{"id":14389,"title":"Borderline","dimensions":"135 x 90 cm","date_begin":"2016-01-01","material":"oil on canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist  ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"borderlines","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/800/large/kdvb_borderlines_2016_small.jpg?1470649253","poster_credits":"(c)photo: Studio Koen van den Broek, Merksem","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eA work with a clear reference to the love of Koen van den Broek for film semiotics. The black lines above and below refer to the framing, the image that is defined by two black lines, as is customary in film and television. Furthermore, it is a strong work that sends a clear message. An undeniable dichotomy draws our attention from the light to the darkness. It contrasts with the other Borderline image (\u003cem\u003eSwitch\u003c/em\u003e) which is much fresher in colour: Van den Broek describes this work as much more photographic. Red is not red, the elements refuse to be pigeonholed.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eEen werk met een duidelijke referentie aan de liefde van Koen van den Broek voor filmsemiotiek. De zwarte lijnen boven en onder verwijzen naar de cadrage, het beeld dat besloten ligt tussen twee zwarte lijnen zoals gebruikelijk bij film en televisie. Verder is het een sterk werk met duidelijke signalen. Een onbetwistbare tweespalt dwingt onze blik van het licht naar de duisternis. Het contrasteert met het andere Borderlinebeeld (\u003ci\u003eSwitch\u003c/i\u003e) dat veel frisser van kleur is: dit werk bestempelt Van den Broek als veel meer fotografisch. Het rood is geen rood, de elementen weigeren zich te laten defini\u0026euml;ren.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eUne \u0026oelig;uvre avec une r\u0026eacute;f\u0026eacute;rence claire \u0026agrave; l\u0026rsquo;amour de Koen van den Broek pour la s\u0026eacute;miotique du film. Les lignes noires en haut et en bas renvoient au cadrage, l\u0026rsquo;image qui est enferm\u0026eacute;e entre deux lignes noires comme il est d\u0026rsquo;usage pour le film et la t\u0026eacute;l\u0026eacute;vision. En plus c\u0026rsquo;est une \u0026oelig;uvre forte avec des signaux clairs. Une discordance claire force notre vue de la lumi\u0026egrave;re vers l\u0026rsquo;obscurit\u0026eacute;. Cela contraste avec l\u0026rsquo;autre image Borderline (\u003cem\u003eSwitch\u003c/em\u003e) qui est beaucoup plus fra\u0026icirc;che en couleurs\u0026nbsp;: Van den Broek classifie cette \u0026oelig;uvre comme beaucoup plus photographique. Le rouge n\u0026rsquo;est pas du rouge, les \u0026eacute;l\u0026eacute;ments refusent de se laisser d\u0026eacute;finir.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":179,"name":"Koen van den Broek","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}