Carol Rama

1944

Drawing, 10.5 x 14 cm.
Materials: Watercolour on paper

Collection: Private collection, Paris.

Making art for several decades from the 1930s, Carol Rama was a deeply idiosyncratic artist who was unrestrained by faith or ideology. Her early works in watercolour, made during the era of fascism in Italy, explore the human condition, and demonstrate fundamental expressions and desires of the individual, and the self-determination of one’s body. Her watercolours are vivid, sensual and uncompromising. Rama understood insanity, absurdity, abnormality, abjection, and the breaking of taboos as being in fact signs of a healthy life, mentally, physically and artistically. Many of the characters have their tongues hanging out. As a 12-year old, she visited her mother in a psychiatric clinic, where she found patients behaving ‘abnormally’, and with their tongues sticking out. Rama saw them as liberated, and took inspiration from them as those emancipated from the pressures, normality and repressive political atmosphere of daily life. Rama once stated about her practice:

Rage has always been my life condition. Fury and violence are what drive me to paint”.

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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