Erbossyn Meldibekov

2009

Installation, 5 x (50 x 115 x 40 cm), 5 x (35 cm).
Materials: wood, iron

Collection: Collection M HKA, Antwerp (Inv. no. BK007724).

Erbossyn Meldibekov’s installation Peak Communism of 2009 is a parody on the utopian aspirations of the former Soviet leaders and the proceeding of history. A series of enameled metal pots for home use are turned upside-down and reformed into a mountainous landscape. The image alludes to the central mountain peak in the Pamir Mountains; the pot on the left presents the moment it was simply called Garma (‘mountain’), beside that the moment is presented it was named after Stalin, since it was the highest peak in the USSR, in the centre it is looming as ‘Peak Communism’, as it was renamed after 1952, at the right of that in its present remodeling, being now named after the nationalist hero Ismoil Simoni, and at the far right in an open end without any name. By transforming a mundane object of everyday use into a symbol of state ideology, Meldibekov expresses an ironic view on ideology as being nothing more than an empty mould. In the adjoining documentary photos Meldibekov shows how the numerous ‘heroic’ monuments throughout the region have been effectively remodeled over the past years.

Media

View all

Events

View all

Ensembles

View all

Actors

View all

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.