{"id":14316,"title":"Photographies de Vernissages","dimensions":"","date_begin":"1974-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"(c) Jacques Charlier, Courtesy Nadja  Vilenne","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1975-01-01","reference":"","stream_count_app":15,"permalink":"photographies-de-vernissages","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/058/large/2016_Van_Broodthaers_tot_Braeckman__5.jpg?1475239642","poster_credits":"image: (c) M HKA, (c) Jacques Charlier, Courtesy Nadja  Vilenne","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn Ypres, for the exhibition \u003cem\u003eKunst in/als vraag\u003c/em\u003e (Art Questioned/As a Question) he [Jacques Charlier] has just shown 576 photos of openings, spread over two years, on which often the same figures from the Belgian art scene are to be seen in \u0026ndash; time and again \u0026ndash; similar environments, situations, attitudes. One cannot think of a more ironic commentary on this fauna than to dryly expose its mundane activity.\u003c/p\u003e\r\n\r\n\u003cp\u003eHere too, Charlier, just as in [the Provincial Technical Department], is at the same time actor and spectator. He is integrated into the environment, but he also takes his distance from it, he looks at it with a critical eye \u0026ndash; not really in a destructive, rather in an understanding and amused way, yet also with sufficient sarcasm. He knows that, after all, he is part of it, whether he likes it or not, and so his attitude is also largely one of self-mockery.\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Callewaert,\u003cem\u003e Een Andere Charlier: Van de openbare werken naar de \u0026ldquo;Plinthure\u0026rdquo;\u003c/em\u003e, 1981\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eTe Ieper, voor de tentoonstelling \u0026ldquo;Kunst in/als vraag\u0026rdquo;, toonde hij [Jacques Charlier]\u0026nbsp;zopas 576 foto\u0026rsquo;s van vernissages, verspreid over twee jaren, waarop regelmatig dezelfde figuren uit het Belgische kunstwereldje te zien waren, in telkens gelijkaardige omgevingen, situaties, houdingen. Je kunt geen ironischer commentaar op deze fauna bedenken dan het sec te kijk zetten van haar mondaine bedrijvigheid.\u003cbr /\u003e\r\nOok hier is Charlier, net als in de administratie, tegelijk acteur en toeschouwer. Hij is ge\u0026iuml;ntegreerd in het milieu, maar hij neemt er ook afstand van, hij kijkt ernaar met kritische blik, niet echt vernietigend, eerder begrijpend en geamuseerd, maar toch ook sarcastisch genoeg. Hij weet dat hij er ten slotte deel van uitmaakt, willen of niet, en dus is zijn houding ook goeddeels zelfspot.\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Callewaert,\u003cem\u003e Een Andere Charlier: Van de openbare werken naar de \u0026ldquo;Plinthure\u0026rdquo;\u003c/em\u003e, 1981\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u0026laquo;\u0026nbsp;\u0026Agrave; Ypres, pour l\u0026rsquo;exposition \u003cem\u003eKunst in/als vraag\u003c/em\u003e (l\u0026rsquo;Art en/comme question), Jacques Charlier vient d\u0026rsquo;exposer 576 photographies de vernissages, r\u0026eacute;parties sur deux ans, sur lesquelles on aper\u0026ccedil;oit r\u0026eacute;guli\u0026egrave;rement les m\u0026ecirc;mes personnalit\u0026eacute;s du petit monde de l\u0026rsquo;art belge, chaque fois dans des environnements, des situations, des attitudes semblables. On ne peut pas imaginer de commentaire plus caustique sur cette faune que de tourner son activit\u0026eacute; mondaine en ridicule.\u003cbr /\u003e\r\nTout comme dans l\u0026rsquo;administration, Charlier est \u0026agrave; la fois acteur et spectateur de ce milieu auquel il est int\u0026eacute;gr\u0026eacute;, mais dont il prend aussi distance. Il l\u0026rsquo;observe d\u0026rsquo;un regard critique, pas vraiment impitoyable, plut\u0026ocirc;t compr\u0026eacute;hensif et amus\u0026eacute;, n\u0026eacute;anmoins passablement sarcastique. Il sait qu\u0026rsquo;au bout du compte, il en fait partie, qu\u0026rsquo;il le veuille ou non, et que par cons\u0026eacute;quent son attitude rel\u0026egrave;ve pour une grande part de l\u0026rsquo;autod\u0026eacute;rision.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Callewaert,\u003cem\u003e Een Andere Charlier: Van de openbare werken naar de \u0026ldquo;Plinthure\u0026rdquo;\u003c/em\u003e, 1981\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":97,"name":"Jacques Charlier","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}