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Jimmie Durham - Pierres rejetées...

Items (36)

Jesus. Es geht um die Wur...
Jimmie Durham, Jesus. Es geht um die Wurst [Jesus. It's about the Sausage], 1992. Sculpture, wood, iron, steel, ink, paper, acrylic, mud, glue, 152 x 40 x 113 cm.
Types of Murder Weapons, ...
Jimmie Durham, Types of Murder Weapons, by Maigret, 1993. Mixed Media, wood, metal, pvc, 61 x 61 cm.
Types of Pipes, by Magritte
Jimmie Durham, Types of Pipes, by Magritte, 1993. Mixed Media, wood, metal, pvc, 61 x 61 cm.
Gilgamesh
Jimmie Durham, Gilgamesh, 1993. Sculpture, wood, iron, pvc, axe, metal, 355 x 63 cm, 300 x 140 cm.
The Man Who Had a Beautif...
Julian Villaseñor, Jimmie Durham, Maria Thereza Alves, The Man Who Had a Beautiful House, 1994. Video, dvd, 00:07:27.
Self-Portrait as Rosa Lévy
Jimmie Durham, Maria Thereza Alves, Self-Portrait as Rosa Lévy, 1995-2006. Photography, ink, paper, variable dimensions.
Collected Stones
Jimmie Durham, Maria Thereza Alves, Collected Stones, 1995-2002. Video, dvd, 00:24:13.
St. Frigo
Jimmie Durham, St. Frigo, 1996. Sculpture, refrigerator, 132 x 60 x 60 cm.
Ketchup and Mustard
Jimmie Durham, Ketchup and Mustard, 1997. Mixed Media, condiments, canvas, 140 x 190 x 6 cm.
The Dangers of Petrificat...
Jimmie Durham, The Dangers of Petrification II, 1998-2007. Installation, paper, stone, variable dimensions.
The Dangers of Petrificat...
Jimmie Durham, The Dangers of Petrification I, 1998-2007. Installation, stone, paper, knife, ceramics, variable dimensions.
The Pursuit of Happiness
Jimmie Durham, Maria Thereza Alves, The Pursuit of Happiness, 2002. Video, 35 mm, dvd, 00:12:00.
Tocetea
Jimmie Durham, Maria Thereza Alves, Tocetea, 2003. Video, dvd, 00:00:26.
Prehistoric Stone Tool
Jimmie Durham, Prehistoric Stone Tool, 2004. Mixed Media, wood, paint, stone, 75 x 85 cm.
Smashing
Jimmie Durham, Maria Thereza Alves, Smashing, 2004. Video, 00:92:00.
Something (Perhaps a Fugu...
Jimmie Durham, Something (Perhaps a Fugue or an Elegy), 2005. Installation, 100 x 600 x 400 cm.
A Stone Rejected by the B...
Jimmie Durham, A Stone Rejected by the Builder (1), 2006. Sculpture, stone, wood, acrylic paint, 34 x 41 x 20 cm (stone), 55 x 48 x 35 cm (table).
A Mushroom from the Grune...
Jimmie Durham, A Mushroom from the Grunewald Forest, 2006. Assemblage, dried mushroom, ink, wood, mounted on cardboard. , 85 x 67 x 10 cm, 53 x 67 x 10 cm.
Snake Eyes!
Jimmie Durham, Snake Eyes!, 2006. Collage, collage, wood, 125 x 81 cm.
They Almost Fit
Jimmie Durham, They Almost Fit, 2006. Collage, wood, 110 x 85 cm.
Self-Portrait Pretending ...
Jimmie Durham, Maria Thereza Alves, Self-Portrait Pretending to Be a Stone Statue of Myself, 2006. Photography, ink, paper, variable dimensions.
Self-Portrait with Black ...
Jimmie Durham, Self-Portrait with Black Eye and Bruises, 2006. Photography, ink, paper, 79 x 60 cm.
Self-Portrait Pretending ...
Jimmie Durham, Maria Thereza Alves, Self-Portrait Pretending to Be Maria Thereza Alves as Terminator, 2006. Photography, ink, paper, 80,7 x 60,7 cm.
Self-Portrait Pretending ...
Jimmie Durham, Maria Thereza Alves, Self-Portrait Pretending to Be my Mother as Played by Isabel Perera, 2006. Photography, ink, paper, variable dimensions.
Self-Portrait Pretending ...
Jimmie Durham, Maria Thereza Alves, Self-Portrait Pretending to Be Maria Thereza Alves, 2006. Photography, ink, paper, variable dimensions.
Here's a Peanut Shaped Li...
Jimmie Durham, Here's a Peanut Shaped Like a Bird, 2006. Sculpture, wood, paint, formica, peanut, 160 x 49 x 47 cm.
You Cannot Book a Judge u...
Jimmie Durham, You Cannot Book a Judge under Cover, 2006. Installation, 120 x 80 x 80 cm.
Arc de Triomphe for Perso...
Jimmie Durham, Arc de Triomphe for Personal Use (Grey), 2007. Sculpture, wood, paint, 150 x 100 x 100 cm.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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