Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eBeste vriend Jef,\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eIs het omdat zij je straks gaan begraven? Ineens al die mensen rond je die daar zeker vele mooie dingen voor je zullen vertellen, nu je er niet meer zijt. Of is het alleen omdat ik nu niet meer tot bij je thuis kan komen, zomaar op gelijk welk uur, je nodig had om van je wijsheid en ouderdom iets te leren dat ik hier alleen zit en tracht te begrijpen waarom jij leefde?\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eHad dit allemaal zin mijn beste? Je leefde nooit voor je zelf, alles wat gij deed was voor de anderen, al de pisdoeken die je voor je kinderen waste, je dertigjarige lange verzorging voor je lamme vrouw, al de energie die je verspeelde met je tijdschriften, de tentoonstellingen met Klee, Kandinsky en Moholy-Nagy die je zo goed kende? Al die dingen die je tot niets anders dan last waren?\u003cbr /\u003e\r\nPraktisch niemand dacht er aan, zij zijn dat allemaal vergeten. Vandaag niet, natuurlijk.\u003cbr /\u003e\r\nVandaag, mijn beste Jef, zal je hoogdag zijn. Moesten zij alles wat ze vandaag over je gaan vertellen eens een jaar vroeger gedaan hebben hadden wij samen geen boekje over je werk / activiteit moeten maken; een boekje dat er nu niet zal komen daar jij weg bent en ik het niet nodig vind aan de andere te laten zien wie jij (eigenlijk) was.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nWie ge waart? Weinigen zullen dat weten. Van je schilderijen begrijpen zij geen fluit, al wat je zegde hielden zij voor flauwe kul en je weet zelf best waarom.\u003cbr /\u003e\r\nWeet gij dat zij al een comiteit stichten? Ik zie je al lachen, dat was het toch niet dat gij wenste, of vergis ik mij? Eindelijk gaan zij iets voor je doen, ik weet zeer goed dat je dat niet wenste, maar had je niet eens kunnen wachten met sterven, ja, je wachtte al lang genoeg. Je was er bijna, die Zwitser die je werk wilde kopen [Hans Liechti], je schilderijen in Itali\u0026euml; en Amerika, zelfs het geld hebt gij niet ontvangen, de weinige schilderijen die je verkocht diende je nog tot niets, en jij die zo tegen je zin in schilderijen wegdeed.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nBeste Jef, zou het nu voor je veranderen, alles wordt veel gemakkelijker, nu, heel de kwestie is voor je opgelost.\u003cbr /\u003e\r\nZe kunnen je nu niets meer vragen, ik zelf zal je wel missen, je was de enige in Antwerpen die ik vertrouwde en aan wie ik mijn hart kon luchten. Misschien kwetste ik je wel af en toe maar ik heb dat nooit zo gewild.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nEergisteren kwam ik nog bij je thuis, alles was daar nog alsof je even weg was om de een of andere boodschap te doen voor de vrouw die op het eerste woonde, spijtig dat je dat laatste schilderij niet meer afmaakte, door die Tijl Uilenspiegel heb ik je wel goed begrepen, in zekere zin schijnt me dit een portret van je, nu je weg bent herken ik je daar beter in, ja, Jef, je was een soort van Uilenspiegel, ik was zeer dikwijls de uil die in je spiegel kwam te staan, je wist me altijd zo goed te helpen met je raad en je hebt me altijd begrepen, het scheen me dikwijls alsof ik tegen mezelf sprak maar dan met de kwaliteit van 65 jaar miserie.\u003cbr /\u003e\r\nJe retrospectieve zal er komen, misschien werkte je daar te hard voor of was het (misschien) slechts omdat je aan het einde was en alles, door de sterkte die je ontwikkelde, uiteensprong.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eAntwerpen, woensdag\u003cbr /\u003e\r\nSeptember 1960\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":35760,"title":"Untitled (after a schematic drawing from 1924)","dimensions":"60 x 47 cm","date_begin":"1958-01-01","material":"Oil on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private collection, Belgium","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":22,"permalink":"untitled-a8008d3f-c803-4560-a57d-6451d1244d91","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/306/medium_500/15_web.jpg?1710862400","cached_actor_names":"Jozef Peeters, Paul De Vree","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/306/large/15_web.jpg?1710862400","poster_credits":"(c)Jozef Peeters","translations":[{"locale":"en","description":"\u003cp\u003eIn 1960 Jozef Peeters dies. In the early 1920s,\u003c/p\u003e\u003cp\u003ethis Antwerp painter had been a pioneer of\u003c/p\u003e\u003cp\u003eabstract art. When the Antwerp neo-avant-garde\u003c/p\u003e\u003cp\u003egroup G58 is founded, the young generation\u003c/p\u003e\u003cp\u003erecognise Peeters’ pioneering role by appointing\u003c/p\u003e\u003cp\u003ehim honorary chairman.\u003c/p\u003e\u003cp\u003eWith the death of Peeters, Jef Verheyen loses\u003c/p\u003e\u003cp\u003eboth a friend and role model. ‘You were a sort of\u003c/p\u003e\u003cp\u003eTijl Uilenspiegel. I needed you, so that I could\u003c/p\u003e\u003cp\u003elearn something from your wisdom and age, your\u003c/p\u003e\u003cp\u003emagazines, the exhibitions with Klee, Kandinsky\u003c/p\u003e\u003cp\u003eand Moholy-Nagy, whose work you knew so well.’\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn 1960 overlijdt Jozef Peeters. Deze Antwerpse\u003c/p\u003e\u003cp\u003eschilder was aan het begin van de jaren 1920\u003c/p\u003e\u003cp\u003eeen voortrekker van de abstracte kunst. Bij de\u003c/p\u003e\u003cp\u003eoprichting van de Antwerpse neo-avantgardegroep\u003c/p\u003e\u003cp\u003eG58 verwelkomt de jonge generatie Peeters als\u003c/p\u003e\u003cp\u003eerevoorzitter en erkent zo zijn pioniersrol.\u003c/p\u003e\u003cp\u003eMet Peeters’ overlijden verliest Jef Verheyen\u003c/p\u003e\u003cp\u003eeen vriend en voorbeeld. “Je was als een soort\u003c/p\u003e\u003cp\u003eTijl Uilenspiegel. Ik had je nodig om van je wijsheid\u003c/p\u003e\u003cp\u003een ouderdom iets te leren. Je tijdschriften, de\u003c/p\u003e\u003cp\u003etentoonstellingen met Klee, Kandinsky en Moholy-\u003c/p\u003e\u003cp\u003eNagy die je zo goed kende.”\u003c/p\u003e"},{"locale":"fr","description":""}]}]