M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition (Solo): INBOX: The bio-poetics of Alain Arias-Misson

M HKA, Antwerpen

24 April 2015 - 23 May 2015

©image: M HKA, Courtesy of the artist

The M HKA reserves its fifth floor for surprise events and intimate pop-up presentations. INBOX is a place that both inspires and surprises, and grants us a glimpse into the universe of passionate thinkers and doers. With INBOX, M HKA creates a physical space in which the museum addresses often-reccuring questions. In between the various events, we show a selection of our collection work, paying particular attention to video art.

Alain Arias-Misson (born in Brussels in 1936) is considered the inventor of the public poem, an extension of visual poetry that is separate from the event, because it is performed outside an artistic or aesthetic context, i.e. on the street or on the beach. Arias-Misson’s public poems are both subversive and liberating, challenging and playful.

He experiments with the phonetic dimension of poetry and writes several poems himself. He plays with three-dimensional poetry; for his poem ‘UROBOROS’, in the form of the eponymous mythical Greek symbol, he used Letraset adhesive letters on different plexiglass plates so that the word curls up through a block of eight plates. This was the start of a series of ‘plastico-concretist’ works, plexiglass objects with stereometric shapes and forms; words with literal substance. 

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Media

>installation view of 'Alain Arias-Misson, Plastico-concretist works - From the '70s', M HKA, 2015

>installation view of 'Alain Arias-Misson, Plastico-concretist works - From the '70s', M HKA, 2015

>Alain Arias-Misson, 'Music Box', 1970

>Alain Arias-Misson, 'The Progeny of "Les Affinités Electives', 1978

>Alain Arias-Misson, 'Cage à Sucre (Hommage to Marcel)', 1976

>Alain Arias-Misson, 'Prisonnière des Lettres', 1972

>Alain Arias-Misson, 'Eschaton', 1975

> Alain Arias-Misson, Birdsong, 1973. Mixed Media, plexi, 34 x 41 x 15.5 cm.

> Alain Arias-Misson, The Congress of the Birds, 1979. Sculpture, wood, plexi, letraset, 43.5 x 43.5 x 7 cm.