{"id":15485,"title":"Rose für Direkte Demokratie","dimensions":"33.5 x ø 5 cm","date_begin":"1973-01-01","material":"graduated glass cylinder, with inscription","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEdition: unlimited: numbers 1-440 signed and numbered on certifiate, with handwritten addition \u0026quot;rose\u0026quot;, stamped\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher: Edition Staeck, Heidelberg\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003esymbol\u0026nbsp;for mysticism and revolution, the union of nature and science (Documenta 5)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":21,"permalink":"rose-fur-demohracie","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Multiple","nl":"Multipel","fr":"Multiple"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/932/large/Joseph_Beuys_%E2%80%93_Groeten_van_de_Euraziaat__photo_M_HKA_18_45.jpg?1507816598","poster_credits":"(c)SABAM België, 2017 - Courtesy private collection, photo: M HKA, 2017","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn 1972 Beuys established a \u0026lsquo;political bureau\u0026rsquo; for the Organisation for\u0026nbsp;Direct Democracy Through Free Collective Referendum at documenta 5 in Kassel, Germany. Over the course of the exhibition Beuys engaged with the exhibition visitors, sharing ideas for reshaping society through creative activity, with the emphasis on a peaceful evolution to societal development. The rose and cylinder refer to the rose that stood on Beuys\u0026rsquo;s desk throughout the exhibition and the slender vase in which it was held. \u0026lsquo;Bud and bloom are in fact green leaves transformed. So in relation to the leaves and the stem the bloom is a revolution, although it grows through organic transformation and evolution.\u0026rsquo;\u003csup\u003e1\u003c/sup\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003csmall\u003e\u003csup\u003e1\u003c/sup\u003e\u0026nbsp;Beuys in Caroline Tisdall,\u0026nbsp;\u003cem\u003eJoseph Beuys\u003c/em\u003e\u0026nbsp;(London: Thames \u0026amp; Hudson, 1979), 275.\u003c/small\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: unlimited: numbers 1-440 signed and numbered on certifiate, with handwritten addition \u0026quot;rose\u0026quot;, stamped\u003c/p\u003e\r\n\r\n\u003cp\u003eEdition Staeck, Heidelberg\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn 1972 richt Beuys een \u0026lsquo;politiek bureau\u0026rsquo; op voor de \u0026lsquo;Organisatie voor directe democratie via een vrij collectief referendum\u0026rsquo; op documenta 5 in Kassel, Duitsland. Gedurende de loop van de tentoonstelling trad Beuys in gesprek met bezoekers. Samen deelden ze idee\u0026euml;n voor de hervorming van de maatschappij door middel van creatieve activiteiten, met de nadruk op een vredige evolutie naar maatschappelijke ontwikkeling. De roos en de cilinder verwijzen naar de roos die de volledige duur van de tentoonstelling op het bureau van Beuys stond en de smalle vaas waarin de roos stond. \u0026lsquo;Knop en bloem zijn in feite een transformatie van groene bladeren. Dus, in vergelijking met de bladeren en de steel is de bloem een revolutie, hoewel deze groeit door een natuurlijke transformatie en evolutie.\u0026rsquo;\u003csup\u003e1\u003c/sup\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003csmall\u003e\u003csup\u003e1\u003c/sup\u003e Beuys in Caroline Tisdall,\u0026nbsp;\u003cem\u003eJoseph Beuys\u003c/em\u003e\u0026nbsp;(London: Thames \u0026amp; Hudson, 1979), 275.\u003c/small\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: unlimited: numbers 1-440 signed and numbered on certifiate, with handwritten addition \u0026quot;rose\u0026quot;, stamped\u003c/p\u003e\r\n\r\n\u003cp\u003eEdition Staeck, Heidelberg\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eEn 1972, Beuys a fond\u0026eacute; un \u0026#39;bureau politique\u0026#39; pour l\u0026#39;Organisation pour la\u0026nbsp;\u003ca href=\"http://pinakothek-beuys-multiples.de/en/glossary/#direct-democracy\" title=\"Glossaire : Démocratie directe\"\u003eD\u0026eacute;mocratie Directe\u003c/a\u003e Par R\u0026eacute;f\u0026eacute;rendum Collectif Libre \u0026agrave; documenta 5 \u0026agrave; Kassel, en Allemagne. Au fil de l\u0026#39;exposition, Beuys s\u0026#39;est engag\u0026eacute; vis-\u0026agrave;-vis des visiteurs, partageant des id\u0026eacute;es pour r\u0026eacute;former la soci\u0026eacute;t\u0026eacute; gr\u0026acirc;ce \u0026agrave; l\u0026#39;activit\u0026eacute; cr\u0026eacute;ative, en mettant l\u0026#39;accent sur une \u0026eacute;volution paisible vers le d\u0026eacute;veloppement soci\u0026eacute;tal. La rose et le cylindre font r\u0026eacute;f\u0026eacute;rence \u0026agrave; la rose qui se trouvait sur le bureau de Beuys pendant toute la dur\u0026eacute;e de l\u0026#39;exposition et au vase \u0026eacute;lanc\u0026eacute; dans lequel elle reposait. \u0026#39;En fait, le bourgeon et la fleur sont des feuilles vertes transform\u0026eacute;es. Par cons\u0026eacute;quent, en rapport avec les feuilles et la tige, la fleur est une r\u0026eacute;volution, bien qu\u0026#39;elle croisse par le biais de la transformation organique et de l\u0026#39;\u0026eacute;volution.\u0026rsquo;\u003ca href=\"http://pinakothek-beuys-multiples.de/en/product/rose-for-direct-democracy/#fn2-696\" title=\" Beuys in ibid., 275.\"\u003e\u003csup\u003e1\u003c/sup\u003e\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli style=\"text-align: justify;\"\u003e\u003cem\u003eBeuys in Caroline Tisdall,\u0026nbsp;\u003c/em\u003e\u003cem\u003eJoseph Beuys\u003c/em\u003e\u003cem\u003e\u0026nbsp;(Londres : Thames \u0026amp; Hudson, 1979), 275.\u003c/em\u003e\u003c/li\u003e\r\n\u003c/ol\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: unlimited: numbers 1-440 signed and numbered on certifiate, with handwritten addition \u0026quot;rose\u0026quot;, stamped\u003c/p\u003e\r\n\r\n\u003cp\u003eEdition Staeck, Heidelberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIm Jahr 1972 richtete Beuys ein \u0026bdquo;politisches B\u0026uuml;ro\u0026ldquo; f\u0026uuml;r die \u0026bdquo;Organisation der direkten Demokratie durch Volksabstimmung\u0026ldquo; auf der \u003cem\u003edocumenta 5\u003c/em\u003e in Kassel ein. W\u0026auml;hrend der Ausstellung diskutierte Beuys mit Besuchern. Zusammen tauschten sie Ideen aus, wie sich die Gesellschaft durch kreatives Handeln ver\u0026auml;ndern l\u0026auml;sst, mit dem Schwerpunkt auf einem friedlichen Weg, \u0026uuml;ber den gesellschaftlicher Fortschritt verlaufen sollte. Die Rose und der Zylinder verweisen auf die Rose, die w\u0026auml;hrend der gesamten Dauer der Ausstellung auf dem Schreibtisch von Beuys stand, und auf die schmale Vase, in der sich die Rose befand. \u0026bdquo;Knospe und Bl\u0026uuml;te sind tats\u0026auml;chlich umgewandelte gr\u0026uuml;ne Bl\u0026auml;tter. Im Verh\u0026auml;ltnis zu den Bl\u0026auml;ttern und dem Stiel bedeutet die Bl\u0026uuml;te also eine Revolution, die sich aber ganz langsam durch Transformation und Evolution vollzieht.\u0026ldquo;\u003csup\u003e1\u003c/sup\u003e\u003c/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:11px;\"\u003eBeuys in Caroline Tisdall,\u0026nbsp;\u003cem\u003eJoseph Beuys\u003c/em\u003e\u0026nbsp;(London: Thames \u0026amp; Hudson, 1979), 275.\u003c/span\u003e\u003c/li\u003e\r\n\u003c/ol\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eEdition: unlimited: numbers 1-440 signed and numbered on certifiate, with handwritten addition \u0026quot;rose\u0026quot;, stamped\u003c/p\u003e\r\n\r\n\u003cp\u003eEdition Staeck, Heidelberg\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":150,"name":"Joseph Beuys","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}