[{"id":13105,"title":"Enjoy","dimensions":"sofa: 98 x 130 x 100 cm; neon: ca. 16 x 26 cm","date_begin":"1975-01-01","material":"seat, neon, fan with feathers, shoes, dress, clothes hanger","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA/ Collection Flemish Community","cached_tag_list":"Vertessen Liliane Sofa Enjoy Neon sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK005797","stream_count_app":8,"permalink":"enjoy","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/786/large/Enjoy_Liliane_Vertessen.jpg?1438353271","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":13398,"title":"Liliane Vertessen - Lasse, LOLA, in Las Vegas","dimensions":"21 x 14.7 cm, language : French, author : Joseph Orban, publisher : Galerie Michel Hanon, Liège","date_begin":"1984-01-01","material":"Ink, paper","short_description":"\u003cp\u003eNumbered (7/250) and signed by the artist.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Artist publication ; Artist book","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2016/484","stream_count_app":6,"permalink":"liliane-vertessen-lasse-lola-in-las-vegas","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/309/large/artistbooks_7_36_26_27.jpg?1453210668","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":14417,"title":"Taboe","dimensions":" 50 x 140 cm","date_begin":"1983-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy the artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"taboe","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/921/large/2016_Van_Broodthaers_tot_Braeckman__2.jpg?1475247887","poster_credits":"image: M HKA, Courtesy of the artist","translations":[{"locale":"en","description":"\u003cp\u003e\u0026quot;To breath the atmosphere in the red district gets me fantasising, like my works hopefully do with the viewer. Of course, prostitutes also sell fantasies. And I use my fantasies as a basis for my art.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe provocative woman in the photographs is but a part of me. It is largely a role. I hope everybody keeps that in mind. I am a living art work, I wake up fantasies. Nothing less and nothing more.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Liliane Vertessen, 1987)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u0026ldquo;Sfeer snuiven in de hoerenbuurt zet mij aan het fantaseren, zoals mijn werken dat hopelijk bij de toeschouwer doen.\u0026nbsp;Prostitu\u0026eacute;es verkopen uiteraard ook fantasie\u0026euml;n.\u0026nbsp;En ik gebruik mijn fantasie\u0026euml;n als basis voor mijn kunst.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe uitdagende vrouw op de foto\u0026rsquo;s is maar een deel van mezelf.\u0026nbsp;Het is grotendeels een rol.\u0026nbsp;Ik hoop dat iedereen dat blijft beseffen.\u0026nbsp;Ik ben een levend kunstwerk, wek fantasie\u0026euml;n op.\u0026nbsp;Niks minder en niks meer.\u0026rdquo;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Liliane Vertessen, 1987)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u0026laquo;\u0026nbsp;Respirer l\u0026rsquo;atmosph\u0026egrave;re du quartier des prostitu\u0026eacute;es me fait fantasmer, tout comme mes \u0026oelig;uvres font, je l\u0026rsquo;esp\u0026egrave;re, fantasmer les spectateurs. Les prostitu\u0026eacute;es aussi vendent des fantasmes. Et moi, j\u0026rsquo;utilise mes fantasmes comme fondement de mon art.\u003cbr /\u003e\r\nLa femme provocante sur la photographie n\u0026rsquo;est qu\u0026rsquo;un aspect de moi. C\u0026rsquo;est en grande partie un r\u0026ocirc;le. J\u0026rsquo;esp\u0026egrave;re que tout le monde en est et en reste conscient. Je suis une \u0026oelig;uvre d\u0026rsquo;art vivante qui \u0026eacute;veille des fantasmes. Ni plus ni moins.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Liliane Vertessen, 1987)\u003c/p\u003e\r\n"}]},{"id":14418,"title":"MM Lola","dimensions":"200 x 280 cm","date_begin":"1983-01-01","material":"photo, neon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eBron Hilde Canneyt:\u0026nbsp;\u003ca href=\"http://hildevancanneyt.blogspot.be/2010/04/interview-met-liliane-vertessen.html\" target=\"_blank\"\u003ehildevancanneyt.blogspot.be/2010/04/interview-met-liliane-vertessen.html\u003c/a\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"BK007956","stream_count_app":32,"permalink":"mm-lola","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/922/medium_500/1_14.jpg?1475242810","cached_actor_names":"Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/922/large/1_14.jpg?1475242810","poster_credits":"image: (c) M HKA, Courtesy Liliane Vertessen","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eIn this self-portrait the artist embraces her imagined alter ego. It is an early work by Liliane Vertessen, from the period in which she experiments with neon\u0026rsquo;s and skimpy clothing to portray her internal struggle with identity and intimacy. The image exudes a desire for freedom and personal development, but also sin and rebellion.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026quot;I want to be free to do what I want, regardless of the opinions and taste of the spectators. In\u0026nbsp; my former work, when I was very young, I\u0026#39;d be very attractive on my photographs and people often thought that I was narcissistic, because I took pictures of myself. But I did not so much want to show off myself, neither do I feel like a model. Much to the contrary, I\u0026#39;d like to have a few centimetres extra and a few kilos less. I especially wanted to let my inner self take precedence over my appearance. In this sense, there can be no question of a pose, because I want to show what I feel inside. Moreover, I never did an apprenticeship to become an artist, I already was an artist at my birth.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHilde Van Canneyt.\u003cem\u003e Interview met Liliane Vertessen\u003c/em\u003e,\u0026nbsp;2010.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eOp dit zelfportret met mannequin omhelst de kunstenares haar ingebeeld alter ego. Het is een vroeg werk van Liliane Vertessen, uit de periode dat ze experimenteert met neonlicht en schaarse kledij om haar worsteling te tonen met identiteit en intimiteit. Er spreekt een grote drang uit naar vrijheid en zelfontplooiing, maar ook naar ondeugd en rebellie.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026quot;Ik wil vrij zijn om te doen wat ik wil, los van de mening en de smaak van de toeschouwers. Bij mijn vroeger werk toen ik heel jong was, kom ik heel aantrekkelijk uit mijn foto\u0026rsquo;s en dachten mensen vaak dat ik narcistisch was, omdat ik foto\u0026rsquo;s van mezelf neem. Ik wou echter niet zozeer pronken met mezelf en voel me ook geen model. Integendeel, ik had graag nog enkele centimeters erbij en enkele kilo\u0026rsquo;s eraf. Ik wou vooral mijn binnenkant laten primeren op mijn uiterlijk. In die zin kan er geen sprake zijn van pose, omdat ik wil laten zien wat ik van binnen voel. Bovendien ben ik nooit in de leer geweest om kunstenaar te worden, ik was het al van bij mijn geboorte.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHilde Van Canneyt.\u003cem\u003e Interview met Liliane Vertessen\u003c/em\u003e,\u0026nbsp;2010.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u0026nbsp;Je veux \u0026ecirc;tre libre de faire ce que je\u0026nbsp;veux, ind\u0026eacute;pendamment de l\u0026rsquo;opinion et du go\u0026ucirc;t des spectateurs. Dans les \u0026oelig;uvres de mes d\u0026eacute;buts, lorsque j\u0026rsquo;\u0026eacute;tais encore tr\u0026egrave;s jeune, je parais tr\u0026egrave;s s\u0026eacute;duisante sur mes photos et les gens pensaient souvent que j\u0026rsquo;\u0026eacute;tais narcissique, parce que je prenais des photos de moi. Je ne voulais cependant pas tellement me faire valoir ou m\u0026rsquo;afficher, et je ne me vois pas comme un mannequin. Au contraire, j\u0026rsquo;aurais aim\u0026eacute; avoir quelques centim\u0026egrave;tres en plus et quelques kilos en moins. Je voulais surtout faire primer mon aspect int\u0026eacute;rieur sur mon apparence. En ce sens, il ne peut pas \u0026ecirc;tre question de pose, parce que je veux montrer ce que je ressens \u0026agrave; l\u0026rsquo;int\u0026eacute;rieur. Qui plus est, je n\u0026rsquo;ai jamais suivi de formation pour devenir artiste, je l\u0026rsquo;\u0026eacute;tais d\u0026eacute;j\u0026agrave; d\u0026egrave;s ma naissance.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHilde Van Canneyt.\u003cem\u003e Interview met Liliane Vertessen\u003c/em\u003e,\u0026nbsp;2010.\u003c/p\u003e\r\n"}]},{"id":12739,"title":"Blue Feathers","dimensions":"81 x 61 cm","date_begin":"1978-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Collectie Vlaamse Gemeenschap","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK5796_M94","stream_count_app":16,"permalink":"blue-feathers","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/530/large/Vertessen__Liliane__Blue_Feathers__1978.JPG?1467285854","poster_credits":"image: (c) M HKA, Collectie M HKA, Collectie Vlaamse Gemeenschap","translations":[{"locale":"en","description":"\u003cp\u003eInfluenced by her studies and the growing importance of photography in the art world, Liliane Vertessen stages tableaux vivants and one-person happenings. By using herself as the model, playing various roles and hiding in clich\u0026eacute;s of \u0026lsquo;the woman\u0026rsquo;, Vertessen never reveals her own identity.\u003c/p\u003e\r\n\r\n\u003cp\u003eVertessen captures her private performances in photographs and assembles them with objects, such as the blue feathers in this work.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe invloed van haar studies en het groeiende belang van de fotografie in de kunstwereld, is duidelijk aanwezig in het oeuvre van Liliane Vertessen. Ze ensceneert tableaux vivants en organiseert happenings voor een persoon. Door zichzelf als model te gebruiken, verschillende rollen te spelen en zich te verstoppen achter de clich\u0026eacute;s van \u0026lsquo;de vrouw\u0026rsquo;, onthult ze nooit haar ware identiteit.\u003c/p\u003e\r\n\r\n\u003cp\u003eVertessen legt haar priv\u0026eacute;-performances vast op foto en voegt er nadien objecten aan toe, zoals de blauwe veren in dit werk.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eL\u0026rsquo;influence de ses \u0026eacute;tudes et l\u0026rsquo;int\u0026eacute;r\u0026ecirc;t croissant pour la photographie dans le monde de l\u0026rsquo;art sont clairement pr\u0026eacute;sents dans l\u0026rsquo;\u0026oelig;uvre de Liliane Vertessen. Elle met en sc\u0026egrave;ne des tableaux vivants et organise des happenings pour une personne. En \u0026eacute;tant son propre mod\u0026egrave;le, en interpr\u0026eacute;tant diff\u0026eacute;rents r\u0026ocirc;les et en se cachant derri\u0026egrave;re les clich\u0026eacute;s de \u0026laquo;\u0026nbsp;la femme\u0026nbsp;\u0026raquo;, elle ne d\u0026eacute;voile jamais sa v\u0026eacute;ritable identit\u0026eacute;.\u003c/p\u003e\r\n\r\n\u003cp\u003eVertessen fixe ses performances priv\u0026eacute;es sur photographie et y ajoute ensuite des objets, comme les plumes bleues dans cette \u0026oelig;uvre.\u003c/p\u003e\r\n"}]},{"id":16590,"title":"There Are Snakes Everywhere…","dimensions":"","date_begin":"2017-01-01","material":"textile","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"there-are-snakes-everywhere","description_ru":"","description_de":"\u003cp\u003eDie Medusa-Figur ist das Symbol der Frau, die sich als Urkraft in den m\u0026auml;nnlichen \u0026Auml;ngsten \u0026auml;u\u0026szlig;ert. In ihren fotografischen Autoportr\u0026auml;ts setzt \u003cstrong\u003eLiliane Vertessen\u003c/strong\u003e (\u0026deg;1952, lebt in Heusden-Zolder) sich selbst mit einer Reihe provozierender weiblicher Klischees in Szene und emanzipiert sich so vom Druck der Gesellschaft. In den zahlreichen Erscheinungen erhalten die Autoportr\u0026auml;ts von Vertessen eine gewisse Tiefe und befreien sich von allen Anekdoten: die Pers\u0026ouml;nlichkeit wird Diversit\u0026auml;t, die Identit\u0026auml;t ist vielf\u0026auml;ltig.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/609/large/LilianeVertessen_vlag.jpg?1504863181","poster_credits":"(c)image: Liliane Vertessen, 2017","translations":[{"locale":"en","description":"\u003cp\u003eThe figure of Medusa is the symbol of the woman who resonates as the primal force in male anguish. In her photographic self-portraits, \u003cstrong\u003eLilianne Vertessen\u003c/strong\u003e\u0026nbsp;constantly takes the stage by provocatively using all sorts of feminine clich\u0026eacute;s, emancipating herself from societal pressures. Under these multiple apparitions, Vertessen\u0026rsquo;s self-portraits acquire some depth and are stripped of any anecdote: personality becomes diversity, identity is multiple.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe Medusa figuur symboliseert de vrouw als oerkracht die resoneert met mannelijke angsten. In haar \u0026lsquo;ge\u0026euml;nsceneerde fotografie\u0026rsquo; portretteert \u003cstrong\u003eLiliane Vertessen\u003c/strong\u003e\u0026nbsp;zichzelf steeds in allerlei uitdagende topoi van vrouwelijkheid, en emancipeert zich daarmee van de systeemdwang van de samenleving. In de veelvuldigheid van verschijningen krijgen Vertessens zelfportretten een gelaagdheid en van alle anekdotiek ontbloot karakter: de eigenheid wordt een verscheidenheid, de identiteit meervoudig.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eLa figure de la M\u0026eacute;duse est le symbole de la femme qui r\u0026eacute;sonne comme force primale dans les angoisses masculines. Dans ses autoportraits, \u003cstrong\u003eLiliane Vertessen \u003c/strong\u003ese met constamment en sc\u0026egrave;ne en exploitant de mani\u0026egrave;re provocante toutes sortes de clich\u0026eacute;s f\u0026eacute;minins, s\u0026rsquo;\u0026eacute;mancipant ainsi des pressions soci\u0026eacute;tales.\u0026nbsp; Sous ces apparitions multiples, les autoportraits de Vertessen acqui\u0026egrave;rent une profondeur et se d\u0026eacute;pouillent de toute anecdote : la sp\u0026eacute;cificit\u0026eacute; devient diversit\u0026eacute;, l\u0026rsquo;identit\u0026eacute; plurielle.\u003c/p\u003e\r\n"}]},{"id":19933,"title":"WAANZIN","dimensions":"","date_begin":"2018-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"waanzin","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/445/medium_500/Liliane_Vertessen__WAANZIN__2018__Courtesy_to_the_artist.jpg?1533731339","cached_actor_names":"Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/445/large/Liliane_Vertessen__WAANZIN__2018__Courtesy_to_the_artist.jpg?1533731339","poster_credits":"Courtesy of the artist","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis black and white self-portrait shows despair and madness. The mirror image appears to want to engage in a dialogue with itself, however this is obstructed by the threat of the knife. The image hesitates and remains speechless.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eDit zelfportret in zwart-wit toont wanhoop en waanzin. Het spiegelbeeld lijkt een dialoog op gang te willen brengen met zichzelf, maar die wordt verhinderd door de dreiging van het mes. Het beeld aarzelt en is sprakeloos.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":32851,"title":"Groot {gedrukt}","dimensions":"10,5 x 21 cm","date_begin":"2007-01-01","material":"Print on paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":218,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":35,"permalink":"groot-gedrukt","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/037/medium_500/200710_001.jpg?1661434684","cached_actor_names":"Francky Cane , Philip Aguirre y Otegui , Fred Bervoets, Jean Bilquin, Ronny Delrue, Hugo Duchateau, Nick Ervinck, Willo Gonnissen,  Panamarenko, Bart Stolle, Dirk Vander Eecken, Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/037/large/200710_001.jpg?1661434684","poster_credits":"Scan: CKV","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":37510,"title":"Ready to Go","dimensions":"63,2 x 50,7 cm (framed: 65 x 53 cm)","date_begin":"1998-01-01","material":"colour photograph (ed. 50 + A.P.)","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":23,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp - Donated by the artist, 1999","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0258_01","stream_count_app":28,"permalink":"ready-to-go","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/838/medium_500/S0258_02_F001_low.jpg?1777551020","cached_actor_names":"Liliane Vertessen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/838/large/S0258_02_F001_low.jpg?1777551020","poster_credits":"© Liliane Vertessen — photo: Steven Decroos","translations":[{"locale":"en","description":"\u003cp\u003eLiliane Vertessen uses her own body as an artistic medium. Photography is central to her work, often combined with feathers, sequins, sensual fabrics and neon lettering. Vertessen’s work is both an ode to the female body and a critique of the dominant male gaze that reduces women to sex objects. \u003ci\u003eReady to go\u003c/i\u003e shows the artist getting ready to dive into the nightlife.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eLiliane Vertessen zet haar eigen lichaam in als artistiek medium. Fotografie staat centraal in haar werken, vaak in combinatie met pluimen, pailletten, zwoele stoffen en neon opschriften. Het werk van Vertessen is tegelijk een ode aan het vrouwelijke lichaam, als een kritiek op de dominante mannelijke blik die de vrouw reduceert tot lustobject. \u003ci\u003eReady to go\u003c/i\u003e toont de kunstenaar die zich klaarmaakt om het nachtleven in te duiken.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eLiliane Vertessen utilise son propre corps comme support artistique. La photographie occupe une place centrale dans ses œuvres, souvent associée à des plumes, des paillettes, des tissus sensuels et des inscriptions en néon. Le travail de Vertessen est à la fois un hommage au corps féminin et une critique du regard masculin dominant qui réduit la femme à un simple objet de désir. \u003ci\u003eReady to go\u003c/i\u003e montre l'artiste se préparant à plonger dans la vie nocturne.\u003c/p\u003e"}]}]