Objects
Ensemble
"Artists now work with what is called conceptual methods and supposedly don’t use objects. But you can’t not use objects. A TV monitor is an object, a wall with a projection on it is the wall with a projection on it—it’s very much an object. I still see the stretched canvas, and I like seeing the stretched canvas. I don’t see the painting in perspective; I don’t believe that it looks like reality, that its perspective copies nature. I don’t believe that it’s removed nature; I think it is paint on canvas with a certain trick called perspective that is just a little trick." [full text [here](http://ensembles.mhka.be/items/3194)]
Items
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Bedia's Muffler
Jimmie Durham, Bedia's Muffler, 1985. Sculpture, metal, leather, beads, shells, acrylic paint, 86,4 x 115,2 x 12 cm.
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Untitled
Jimmie Durham, Untitled, 1993. Sculpture, plastic tube, wood, tape, 15 x 28 x 4 inch.
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Untitled
Jimmie Durham, Untitled, 1970. Sculpture, red and grey granite, 12 x 58 cm.
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Untitled
Jimmie Durham, Untitled, 1970. Sculpture, mahogony, glass marbles, 128 x 36 x 25 cm.
Actors
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Maria Thereza Alves
Maria Thereza Alves was born in Brazil and moved to New York at a young age. She has worked for the International Indian Treaty Council in Ne
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Jimmie Durham
Jimmie Durham was born in 1940 in (or, as he himself says, ‘under’) the state of Arkansas in the US, into a Cherokee family. After working di
Ensembles
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Jimmie Durham 1964 - 1972
Jimmie Durham was born in Arkansas, U.S., and became involved with art and theatre in the 1960‘s. He has lived in Houston, Texas, where toget
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Installations and Public ...
In the list of works bellow you will find a selection of installations and works of Jimmie Durham made for public space.
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Jimmie Durham 1994 - 2012
Jimmie Durham moved to Europe in 1994 and has lived ever since in Brussels, Lisbon, Marseille, Rome and Berlin, where he is presently based (
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Jimmie Durham 1980 - 1993
In the period between 1973 and 1979 Jimmie Durham was full-time involved with the American Indian Movement and did not make art. He was the d
