{"id":7256,"title":"Walvis [Whale] ","dimensions":"102 x 34 x 136 cm","date_begin":"1967-01-01","material":"styropor, cellophane, tin","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection Milan","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ePrivate Collection, courtesy Kewenig, Berlin\u003c/p\u003e","date_end":null,"reference":"WV13","stream_count_app":42,"permalink":"walvis-whale","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Object","nl":"Object","fr":"Objet"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/022/359/large/PAN_AM_FOTO_1355.jpg?1397748809","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThis is the third work from the 1960s, following\u0026nbsp;on from the crocodiles and the ducks, that refers\u0026nbsp;to Panamarenko\u0026rsquo;s fascination with animals. The\u0026nbsp;whale we see here testifies to the young artist\u0026rsquo;s\u0026nbsp;desire to use new materials to make an entirely\u0026nbsp;individual, almost abstract sculpture. The simplicity\u0026nbsp;of materials and form, meanwhile, shows\u0026nbsp;immense aesthetic refinement. The angular form\u0026nbsp;\u0026ndash; at once both robust and elegant \u0026ndash; later gave\u0026nbsp;Panamarenko the idea of constructing \u003cem\u003e\u0026Pi;AHAMA\u0026nbsp;Nova Zemblaya\u003c/em\u003e based on the morphology of this\u0026nbsp;early W\u003cem\u003ehale\u003c/em\u003e.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eNa de \u003cem\u003eKrokodillen\u003c/em\u003e en de \u003cem\u003eEenden\u003c/em\u003e is dit het derde\u0026nbsp;werk uit de jaren 1960 dat verwijst naar\u0026nbsp;Panamarenko\u0026rsquo;s fascinatie voor dieren. De \u003cem\u003eWalvis\u0026nbsp;\u003c/em\u003edie we hier zien, verraadt ook de gedrevenheid\u0026nbsp;van de jonge kunstenaar om met nieuwe materialen\u003cbr /\u003eeen volstrekt eigenzinnige, bijna abstracte\u0026nbsp;sculptuur te maken. De eenvoud van de vorm en\u0026nbsp;van de gebruikte materialen getuigt bovendien\u0026nbsp;van een groot esthetisch raffinement. De hoekige\u0026nbsp;vorm \u0026minus; tegelijk robuust en verfijnd \u0026minus; brengt\u0026nbsp;Panamarenko later op het idee om zijn duikboot\u0026nbsp;\u003cem\u003e\u0026Pi;ahama Nova Zemblaya\u003c/em\u003e te bouwen naar de morfologie\u0026nbsp;van deze vroege \u003cem\u003eWalvis\u003c/em\u003e.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":57,"name":" Panamarenko","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}