{"id":16024,"title":"1.5.10","dimensions":"50 x (42 x 29.7 cm)","date_begin":"1979-01-01","material":"gouache on paper","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy Philippe Van Snick \u0026 Galerie Tatjana Pieters","cached_tag_list":"gouache","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"1-5-10","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":"Philippe Van Snick","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/776/large/Philippe_Van_Snick__photo_M_HKA_cc__41.jpg?1505832773","poster_credits":"(c)image: M HKA - Courtesy the artist \u0026 Tatjana Pieters, Gent","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u0026#39;In this series Philippe Van Snick departs from two intersecting curved lines. The space between the half arcs he fills with (0-9) color. Next, he extrapolates the form to a random decagon, which he dyes in the same colors. There are 5 gouaches for every colors, each one depicting different arcs and decagons.\u0026#39;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003e(Source:Liesbeth Decan \u0026amp; Hilde Van Gelder, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010)\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhy decagon?\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ea decagon is ten points connected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003enumbered (0\u0026gt;9) aritmetically I have the possibility of\u0026nbsp;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eworking into infinity\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ethe point generates waves\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eex. falling stone in water\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ecolors are diff. wavelengths\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIn the third dimension (object)\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein orbit, the object (0-9) takes on different forms even the\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003emost unexpected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e(sic)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003ePhilippe Van Snick, 1979\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u0026#39;In this series Philippe Van Snick departs from two intersecting curved lines. The space between the half arcs he fills with (0-9) color. Next, he extrapolates the form to a random decagon, which he dyes in the same colors. There are 5 gouaches for every colors, each one depicting different arcs and decagons.\u0026#39;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003e(Source:Liesbeth Decan \u0026amp; Hilde Van Gelder, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010)\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhy decagon?\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ea decagon is ten points connected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003enumbered (0\u0026gt;9) aritmetically I have the possibility of\u0026nbsp;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eworking into infinity\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ethe point generates waves\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eex. falling stone in water\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ecolors are diff. wavelengths\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIn the third dimension (object)\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein orbit, the object (0-9) takes on different forms even the\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003emost unexpected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e(sic)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003ePhilippe Van Snick, 1979\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u0026#39;In this series Philippe Van Snick departs from two intersecting curved lines. The space between the half arcs he fills with (0-9) color. Next, he extrapolates the form to a random decagon, which he dyes in the same colors. There are 5 gouaches for every colors, each one depicting different arcs and decagons.\u0026#39;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003e(Source:Liesbeth Decan \u0026amp; Hilde Van Gelder, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010)\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhy decagon?\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ea decagon is ten points connected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003enumbered (0\u0026gt;9) aritmetically I have the possibility of\u0026nbsp;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eworking into infinity\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ethe point generates waves\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eex. falling stone in water\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ecolors are diff. wavelengths\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIn the third dimension (object)\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein orbit, the object (0-9) takes on different forms even the\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003emost unexpected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e(sic)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003ePhilippe Van Snick, 1979\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u0026#39;In this series Philippe Van Snick departs from two intersecting curved lines. The space between the half arcs he fills with (0-9) color. Next, he extrapolates the form to a random decagon, which he dyes in the same colors. There are 5 gouaches for every colors, each one depicting different arcs and decagons.\u0026#39;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(Source:Liesbeth Decan \u0026amp; Hilde Van Gelder, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026#39;In this series Philippe Van Snick departs from two intersecting curved lines. The space between the half arcs he fills with (0-9) color. Next, he extrapolates the form to a random decagon, which he dyes in the same colors. There are 5 gouaches for every colors, each one depicting different arcs and decagons.\u0026#39;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003e(Source:Liesbeth Decan \u0026amp; Hilde Van Gelder, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010)\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhy decagon?\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ea decagon is ten points connected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003enumbered (0\u0026gt;9) aritmetically I have the possibility of\u0026nbsp;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eworking into infinity\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ethe point generates waves\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eex. falling stone in water\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ecolors are diff. wavelengths\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIn the third dimension (object)\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein orbit, the object (0-9) takes on different forms even the\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003emost unexpected\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e(sic)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:10px;\"\u003ePhilippe Van Snick, 1979\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":173,"name":"Philippe Van Snick","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}