{"id":14495,"title":"Contraindre le corps à s’inscrire dans le cadre","dimensions":"","date_begin":"1971-01-01","material":"7 dia","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Nadja Vilenne","cached_tag_list":"Jacques Lizène Contraindre le corps Fotografie","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"contraindre-le-corps-a-s-inscrire-dans-le-cadre","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/101/large/2016_Van_Broodthaers_tot_Braeckman__9_12.jpg?1475747624","poster_credits":"Image: (c) M HKA, Courtesy Nadja Vilenne","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u0026#39;[Being almost futile] means \u0026#39;trying\u0026#39; to be futile. Being futile is a performance that is far removed from being mediocre. Being nothing strictly means doing nothing interesting. \u0026#39;As good as\u0026#39; futile, is more mediocre, is playing the game, making small efforts but never go to the extreme, propose lame things. That suits my artistic approach better than mediocrity as behavioural art. I can make mediocre or even very bad works but they can also be masterpieces, by referring to them, of course, as mediocrity art. This is a work based on the concept of judgment, which is also a part of humour. Humour is a very important dimension of my approach. My approach takes precedence over the object. Ridicule is needed to save the rearguard. Actually, it is, although I do not like that word, extremely progressivistic.\u0026#39;\u003c/p\u003e\r\n\r\n\u003cp\u003eJacques Liz\u0026egrave;ne in\u0026nbsp;: Que reste-t-il \u0026hellip;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u0026nbsp;\u0026ldquo;[Bijna onbenullig zijn,] dat betekent \u0026ldquo;proberen\u0026rdquo; onbenullig te zijn. Onbenullig zijn, is een prestatie die ver staat van het middelmatig zijn. Niks zijn, betekent strikt niets interessants doen. \u0026ldquo;Zo goed als\u0026rdquo; onbenullig, is middelmatiger, dat is het spel spelen, kleine inspanninkjes leveren, maar nooit tot het uiterste gaan, manke dingen voorstellen. Dat past beter bij mijn kunstenaarsaanpak van middelmatigheid als gedragskunst. Ik kan middelmatige of zelfs heel slechte werken maken, maar het kunnen ook meesterwerken zijn door ze uiteraard aan te duiden als middelmatigheidskunst. Dat wordt een werk op basis van het concept van beoordeling, wat ook deel uitmaakt van humor. Humor is een heel belangrijke dimensie in mijn benadering. Mijn benadering heeft voorrang op het voorwerp. Spot is nodig om de achterhoede te redden. Eigenlijk is het, alhoewel ik niet van dat woord houd, uiterst progressistisch.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cp\u003eJacques Liz\u0026egrave;ne in\u0026nbsp;: Que reste-t-il \u0026hellip;\u003c/p\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u0026laquo;\u0026nbsp;[Entre quasiment nul,] cela veut dire \u0026laquo;\u0026nbsp;essayer\u0026nbsp;\u0026raquo; d\u0026rsquo;\u0026ecirc;tre nul. Etre nul, voil\u0026agrave; une performance qui est loin d\u0026rsquo;\u0026ecirc;tre m\u0026eacute;diocre. Etre nul, c\u0026rsquo;est ne strictement rien faire d\u0026rsquo;int\u0026eacute;ressant. \u0026laquo;\u0026nbsp;Quasiment\u0026nbsp;\u0026raquo; nul, c\u0026rsquo;est plus m\u0026eacute;diocre, c\u0026rsquo;est jouer le jeu, faire de petits efforts sans jamais aller jusque\u0026rsquo;au bout, pr\u0026eacute;senter des choses boiteuses\u0026nbsp;; cela s\u0026rsquo;int\u0026egrave;gre mieux dans ma d\u0026eacute;marche d\u0026rsquo;artiste de la m\u0026eacute;diocrit\u0026eacute; comme art d\u0026rsquo;attitude.\u003cbr /\u003e\r\nJe peux faire des \u0026oelig;uvres m\u0026eacute;diocres ou m\u0026ecirc;me tr\u0026egrave;s mauvaises mais \u0026eacute;galement des chefs-d\u0026rsquo;\u0026oelig;uvres (sic) en les signifiant \u0026eacute;videmment comme \u0026eacute;tant de l\u0026rsquo;art de la m\u0026eacute;diocrit\u0026eacute;. Cela devient un travail sur l\u0026rsquo;id\u0026eacute;e de jugement, qui appartient aussi \u0026agrave; l\u0026rsquo;humour. L\u0026rsquo;humour est une dimension tr\u0026egrave;s importante dans ma d\u0026eacute;marche \u0026ndash; ma d\u0026eacute;marche prime par rapport \u0026agrave; l\u0026rsquo;objet. La d\u0026eacute;rision sert \u0026agrave; sauver ses arri\u0026egrave;res. C\u0026rsquo;est en fait, quoique je n\u0026rsquo;aime pas le mot, excessivement progressiste.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp\u003eJacques Liz\u0026egrave;ne dans\u0026nbsp;: Que reste-t-il \u0026hellip;\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":43,"name":"Jacques Lizène","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}