[{"id":1074,"title":"Semiotics of the Kitchen","dimensions":"00:06:09","date_begin":"1975-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection VAM, Eindhoven","cached_tag_list":"PAL, B/W, sound","publishing_process_id":1,"annotation":"","date_end":null,"reference":"2836","stream_count_app":17,"permalink":null,"description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/579/large/2836.jpg?1308147996","poster_credits":"(c)image: Electronic Arts Intermix (EAI), New York","translations":[{"locale":"en","description":"'Semiotics of the Kitchen' adopts the form of a parodic cooking demonstration in which, Rosler states, \"An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration.\" In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, \"when the woman speaks, she names her own oppression.\""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":1031,"title":"Martha Rosler Reads Vogue","dimensions":"00:28:00","date_begin":"1982-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection VAM, Eindhoven","cached_tag_list":"PAL colour sound","publishing_process_id":1,"annotation":"","date_end":null,"reference":"2876","stream_count_app":17,"permalink":"martha-rosler-reads-vogue","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/581/large/2876.jpg?1308148077","poster_credits":"(c)image: Electronic Arts Intermix (EAI), New York","translations":[{"locale":"en","description":"\u003cp\u003eIn this live performance for Paper Tiger Television\u0026#39;s public-access cable program in New York, Rosler deconstructs the messages in\u0026nbsp;\u003cem\u003eVogue\u003c/em\u003e\u0026nbsp;and its advertising. Rosler looks at the institutional slants of the magazine industry and the fashion industry\u0026#39;s reliance on sweatshops.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.eai.org/title.htm?id=2201\" target=\"_blank\"\u003eSource\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn deze live performance voor het publiek toegankelijke kabel-programma van\u0026nbsp;Paper Tiger Television in New York, deconstrueert Rosler de berichten uit Vogue en de reclame uit het tijdschrift. Rosler onderzoekt de institutionele ondertonen in de tijdschriften industrie en de afhankelijkheid die de mode-industrie heeft van sweatshops.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.eai.org/title.htm?id=2201\" target=\"_blank\"\u003eBron\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eDans cette performance en public pour l\u0026rsquo;\u0026eacute;mission \u003cem\u003ePaper Tiger\u003c/em\u003e de la t\u0026eacute;l\u0026eacute;vision publique new-yorkaise par c\u0026acirc;ble, Rosler d\u0026eacute;construit les messages et les publicit\u0026eacute;s du magazine \u003cem\u003eVogue\u003c/em\u003e. Rosler observe l\u0026rsquo;inclination institutionnelle de l\u0026rsquo;industrie des magazines et la d\u0026eacute;pendance de la mode des \u003cem\u003esweatshops \u003c/em\u003e(ou ateliers de main-d\u0026rsquo;\u0026oelig;uvre bon march\u0026eacute; et exploit\u0026eacute;e).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.eai.org/title.htm?id=2201\" target=\"_blank\"\u003eSource\u003c/a\u003e\u003c/p\u003e\r\n"}]}]