The collection XXX – The Museum of Forgotten History, with intervention by Maarten Vanden Eynde
29 June 2012 - 16 September 2012
M HKA, Antwerpen
Maarten Vanden Eynde’s project Museum of Forgotten History housed the remains of a possible future past. The exhibition took the form of fiction, a kind of science fiction, where a selection of works by Vanden Eynde and numerous works from the M HKA collection acted as props.
The exhibits touched numerous socially and politically relevant issues, such as post-industrialization, capitalism and ecology, and thus offered a perspective on the state of our society at the start of the 21st century. Through the presentation of these unusual items, all made with a variety of natural and artificial materials, Vanden Eynde continued his materials study, exploring the modern roots of ‘progress’.
The exhibition at the M HKA reflected the conventional order of the 'modern' museum. The Museum of Forgotten History, however, left room for the use of fiction as a means of interpretation, through the very playful logic of watching these unusual objects as if they were the 'discoveries' of the future. Beyond the physical objects of the exhibited artefacts, the role of the narrative took centre stage. Besides ‘the normal course of events’ and its layers of meaning, memory and projection, new facts were formed.
Items
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The Perfect Philosophy
James Lee Byars, The Perfect Philosophy, 1975. Object, gold.
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La pluie météorique
Ann Veronica Janssens, La pluie météorique, 1997. Installation, gravel, variable dimensions.
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TH FI TO IN PH
James Lee Byars, TH FI TO IN PH, 1975. Object, wooden toothpick, 5.6 x 0.2 cm.
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Homo Stupidus Stupidus
Maarten Vanden Eynde, Homo Stupidus Stupidus, 2008-2010. Object, synthetic resin, metal, wood.
Media
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Thierry De Cordier
Thierry De Cordier (b. 1954) creates depth in his paintings through the use of dark tones. Yet also as a sculptor, draughtsman, printmaker, w
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Jimmie Durham
Jimmie Durham was born in 1940 in (or, as he himself says, ‘under’) the state of Arkansas in the US, into a Cherokee family. After working di
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Paul Van Hoeydonck
Paul Van Hoeydonck (1925–2025), became a pivotal figure in the post-war avant-garde. As co-founder of the G58 group, he broke with traditiona
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Erbossyn Meldibekov
Erbossyn Meldibekov refers to himself as a political artist. He produces conceptually conceived multimedia installations that comment on the
Ensembles
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