Joseph Beuys' Eurasia

Ensemble

The term Eurasia refers to the land mass, or supercontinent, that includes the regions of Europe and Asia. Within the work of Joseph Beuys, Eurasia, undoubtedly inspired by the work of philosopher Rudolf Steiner (1861-1925), has a central place as a complex anthropological and philosophical concept. Beuys used to problematise the artificial separation between “East” and “West”. The artist wanted to unite the divided Europe and at the same time link what he perceived as Asian intuition and spirituality with European realism and rationality. Eurasia for Beuys is an open space without physical or ideological boundaries. The Eurasian artist is no longer focused on himself but on humanity and culture. Eurasia was also a way for Beuys to look away from America as a force of modernity and hegemony. Beuys only travelled to Asia once, visiting Japan in 1984.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.