{"id":21351,"title":"​​​​​​​SPEKTRUM*objekt18(portrait) II","dimensions":"variable dimensions","date_begin":"2015-01-01","material":"43 Lambda C-prints","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist","cached_tag_list":"Katrin Kamrau","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"spektrum-objekt18-portrait-ii","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/530/medium_500/Amberes_photo_M_HKA_cc_2019_cc_01_36.jpg?1559824606","cached_actor_names":"Katrin Kamrau","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/530/large/Amberes_photo_M_HKA_cc_2019_cc_01_36.jpg?1559824606","poster_credits":"Courtesy of the artist, image: (c) M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eWorking reflexively with photographic and camera technology, Katrin Kamrau investigates how the technical image functions as a reflection of society and the media. Particular schemas used for image colour charts in a publication by the Eastman Kodak Company named \u003cem\u003eThe Joy of Photography\u003c/em\u003e forms the basis of these photographic installations by Kamrau. They visualised what impact the varying gradations of colour filters had on printed image material when photography was still analogue. The sets of images \u0026ndash; portraits of young women \u0026ndash; were used by laboratory technicians to produce \u0026lsquo;colour neutral\u0026rsquo; photographic prints as efficiently as possible. In both installations \u003cem\u003eSPEKTRUM*objekt18(portrait)\u003c/em\u003e and \u003cem\u003eSPEKTRUM*objekt18(portrait) II\u003c/em\u003e, these schemas have been enlarged and turned into constellations of possible images across a spectrum. Kamrau asks to what extent these constructs, including their representations of people, express a Western normative mode of thinking by those involved in the production process of such a manual. Rather than possessing one fixed perspective, these works can also be seen to point towards an image of truth that is more multifaceted and relative.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eKatrin Kamrau werkt reflexief met fotografie- en cameratechnologie, en onderzoekt hoe het technische beeld functioneert als een weerspiegeling van maatschappij en media. Specifieke schema\u0026#39;s die worden gebruikt voor grafische kleurendiagrammen in een publicatie van de Eastman Kodak Company, getiteld \u003cem\u003eThe Joy of Photography\u003c/em\u003e, vormen de basis van Kamrau\u0026#39;s fotografische installaties. Deze diagrammen visualiseerden wat de invloed was van verschillende gradaties van kleurenfilters op gedrukt beeldmateriaal toen fotografie nog steeds analoog was. De reeksen afbeeldingen \u0026ndash; portretten van jonge vrouwen \u0026ndash; werden door laboratoriumtechnici gebruikt om \u0026#39;kleurneutrale\u0026#39; fotografische afdrukken zo effici\u0026euml;nt mogelijk te produceren. In beide installaties SPEKTRUM*objekt\u003cem\u003e18(\u003c/em\u003e\u003cem\u003eportrait\u003c/em\u003e\u003cem\u003e)\u003c/em\u003e en\u003cem\u003e SPEKTRUM\u003c/em\u003e\u003cem\u003e*\u003c/em\u003e\u003cem\u003eobjekt\u003c/em\u003e18(\u003cem\u003eportrait\u003c/em\u003e\u003cem\u003e) \u003c/em\u003e\u003cem\u003eII \u003c/em\u003ezijn deze schema\u0026#39;s vergroot en omgezet in constellaties van mogelijke afbeeldingen doorheen een bepaald spectrum\u003cem\u003e.\u003c/em\u003e Kamrau stelt in vraag in hoeverre deze constructies, met inbegrip van hun voorstellingen van mensen, de westerse normatieve manier van denken van degenen die betrokken zijn bij het productieproces van een dergelijke handleiding uitdrukken. In plaats van zich te beperken tot \u0026eacute;\u0026eacute;n bepaald perspectief, tonen deze werken een beeld van de waarheid dat meer veelzijdig en relatief is.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eTravaillant de mani\u0026egrave;re r\u0026eacute;fl\u0026eacute;chie avec la technologie photographique ou filmique\u0026nbsp;; Katrin Kamrau examine de quelle fa\u0026ccedil;on l\u0026rsquo;image technique fait office de reflet de la soci\u0026eacute;t\u0026eacute; et des m\u0026eacute;dias. Des sch\u0026eacute;mas particuliers utilis\u0026eacute;s dans des nuanciers d\u0026rsquo;une publication de la soci\u0026eacute;t\u0026eacute; Eastman Kodak intitul\u0026eacute;e \u003cem\u003eThe\u003c/em\u003e \u003cem\u003eJoy\u003c/em\u003e \u003cem\u003eof\u003c/em\u003e \u003cem\u003ePhotography\u003c/em\u003e constituent la base de ces installations photographiques de Kamrau. Elles illustrent l\u0026rsquo;impact qu\u0026rsquo;avaient les gradations vari\u0026eacute;es de filtres de couleur sur les images imprim\u0026eacute;es \u0026agrave; l\u0026rsquo;\u0026eacute;poque de la photographie analogique. Les techniciens de laboratoire utilisaient ces s\u0026eacute;ries d\u0026rsquo;images \u0026ndash; des portraits de jeunes femmes \u0026ndash; pour produire de mani\u0026egrave;re aussi efficace que possible des impressions photographiques de \u0026laquo;\u0026nbsp;couleur neutre\u0026nbsp;\u0026raquo;. Dans les deux installations pr\u0026eacute;sent\u0026eacute;es ici, \u003cem\u003eSPEKTRUM\u003c/em\u003e\u003cem\u003e*\u003c/em\u003e\u003cem\u003eobjekt\u003c/em\u003e\u003cem\u003e18(\u003c/em\u003e\u003cem\u003eportrait\u003c/em\u003e\u003cem\u003e)\u003c/em\u003e et \u003cem\u003eSPEKTRUM\u003c/em\u003e\u003cem\u003e*\u003c/em\u003e\u003cem\u003eobjekt\u003c/em\u003e\u003cem\u003e18(\u003c/em\u003e\u003cem\u003eportrait\u003c/em\u003e\u003cem\u003e)\u0026nbsp;\u003c/em\u003e\u003cem\u003eII\u003c/em\u003e, ces sch\u0026eacute;mas ont \u0026eacute;t\u0026eacute; agrandis et transform\u0026eacute;s en constellations d\u0026rsquo;images possibles allant d\u0026rsquo;un bout \u0026agrave; l\u0026rsquo;autre du spectre. Kamrau se demande dans quelle mesure ces constructions, y compris leurs repr\u0026eacute;sentations de personnes, sont l\u0026rsquo;expression d\u0026rsquo;un mode de penser normatif occidental de la part de ceux qui sont associ\u0026eacute;s au processus de production d\u0026rsquo;un tel manuel. Plut\u0026ocirc;t qu\u0026rsquo;une perspective fixe, ces \u0026oelig;uvres peuvent aussi \u0026ecirc;tre vues comme d\u0026eacute;signant une image de v\u0026eacute;rit\u0026eacute; plus relative et aux facettes multiples.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2287,"name":"Katrin Kamrau","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}