Window on Infinity - Room 04
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Non-plastic painting
Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks to the translucent layers of paint he applies one above the other, it is as if he is painting with air. The brushstrokes are barely visible in his atmospheric landscapes. In these dark, hazy environments, a cosmic silence predominates. Vibrations seem to set the spaces in static motion. Verheyen’s technique of building up paint in translucent layers is centuries old. Jan van Eyck applied it in in his oil paintings in the fifteenth century. Le Peintre Flamant aims to refine the technique in dematerialised ‘portraits’ of dark and light.
‘When I first exhibited in Milan and told visitors that I came from the same country as Van Eyck, Memling, Van der Weyden, Van der Goes and Rubens, they were astonished. To my Italian friends and acquaintances I was instantly Jef Verheyen, “un giovane pittore fiammingo”. In my work they recognised the continuation of what they find typical of la pittura fiamminga: light and space.’
Jef Verheyen, ca. 1970
Items
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Poster for the 'Ad Reinha...
Ad Reinhardt, Jef Verheyen, Francesco Lo Savio, Museum Morsbroich, Udo Kultermann, Poster for the 'Ad Reinhardt, New York / Francesco Lo Savio, Rom / Jef Verheyen, Antwerpen' exhibition in Museum Morsbroich, Leverkusen, 1961. Poster, ink on paper, 84 x 59,5 cm .
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Annotated study sketch by...
Jef Verheyen, Annotated study sketch by Jef Verheyen about “diminishing light is increasing darkness”, 1959. Sketch, ink on paper, 2 sides.
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Publication of the exhibi...
Publication of the exhibition Monochrome Malerei, curated by Udo Kultermann, Museum Morsbroich, Leverkusen, 1960. Series, ink on paper.
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Postcard from Lucio Fonta...
Jef Verheyen, Lucio Fontana, Postcard from Lucio Fontana in Paris to Jef Verheyen, 1959. Letter, ink on postcard.
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Englebert Van Anderlecht
Jef Verheyen and Englebert Van Anderlecht became good friends after Verheyen introduced Van Anderlecht to Enzo Pagani as well as to Hans Liec
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Lucio Fontana
The Argentine-Italian visual artist Lucio Fontana (1899-1968) has broadened and deepened the avant-garde of the mid-twentieth century with ne
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Jef Verheyen
Jef Verheyen consistently marched to the beat of his own drum within the history of Flemish, Belgian and international abstract art from 1954
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Guy Mees
Guy Mees (1935-2003) emerges as a painter in Antwerp in the late fifties, when post-war avant-garde art from the US was just beginning to fin

