{"id":15484,"title":"Ja, Ja, Ja, Ja, Nee, Nee, Nee, Nee","dimensions":"15 x 15 x 25 cm","date_begin":"1970-01-01","material":"felt, tape recording","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEdition: 100 (+ 10 samples 17 x 34 x 34 cm), numbered, unsigned\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher: Gabriele Mazzotta Editore, Milan\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":17,"permalink":"je-je-je-je-nee-nee-nee-nee-feet-hope","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Multiple","nl":"Multipel","fr":"Multiple"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/931/large/Ja_Ja_Ja_Ja_Ja__Nee_Nee_Nee_Nee_Nee__1969_%282%29.jpg?1486982637","poster_credits":"(c)SABAM België, 2017 - Courtesy Private Collection","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eClick on the link to listen to the\u0026nbsp;\u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003e\u003cem\u003eJ\u003c/em\u003e\u003c/a\u003e\u003cem\u003e\u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003ea, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/a\u003e\u003c/em\u003e performance of 1968.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe multiple \u003cem\u003eJa, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/em\u003e results from the Fluxus performance of the same name by Joseph Beuys, Henning Christiansen and Johannes St\u0026uuml;ttgen at the D\u0026uuml;sseldorf Academy of Fine Arts in 1968. During the action, the three performers uttered the phrase \u0026ldquo;Ja Ja Ja Ja, Nee Nee Nee Nee\u0026rdquo; for an hour with varying speed and intonation. The text is an ironic reference to typical conversations between \u0026lsquo;gossiping\u0026rsquo; old ladies in the streets of Cleves. The work uses the \u0026lsquo;nee\u0026rsquo; of Dutch, instead of the \u0026lsquo;nein\u0026rsquo; of standard German.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: 100 (+ 10 samples 17 x 34 x 34 cm), numbered, unsigned\u003c/p\u003e\r\n\r\n\u003cp\u003eGabriele Mazzotta Editore, Milan\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eKlik op de link om naar de performance \u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003e\u003cem\u003eJ\u003c/em\u003e\u003c/a\u003e\u003cem\u003e\u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003ea, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/a\u003e\u003c/em\u003e uit1968 te luisteren.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe multiple\u003cem\u003e Ja, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/em\u003e komt voort uit de gelijknamige Fluxus performance van Joseph Beuys, Henning Christiansen en Johannes St\u0026uuml;ttgen aan de Academie voor Schone Kunsten van D\u0026uuml;sseldorf in 1968. Tijdens deze actie spreken de drie uitvoerders de zin \u0026ldquo;Ja Ja Ja Ja , Nee Nee Nee Nee \u0026rdquo; een uur lang, met verschillende snelheid en intonatie, uit. De tekst is een ironische verwijzing naar typische gesprekken tussen \u0026lsquo;roddelende\u0026rsquo; oude dames in de straten van Kleef. Opvallend is dat hier het aan het Nederlands verwante \u0026lsquo;nee\u0026rsquo; werd gebruikt en niet het standaard Duitse \u0026lsquo;nein\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: 100 (+ 10 samples 17 x 34 x 34 cm), numbered, unsigned\u003c/p\u003e\r\n\r\n\u003cp\u003eGabriele Mazzotta Editore, Milan\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eCliquez sur le lien pour \u0026eacute;couter la performance \u0026nbsp;\u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003e\u003cem\u003eJ\u003c/em\u003e\u003c/a\u003e\u003cem\u003e\u003ca href=\"https://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003ea, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/a\u003e\u003c/em\u003e de 1968.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe multiple \u003cem\u003eJa, Ja, Ja, Ja, Nee, Nee, Nee, Nee\u003c/em\u003e provient de la performance Fluxus \u0026eacute;ponyme de Joseph Beuys, Henning Christiansen et Johannes St\u0026uuml;ttgen \u0026agrave; l\u0026rsquo;Acad\u0026eacute;mie des Beaux-Arts de D\u0026uuml;sseldorf en 1968. Pendant cette action, les trois ex\u0026eacute;cutants ont prononc\u0026eacute; la phrase \u003cem\u003eJa Ja Ja Ja , Nee Nee Nee Nee \u003c/em\u003ependant une heure enti\u0026egrave;re, \u0026agrave; des rythmes diff\u0026eacute;rents et avec des intonations diff\u0026eacute;rentes. Le texte est une r\u0026eacute;f\u0026eacute;rence ironique aux conversations typiques de vieilles dames qui cancanent dans les rues de Cl\u0026egrave;ves. Il est frappant de constater qu\u0026rsquo;on utilise ici le \u003cem\u003enee\u003c/em\u003e n\u0026eacute;erlandais et non le \u003cem\u003enein\u003c/em\u003e allemand.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: 100 (+ 10 samples 17 x 34 x 34 cm), numbered, unsigned\u003c/p\u003e\r\n\r\n\u003cp\u003eGabriele Mazzotta Editore, Milan\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eKlicken Sie auf den Link, um die \u003cem\u003e\u003ca href=\"http://ubusound.memoryoftheworld.org/beuys_joseph/Beuys-Joseph_Ja-Ja-Ja.mp3\"\u003eJa-, Ja-, Ja-, Ja-, Nee-, Nee-, Nee-, Nee\u003c/a\u003e\u0026nbsp;\u003c/em\u003eAuff\u0026uuml;hrung von 1968 zu h\u0026ouml;ren.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDas Multiple \u003cem\u003eJa Ja Ja Ja Ja, Nee Nee Nee Nee Nee \u003c/em\u003ekommt aus der gleichnamigen Fluxus Performance von Joseph Beuys, Henning Christiansen und Johannes St\u0026uuml;ttgen an der D\u0026uuml;sseldorfer Akademie f\u0026uuml;r Bildende K\u0026uuml;nste 1968. Anl\u0026auml;sslich dieser Aktion wiederholen die drei K\u0026uuml;nstler eine Stunde lang den Satz in verschiedenem Tempo und Intonation. Der Text ist einen ironischen Hinweis auf typische Gespr\u0026auml;che \u0026ldquo;klatschender\u0026rdquo; alter Damen in den Stra\u0026szlig;en von Kleve. Auffallend wird hier das niederl\u0026auml;ndische \u0026ldquo;nee\u0026rdquo; verwendet wird statt das hochdeutsche \u0026ldquo;nein\u0026rdquo;.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eEdition: 100 (+ 10 samples 17 x 34 x 34 cm), numbered, unsigned\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eGabriele Mazzotta Editore, Milan\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":150,"name":"Joseph Beuys","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}