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Benedenverdieping | Ground Floor

Ensemble

The works for the theme Migration that can be found on the ground floor.

Items

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Migrance
Tinka Pittoors, Migrance, 2018. Installation.
Villa Wintermans
Inge Godelaine, Villa Wintermans, 2009. Video, video, fotomontage, 00:50:00.
Barre de bois rond
André Cadere, Barre de bois rond, 1974. Sculpture, painted wood, glue, 28 x 2 cm.
Lifestyle Storage
Tinka Pittoors, Lifestyle Storage, 2014-2017. Mixed Media, 260 x 500 x 450 cm.

Actors

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André Cadere
André (or Andrei) Cadere (1934-1978) was born in Poland, but grew up in Romania. During the sixties and seventies, he develops into an influe
Johanna Kandl
Johanna Kandl (°1954) studied painting in Vienna and Belgrade. Kandl, who regularly collaborates with her partner Helmut Kandl, often researc
Tinka Pittoors
As a visual artist, Tinka Pittoors (°1977) views her surroundings – nature, the world around her, and by extension all of humanity –as her ar
Vanessa Van Obberghen
Vanessa Van Obberghen (°1969) uses different media to reflect upon questions such as perception, migration and integration. Her works are con

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.