Hugo Roelandt
Ensembles (18)
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ARCHIEF JEF LAMBRECHT
The archives of Jef Lambrecht have been deposited in the care of CKV as a test case for future reference.
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Belgian Institute for Wor...
Founded by Karel Schoetens and Jef Lambrecht in 1982, broken up & re-launched 1986 and disbanded in 1992.
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BODY
After studying graphic arts at the academies of Aalst and Antwerp, Roelandt started his career as photographer in the early 70s. He was, howe
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ESTATE JEF LAMBRECHT
Most of the artistic legacy of Jef Lambrecht comes from his own studio, bequeathed to his own non-profit charitable organization ‘Samarkand’
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EVERYBODY
Hugo Roelandt (and group) never worked in the commercial art circuit. Roelandt started his career with Roger D'Hondt who ran a, small but inf
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Fluid Body
FLUID BODY The fluidity of the body emerged as a notion after we saw the works by Vlad Monroe, Hugo Roelandt and Eleni Mylonas. The b
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GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
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Hugo Roelandt — BODY & SE...
“At the time I made photographs, but I refused to photograph what was in front of me, what is out there. What interested me was to change in
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Hugo Roelandt — COLLABORA...
"Hugo Roelandt was an artist who inspired, and collaborated with, many people (and often quarrelled with them!), who needed friends as well a
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Hugo Roelandt — INSTALLAT...
In his move away from representation and materiality, Hugo Roelandt became increasingly interested in ‘formless’ elements such as air and wat
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Hugo Roelandt — INTERVIEW...
No description.
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Hugo Roelandt Projects
Roelandt was a Belgian performer, installation artist and photographer, who was born in Aalst in 1960, and died in Antwerp in 2015. In the 19
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Hugo Roelandt — PUBLIC SP...
Influenced by a broader anti-institutional reflex in the 1980s, which gave rise to new conceptual practices, happenings and performances, Hug
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Middle Gate
No description.
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PERFORMANCE
No description.
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POST BODY
From 1977 on, a.o. in his performance in the Stadtarchiv in Kassel, Roelandt became more and more critical of the way in which the performanc
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POST FORM
The last part of Roelandt's artistic career is little known to the public or even fellow artists. In the early nineties he returned in the co
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POST PERFORMANCE
No description.