Francesco Pedraglio

2012

Book, Curator's Novel, Artist's Novel, 18 x 11,5 cm, 192 p., language : English, publisher : MOUSSE Publishing, ISBN : 9788867490288.
Materials:

Collection: Collection M HKA, Antwerp (Inv. no. B 2028/377).

Literary synopsis

The Object Lessons is a novella in three parts abstractly based on the work of artists Marie Lund and Nina Beier.
Part 1 — The Object Lessons is an exhibition.
Part 2 — The Object Lessons is a story inspired by an exhibition, considered through three parallel accounts told in the first, second and third person.
Part 3 — The Object Lessons is an exhibition inspired by the narratives, characters and artworks featured in a short story.

Relation of the novel to the artist’s practice

The starting point of Francesco Pedraglio's work - be it performance, sculpture, prints or films - is writing. He is primarily interested in storytelling and, as such, he sees in the novel and in its most experimental developments a natural continuation of such process of narrating and staging - oneself, or a situation - of influencing the relationship between teller and listener. Practically though, the novel is the end point of a process that starts with writing short stories, narrative poems and sparse anecdotes, then re-adapt them into monologues and dialogues for performances and videos, and finally re-edit all the material together as a coherent (albeit fragmented) story. Still, once reached the final stage of ‘organised narration’, the novel has its independency. It should be seen as a work that stands in itself, a work of experimental fiction that could be read without assistance of the other stages.

Novel's website

Novel's website 2

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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