{"id":15634,"title":"Honigpumpe am Arbeitsplatz","dimensions":"variable dimensions ","date_begin":"1974-01-01","material":"electric motors, painted and unpainted metal, plastic tubes, glass, electronics and honey","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Louisiana Museum of Modern Art, Humlebaek, Denmark. Long-term loan Museumfondsen","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eXXX - https://www.youtube.com/watch?v=acHt6zxO74Y\u003c/p\u003e\r\n","date_end":"1977-01-01","reference":"","stream_count_app":18,"permalink":"honigpumpe-am-arbeitsplatz","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/452/large/Joseph_Beuys_%E2%80%93_Groeten_van_de_Euraziaat__photo_M_HKA_7_4.jpg?1507633452","poster_credits":"(c)SABAM België, 2017 - Courtesy Louisiana Museum of Modern Art, Humlebaek, Denmark, photo: M HKA, 2017","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eBeuys\u0026rsquo; Eurasian world view is very much informed by the experience of war, born of the reflective era of Tr\u0026uuml;mmerliteratur (\u0026ldquo;rubble literature\u0026rdquo;), and thus his world view is to look incomprehensibly far beyond, and not to be isolationist. A trait we find very relevant in the crisis of today\u0026rsquo;s political climate, with rampant identitarian and nationalistic movements having emerged in many European nations and beyond. Beuys came to prominence in\u0026nbsp;parallel to the documenta exhibitions in Kassel, which is at its core an endeavour to open post-war Germany to the cultures of the world, albeit primarily to the paradigm of western Modernism. But it was there that Beuys made some of his most iconic projects, if we consider his works from consecutive editions of documenta\u0026mdash;\u003cem\u003eHonigpumpe am Arbeitsplatz\u003c/em\u003e (Honeypump in the Workplace) in 1977 and 7000 Eichen (7000 Oak Trees) in 1982\u0026mdash;which arguably remain iconic due to their striking anti-Modern approach to art, environment and communitarianism\u0026mdash;or \u0026ldquo;social sculpture\u0026rdquo;, as Beuys described it. We are delighted to consider works and actions such as these in our own exhibition, as a way to reflect on freedom and creativity.\u003c/p\u003e\r\n\r\n\u003cp\u003e(NH)\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eHet Euraziatische wereldbeeld van Beuys wordt mede bepaald door de ervaring van de oorlog, ontstaan in het reflecterende tijdperk van de Tr\u0026uuml;mmerliteratur (Kaalslagliteratuur). Zijn wereldbeeld is er daarom \u0026eacute;\u0026eacute;n van heel ver vooruitkijken en zich niet isolationistisch opstellen.\u0026nbsp;Een eigenschap die zeer relevant is in de context van de crisis van het huidige politieke klimaat, met ongebreidelde identitaire en nationalistische bewegingen in vele Europese landen en daarbuiten. Beuys\u0026#39; bekendheid groeide samen met de Documenta-tentoonstellingen in Kassel, die in essentie een poging waren om het naoorlogse Duitsland te openen voor de culturen van de wereld, zij het hoofdzakelijk voor het paradigma van het Westerse Modernisme. Het was echter daar dat Beuys een aantal van zijn meest iconische projecten maakte, zoals de o\u003cem\u003eHonigpumpe am Arbeitsplatz\u003c/em\u003e van 1977, die onmiskenbaar iconisch blijft\u0026nbsp;vanwege de opvallende anti-moderne benadering van kunst, milieu en communitarisme - of \u0026#39;sociaal beeldhouwwerk\u0026#39; zoals Beuys het omschreef.\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e(NH)\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eBienen waren f\u0026uuml;r Joseph Beuys das Symbol f\u0026uuml;r gesellschaftliche Prozesse und Organisation und Honig war die Energie zur Verbesserung der Lebensqualit\u0026auml;t . Im Jahre 1977 realisierte Beuys \u003cem\u003eHonigpumpe am Arbeitsplatz \u003c/em\u003ef\u0026uuml;r Documenta 6 in Kassel. Es ist eine seiner bekanntesten Installationen und setzt das Konzept der sozialen Skulptur buchst\u0026auml;blich in die Praxis um. Zwei Schiffsmotoren pumpten zwei Tonnen verd\u0026uuml;nnten Honig durch ein Rohrsystem.\u0026nbsp; Gleichzeitig hatte die Bewegung der Motoren 100 Kg Butter erw\u0026auml;rmt. Die Installation war das schlagende Herz des Auditoriums der \u003cem\u003eFree International University\u003c/em\u003e, wo Beuys 100 Tage lang Lesungen, Unterhaltungen und Diskussionen organisierte im Zusammenarbeit mit B\u0026uuml;rgerinitiativen aus verschiedenen L\u0026auml;ndern zu Themen als Kreativit\u0026auml;t, Fortschritt und Wirtschaft.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":150,"name":"Joseph Beuys","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}