{"id":17586,"title":"Maandstonden van Gerda","dimensions":"27.5 x 21.5 cm","date_begin":"1982-01-01","material":"blood, pencil on paper","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Belgium","cached_tag_list":"barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"maandstonden-van-gerda","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/438/medium_500/Jan_Fabre__Maandstonden_van_Gerda_%2814%29___1982__Private_collection__Belgium.jpg?1511788852","cached_actor_names":"Jan Fabre","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Drawing","nl":"Tekening","fr":"Dessin"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/438/large/Jan_Fabre__Maandstonden_van_Gerda_%2814%29___1982__Private_collection__Belgium.jpg?1511788852","poster_credits":"(c)image: Angelos, © SABAM Belgium 2018","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eJan Fabre is\u0026nbsp;\u0026nbsp;included in \u003ci\u003eSanguine/Bloedrood\u003c/i\u003e with two blood drawings that refer directly to his challenging performances from the early eighties in which he uses his own body as an experimental laboratory to express the potent vitality of existence.\u0026nbsp;In the smallness of the early blood drawings, Luc Tuymans sees both a humble and a grand gesture: a trace of blood as a remnant of Jan Fabre\u0026#39;s personal writing.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn de tentoonstelling \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e Jan Fabre hij aanwezig met twee bloedtekeningen die rechtstreeks verwijzen naar zijn uitdagende performances uit de vroege jaren tachtig, waarbij hij zijn eigen lichaam gebruikt als experimenteel laboratorium om de bulkende vitaliteit van het bestaan uit te drukken. Luc Tuymans ziet in de kleinheid van de vroege bloedtekeningen een nederig en een groots gebaar tegelijk: een bloedspoor als restant van de persoonlijke schriftuur van Jan Fabre.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eDans l\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, ses deux dessins de sang renvoient directement \u0026agrave; ses performances provocatrices du d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;80, lorsque son corps faisait office de laboratoire exp\u0026eacute;rimental pour exprimer la vitalit\u0026eacute; criante de l\u0026rsquo;existence. Luc Tuymans voit dans le petit format des dessins de sang un geste \u0026agrave; la fois humble et grandiose\u0026nbsp;: une trace de sang comme r\u0026eacute;sidu des \u0026eacute;crits personnels de Jan Fabre.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":110,"name":"Jan Fabre","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}