Window on Infinity - Room 10
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Cathedrals of Light
After monochromy and achromy, Jef Verheyen explores panchromy, embracing not just many colours but all the colours of the rainbow and sun path. He uses these to paint refractions, tondos and cathedrals of light as homages to light. In 1974 Verheyen moves to Provence. He writes several times about its exceptional ‘shimmering light’, a light that inspires him to paint an homage to impressionist painter Claude Monet. Verheyen doesn’t base this work on observation, however, but rather on the imagination of light as an idea or concept. Light takes shape here in the enchanting interplay of crystal-clear colours. Verheyen paints them he says ‘flat on a deep painting’. Adimensional, infinite and intangible. Like a space. Or like a breath.
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Jef Verheyen holding the ...
Jef Verheyen, Lothar Wolleh , Jef Verheyen holding the tondo for Metaponte in his studio on Hoogstraat, Antwerp, 1966. Photography, diapositive (medium).
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Jef Verheyen in front of ...
Gerald Dauphin, Jef Verheyen, Jef Verheyen in front of his series 'Hommage à Mondriaan – Monet' in his atelier on Hoogstraat, Antwerp, 1970. Photography, photograph.
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Biennale di Venezia 1970
Paul Delmotte, Jef Verheyen, Biennale di Venezia 1970, 1970. Book, ink on paper, 23,9 x 21 cm.
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Jef Verheyen im Belgische...
Belgischen Haus, Jef Verheyen, Jef Verheyen im Belgischen Haus: Farbsinn, 1969. Book, ink on paper, 22 x 22 cm.
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Ivo Michiels
Ivo Michiels is the pseudonym of Henri Paul René Cuppens, born in 1923. He was not only an author, but also an art critic, a screenwriter, te
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Ann Veronica Janssens
Ann Veronica Janssens mainly does site-specific works. She is neither sculptor nor architect. Taking a specific space as her starting point,
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Jef Verheyen
Jef Verheyen consistently marched to the beat of his own drum within the history of Flemish, Belgian and international abstract art from 1954
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Günther Uecker
On his participation-sheet for Vision in Motion, Uecker calls his works ‘Objecte’. The monochrome white and yellow canvases on panel, and a w
