ESTATE JEF LAMBRECHT
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Most of the artistic legacy of Jef Lambrecht comes from his own studio, bequeathed to his own non-profit charitable organization ‘Samarkand’ which in turn decided to offer most of the legacy tot the CKV as a pilot test-case. Other parts of his production are to be found with former colleague and co-founder of the BIWA, Karel Schoetens, the state radio BRT, collaborators such as ‘archives patacyclistes’ in Brussels and the archives of Bureau Gruzemayer, (including the partial archives of galleries and artist-run spaces ‘inexistent, AK-37 and Factor 44) Various collaborators to diverse activities no doubt have substantial material, as do publishers of books and catalogues, and to some degree museums & collections.
At this point much collecting and collating has to be done to reach a point of having a decent overview, and from there it can be decided if most of the archive will remain in the CKV or other institution such as Letterenhuis (the literary archive of Flanders) and at such a point the more defined role of Samarkand can be identified.
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Dubbel Orgaan Nr. 2
Jef Lambrecht, Dubbel Orgaan Nr. 2, 1988. Multiple, paper glass, A3/50x40cmX.
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Original Imaginaire (prep...
Jef Lambrecht, Original Imaginaire (prep-copy), 1989. Letter, paper, ink (printing) pen marker, A4 var.
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Collage Krant
Jef Lambrecht, Collage Krant, 1986-1987. Collage, paper on paper, 120 x 300 cm.
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Gouache rood/zwart B
Jef Lambrecht, Gouache rood/zwart B. Painting, paper, paint, ca 30 x 20 cm.
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Pjeroo Roobjee
Pjeroo Roobjee studied painting, drawing and engraving at the Ghent Royal Academy of Fine Arts and continued his studies at the Rijksacademie
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George Smits
George Smits was a multi-faceted musician and visual artist. He was a fixture of Antwerp's underground art scene starting in the mid-1960s,
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Jef Geys
Jef Geys (1934 - 2018) graduated from the Antwerp Art Academy and settled in Balen, in the Kempen region, where he worked as an art teacher a
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Hugo Roelandt
The Belgian artist Hugo Roelandt (1950-2015) is one of the pioneers of performance art in Belgium in the seventies and eighties. He conscious
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