{"id":3646,"title":"Super Model (Female)","dimensions":"83 x 76.9 cm","date_begin":"1994-01-01","material":"acrylic, pastel, lacquer, paper collage, canvas board ","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Rennie Collection, Vancouver","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"super-model-female","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/908/large/d4669669r.jpg?1329136714","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"*Super Model (Female)* (1994), a portrait of a nude woman in three-quarter profile from the waist, harks back to early-Renaissance style portraits. The golden aureola above and around her head are influenced by Byzantine iconography. Above, to the right, are three names in pencil under each other – “Linda, Cindy and Naomi” - referring to the eponymous supermodels. Here, Marshall calls into question our society's obsession with fame and beauty. He trades the Madonna figure for Linda, Cindy and Naomi, who have become contemporary icons. With this painting, Marshall aims to subtly undermine our culture of idolatry and idealism. "},{"locale":"nl","short_description":"","description":"*Super Model (Female)* (1994), een naakte vrouw in driekwart profiel vanaf de taille, doet denken aan de stijl van vroege renaissanceportretten. Het gouden aureool achter haar hoofd toont de invloed van de Byzantijnse iconografie. Rechtsboven staan in potlood de drie namen Linda, Cindy en Naomi onder elkaar geschreven, verwijzend naar de gelijknamige supermodellen. Marshall hekelt hier onze maatschappelijke obsessie met beroemdheden en schoonheid. Hij ruilt de Madonnafiguur in voor Linda, Cindy en Naomi, die hedendaagse iconen geworden zijn. Marshall streeft ernaar om met dit schilderij subtiel onze cultuur van afgoderij en idealisme te ondermijnen."},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1222,"name":"Kerry James Marshall","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}