EXTRA MUROS: Geel – Middle Gate II – The Story of Dymphna
15 September 2018 - 04 November 2018
Stad Geel, Geel
Exhibition project Middle Gate II – The Story of Dymphna is a cooperation between M HKA, the Museum of Contemporary Art Antwerp, and cultural centre de Werft in Geel. Middle Gate II is the sequel to the exhibition Middle Gate made by Jan Hoet in Geel in 2013. The concept of the exhibition is intricately interwoven with the legend of Saint Dymphna, patroness of the possessed and mentally ill and patron saint against epilepsy and insanity. The legend of Dymphna is also closely linked to the identity of Geel, town of mercy.
Middle Gate II is structured around the four symbols of Saint Dymphna – crown, book, devil and sword – each representing a theme linked to Dymphna’s legend. The crown is connected to migration, the devil represents insanity, the book stands for spirituality and the sword is linked to (sexual) violence. These four symbols/themes are shown on four different locations, resulting in a group exhibition along a course across Geel: the Municipal Academy for visual arts (crown/migration), the Hospital Museum (devil/insanity), the Saint Dymphna Church (book/spirituality) and ‘De Halle’ (sword/(sexual) violence). All exhibited works enter into a dialogue with their specific location and the ‘permanent’ works (of art) and objects. Middle Gate II engages, often with works from the M HKA collection that have never been shown before, with four urgent social themes that were already addressed in the legend of Saint Dymphna.
Four female artists actively cooperated in setting up the exhibition. They each made a campaign image for the theme they helped to work out: Tinka Pittoors (crown/migration), Liliane Vertessen (devil/insanity), Nel Aerts (book/spirituality) and Els Dietvorst (sword/(sexual) violence).
-----
Practical information
Middle Gate II – The Story of Dymphna
15.09-04.11.2018
Saturday – Sunday 11:00-18:00
Groups after prior appointment
Municipal Academy for Visual Arts, Kollegestraat 11
Hospital Museum, Gasthuisstraat 1
Saint Dymphna Church, Sint-Dimpnaplein
De Halle, Markt 1
Items
View all-

Zonder titel
Louise Bourgeois, Zonder titel. Drawing.
-

Under the Flag
Artūras Raila , Under the Flag , 1999-2015. Video, 2 channel digital video, color, sound, 00:20:00.
-

Oh! Those Voices, Boston
Jan Cox, Oh! Those Voices, Boston, 1972. Painting, acrylic on canvas, 127 x 159 cm.
-

Eilanden
Philippe Van Snick, Eilanden, 2016. Installation.
Media
View allActors
View all-

Els Dietvorst
Els Dietvorst (°1964) is a socially engaged artist, who uses her visual work as a means of creating social involvement. She graduates from th
-

Philippe Van Snick
Philippe Van Snick (1946 - 2019) makes work that is characterised by an extremely simple visual language, akin to minimalism, and the repeate
-

Frank Theys
Frank Theys (°1963) studies fine art at the Brussels Academy of Art and philosophy at Brussels University. Theys, together with his brother K
-

Anne-Mie Van Kerckhoven /...
Anne-Mie Van Kerckhoven / AMVK (°1951, Antwerp, Belgium), studied graphic design at the Fine Arts Academy of Antwerp and has been prolific in
Ensembles
View all-

SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
-
M HKA DEFAULT 2024
No description.
-

WAANZIN | MADNESS
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
-

GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
