[{"id":73,"title":"War from My Window","dimensions":"12 x (30 x 40 cm)","date_begin":"1991-01-01","material":"b/w photo","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Collection M HKA, Antwerp / Donated by the artist, 2010","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1992-01-01","reference":"S0435_3","stream_count_app":75,"permalink":"war-from-my-window","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/035/medium_500/Koka%20Ramishvili,%20War%20from%20My%20Window%201991-1992%20photo%20M%20HKAclinckx_1.jpg?1315828875","cached_actor_names":"Koka Ramishvili","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/035/large/Koka%20Ramishvili,%20War%20from%20My%20Window%201991-1992%20photo%20M%20HKAclinckx_1.jpg?1315828875","poster_credits":"(c)image: M HKA, Collection M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThe series of black and white photographs \u003cem\u003eWar From My Window\u003c/em\u003e\u0026nbsp;is a bold comment on the bloody conflicts in Georgia after the declaration of independence in 1991. Over a period of twelve days, the artist photographs the combat in the centre of his hometown, Tbilisi, from his window. Displayed as a filmstrip and presented as a story, the smoke of the bombs creates an alienating contrast with the seemingly calm, indifferent neighbourhood.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eDe reeks zwart-witfoto\u0026#39;s \u003cem\u003eWar From My Window\u003c/em\u003e\u0026nbsp;vormt een scherpe commentaar op de verbijsterende, bloederige conflicten in Georgi\u0026euml; na de onafhankelijkheidsverklaring in 1991. Gedurende twaalf dagen fotografeert de kunstenaar de strijd in het centrum van zijn thuisstad Tbilisi vanuit zijn raam. De foto\u0026#39;s worden als een filmstrip getoond, voorgesteld als een verhaal, waarin de rook van de bommen in een bevreemdend contrast staat met de ogenschijnlijk kalme en onverschillige buurt.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":72,"title":"Coffee","dimensions":"00:01:20 min","date_begin":"2009-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2009-01-01","reference":"S0365_2","stream_count_app":39,"permalink":"coffee","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Koka Ramishvili","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/245/large/417Koka%20Ramishvili,%20Coffee,%202009,%20video%20still2%20courtesy%20collection%20M%20HKA.jpg?1298372584","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn many of his works, like \u003cem\u003eCoffee,\u003c/em\u003e Koka Ramishvilli creates a tension between the objective narrative of documentary footage and his own personal interpretation.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn veel van zijn werken, zoals \u003cem\u003eCoffee\u003c/em\u003e, cre\u0026euml;ert Koka Ramishvilli een spanning tussen een objectief verhaal en een eigen persoonlijke interpretatie.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":71,"title":"Change","dimensions":"00:04:20 min","date_begin":"2005-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"M HKA, Antwerp / Donated by the Artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2005-01-01","reference":"S0435_1","stream_count_app":55,"permalink":"change","description_ru":"","description_de":"\u003cp\u003eKoka Ramishvili setzt verschiedene Medien und Themen ein, um auf die Veränderungen der Werte, die er beobachtet, zu reagieren. Auch das postsowjetische Georgien entkommt Ramishvilis kontinuierlicher visueller Analyse nicht. Das Schwarzweiß-Foto \u003ci\u003eChange \u003c/i\u003eaus dem Jahr 2005 ist eines der wichtigsten Werke von Ramishvili. \u003ci\u003eChange\u003c/i\u003e war auf der Biennale von Venedig 2009 zu sehen.\u003c/p\u003e\u003cp\u003eDas Werk zeigt langsame Dokumentarbilder aus einem Putschversuch im georgischen Parlament. Dieses „männliche Ballett” fließt in Szenen aus dem Film von R.W. Fassbinder \u003ci\u003eDie Sehnsucht der Veronika Voss\u003c/i\u003e. Das Werk zeigt eine ironische Gegenüberstellung zwischen der männlichen Choreographie des Putschs – hierbei spielt der Drang nach Macht eine wichtige Rolle – und Fassbinders weibliche, melodramatische Szene der nachlassenden Vitalität und des Todes.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/251/medium_500/413Koka%20Ramishvili,%20%20Change%202005%20e%20photo%20M%20HKAclinckx_5.jpg?1298373175","cached_actor_names":"Koka Ramishvili","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/251/large/413Koka%20Ramishvili,%20%20Change%202005%20e%20photo%20M%20HKAclinckx_5.jpg?1298373175","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eKoka Ramishvili uses various media and topics to react to the changes in values he observes. Post-Soviet Georgia doesn’t escape Ramishvili's continuous visual analysis. \u003ci\u003eChange\u003c/i\u003e, the black and white video from 2005, is one of Ramishvili's most important works. \u003ci\u003eChange\u003c/i\u003e was shown at the 2009 Venice Biennial.\u003c/p\u003e\u003cp\u003eThe work shows slowed down documentary images of a coup in the Georgian parliament. This 'male ballet' flows into scenes from R.W. Fassbinder’s film \u003ci\u003eDie Sehnsucht der Veronika Voss\u003c/i\u003e (The Desire of Veronika Voss). The work shows an ironic contradiction between the male choreography of the coup \u0026nbsp;– the struggle for power plays an important role here – and Fassbinder's feminine, melodramatic scene of declining vitality and death.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eKoka Ramishvili maakt gebruik van verschillende media en thema’s om te reageren op de veranderingen in waarden die hij observeert. Ook het Post-Sovjet Georgië ontsnapt niet aan Ramishvili’s continue visuele analyse. De zwart-wit video \u003ci\u003eChange\u003c/i\u003e uit 2005 is een van de belangrijkste werken van Ramishvili. \u003ci\u003eChange\u003c/i\u003e was te zien op de Biënnale van Venetië in 2009.\u003c/p\u003e\u003cp\u003eHet werk toont vertraagde documentaire beelden van een staatsgreep in het Georgische parlement. Dit ‘mannelijk ballet’ vloeit over in scènes uit R.W. Fassbinders film \u003ci\u003eDie Sehnsucht der Veronika Voss\u003c/i\u003e\u0026nbsp;(Het verlangen van Veronika Voss). Het werk laat een ironische tegenstelling zien tussen de mannelijke choreografie van de staatsgreep –hierbij speelt drang naar macht een belangrijke rol – en Fassbinders vrouwelijke, melodramatische scène van wegkwijnende vitaliteit en dood.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eKoka Ramishvili fait appel à différents médias et thématiques pour réagir aux changements de valeurs qu’il observe. La Géorgie post-soviétique n’échappe pas à son analyse visuelle incessante. La vidéo en noir et blanc Change de 2005 est une des œuvres les plus importantes de Ramishvili. Change a été présentée à la Biennale de Venise en 2009.\u003c/p\u003e\u003cp\u003eL’œuvre montre des images documentaires ralenties d’un coup d’Etat dans l’enceinte du Parlement géorgien. Ce «\u0026nbsp;ballet masculin\u0026nbsp;» est suivi de scènes du film de Fassbinder \u003ci\u003eDie Sehnsucht der Veronika Voss (Le secret de Veronika Voss). \u003c/i\u003eL’œuvre montre l’antagonisme ironique entre la chorégraphie masculine de la prise de pouvoir en Géorgie, où le désir de pouvoir joue un rôle important, et la scène féminine, mélodramatique, de dépérissement et de mort, du film de Fassbinder.\u003c/p\u003e"}]}]