{"id":12868,"title":"I'm Dreaming About Bombay","dimensions":"157 x 279 cm (installation sizes)","date_begin":"2006-01-01","material":"Jackets and found images","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"i-m-dreaming-about-bombay","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Article","nl":"Artikel","fr":"Article"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/968/large/H%C3%BCseyin_Bahri_Alptekin_exhibition_M_HKA20015_photoM_HKAclinckx10.jpg?1446830036","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eAlptekin created this work after a lengthy set of residencies he undertook across four cities in four countries \u0026ndash; Duna\u0026uacute;jv\u0026aacute;ros (Hungary), Leipzig (Germany), Graz (Austria) and \u0026Uacute;st\u0026iacute; nad Labem (Czech Republic). Each jacket was the one he was wearing in each of the four cities, and with each he made an association with a different found image. It was a typical feeling of displacement that comes with such travel that led to the work, particularly with the strong memories of a recent trip to Bombay/Mumbai in this instance, where he had made the video work \u003cem\u003eIncident-S Bombay\u003c/em\u003e. Alptekin was also reading William Gibson\u0026rsquo;s novel \u003cem\u003ePattern Recognition\u003c/em\u003e (2003) at that time, which also offered a reflection on the displacement of the soul through travel: \u0026ldquo;Souls can\u0026rsquo;t move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage\u0026rdquo;.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eAlptekin cre\u0026euml;erde dit werk na een lange reeks residenties in vier steden en vier landen: Duna\u0026uacute;jv\u0026aacute;ros (Hongarije), Leipzig (Duitsland), Graz (Oostenrijk) en \u0026Uacute;st\u0026iacute; nad Labem (Tsjechi\u0026euml;). In elk van de vier steden droeg hij een andere jas \u0026ndash; elke jas wordt hier getoond \u0026ndash; en met elke jas associeerde hij een andere, gevonden afbeelding. Een typisch gevoel van ontheemding, zoals met een dergelijke reis gepaard gaat, leidde tot het werk. Hier hebben we daarvan een goed voorbeeld, met de sterke herinneringen aan een recente trip naar Mumbai (het voormalige Bombay), waar Alptekin de video\u0026nbsp;\u003cem\u003eIncident-S Bombay\u003c/em\u003e\u0026nbsp;had gemaakt. Alptekin was op dat moment toevallig William Gibsons roman\u0026nbsp;\u003cem\u003ePattern Recognition\u0026nbsp;\u003c/em\u003e(2003) aan het lezen, die ook een reflectie bood op de verplaatsing van de ziel door te reizen: \u0026ldquo;Zielen kunnen zich niet zo snel bewegen, en worden achtergelaten, en er moet op gewacht worden, bij aankomst, zoals op verloren bagage.\u0026rdquo;\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eAlptekin a r\u0026eacute;alis\u0026eacute; cette \u0026oelig;uvre apr\u0026egrave;s une s\u0026eacute;rie de r\u0026eacute;sidences dans quatre villes de quatre pays diff\u0026eacute;rents\u0026nbsp;: Dunaujv\u0026aacute;ros (Hongrie), Leipzig (Allemagne), Graz (Autriche) et \u0026Uacute;st\u0026iacute; nad Labem (R\u0026eacute;publique tch\u0026egrave;que). Chaque veste est celle qu\u0026rsquo;il a port\u0026eacute;e dans chacune des quatre villes et qu\u0026rsquo;il associe \u0026agrave; une diff\u0026eacute;rente image trouv\u0026eacute;e. L\u0026rsquo;\u0026oelig;uvre s\u0026rsquo;inspire du sentiment typique de d\u0026eacute;placement que suscite un tel voyage, et plus particuli\u0026egrave;rement le souvenir pr\u0026eacute;gnant d\u0026rsquo;un r\u0026eacute;cent voyage \u0026agrave; Bombay o\u0026ugrave; il avait cr\u0026eacute;\u0026eacute; l\u0026rsquo;\u0026oelig;uvre en vid\u0026eacute;o \u003cem\u003eIncident-S Bombay\u003c/em\u003e. \u0026Agrave; ce moment pr\u0026eacute;cis, Alptekin \u0026eacute;tait par ailleurs en train de lire le roman \u003cem\u003ePattern Recognition\u003c/em\u003e (2003 \u0026ndash; \u003cem\u003eIdentification des sch\u0026eacute;mas\u003c/em\u003e) de William Gibson qui propose aussi une r\u0026eacute;flexion sur le voyage, \u0026agrave; savoir sur le d\u0026eacute;placement de l\u0026rsquo;\u0026acirc;me\u0026nbsp;: \u0026laquo;\u0026nbsp;Les \u0026acirc;mes ne peuvent pas se mouvoir si vite, elles sont laiss\u0026eacute;es \u0026agrave; la tra\u0026icirc;ne et il faut les attendre \u0026agrave; l\u0026rsquo;arriv\u0026eacute;e, comme un bagage perdu.\u0026nbsp;\u0026raquo;\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2670,"name":"Hüseyin Bahri  Alptekin","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}