Worth Fighting For
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Lost
Sergey Bratkov / Сергій Братков, Lost, 2022. Print, digital print, acrylic, synthetic fabric, 214 x 144 cm.
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Clanking, dispute, hammer...
Даніїл Ревковський та Андрій Рачинський / Daniil Revkovskiy and Andriy Rachinskiy, Clanking, dispute, hammering and gurgling, 2020. Video, 9’27”.
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Max in the army [series]
Lesia Khomenko / Леся Хоменко, Max in the army [series], 2022. Painting, acrylic on canvas , 400 х 200 cm.
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Plaats voor nieuwe
Jan Cox, Plaats voor nieuwe, 1975. Painting, acrylic on canvas , 270 x 126 cm.
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Otobong Nkanga
Otobong Nkanga a entamé ses études d’art à l’Université Obafemi Awolowo à Ile-Ife, au Nigeria, les a poursuivies à l’École Nationale Supérieu
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Marlene Dumas
L’artiste néerlandaise Marlene Dumas (°1953) est née en Afrique du Sud. Après des études de peinture à l’Académie des Beaux-Arts du Cap dans
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Allan Sekula
Allan Sekula, surtout connu pour son œuvre photographique, est également reconnu en tant que cinéaste, auteur, professeur et militant. Avec l
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Mark Lewis
London-based Canadian artist Mark Lewis has long been associated with the Vancouver art scene, and his formation in that milieu clearly influ
Ensembles
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Landscape
Landscape (with a reflection by Masi Nayyem) Ukraine combines vast open horizons with industrial urbanism. This landscape is continually
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The Power of The Collecti...
The Power of The Collective (with a reflection by Yevgenia Belorusets and Oleksiy Makeev) The collective can be both uplifting and deeply f
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The Primacy of the Everyday
The Primacy of the Everyday (with a reflection by Yevgenia Belorusets) Anna Zvyagintseva celebrates the unheroic ordinary gestures which go
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Catastrophe and The Relev...
Catastrophe and The Relevance of Art (with a reflection by Nikita Kadan) Art transcends the moment and situationalism. It has a proper au
