M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition (Group): Urgent Conversations: Antwerp – Athens, Part III

M HKA, Antwerp

16 September 2017 - 12 November 2017

Collection: National Museum of Contemporary Art, Athens

Last year, M HKA was invited by EMST in Athens for the opening exhibition in the new museum building. Today, Urgent Conversations: Antwerp – Athens forms the second part of this collaboration in which a number of dialogues between works from the two collections will be resumed. The urgency is to be found, not only at the level of the content, but also in a practice – the dialogic – which is symmetrical in its nature.

At first sight, Athens and Antwerp are extremes in today’s Europe. In any case, both cities have each in their own way contributed to Europe’s cultural fabric. The major lines of our social organisation stem from Athens, as well our idea of art. As for Antwerp, it is one of the key cities of the early modern era, a centre of research and thought, the city where Utopia was written and the first art market was created.

Urgent Conversations: Antwerp – Athens is built from the bottom up. A work of an artist from Belgium and a Greek artist's work are linked. Starting from here, a subject arises. This theme will be further tested and enriched by adding a third work, 

creating thematic clusters – each time featuring three artists. The concept embodies the belief that art works can constantly raise new insights and thus encourage the dialogue that forms the social basis for our societal thinking.

 

Part 3

16.09.2017 – 12.11.2017

‘Orbanism’, with Dimitris Alithinos, Luc Deleu and Allan Sekula

‘Poetic freedom’, with Costis, Paul De Vree and Sarenco

‘Reflections on cultural complexity’, with Jimmie Durham, Danny Matthys and Kostis Velonis

‘Flexible body’, with Vlad Monroe, Eleni Mylonas and Hugo Roelandt

 

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> Sarenco, Poetical License, 1969. Mixed Media, digital print, canvas, 99 x 64 cm.

> Costis, We, 1970. Drawing, ink, paper, 90 x 55 cm.

> Paul De Vree, Mao-flag, 1971. Photography, photo emulsion, canvas, 80 x 70 cm.

> Paul De Vree, De Mens, 1973. Print, ink, paper, 51 x 82 cm.

> Paul De Vree, De paddestoelen der gramschap, 1973. Photography, photo emulsion, canvas, 83 x 68 cm.

> Paul De Vree, Altijd nog hetzelfde spel op de wagen, 1973-2002. Print, ink, canvas, 97 x 97 cm.

> Paul De Vree, Hysteria makes history, 1973. Drawing, photo emulsion, canvas, 95 x 68 cm.

> Hugo Roelandt, Geprojecteerde gevoelens tegenover iets of iemand / Projected Feelings Toward Something or Somebody , 1974. Photography, dia-projection .

> Costis, Silence. The poem is on the ribbon, 1976. Drawing, paper, charcoal, ink ribbon, 110 x 70 cm.

> Dimitris Alithinos, 201 Concealments 1981-2016, 1981-2016. Installation, variable dimensions .

> Danny Matthys, Ping-Pang, 1985. Photography, ink on paper.

> Jimmie Durham, Himmelfahrt [Ascension], 1992. Sculpture, wood, iron, acrylic, 29 x 55 cm.

> Allan Sekula, Churn , 1999-2010. Photography, cibachrome, 121.9 x 132.1 cm.

> Vladislav (Vlad) Mamyshev-Monroe , StarZ, 2005. Installation, photograph on canvas, paper, 10 x (320 x 237 cm), 3 x (75 x 75 cm), 20 x (76 x 60 cm), 20 x A2, 5 x A3, 244 x A4, 54 x A3, 135 x (15 x 20 cm).

> Kostis Velonis, Little wooden seats and the woman of his dreams, 2006. Installation, medium-density fibreboard, plywood, metal, lamp, compact disk player, compact disk, 2 speakers, sound amplifier, variable dimensions.

> Eleni Mylonas, Box Man, 2011. Painting, oil, canvas, 107 x 76 cm.

> Eleni Mylonas, Untitled #2, 2013. Print, digital print on archival paper, 195 x 145 cm.

> Luc Deleu, Geen jets te Deurne... Orbanisch idee voor Antwerpen. Print, ink, paper, 1180 x 1080 mm.

> Luc Deleu, Voorstel tot totaal onbruik van de publieke verlichting. Orbanisch idee voor Antwerpen. Print, ink, paper, 1180 x 1080 mm.

> Luc Deleu, Voorstel tot totale decentralisatie van Antwerpen mediumstad. Print, ink, paper, 1180 x 1080 mm.

> Luc Deleu, Voorstel tot totale afschaffing van het verkeersreglement in Antwerpen. Print, ink on paper, 1180 x 1080 mm.

> Mermaid Honeymoon (The Frenzi of Ferenczi) (The Dockers' Museum, object nr. 45). Print, sticker.