Window on Infinity - Room 07
Ensemble
A canvas with stainless steel reflectors, by Hermann Goepfert. A composition with mirror surfaces, by Christian Megert. A sculpted torsion form, by Walter Leblanc. Unlike his colleagues, Verheyen does not experiment with mirror, glass or steel. He paints in oil on burlap and sticks to the two-dimensional canvas. All these works nevertheless have one thing in common: they are in constant dialogue with the light. Verheyen and the ZERO artists invite us not to stand still and stare, but rather to move past the works. In that way we activate light and space and become part of the work.
Items
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Weisse Kugel
Günther Uecker, Weisse Kugel, 1961. Sculpture, nails, paint and wooden sphere, 17 cm.
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• 0785 • Untitled
Galleria d'arte del Grattacielo, The Antwerp Gallery , Jef Verheyen, • 0785 • Untitled, 1958-1959. Painting, water colour on burlap, 170 x 200 cm.
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Publication of the exhibi...
Paul De Vree, Renaat Braem, Victor Vasarely, Jef Verheyen, Publication of the exhibition 'Integratie 64' with a cover design by Victor Vasarely, 1964. Periodical, ink on paper, 31,1 x 23,6 cm.
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• 0390 • Rêve de Möbius
Lucio Fontana, Jef Verheyen, • 0390 • Rêve de Möbius, 1962. Painting, matt lacquer on canvas, perforated, 113.5 x 146 cm / 116 x 148.5 cm with frame.
Actors
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Jean Tinguely
Jean Tinguely is pace-setter of the informal group of artists who commandeer the Hessenhuis in the spring of 1959. He is well apt for the ro
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Galerie OREZ
No description.
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Lucio Fontana
The Argentine-Italian visual artist Lucio Fontana (1899-1968) has broadened and deepened the avant-garde of the mid-twentieth century with ne
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Walter Leblanc
Walter Leblanc initially makes lyric abstract work, then radically changes course around 1960. With the torsion form as most important eleme