Window on Infinity - Room 04
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Non-plastic painting
Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks to the translucent layers of paint he applies one above the other, it is as if he is painting with air. The brushstrokes are barely visible in his atmospheric landscapes. In these dark, hazy environments, a cosmic silence predominates. Vibrations seem to set the spaces in static motion. Verheyen’s technique of building up paint in translucent layers is centuries old. Jan van Eyck applied it in in his oil paintings in the fifteenth century. Le Peintre Flamant aims to refine the technique in dematerialised ‘portraits’ of dark and light.
‘When I first exhibited in Milan and told visitors that I came from the same country as Van Eyck, Memling, Van der Weyden, Van der Goes and Rubens, they were astonished. To my Italian friends and acquaintances I was instantly Jef Verheyen, “un giovane pittore fiammingo”. In my work they recognised the continuation of what they find typical of la pittura fiamminga: light and space.’
Jef Verheyen, ca. 1970
Items
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Invitation to the exhibit...
Jef Verheyen, Invitation to the exhibition Nieuwe Europese School in Hessenhuis, Antwerp, 1960. Invitation Card, ink on paper.
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Jef Verheyen and Engleber...
Frank Philippi, Jef Verheyen, Englebert Van Anderlecht, Guy Vaes, Jef Verheyen and Englebert Van Anderlecht (right) working together on their joint series of paintings 'The One and the Other – Neither One Nor the Other', 1960. Photography, photographic print.
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Copy of Philosophes taoïs...
Jef Verheyen, Copy of Philosophes taoïstes (ed. Gallimard, 1980) from the artist’s library, 1980. Book, ink on paper.
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Jef Verheyen in front of ...
Frank Philippi, Jef Verheyen, Jef Verheyen in front of his painting 'Zwarte Ruimte', 1960. Photography, photograph.
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Jef Verheyen
Jef Verheyen consistently marched to the beat of his own drum within the history of Flemish, Belgian and international abstract art from 1954
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Ivo Michiels
Ivo Michiels is the pseudonym of Henri Paul René Cuppens, born in 1923. He was not only an author, but also an art critic, a screenwriter, te
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Frank Philippi
After studying at the Royal Academy of Fine Arts in Antwerp, Frank Philippi choses photography over painting. It was his greatest hobby, but
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Englebert Van Anderlecht
Jef Verheyen and Englebert Van Anderlecht became good friends after Verheyen introduced Van Anderlecht to Enzo Pagani as well as to Hans Liec

