{"id":4667,"title":"Untitled ","dimensions":"76.2 x 60.9 cm","date_begin":"1971-01-01","material":"oil, window shade","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist, Jack Shainman Gallery, NY, and Koplin Del Rio, CA","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"untitled--25","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/008/316/large/1.jpg?1333464488","poster_credits":"(c)image: Courtesy of the artist, Jack Shainman Gallery, NY, and Koplin Del Rio, CA","translations":[{"locale":"en","short_description":"","description":"Marshall was barely 16 years-old when he made *Untitled* (1971). His desire to master a variety of materials and techniques is already apparent here through painting things like still-lifes, dolls and skulls using oil pastels and watercolours. Those were the kinds of works he put in his portfolio when he applied to Otis College of Art \u0026 Design in Los Angeles. \r\n\r\nThe two men depicted behind bars in *Untitled* (1971) are early comment by Marshall on injustice. From the age of 14, Marshall followed various summer classes at Otis and after high school he obtained, in 1978, his Master's degree in Visual Arts. During these years he also studied art history and met other artists who would come to greatly influence him. Significantly, this included the African-American artist Charles White, who was also one of his teachers. For Marshall, it was the first time he encountered art in which black people were not stereotyped as either exotic or as slaves, and it had a profound effect on him and his work. This portrait of two inmates was made in the painterly style of Charles White, and is painted directly onto a window shade."},{"locale":"nl","short_description":"","description":"Marshall was amper 16 jaar toen hij *Untitled* (1971) maakte. Zijn zoektocht naar het gebruik van verschillende materialen en technieken is hier voor het eerst zichtbaar in zijn schilderijen van stillevens, poppen en doodskoppen. Dit waren het soort tekeningen die hij in zijn portfolio opnam wanneer hij ingangsexamen deed bij het Otis College of Art \u0026 Design in Los Angeles. \r\n\r\nTwee mannen achter tralies verschijnen in *Untitled* (1971) en zijn een vroege commentaar van Marshall op onrechtvaardigheid. Vanaf zijn 14e volgt Marshall verschillende zomerklassen aan het Otis Art Institute (Chicago) en na zijn middelbaar studeert hij er in 1978 af als Meester in de Beeldende kunsten. Tijdens zijn studietijd bestudeerde hij  de kunstgeschiedenis  en ontmoette hij verschillende kunstenaars die een grote invloed op hem uitoefenden, in het bijzonder de Afro-Amerikaanse kunstenaar Charles White, waar hij ook les van kreeg. Voor Marshall was het de eerste keer dat hij werk van een kunstenaar leerde kennen waarin zwarte personen niet afgebeeld werden als exotisch of als slaaf, en dit had een diepgaande invloed op hem en zijn werk. Dit portret van twee gevangenen is gemaakt in de stijl van Charles White en geschilderd op een rolgordijn."},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1222,"name":"Kerry James Marshall","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}