{"id":7489,"title":"Inverted Cone","dimensions":"","date_begin":"2010-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"inverted-cone","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/120/large/detail_instal_inverted_cone.JPG?1368020463","poster_credits":"(c)image: Julien Maire","translations":[{"locale":"en","short_description":"","description":"*'In his artworks and performances, Julien Maire systematically re-invents the technology of visual media. His research is a manifest hybrid between media-archeology and the production of new media constellations. His output consists of prototypes that perform exactly what their etymology promises (from protos ‘first’ and typos ‘impression’ or ‘model’): proposing unique technological configurations that produce a new, specific image quality. As industrial prototypes, these original creations – no matter how technically clever and refined – are rather useless: too complex, too delicate and too clunky to ever be considered for mass-production. As artistic statements, the main function of these full-scale constructions is to provoke an effect of wonder, alerting the viewer to the ambivalent status of moving images produced by a machine.'*"},{"locale":"nl","short_description":"","description":"*'In zijn kunstwerken en performances vindt Julien Maire systematisch de technologie van de visuele media opnieuw uit. Zijn onderzoek is een manifeste hybride tussen media-archeologie en de productie van nieuwe mediaconstellaties. De output bestaat uit prototypes die precies doen wat hun etymologie belooft (van protos, 'eerste' en typos, 'impressie' of 'model'): unieke technologische configuraties voorstellen die een nieuwe, specifieke beeldkwaliteit produceren. Als industriële prototypes zijn deze originele creaties – hoe technisch vernuftig en geraffineerd ook – eerder nutteloos: te complex, te delicaat en te rammelig om ooit in aanmerking te komen voor massa-productie. Als artistieke statements moeten deze levensgrote constructies vooral een effect van verwondering oproepen, waarbij ze de kijker waarschuwen voor de ambivalente status van bewegende beelden die door een machine werden geproduceerd.'*"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":230,"name":"Julien Maire","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}