Kerry James Marshall
Ensembles (12)
-

Aanwinsten 2014 [Acquisit...
No description.
-
CULTURE WARS
Culture Wars The phrase culture war is a translation from the German Kulturkampf and was first used in the second half of the 19th century t
-

DE AANPAK VAN DE KUNSTGES...
Marshall has had a long-running concern with the Western tradition of producing art history, and its marginalisation of the black subject. Re
-
DE BEELDBANK [THE IMAGE B...
Marshall’s production of images looks to tackle what he refers to as “a lack in the image bank”, looking at images from across the spectrum o
-

HERDENKING [COMMEMORATION]
The idea of commemoration has recurred throughout Marshall’s career, whether it be personal commemoration or collective commemoration. In the
-

HET ALLEDAAGSE [THE EVERY...
Kerry James Marshall’s practice is heavily influenced by the experiences of everyday life. Often he depicts domestic scenes or communal activ
-

M HKA_DEFAULT_PUBLICATIONS
Since the end of May 2002, the M HKA has strayed from the beaten track of museum catalogues. The M HKA does not consider a systematic thereof
-
MONOCULTURE - ARTWORKS
The exhibition Monoculture – A Recent History brings together art from the last one hundred years, to consider the impetus for the monocultur
-

NOTIE VAN SCHOONHEID [THE...
For Marshall, the notion of beauty is closely connected with our experience of images in the world, which is dominated by idealised, unattain
-
NUCLEUS
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
-
The Primacy of the Everyday
The Primacy of the Everyday (with a reflection by Yevgenia Belorusets) Anna Zvyagintseva celebrates the unheroic ordinary gestures which go
-

Worth Fighting For
14.11 - 14.12.2022 Oskar-Jäger-Strasse 97-99, 50933 Cologne Open every day, 10:00 – 18:00 The Ukrainian fight is about the sur