[{"id":4168,"title":"Vlaamsch landschap [Flemish Landscape]","dimensions":"100 x 100 cm","date_begin":"1972-01-01","material":"acrylic paint, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e\r\n","date_end":null,"reference":"S0234","stream_count_app":16,"permalink":"vlaamsch-landschap-flemish-landscape","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/486/medium_500/88WV_HNR_Vlaams_landschap.jpg?1420286046","cached_actor_names":"Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/486/large/88WV_HNR_Vlaams_landschap.jpg?1420286046","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eStarting in 1969, the Antwerp artist Wout Vercammen made panels and canvases with stenciled letters on a monochrome background.\u0026nbsp; Around 1971 he developed this into \u0026#39;statement art\u0026#39;, where by means of letters, words and often-ironical phrases he expressed a societal critique.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn this piece, appearing below in the foreground are the two words \u0026lsquo;Vlaamsch Landschap\u0026rsquo;, written according to the old spelling in large grey letters of different sizes.\u0026nbsp; The letters are so positioned that they curl their way across the black strip.\u0026nbsp; In this way, they go to suggest the slope of a landscape.\u0026nbsp; The words on a black background stand in shrill contrast to the white, and largest, upper portion of the painting.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn his oeuvre, Vercammen very often plays with contrasts and dualities between colors, for example, but also between form and content.\u0026nbsp; He concentrates his gaze on our surrounding reality and on how we perceive and experience it.\u0026nbsp; So doing, he endeavors to arrive at an awareness of time and space.\u0026nbsp; In its apparent great simplicity, this piece evokes many questions.\u0026nbsp; What is the context?\u0026nbsp; What does he in fact mean by the words \u0026#39;Vlaamsch landschap\u0026#39;?\u0026nbsp; Exactly what landscape is he speaking of?\u0026nbsp; The societal, the political or the geographical landscape?\u0026nbsp; Or, rather, is it all meant ironically?\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eVanaf 1969 maakte de Antwerpse kunstenaar Wout Vercammen panelen en doeken met gesjabloneerde letters op een monochrome achtergrond. Rond 1971 ontwikkelde hij hieruit \u0026lsquo;statement art\u0026rsquo;, waarin hij door middel van letters, woorden en vaak ironische zinnen aan maatschappijkritiek deed.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn dit werk staan onderaan op de voorgrond twee woorden \u0026lsquo;Vlaamsch Landschap\u0026rsquo;, geschreven volgens de oude spelling en in grote grijze letters van verschillend formaat. De letters zijn zo geplaatst dat ze over de zwarte strook heen kronkelen. Op deze manier lijken ze de glooiing van een landschap te suggereren. De woorden op de zwarte achtergrond staan schril contrast met het witte en grootste bovengedeelte van het schilderij.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn zijn oeuvre speelt Vercammen vaker met contrasten en dualiteiten tussen bijvoorbeeld kleuren maar ook tussen vorm en inhoud. Hij voert een onderzoek naar de ons omringende werkelijkheid en naar hoe we deze waarnemen en ervaren. Hij probeert zo te komen tot een bewustwording van tijd en ruimte. Door een grootse eenvoud roept het werk veel vragen op. Wat is de context? Wat bedoelt hij met de woorden Vlaamsch lanschap? Welk landschap bedoelt hij? Het maatschappelijke, het politieke of het geografische landschap? Of is het allemaal eerder ironisch bedoeld?\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4062,"title":"Gebod Zero","dimensions":"100 x 100 cm","date_begin":null,"material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection Foundation Gordon 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","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1986-01-01","reference":"BK5499","stream_count_app":10,"permalink":"wir-haben-es-gewusst","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/481/large/WV_Wirhabenesgewust_V1.jpg?1420284828","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eWith the clear message \u0026ldquo;\u003cem\u003eWir haben es gewusst\u003c/em\u003e\u0026rdquo;, which can be interpreted both ironically and critically, art and society are called into question.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026ldquo;Society has many enemies. We become increasingly aware that these numbers do not grow as quickly, the reason for this being that the number of supporters grows faster in proportion. It then becomes a battle of one against a thousand, which is why every chance you get to take a stand must be utilized, by each according to his situation and possibilities.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eWout Vercammen, in: \u003cem\u003eTri\u0026euml;nnale der Zuidelijke Nederlanden\u003c/em\u003e, Van Abbemuseum, Eindhoven, 1972 - 1973\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eMet de heldere boodschap \u003cem\u003e\u0026quot;Wir haben es gewusst\u0026quot;\u003c/em\u003e, die zowel ironisch als kritisch is bedoeld, worden kunst en maatschappij op de hellling gezet.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;De maatschappij heeft vele vijanden. Meer en meer worden we bewust dat dit aantal moeizaam groeit en niet zonder reden, want het aantal verdedigers groeit sneller in verhouding. \u0026nbsp;Het wordt dus een strijd van \u0026eacute;\u0026eacute;n tegen duizend en daarom moet elke kans benut worden om ook stelling te nemen: ieder volgens zijn situatie en zijn mogelijkheden.\u0026quot;\u003c/em\u003e (Wout Vercammen, in: \u003cem\u003eTri\u0026euml;nnale der Zuidelijke Nederlanden\u003c/em\u003e, Van Abbemuseum, Eindhoven, 1972 - 1973)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12261,"title":"Compositie","dimensions":"86 x 106 cm","date_begin":"1956-01-01","material":"oil on canvas ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"compositie--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/216/large/Wout_Vercammen______courtesy_private_collection.jpg?1417777799","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eDe eerste werken van Wout Vercammen zijn \u0026eacute;\u0026eacute;n en al verfexplosie. Hij studeerde typografie maar als kunstenaar is hij autodidact. Hij maakte zijn entree in de kunst midden jaren vijftig met werk dat sterk be\u0026iuml;nvloed was door de stijl van Cobra en de informele, lyrisch abstracte schilderkunst. Schilderijen als \u003cem\u003eCompositie\u003c/em\u003e uit 1956 zijn uitdagend in hun verschijningsvorm; ze getuigen van een rauwe directheid, waar een agressieve penseelvoering de verf voor zichzelf laat spreken, spontaan en schijnbaar onbeheerst geworpen als het ware met een gestueel gebaar van een ritmisch lichaam, dat van de kunstenaar als buikspreker. De ononderbroken interne dynamiek in deze werken doet eveneens denken aan de \u003cem\u003e\u0026eacute;criture automatique\u003c/em\u003e of zelfs jazzmuziek.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12316,"title":"Zonder titel [Untitled]","dimensions":"81.1 x 101 cm","date_begin":"1963-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, 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Mardi, Mercredi, Jeudi, Vendredi","dimensions":"80 x 100 cm","date_begin":"1970-01-01","material":"acrylic on canvas","short_description":"\u003cp\u003e\u003cem\u003e\u0026quot;In the background of many compositions, one notices how using fresh, weighty colors, Wout Vercammen in fact pokes ridicule at the painterly enthusiasm of recent years: \u0026#39;Hefty Malerei\u0026#39;, graffiti, patterning painting and so on.\u0026nbsp; Elsewhere we see handprints that remind one of X-rays, or words on a red pink wall with gauze in front.\u0026nbsp; Wout Vercammen writes words or sentences across the composition.\u0026nbsp; For that matter, he once studied typography.\u0026nbsp; Letters, words and laconic statements are frequent elements in his work.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source:\u0026nbsp;\u003cem\u003eBeeldschrift [\u003c/em\u003ePicture writing], in: Gazet van Antwerpen 7/6/1985)\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"lundi-mardi-mercredi-jeudi-vendredi","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/484/large/Vercammen_Wout_-_39_V2.jpg?1420285717","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;In de achtergronden van vele komposities merkt men hoe Wout Vercammen met frisse, hevige kleuren het schildersentoesiasme van de jongste jaren in feite ridikulizeert: Heftige Malerei, graffiti, patterning painting en dies meer. Elders ziet men handafdrukken die aan r\u0026ouml;ntgenopnamen herinneren, of woorden op een roderoze muur met daarvoor een gaas. Woorden of zinnen schrijft Wout Vercammen over de kompositie. Hij deed trouwens typografische studies. Lettertekens, woorden en lakonische zinnen neemt hij frekwent in zijn werk op.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: \u003cem\u003eBeeldschrift\u003c/em\u003e, in: Gazet van Antwerpen 7/6/1985)\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12317,"title":"Zonder titel [Untitled]","dimensions":"72 x 86.5 cm","date_begin":"1963-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"zonder-titel-untitled--119","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/249/large/Wout_Vercammen_Zonder_Titel_s.d._photoM_HKAclinckx_2.jpg?1418296540","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12318,"title":"Zonder titel [Untitled]","dimensions":"80.5 x 80.5  cm","date_begin":null,"material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":4,"permalink":"zonder-titel-untitled--120","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/251/large/Wout_Vercammen_photo_M_HKAclinckx2.jpg?1418309380","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12319,"title":"Zonder titel [Untitled]","dimensions":"82 x 101 cm ","date_begin":"1962-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"zonder-titel-untitled--121","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/252/large/Wout_Vercammen_photo_M_HKAclinckx.jpg?1418309539","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12320,"title":"Zonder titel [Untitled]","dimensions":"100 x 70 cm","date_begin":"1960-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Julie Boschmans","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"zonder-titel-untitled--122","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/256/large/Vercammen_Wout_-_1c.jpg?1418311542","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eNa het exuberante kleurgebruik in zijn eerste schilderwerken neigt Vercammen eind jaren \u0026rsquo;50 voor een korte periode meer naar de monochromie. De Antwerpse avant-gardegroep G58 vond op dat moment aansluiting bij gelijkaardige buitenlandse kunstbewegingen als Zero, Nul en de Italiaanse spatialisten. Samen met Jef Verheyen, met wie Vercammen bevriend was, reisde hij naar Milaan en kwam met Manzoni en Fontana in contact.\u003c/p\u003e\u003cp\u003eOok be\u0026iuml;nvloed door de Chinese kalligrafie, en in het bijzonder door zijn kennismaking met de Chinese kunstenaar Hsiao Chin (\u0026deg;1935) evolueerde Vercammen in de richting van een gestuele abstractie. Al deze invloeden en indrukken laten hun sporen na in Vercammens \u0026lsquo;bewegingen\u0026rsquo; of \u0026lsquo;lavages\u0026rsquo;, zoals hij ze noemt, die onmiskenbaar verwant zijn aan een groep schilderijen van Hsiao Chin uit de periode 1960-1962. Een strook monochrome verf gaat sierlijk zweven en wordt haast kalligrafie.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12350,"title":"Belgian Stars and Stripes","dimensions":"100 x 100 cm","date_begin":"1973-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"belgian-stars-and-stripes","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/490/large/Vercammen_Wout_-_26_V2.jpg?1420287155","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12353,"title":"Post Para Neo","dimensions":"100 x 100 cm","date_begin":"1975-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"post-para-neo--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/493/large/Vercammen_Wout_-_16_V2.jpg?1420287973","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12349,"title":"A Belgian Artproduct","dimensions":"100 x 100 cm","date_begin":"1973-01-01","material":"acrylic on canvas","short_description":"\u003cp\u003e\u003cem\u003e\u0026quot;Wout Vercammen calls himself a modernist artist, one who has assimilated a great many influences.\u0026nbsp; He applies (in some works) variations onto the basic template of the Belgian national flag and its three colors.\u0026nbsp; Fresh color-ripples span like rainbows above grubby surfaces or above planes that are simply \u0026#39;clean\u0026#39;.\u0026nbsp; The irregular geometric patterns and the colored bands betray the influence of Frank Stella.\u0026nbsp; Vercammen practices letter-painting and one notices the impact of texts in large letters and playful finds, for example \u0026#39;Marcel meets Duchamp\u0026#39;.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(Galerij Spectrum, Leopoldstraat 10 to 27 February)\u003c/p\u003e\u003cp\u003e(source: Gazet van Antwerpen 9/2/78)\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"a-belgian-artproduct","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/489/large/Vercammen_Wout_-_A_Belgian_artproduct_V2.jpg?1420286926","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Wout Vercammen rept zich als een modernistische kunstenaar die heel wat invloeden heeft verwerkt. Hij brengt variaties op een basisvorm en op de kleuren van de Belgische vlag. Frisse kleurrepels staan als regenbogen gespannen over morsige vlakken of over velden die slechts \u0026#39;clean\u0026#39; zijn. De onregelmatige geometrische patronen en de gekleurde banden verraden de invloed van Frank Stella. Vercammen beoefent het letterschilderen en men bemerkt de impakt van teksten in grote letters en van speelse vondsten, b.v. \u0026#39;Marcel meets Duchamps\u0026#39;.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(Galerij Spectrum, Leopoldstraat 10 tot 27 februari)\u003c/p\u003e\u003cp\u003e(bron: Gazet van Antwerpen 9/2/78)\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12351,"title":"Black hole target Belgium","dimensions":"100 x 100 cm","date_begin":"1973-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"black-hole-target-belgium","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/491/large/Vercammen_Wout_-_24_V2.jpg?1420287355","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12354,"title":"That's all folks","dimensions":"65 x 74 cm","date_begin":"1978-01-01","material":"acrylic, mixed media on canvas","short_description":"\u003cp\u003e\u003cem\u003e\u0026quot;On hearing the name Wout Vercammen, one immediately thinks of humorous and anarchic situations, but also of a Belgium whose name, tricolor and form comprise recurrent elements in this artist\u0026#39;s oeuvre.\u0026nbsp; The least that can be said, is that the man \u0026#39;has a thing\u0026#39; for this land.\u0026nbsp; He holds up an ironical and grinningly critical mirror to it, while at the same time putting it on a pedestal and elevating it to art.\u0026quot; \u0026nbsp;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source:\u003cem\u003e\u0026#39;Wout Vercammen en Guche Vercammen duo in Si en La\u0026#39; [\u003c/em\u003eWout Vercammen and Guche Vercammen duo in Si en La],\u0026nbsp;in:\u0026nbsp;Gazet van Antwerpen 12/4/1994, WJ)\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"that-s-all-folks","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/494/large/Vercammen_Wout_-_4_V2.jpg?1420288345","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Wie Wout Vercammen zegt, denkt meteen aan ludieke en anarchistische toestanden, maar ook aan Belgi\u0026euml; waarvan de naam, de driekleur en de vorm telkens weerkerende elementen zijn in het oeuvre van de kunstenaar. Het minste wat kan gezegd worden, is dat de man iets heeft met dit land. Hij neemt het ironisch en grinnikend op de korrel maar zet er tegelijkertijd een sokkel onder en verheft het tot kunst.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron:\u003cem\u003e\u0026#39;Wout Vercammen en Guche Vercammen duo in Si en La\u0026#39;\u003c/em\u003e,\u0026nbsp;in:\u0026nbsp;Gazet van Antwerpen 12/4/1994, WJ)\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12352,"title":"SOS switch off something","dimensions":"100 x 100 cm","date_begin":"1973-01-01","material":"acrylic on canvas","short_description":"\u003cp\u003e\u003cem\u003e\u0026quot;In the yellow-red-black colored image of a television \u0026#39;on the blink\u0026#39;, the letters SOS are recognizable, with - written underneath - the words \u0026#39;Switch off something\u0026#39;.\u0026nbsp; The three colors stand not only for Belgium, but for the phenomenon of the \u0026#39;modern state\u0026#39; to which Vercammen remains oblivious as well.\u0026nbsp; The labyrinth which elsewhere is conceived in these three colors again testifies to this.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source:\u003cem\u003e\u0026nbsp;\u0026#39;Pop-artiest Wout Vercammen blijft maatschappijkritisch\u0026#39; [\u003c/em\u003ePop-artist Wout Vercammen pursues social critique], in: Nieuwsblad 5/12/1991, EJ)\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1974-01-01","reference":"","stream_count_app":8,"permalink":"sos-switch-off-something","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/492/large/Vercammen_Wout_-_2_V2.jpg?1420287615","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;In het geel-rood-zwart gekleurde beeld van een gestoorde televisie zijn de letters SOS herkenbaar, met eronder geschreven: Switch off something. Die drie kleuren staan niet enkel voor Belgi\u0026euml;, maar voor het fenomeen \u0026ldquo;moderne staat\u0026rdquo; en daarop heeft Vercammen het niet begrepen. De doolhof die elders in deze drie kleuren gekoncipieerd is getuigt er nog eens van.\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron:\u003cem\u003e \u0026#39;Pop-artiest Wout Vercammen blijft maatschappijkritisch\u0026#39;\u003c/em\u003e, in: Nieuwsblad 5/12/1991, EJ)\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12296,"title":"Blaza Karanam","dimensions":"29.7 x 21 cm","date_begin":"1965-01-01","material":"ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"blaza-karanam","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/176/large/blaza_karanam_.jpg?1418296752","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8196,"title":"Nu Happening van een bezette stad III [Now Happening of an Occupied City III]","dimensions":"29 x 18.5 cm","date_begin":"1965-01-01","material":"blue ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp - Panamarenko Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAffiche voor een happening ( met Panamarenko, Hugo Heyrman, Wout Vercammen en Yoshio Nakajima)\u003c/p\u003e\u003cp\u003eop 9 juli 1965 in Antwerpen\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":27,"permalink":"nu-happening-van-een-bezette-stad-iii-now-happening-of-an-occupied-city-iii","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/501/large/027.jpg?1376640169","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12283,"title":"Tao","dimensions":"85 x 70 cm","date_begin":"1961-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"tao","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/209/large/Wout_Vercammen_.jpg?1417774327","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Kort na mijn tentoonstelling van grote monochromen bij Dorekens in 1958, leerde ik een Chinees kennen, Hsiao Chin. Ik was wat ik deed beu en sloeg een nieuwe richting in. Onder invloed van de Japanners en de Chinezen heb ik na mijn monochrome periode veel \u0026lsquo;bewegingen\u0026rsquo; of \u0026lsquo;lavages\u0026rsquo; geschilderd in een snelle penseelstreek. Dat deed ik tot ongeveer midden de jaren \u0026rsquo;60.\u0026quot;\u003c/em\u003e (Wout Vercammen)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12288,"title":"Naissance d'un mouvement","dimensions":"195 x 130 cm","date_begin":"1965-01-01","material":"oil on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"naissance-d-un-mouvement","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/207/large/Vercammen_Wout_-_Naissance_d'un_mouvement_%28197x132cm%29.jpg?1417773746","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12292,"title":"Cirkel-vierkant-driehoek","dimensions":"100 x 100 cm","date_begin":"1969-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"cirkel-vierkant-driehoek","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/203/large/Vercammen_Wout_-_4b.jpg?1417773361","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12294,"title":"Moonscape","dimensions":"30 x 51 x 12.5 cm","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection René Franken","cached_tag_list":"Sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"moonscape","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/174/large/Vercammen_Wout_-_Moon_rice.jpg?1417708941","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Frisse kleurrepels staan als regenbogen gespannen over morsige vlakken of over velden die slechts \u0026#39;clean\u0026#39; zijn. De onregelmatige geometrische patronen en de gekleurde banden verraden de invloed van Frank Stella.\u0026quot;\u003c/em\u003e (uit: Gazet van Antwerpen, 09/02/1978)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12300,"title":"Et vous!","dimensions":"33.5 x 27 cm","date_begin":"1965-01-01","material":"collage","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"et-vous","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/204/large/Vercammen_Wout_-_86.jpg?1417773496","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12301,"title":"Studie voor pneumatische sculptuur","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"","cached_tag_list":"sketch","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"studie-voor-pneumatische-sculptuur","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/213/large/Pneumatic_form_v2.jpg?1417775933","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;...Op een gegeven moment deed ik een tentoonstelling met\u0026nbsp;Jeroen Henneman. Dat\u0026nbsp;was nogal een gladde paling, en een goede kunstenaar. Die slingerde zich tussen ons en omdat ik dat goed werk vond, had ik een expositie kunnen organiseren in de\u0026nbsp;Madeleine\u0026nbsp;te Brussel. Ik exposeerde daar mijn pneumatische elementen. Daar was ik mee bezig en dat waren grote werken. Ik heb daar nog tekeningen van ...Daar hingen ballonnen aan, avant Panama, en dat was sealing. Dat was industrieel materiaal aan de lopende meter en dat moest ik aaneen sealen met een strijkijzer, zilverpapier en wat had ik weer uitgevonden om dat niet te doen verschrompelen...met kalkpapier. Een heel gedoe alleszins.\u0026quot;\u003c/em\u003e (Wout Vercammen in gesprek met S. Wouters, Wilrijk, 25/02/2011)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12290,"title":"Toujours en retard","dimensions":"80 x 180 cm","date_begin":"1969-01-01","material":"acrylic, mixed media on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":22,"permalink":"toujours-en-retard","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/173/large/Vercammen_Wout_-_1.jpg?1417706778","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eVercammen and Deleu [\u0026hellip;] especially direct their commentary at our contemporary society.\u0026nbsp; The text-paintings from the former [\u0026hellip;] heckle and poke ridicule at more things than is first apparent.\u0026nbsp; What on the surface looks playful is, in fact, an expression of discontent.\u003c/em\u003e\u003c/p\u003e\u003cp\u003e\u003cem\u003eIn its most explicit form, Wout Vercammen uses panels with mocking phrases painted in stenciled lettering: \u0026ldquo;Made in Belgium \u0026ndash; Toujours en retard\u0026rdquo;.\u0026nbsp; \u0026rdquo;The most ultramodern natural and original artificial artwork\u0026rdquo;. [\u0026hellip;]\u0026nbsp; The ambiguous use of the Belgian tricolor, brandishing with the stamp\u0026nbsp; \u0026ldquo;Belgium Registrated\u0026rdquo;, whereby any and everything - even the entire country - is taken possession of, providing material for reflection and, incidentally, attractive paintings as well.\u0026nbsp; Not without reason, has Pop Art highlighted the pictorial possibilities of the letter, the flag, the stamp and the signal.\u0026nbsp; And if the protest can also be beautifully rendered, then so much the better...\u0026nbsp;\u0026nbsp; \u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron:\u0026nbsp;\u003cem\u003eSpeelse kritiek en kritisch spe\u003c/em\u003el [Playful critique and critical play], in:\u0026nbsp;Gazet van Antwerpen 27/12/1978, Marc Callewaert)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Een historisch schilderij ... Het hing in caf\u0026eacute; de Skipper maar belandde bij de afbraak op de container\u0026quot;\u003c/em\u003e (Wout Vercammen, 1995)\u003c/p\u003e\u003cp\u003eNa periodes van experiment, happenings en monochrome werken, nam Wout Vercammen, op het einde de jaren \u0026#39;60, de maatschappij en de rol van de kunst op de korrel. De Belgische driekleur gebruikt hij vaak als uitgangspunt. Via gebalde boodschappen zoals \u003cem\u003e\u0026#39;Made in Belgium - Toujours en retard\u0026#39;\u003c/em\u003e maakt hij een ironische maar kritische bemerking .\u003c/p\u003e\u003cp\u003eAls ge\u0026euml;ngageerd kunstenaar, in navolging van Marcel Duchamp en Marcel Broodthaers, bewandelt hij een eigen pad losgekoppeld van gangbare tendensen en geeft hij zijn beeld op kunst in de samenleving.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;De esthetische ervaring is in wezen een klassegebonden vrijetijdsbesteding, zo ligt deze ervaring ook maatschappelijk gebonden en moet zij derhalve gehoorzamen aan wetten die inherent zijn aan deze maatschappij. Daarom heeft het meer zin zich de vraag te stellen naar het hoe en waarom van deze manipulatie en op die manier zal men daarop wel een antwoord vinden...\u0026quot;\u003c/em\u003e\u0026nbsp;(Wout Vercammen, in: \u003cem\u003eKunstbeeld\u003c/em\u003e, September 1988)\u003c/p\u003e\u003cp\u003e\u003cspan style=\"line-height:1.6\"\u003eVooral Vercammen en Deleu [\u0026hellip;] hebben nogal wat op de hedendaagse samenleving aan te merken. De tekstschilderijen van de eerste [\u0026hellip;] hekelen en ridikulizeren meer dingen dan zo op het eerste gezicht duidelijk is. Wat er bij oppervlakkig kijken ludiek uitziet is in feite een uiting van ongenoegen.\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"line-height:1.6\"\u003eIn de meeste expliciete vorm gebeurt dat bij Wout Vercammen, op de panelen waarop hij met schabloonletters spottende teksten schildert: \u003cem\u003eMade in Belgium \u0026ndash; Toujours en retard\u003c/em\u003e. \u003cem\u003e\u0026rdquo;The most ultramodern natural and original artificial artwork\u0026rdquo;\u003c/em\u003e. [\u0026hellip;] Het dubbelzinnige gebruik van de Belgische driekleur, het zwaaien met de stempel \u0026ldquo;Belgium Registrated\u0026rdquo;, waarmee om het even wat, zelfs het hele land, in bezit wordt genomen, levert stof tot nadenken en \u0026ndash;terloops- ook fraaie schilderijen op. Niet voor niets heeft de pop art de pikturale mogelijkheden van de letter, de vlag, de stempel en het signaal getoond. Als het protest ook nog mooi kan zijn is dat graag meegenomen.\u003c/span\u003e\u003c/p\u003e\u003cp\u003e(bron: \u003cem\u003eSpeelse kritiek en kritisch spe\u003c/em\u003el, in:\u0026nbsp;Gazet van Antwerpen 27/12/1978, , Marc Callewaert)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12286,"title":"To Kid Parret","dimensions":"45 x 35 cm","date_begin":"1962-01-01","material":"oil on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, 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[Pneumatism]","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"pneumatisme-pneumatism","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/170/large/schets_wout_recto.jpg?1417775965","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12291,"title":"Out some way","dimensions":"55 x 73 cm","date_begin":"1966-01-01","material":"gouache on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1967-01-01","reference":"","stream_count_app":6,"permalink":"out-some-way","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/205/large/Vercammen_Wout_-_82_new.jpg?1417773570","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9033,"title":"Happening in drie bedrijven, happening in the modern world","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":22,"permalink":"happening-in-drie-bedrijven-happening-in-the-modern-world","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko, Dr. Hugo Heyrman, Bernd Lohaus, Wout Vercammen, Jeroen Henneman","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e09/10/1965, Groenplaats, Antwerp\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;De bedoeling van deze happenings is mijn inziens het tussenveld tussen de literatuur en het schilderen, en hetgeen dat daar tussenstaat - bijvoorbeeld de absurditeit - door gebaren aan de omstanders diets te maken\u0026quot;\u003c/em\u003e\u0026nbsp;- Bernd Lohaus, in proces-verbaal 9535, politie Antwerpen, 25 september 1965\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e09/10/1965, Groenplaats, Antwerpen Jeroen Henneman zit in een hoge doos en toont over de rand voorwerpen. Lohaus drenkt poppetjes in gips en strooit er dan rode verf over. Geen actie van de politie.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":1547,"title":"Happening 6 ","dimensions":"29 x 18.5 cm","date_begin":"1965-01-01","material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":12,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"exhibition poster","publishing_process_id":1,"annotation":"\u003cp\u003eAffiche voor een happening ( met Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo \u0026nbsp;Heyrman, Bernd Lohaus\u003c/p\u003e\r\n\r\n\u003cp\u003een Thomas Jaspers) op 25 september 1965 op de Antwerpse Meir.\u003c/p\u003e\r\n","date_end":null,"reference":"PAN-1348","stream_count_app":27,"permalink":"happening-6","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/593/medium_500/083.jpg?1376906843","cached_actor_names":" Panamarenko, Wout Vercammen, Dr. Hugo Heyrman, Bernd Lohaus, Yoshio Nakajima","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/593/large/083.jpg?1376906843","poster_credits":"(c)photo: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8203,"title":"KYRPWWAWAX, International Happening News, Happening in een heerlijke stad IV [KYRPWWAWAX, International Happening News]","dimensions":"28 x 44 cm","date_begin":"1965-01-01","material":"black ink, pink paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAffiche voor een happening (met Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman)\u0026nbsp;\u003c/p\u003e\u003cp\u003eop 16 augustus 1965 in Oostende.\u003c/p\u003e\u003cp\u003eOok pagina van het tijdschrift Milkyways and happenings nr.4, p.2, 1965\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":42,"permalink":"kyrpwwawax-international-happening-news-happening-in-een-heerlijke-stad-iv-kyrpwwawax-international-happening-news","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/594/medium_500/018.jpg?1376907078","cached_actor_names":" Panamarenko, Wout Vercammen, Yoshio Nakajima, Dr. Hugo Heyrman","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/594/large/018.jpg?1376907078","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003eThe happenings with which Panamarenko was\u0026nbsp;involved were announced by a series of posters,\u0026nbsp;which were distributed, hung in cafés and posted\u0026nbsp;at various locations around the city, including\u0026nbsp;the walls of the Academy of Fine Arts. The posters\u0026nbsp;were designed by Wout Vercammen, Hugo\u0026nbsp;Heyrman and Panamarenko. The first one, produced\u0026nbsp;by Wout Vercammen, refers both formally\u0026nbsp;and in terms of its content to Paul van Ostaijen’s\u0026nbsp;famous collection of poems \u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eOccupied City\u003c/i\u003e\u003c/a\u003e (1921),\u0026nbsp;which fell somewhere between Expressionism\u0026nbsp;and Dadaism. This Dadaist line was extended\u0026nbsp;into the following posters by, for instance, turning\u0026nbsp;a poem from \u003ci\u003eOccupied City\u003c/i\u003e into a collage.\u0026nbsp;Heyrman continued to apply and develop the collage\u0026nbsp;medium in the posters that followed, giving\u0026nbsp;the happenings a title and a form, and preserving\u0026nbsp;their otherwise ephemeral visibility.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePoster for the\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(with Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) on August 6, 1965 in Ostend.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAlso included in the magazine, \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e\u0026nbsp;nr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe happenings waar Panamarenko bij betrokken\u0026nbsp;was, gingen vergezeld van een serie aankondigingsaffiches.\u003cbr\u003eDie affiches werden uitgedeeld,\u0026nbsp;opgehangen in cafés of geplakt op onder meer\u0026nbsp;de buitenmuren van de Academie voor Schone\u0026nbsp;Kunsten in Antwerpen. De affiches werden\u0026nbsp;geconcipieerd door Wout Vercammen, Hugo\u0026nbsp;Heyrman en Panamarenko. De eerste affiche,\u0026nbsp;ontworpen door Wout Vercammen, verwijst zowel\u0026nbsp;inhoudelijk als vormelijk naar het bekende,\u0026nbsp;tussen expressionisme en dadaïsme in staande\u0026nbsp;werk\u0026nbsp;\u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eBezette stad\u003c/i\u003e\u003c/a\u003e\u0026nbsp;(1921) van Paul van Ostaijen.\u0026nbsp;Deze dadaïstische lijn werd doorgetrokken in de\u0026nbsp;volgende affiches, onder meer door een gedicht\u0026nbsp;uit\u0026nbsp;\u003ci\u003eBezette stad\u003c/i\u003e\u0026nbsp;om te vormen tot een collage.\u0026nbsp;Heyrman bleef de techniek van de collage in zijn\u0026nbsp;daaropvolgende affiches hanteren en werkte ze\u0026nbsp;verder uit. De affiches hebben ertoe bijgedragen\u0026nbsp;dat de happenings een titel en een vorm meekregen,\u0026nbsp;waardoor hun efemere zichtbaarheid\u0026nbsp;toch gewaarborgd bleef.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAffiche voor de\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003cstrong\u003e\u0026nbsp;(met Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) \u0026nbsp;op 6 augustus 1965 in Oostende.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eOok opgenomen in het tijdschrift\u0026nbsp;\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003enr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eThe happenings with which Panamarenko was\u0026nbsp;involved were announced by a series of posters,\u0026nbsp;which were distributed, hung in cafés and posted\u0026nbsp;at various locations around the city, including\u0026nbsp;the walls of the Academy of Fine Arts. The posters\u0026nbsp;were designed by Wout Vercammen, Hugo\u0026nbsp;Heyrman and Panamarenko. The first one, produced\u0026nbsp;by Wout Vercammen, refers both formally\u0026nbsp;and in terms of its content to Paul van Ostaijen’s\u0026nbsp;famous collection of poems \u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eOccupied City\u003c/i\u003e\u003c/a\u003e (1921),\u0026nbsp;which fell somewhere between Expressionism\u0026nbsp;and Dadaism. This Dadaist line was extended\u0026nbsp;into the following posters by, for instance, turning\u0026nbsp;a poem from \u003ci\u003eOccupied City\u003c/i\u003e into a collage.\u0026nbsp;Heyrman continued to apply and develop the collage\u0026nbsp;medium in the posters that followed, giving\u0026nbsp;the happenings a title and a form, and preserving\u0026nbsp;their otherwise ephemeral visibility.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePoster for the\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(with Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) on August 6, 1965 in Ostend.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAlso included in the magazine, \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e\u0026nbsp;nr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"}]},{"id":12299,"title":"Firestone green monster","dimensions":"33.5 x 27 cm","date_begin":"1965-01-01","material":"collage","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"firestone-green-monster","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/206/large/Vercammen_Wout_-_87.jpg?1417773660","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eMidden jaren \u0026rsquo;60 ruilde Vercammen de monochromie, de snelle, beheerste zen-bewegingen voor andere en nieuwe media. Naast enkele occasionele sculpturen maakte hij in deze periode voornamelijk \u003ca href=\"http://nl.wikipedia.org/wiki/Collage\"\u003ecollages\u003c/a\u003e. Samen met o.a. Panamarenko en Hugo Heyrman was hij in Antwerpen \u0026eacute;\u0026eacute;n van de hoofdfiguren van de legendarische happenings, die met hun sterke maatschappijkritische inslag de provobeweging en mei \u0026rsquo;68 aankondigden. Als typograaf van opleiding verzorgde Vercammen de affiches van deze acties. Ook werkte hij met Panamarenko aan het kunstenaarsblad \u003cem\u003eHappening News\u003c/em\u003e, waarvan in totaal 6 nummers verschenen en dat tot stand kwam door middel van de fotokopieermachine.\u003c/p\u003e\u003cp\u003eDe collage is een zeer geschikt medium om bestaande beelden te plukken en te contrasteren door ze in een nieuw kritisch verband te brengen. In zijn collages, waarvan er maar enkele bewaard zijn gebleven, combineert Vercammen beelden uit nieuwsverslaggeving met beelden uit de publiciteit, waarmee hij het individuele genot in onze Westerse consumptiemaatschappij op de korrel neemt. Om de boodschap kracht bij te zetten voegt hij in het beeldvlak vaak de titel van het werk toe, waardoor het beeld krachtiger wordt en in contrast met het woord de maatschappelijke aanklacht nog radicaler staat. \u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12383,"title":"Weekend","dimensions":"80 x 100 cm","date_begin":"1970-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"weekend--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/584/large/Vercammen_Wout_Weekend.jpg?1421310317","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12384,"title":"Amaai","dimensions":"100 x 100 cm","date_begin":"1970-01-01","material":"acrylic on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":4,"permalink":"amaai","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/586/large/Wout_Vercammen_photoM_HKAclinckx11.jpg?1421319921","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12450,"title":"Pausmobiel","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7843_M537","stream_count_app":25,"permalink":"pausmobiel","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/933/large/foto_M_HKAclinckx.jpg?1424362448","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly colored silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time.\u0026nbsp; The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp; Vercammen takes on war, religion, the sexual revolution and the capitalist system.\u0026nbsp; The original works were made based on the notion that the future could only be brighter.\u0026nbsp; Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of \u0026#39;information\u0026#39;.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1972 stond Paus Paulus VI aan het hoofd van de Rooms-Katholieke Kerk. De paus \u0026ndash;die in 1963 voor zijn rol gekozen werd \u0026ndash;was de eerste die voor zijn functie de wereld rondreisde per vliegtuig.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026ldquo;Wout Vercammen komt niet uit een gelovige familie; al vier generaties lang zijn de Vercammens niet gelovig. Er is voor hem geen drang om te voldoen aan de regels en dogma\u0026rsquo;s die door de Katholieke Kerk vooropgesteld worden. Wel staat hij open voor een diepere filosofie die verbonden is aan de Oosterse denkwijzen. Zo noemde hij zichzelf \u0026lsquo;Nihil\u0026rsquo; ten tijden van de Happenings. Verder filosofeert hij over het doen en het niet doen; maar niet doen is niet het zelfde als niets doen, je kan ook iets doen door iets niet te doen.\u0026quot; (Interview Wout Vercammen, M HKA, 2014)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n"}]},{"id":12452,"title":"Big Brother","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7839_M533","stream_count_app":26,"permalink":"big-brother","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/935/large/foto_M_HKAclinckx-6.jpg?1424362351","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly colored silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time.\u0026nbsp; The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp; Vercammen takes on war, religion, the sexual revolution and the capitalist system.\u0026nbsp; The original works were made based on the notion that the future could only be brighter.\u0026nbsp; Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of \u0026#39;information\u0026#39;.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\r\n\r\n\u003cp\u003eBig Brother werd in het dystopische boek \u003cem\u003e1984\u003c/em\u003e van George Orwell uit 1949 beschreven als:\u0026nbsp;\u0026quot;[...] de vijandige figuur smolt weg in het gezicht van Big Brother, zwartharige, zwart-gesnor\u0026rsquo;d, vol kracht en mysterieuze kalm, en zo groot dat het bijna het volledige scherm vulde. Niemand hoorde wat Big Brother zei. Het waren slechts een paar woorden van aanmoediging, het soort woorden die geuit worden in het geraas van de strijd, individueel niet te onderscheiden, maar wel herstellend voor het vertrouwen doordat ze gesproken werden. Vervolgens verdween het gezicht van Big Brother weer en in plaats daarvan stonden de drie slogans van de Partij in vette hoofdletters:\u003c/p\u003e\r\n\r\n\u003cp\u003eOORLOG IS VREDE\u003c/p\u003e\r\n\r\n\u003cp\u003eVRIJHEID IS SLAVERNIJ\u003c/p\u003e\r\n\r\n\u003cp\u003eONWETENDHEID IS KRACHT.\u003c/p\u003e\r\n\r\n\u003cp\u003eMaar het gezicht van Big Brother leek gedurende enkele seconden te blijven hangen op het scherm, alsof de impact die het op ieders oogballen had gemaakt te levendig was om onmiddellijk af te slijten.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003e(George Orwell, \u003cem\u003e1984\u003c/em\u003e, Houghton Mifflin Harcourt Publishing, 1949, pp. 49- 50.)\u003c/p\u003e\r\n\r\n\u003cp\u003eDe term Big Brother staat sinds de publicatie van het boek gelijk aan een dictatoriale, autoritaire figuur die aan het hoofd van een alles-controlerende partij staat. De alomtegenwoordigheid van de leider zorgt er voor dat iedereen continue onder toezicht staat: \u0026ldquo;Big Brother is watching you\u0026rdquo;.\u0026nbsp;Hoewel het boek reeds 66 jaar oud is, heeft het niet aan kracht en relevantie ingeboet. De problematieken die in het boek aan bod komen zijn circa 2015 nog steeds actueel. De vrees dat een overheid toegang krijgt tot alle aspecten van de private sfeer is niet langer vergezochte sciencefiction, maar harde realiteit.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n"}]},{"id":9030,"title":"KYRPWWAWAX - Happening in een heerlijke nieuwe stad IV","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"kyrpwwawax-happening-in-een-heerlijke-nieuwe-stad-iv","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/208/large/PAN_AM_FOTO_1205.jpg?1411722951","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e6/08/1965, Ostend\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e6/08/1965, Oostende\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12457,"title":"Oost West","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"Screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7842_M536","stream_count_app":23,"permalink":"oost-west","description_ru":null,"description_de":null,"description_es":null,"description_el":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/939/large/foto_M_HKAclinckx-3.jpg?1424361464","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly colored silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time.\u0026nbsp; The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp; Vercammen takes on war, religion, the sexual revolution and the capitalist system.\u0026nbsp; The original works were made based on the notion that the future could only be brighter.\u0026nbsp; Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of \u0026#39;information\u0026#39;.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp de ene zeefdruk zien we een luxueuze villa met een groot zwembad, het toppunt van de overvloed in de Westerse samenleving. Onder deze zeefdruk wordt een afbeelding getoond van wat mogelijks een militaire ingreep is in Vietnam. In 1972 vonden verschillende militaire acties plaats in het land dat al sinds 1955 leed onder de Vietnam oorlog.\u0026nbsp;Deze oorlog werd gevoerd tussen Noord-Vietnam, dat gesteund werd door de Sovjet-Unie, China en enkele andere communistische bondgenoten, en Zuid-Vietnam, dat gesteund werd door de Verenigde Staten en andere anticommunistische bondgenoten.\u0026nbsp;Tussen 1962 en 1973 was er wijdverspreid protest tegen de oorlog en in 1973 verlieten de Amerikaanse troepen het land. Voor de Vietnamezen zou de oorlog nog aanslepen tot de val van Saigon in 1975.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":null}]},{"id":12463,"title":"Angola","dimensions":"200 x 200 cm","date_begin":"1972-01-01","material":"Screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK007840","stream_count_app":34,"permalink":"angola","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/943/large/foto_M_HKAclinckx-5.jpg?1424361302","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly coloured silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time. The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp;Vercammen takes on war, religion, the sexual revolution and the capitalist system. The original works were made based on the notion that the future could only be brighter.\u0026nbsp;Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of \u0026#39;information\u0026#39;.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\r\n\r\n\u003cp\u003eTussen 1961 en 1974 woedde er in Angola een bloederige strijd voor onafhankelijkheid van de Portugese kolonisten. Deze oorlog kwam pas tot een einde na een linkse militaire coup in Portugal; het nieuwe regime staakte onmiddellijk de militaire acties. Hoewel er een abrupt einde kwam aan de onafhankelijkheidsoorlog tegen Portugal, werd het land aan haar lot overgelaten en was de deur geopend voor een aanslepend gewapend conflict tussen de verschillende onafhankelijkheidsbewegingen. De verwoestende burgeroorlog zou nog tot 2002 duren, vele levens eisen en miljoenen vluchtelingen op de been brengen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eLa s\u0026eacute;rie de s\u0026eacute;rigraphies aux couleurs vives montre des images de faits nouveaux de 1972 et viennent de magazines ou de journaux. Les images sont affich\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen se concentre sur la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; faites \u0026agrave; partir de l\u0026rsquo;id\u0026eacute;e que \u0026ccedil;a ne pouvait que s\u0026rsquo;am\u0026eacute;liorer dans le futur. Malheureusement, ce n\u0026rsquo;est pas le cas 43 plus tard et la confrontation est devenue encore plus forte \u0026agrave; cause de la circulation ininterrompue de l\u0026rsquo;information.\u003c/p\u003e\r\n\r\n\u003cp\u003eEntre 1961 en 1974, il y avait une lutte sanglante en Angola pour l\u0026rsquo;ind\u0026eacute;pendance des colons portugais. Cette guerre n\u0026rsquo;a pris fin qu\u0026rsquo;apr\u0026egrave;s un coup d\u0026rsquo;\u0026Eacute;tat militaire de gauche au Portugal\u0026nbsp;; le nouveau r\u0026eacute;gime a imm\u0026eacute;diatement arr\u0026ecirc;t\u0026eacute; les actions militaires. Bien que la guerre d\u0026rsquo;ind\u0026eacute;pendance contre le Portugal ait \u0026eacute;t\u0026eacute; brusquement interrompue, le pays a \u0026eacute;t\u0026eacute; laiss\u0026eacute; \u0026agrave; son sort et la porte a \u0026eacute;t\u0026eacute; ouverte pour un conflit arm\u0026eacute; prolong\u0026eacute; entre les diff\u0026eacute;rents mouvements d\u0026rsquo;ind\u0026eacute;pendance. La guerre civile d\u0026eacute;vastatrice durera jusqu\u0026rsquo;en 2002, faisant de nombreuses victimes et mobilisant des millions de r\u0026eacute;fugi\u0026eacute;s.\u003c/p\u003e\r\n"}]},{"id":13810,"title":"Wout Vercammen","dimensions":"30 x 30 cm, 454 p., language : Dutch, publisher : Galerie Ronny Van de Velde \u0026 Museum van Hedendaagse Kunst, Antwerpen, ISBN : 9789072828514","date_begin":"2014-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/707","stream_count_app":13,"permalink":"wout-vercammen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":"Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/277/large/__Photo_M_HKA__3.jpg?1458551262","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eConcept : Ronny Van de Velde.\u003c/p\u003e\r\n\r\n\u003cp\u003eForeword : Bart De Baere, Director M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jef Lambrecht.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAvailable in the M HKA-bookshop.\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eConcept : Ronny Van de Velde.\u003c/p\u003e\r\n\r\n\u003cp\u003eForeword : Bart De Baere, Director M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jef Lambrecht.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVerkrijgbaar in de M HKA-bookshop.\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eConcept : Ronny Van de Velde.\u003c/p\u003e\r\n\r\n\u003cp\u003eForeword : Bart De Baere, Director M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Jef Lambrecht.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDisponible dans le M HKA-bookshop.\u003c/strong\u003e\u003c/p\u003e\r\n"}]},{"id":12421,"title":"Massa's","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7837_M531","stream_count_app":23,"permalink":"massa-s","description_ru":null,"description_de":null,"description_es":null,"description_el":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/928/large/foto_M_HKAclinckx-7.jpg?1424362661","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly colored silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time.\u0026nbsp; The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp; Vercammen takes on war, religion, the sexual revolution and the capitalist system.\u0026nbsp; The original works were made based on the notion that the future could only be brighter.\u0026nbsp; Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of \u0026#39;information\u0026#39;.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\r\n\r\n\u003cp\u003eVercammen is niet mals voor de politiek en het kapitalistisch systeem, beide zijn volgens hem mede verantwoordelijk voor een gebrek aan geloofwaardigheid, inzicht en toekomstvisie. \u0026ldquo;Hij meent dat het evolutieproces een vreemde bocht aan het nemen is waarbij de mens de wereld \u0026lsquo;naar de kloten\u0026rsquo; aan het doen is.\u0026rdquo; (Interview Wout Vercammen, M HKA, 2014)\u003c/p\u003e\r\n"},{"locale":"fr","description":null}]},{"id":12456,"title":"Orgasme-strijder","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7838_M532","stream_count_app":32,"permalink":"orgasme-strijder","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp\u003eUne s\u0026eacute;rie de s\u0026eacute;rigraphies tr\u0026egrave;s color\u0026eacute;es, provenant de journaux et de magazines, pr\u0026eacute;sentent des images de l\u0026rsquo;actualit\u0026eacute; de 1972. Les images sont montr\u0026eacute;es les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend \u0026agrave; partie la guerre, la religion, la r\u0026eacute;volution sexuelle et le syst\u0026egrave;me capitaliste. Les \u0026oelig;uvres originales ont \u0026eacute;t\u0026eacute; r\u0026eacute;alis\u0026eacute;es dans l\u0026rsquo;id\u0026eacute;e et avec la conviction que l\u0026rsquo;avenir ne pouvait \u0026ecirc;tre que meilleur. H\u0026eacute;las, 43\u0026nbsp;ans plus tard, rien n\u0026rsquo;est moins vrai et les images sont plus interpellantes encore avec l\u0026rsquo;actuel flux continu d\u0026rsquo;information.\u003c/p\u003e\r\n","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/938/medium_500/foto_M_HKAclinckx-2.jpg?1424361769","cached_actor_names":"Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/938/large/foto_M_HKAclinckx-2.jpg?1424361769","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eFor the 2015 INBOX presentation, Wout Vercammen reissued his vividly-coloured silkscreen prints based on his original works from 1972. \u003cem\u003eOrgasme-strijder [Orgasm Warrior] \u003c/em\u003eis part of a series of images made up of collected news items from various newspapers and magazines.\u0026nbsp; For the 2015 reissue, Vercammen placed what were once separate images on top of one another, creating a cohesiveness in terms of content and causing the images\u0026#39; internal discourse to be even more explicit. War, religion, the sexual revolution and the capitalist system are all addressed in Vercammen\u0026rsquo;s series.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eNaar aanleiding van een INBOX-presentatie in 2015 hermaakt Wout Vercammen felgekleurde zeefdrukken op basis van originele werken uit 1972. \u003cem\u003eOrgasme-strijder\u003c/em\u003e maakt deel uit van deze reeks beelden van nieuwsfeiten uit kranten en tijdschriften. Voor de heruitgave van 2015 plaatst Vercammen voordien losstaande beelden boven elkaar, waardoor er een inhoudelijke cohesie ontstaat en de beelden explicieter met elkaar in dialoog gaan. Oorlog, religie, de seksuele revolutie en het kapitalistisch systeem, ze worden allemaal door Vercammen op de korrel genomen, een beeldende reflectie die na haast een halve eeuw spijtig genoeg nog altijd zeer actueel blijkt.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":9505,"title":"Happeners opnieuw verenigd - Ontbijt op de Groenplaats","dimensions":"","date_begin":"1987-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"happeners-opnieuw-verenigd-ontbijt-op-de-groenplaats","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Joris Ghekiere,  Panamarenko, Dr. Hugo Heyrman, Wout Vercammen, Diana Van Strijdonck","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"}]},{"id":9029,"title":"NU Happening van een bezette stad II, dancing-, music-, photography-, movies-, pantomime and other actions","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"nu-happening-van-een-bezette-stad-ii-dancing-music-photography-movies-pantomime-and-other-actions","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Wout Vercammen, Yoshio Nakajima, Dr. Hugo Heyrman,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/537/large/download.jpg?1391436474","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eVrijdag 9/07/1965 *\u0026ldquo;Deel I. Heyrman in legerjasje voert Nakajima aan een touw de Groenplaats op. Heyrman schrijft het woord ATOM op de grond. Nakajima rukt hem het jasje van het lijf; hij heeft zijn gezicht met windsel omhuld. Kaarsen en wierook worden gebrand. Onder de toeschouwers een groepje ge\u0026uuml;niformeerde jongeren van de rechtse Volksunie. Deel II in het Museum voor Vlaams Cultuurleven. Daar worden kleurdia\u0026rsquo;s vertoond: beelden van de bezette stad Antwerpen, door heyrman overal in de stad genomen als tekens van onvrijheid en geconditioneerdheid. Het is de bedoeling dat Rudy Witse, Tony Rombouts, Lucienne Stassart en Fr. Neels hun gedichten voorlezen. Wim [= later Wannes] van de Velde zingt Antwerpse straatliedjes. Panamarenko neemt polaroidfoto\u0026rsquo;s, die meteen geprojecteerd worden. Nakajima wikkelt zich in touwen, verband en plastic, is bezig met water en allerlei voorwerpen.\u0026rdquo;* (Cat. Panamarenko,1978, p. 34-35)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":27923,"title":"3K-Kelder AK-37","dimensions":"10 x 15 cm","date_begin":"1994-01-01","material":"paper, emulsion","short_description":"\u003cp\u003ePictures of an exhibition opening or evening presentation at AK-37 - probably Saint Nicholas and/or three kings - basement installation by JL\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":84,"category_id":23,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Photo opening","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":49,"permalink":"3k-kelder-ak-37","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eFoto\u0026#39;s gemaakt tijdens opening of presentatie in AK-37, waarschijnlijk Sint Niklaas en/of Driekoningen - kelderinstallatie door JL\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/795/medium_500/PXak37woutjef.jpg?1603620996","cached_actor_names":"Jef Lambrecht, Jan van Veen , Wout Vercammen, Guy Rombouts, Danny Devos, Anne-Mie Van Kerckhoven / AMVK, Rudi Renson, Nicole van Goethem, Laetitia Yalon","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/795/large/PXak37woutjef.jpg?1603620996","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePictures of an exhibition opening or evening presentation at AK-37 - probably Saint Nicholas and/or three kings - basement installation by JL - either during saint nicholas or three kings (the 3 magi)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eFoto\u0026#39;s gemaakt tijdens opening of presentatie in AK-37, waarschijnlijk Sint Niklaas en/of Driekoningen - kelderinstallatie door JL (of tijdens sinterklaas of drie koningen (Zwarte Wijze)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":30964,"title":"details video Canonisatie Vincent van Gogh","dimensions":"10 x 15","date_begin":"1991-01-01","material":"photographic paper, emulsion","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":23,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection Samarkand","cached_tag_list":"video stills","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":21,"permalink":"details-video-canonisatie-vincent-van-gogh","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/528/medium_500/VidStill063.jpg?1631108484","cached_actor_names":"Angel Vergara, Wout Vercammen, Karel Schoetens, Jef Lambrecht","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/528/large/VidStill063.jpg?1631108484","poster_credits":"Samarkand","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22962,"title":"Pour une peinture non plastique (softcover)","dimensions":"28 x 18.2 cm","date_begin":"1967-01-01","material":"ink on paper, softcover","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":26,"platform_id":1,"deleted":false,"asset_count":22,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Pour une peinture non plastique","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_70_01_01","stream_count_app":114,"permalink":"pour-une-peinture-non-plastique","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/401/medium_500/JV_70_01_01.jpg?1630654118","cached_actor_names":"Jef Verheyen, Guy Vaes, Henri-Floris Jespers, Ivo Michiels, Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/074/401/large/JV_70_01_01.jpg?1630654118","poster_credits":"(c) Scan: CKV, 2021 - Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003ePour une peinture non plastique\u0026nbsp;\u003c/i\u003eis\u003c/p\u003e\u003cp\u003ea collection of texts, compiled by\u003c/p\u003e\u003cp\u003eJef Verheyen in 1959 and including\u003c/p\u003e\u003cp\u003ean essay by him. The cahier was first\u003c/p\u003e\u003cp\u003eself-published in 1960 (loose-leaf,\u003c/p\u003e\u003cp\u003eperforated, with brass rings). The cahier\u003c/p\u003e\u003cp\u003estarts with the words of Paul\u003c/p\u003e\u003cp\u003eCézanne and then quotes Guy Vaes,\u003c/p\u003e\u003cp\u003eJoseph Joubert, Henry Miller, Ivo\u003c/p\u003e\u003cp\u003eMichiels, Paul van Ostaijen,\u003c/p\u003e\u003cp\u003eHeraclitus, Plato, Lao Tseu, Henri\u003c/p\u003e\u003cp\u003ePoincaré, Aristotle, Empedocles,\u003c/p\u003e\u003cp\u003eParmenides.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOriginally printed in 1960. Reprinted with an introduction by Henri-Floris Jespers in 1967 in softcover as well in hardcover, with sliding case. \u0026nbsp;The cahier has been lay-outed by Wout Vercammen.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003ePour une peinture non plastique\u0026nbsp;\u003c/i\u003eis\u003c/p\u003e\u003cp\u003eeen verzameling teksten, in 1959\u003c/p\u003e\u003cp\u003edoor Jef Verheyen samengesteld\u003c/p\u003e\u003cp\u003een vergezeld van een eigen essay.\u003c/p\u003e\u003cp\u003eDe bundel werd in 1960 voor het eerst gepubliceerd\u003c/p\u003e\u003cp\u003ein eigen beheer (losbladig, geperforeerd, met koperen ringen).\u0026nbsp;\u003c/p\u003e\u003cp\u003eHet cahier vangt aan met de woorden van\u003c/p\u003e\u003cp\u003ePaul Cézanne en citeert vervolgens\u003c/p\u003e\u003cp\u003eGuy Vaes, Joseph Joubert, Henry\u003c/p\u003e\u003cp\u003eMiller, Ivo Michiels, Paul van\u003c/p\u003e\u003cp\u003eOstaijen, Heraclitus, Plato, Lao Zi,\u003c/p\u003e\u003cp\u003eHenri Poincaré, Aristoteles,\u003c/p\u003e\u003cp\u003eEmpedocles, Parmenides.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eOorspronkelijk gedrukt in 1960. Herdrukt met een inleiding door Henri-Floris Jespers in 1967 in zowel soft- als hardcover met schuifdoos. Het cahier is vormgegeven door Wout Vercammen.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":36201,"title":"Pour une peinture non plastique (hardcover)","dimensions":"","date_begin":"1967-01-01","material":"Ink on paper, hardcover","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Pour une peinture non plastique Essentialisme","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_70_01_02","stream_count_app":20,"permalink":"pour-une-peinture-non-plastique-hardcover","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/758/medium_500/JV_70_01_02_a.jpg?1718801804","cached_actor_names":"Jef Verheyen, Henri-Floris Jespers, Guy Vaes, Ivo Michiels, Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/758/large/JV_70_01_02_a.jpg?1718801804","poster_credits":"© SABAM Belgium, 2024, Jan Liégeois on behalf of the Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003ePour une peinture non plastique\u0026nbsp;\u003c/i\u003eis\u003c/p\u003e\u003cp\u003ea collection of texts, compiled by\u003c/p\u003e\u003cp\u003eJef Verheyen in 1959 and including\u003c/p\u003e\u003cp\u003ean essay by him. The cahier was first\u003c/p\u003e\u003cp\u003eself-published in 1960 (loose-leaf,\u003c/p\u003e\u003cp\u003eperforated, with brass rings). The cahier\u003c/p\u003e\u003cp\u003estarts with the words of Paul\u003c/p\u003e\u003cp\u003eCézanne and then quotes Guy Vaes,\u003c/p\u003e\u003cp\u003eJoseph Joubert, Henry Miller, Ivo\u003c/p\u003e\u003cp\u003eMichiels, Paul van Ostaijen,\u003c/p\u003e\u003cp\u003eHeraclitus, Plato, Lao Tseu, Henri\u003c/p\u003e\u003cp\u003ePoincaré, Aristotle, Empedocles,\u003c/p\u003e\u003cp\u003eParmenides.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOriginally printed in 1960. Reprinted with an introduction by Henri-Floris Jespers in 1967 in softcover as well in hardcover, with sliding case. \u0026nbsp;The cahier has been lay-outed by Wout Vercammen.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003ePour une peinture non plastique\u0026nbsp;\u003c/i\u003eis\u003c/p\u003e\u003cp\u003eeen verzameling teksten, in 1959\u003c/p\u003e\u003cp\u003edoor Jef Verheyen samengesteld\u003c/p\u003e\u003cp\u003een vergezeld van een eigen essay.\u003c/p\u003e\u003cp\u003eDe bundel werd in 1960 voor het eerst gepubliceerd\u003c/p\u003e\u003cp\u003ein eigen beheer (losbladig, geperforeerd, met koperen ringen).\u0026nbsp;\u003c/p\u003e\u003cp\u003eHet cahier vangt aan met de woorden van\u003c/p\u003e\u003cp\u003ePaul Cézanne en citeert vervolgens\u003c/p\u003e\u003cp\u003eGuy Vaes, Joseph Joubert, Henry\u003c/p\u003e\u003cp\u003eMiller, Ivo Michiels, Paul van\u003c/p\u003e\u003cp\u003eOstaijen, Heraclitus, Plato, Lao Zi,\u003c/p\u003e\u003cp\u003eHenri Poincaré, Aristoteles,\u003c/p\u003e\u003cp\u003eEmpedocles, Parmenides.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eOorspronkelijk gedrukt in 1960. Herdrukt met een inleiding door Henri-Floris Jespers in 1967 in zowel soft- als hardcover met schuifdoos. Het cahier is vormgegeven door Wout Vercammen.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":12437,"title":"Verzetsstrijders en Kolonels 2","dimensions":"200 x 100 cm","date_begin":"1972-01-01","material":"Screen print op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2015-01-01","reference":"BK7841_M535","stream_count_app":40,"permalink":"verzetsstrijders-en-kolonels-2","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp\u003eUne série de sérigraphies très colorées, provenant de journaux et de magazines, présentent des images de l’actualité de 1972. Les images sont montrées les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen prend à partie la guerre, la religion, la révolution sexuelle et le système capitaliste. Les œuvres originales ont été réalisées dans l’idée et avec la conviction que l’avenir ne pouvait être que meilleur. Hélas, 43\u0026nbsp;ans plus tard, rien n’est moins vrai et les images sont plus interpellantes encore avec l’actuel flux continu d’information.\u003c/p\u003e","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Wout Vercammen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/930/large/foto_M_HKAclinckx-4.jpg?1424362565","poster_credits":"Courtesy of Gallery Ronny Van de Velde","translations":[{"locale":"en","description":"\u003cp\u003eThe series of brightly colored silkscreen prints present images of news events from 1972, sourced from magazines and newspapers of the time.\u0026nbsp; The images are shown one atop the other, so entering into a mutual dialogue.\u0026nbsp; Vercammen takes on war, religion, the sexual revolution and the capitalist system.\u0026nbsp; The original works were made based on the notion that the future could only be brighter.\u0026nbsp; Unfortunately, some 43 years later it seems not to be the case, and that the confrontation has only grown stronger due to the unending stream of 'information'.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe reeks fel gekleurde zeefdrukken tonen beelden van nieuwsfeiten uit 1972 en komen uit tijdschriften of kranten. De beelden worden boven elkaar getoond en gaan zo met elkaar in dialoog. \u0026nbsp;Vercammen neemt oorlog, religie, de seksuele revolutie en het kapitalistisch systeem op de korrel. De oorspronkelijke werken werden gemaakt vanuit het idee dat het in de toekomst alleen maar beter kon worden. Helaas blijkt dat 43 jaar later niet het geval en is de confrontatie nog sterker geworden door de onafgebroken stroom van informatie.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eLa série de sérigraphies aux couleurs vives montre des images de faits nouveaux de 1972 et viennent de magazines ou de journaux. Les images sont affichées les unes au-dessus des autres et entrent ainsi en dialogue. Vercammen se concentre sur la guerre, la religion, la révolution sexuelle et le système capitaliste. Les œuvres originales ont été faites à partir de l’idée que ça ne pouvait que s’améliorer dans le futur. Malheureusement, ce n’est pas le cas 43 plus tard et la confrontation est devenue encore plus forte à cause de la circulation ininterrompue de l’information.\u003c/p\u003e"}]}]