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Don't You Know Who I Am? – Art After Identity Politics

Items (52)

Vip's Union
HAEGUE YANG , Vip's Union, 2001-2021. Installation, borrowed chairs and tables, variable dimensions.
Cut-Outs
ANTHEA HAMILTON, Cut-Outs, 2007-2014. Installation.
NOT YET (and nobody know...
Donna Kukama, NOT YET (and nobody knows why not), 2008. Video, video, 00:04:56.
Nastia's Manifesto
NASTIO MOSQUITO, Nastia's Manifesto, 2008. Video, 00:04:10.
Untitled
SHILPA GUPTA, Untitled, 2008-2009. Installation, motion flapboard, 190 x 21,8 x 25 cm, 00:20:00.
Singing Cloud
SHILPA GUPTA, Singing Cloud, 2008-2009. Object, object built with thousands of microphones with 48 multi-channel audio, 152.4 x 457.2 x 61 cm, audio: 00:09:30.
Shape of a Right Statement
WU TSANG, Shape of a Right Statement, 2008. Video, 00:05:15.
Walking from Yakutsk to H...
JUHA PEKKA MATIAS LAAKKONEN, Walking from Yakutsk to Helsinki in 5.3 Million Steps, 2009. Object, reindeer hide boots, 35 x 28 x 24 cm.
Material
IMAN ISSA, Material, 2009-2012. Installation, mixed media, variable dimensions.
Endless Cities
ERMIAS KIFLEYESUS, Endless Cities, 2009-2014. Collage, mixed media on paper.
The Swing (After Fragonard)
Donna Kukama, The Swing (After Fragonard), 2009. Video, 00:15:10.
3 Continents
NASTIO MOSQUITO, 3 Continents, 2010. Video, 00:07:45.
I Cling to Virtue
ONKAR KULAR & NOAM TORAN, I Cling to Virtue, 2010. Installation, ceramic resin, text, variable dimensions.
Emergency’s Paediatric Ce...
MASSIMO GRIMALDI, Emergency’s Paediatric Centre in Nyala, Photos Shown On Two Apple iMac Quad-Core i5s, 2011. Installation, two apple imac quad-core intel core i5s, double slideshow, variable dimensions.
Untitled (Dawn’s Arms)
MARIA TANIGUCHI, Untitled (Dawn’s Arms), 2011. Video.
Personal Matters and Matt...
HEDWIG HOUBEN, Personal Matters and Matter of Fact, 2011. Installation, video, self-portrait from plasticine, rietveld chair, 80 x 55 x 65 cm, 30 x 30 x 30 cm, 00:22:00.
Manblind #5
ANTHEA HAMILTON, Manblind #5, 2011. Object, digital print on paper, vertical blind mechanism, 285 x 205 x 5 cm.
Someone Else
SHILPA GUPTA, Someone Else, 2011-2014. Installation, stainlees steel, 100 etched books, variable dimensions.
No-Go Machine
NADEZHDA GRISHINA, No-Go Machine, 2012-2013. Installation, flash with video, electric red bulb, adapter for bulb, 00:08:00, 16/9.
Untitled
MARIA TANIGUCHI, Untitled, 2012-2014. Installation, acryl, canvas, wooden support, 6 x (304.8 x 457.2 cm), 2028.6 x 114.3 cm.
Daily Shedule
MARIA SAFRONOVA, Daily Shedule, 2012-2013. Installation, oil, canvas.
Thirty-Three Stories abou...
IMAN ISSA, Thirty-Three Stories about Reasonable Characters in Familiar Places, 2012. Installation, c-print, video, mixed media, variable dimensions.
Retrospective Act
HEDWIG HOUBEN, Retrospective Act , 2012. Sculpture, plasticine, 100 x 100 x 100 cm.
The Documentary: Geocentr...
Guan Xiao, The Documentary: Geocentric Puncture, 2012. Installation, mixed media, 3 x (230 x 280 x 210 cm).
The Lustful Turk
PATRIZIO DI MASSIMO, The Lustful Turk, 2013. Painting, oil, canvas, 3 x (200 x 270 cm).
The Administration
OLEG USTINOV, The Administration, 2013-2014. Installation, mixed media, variable dimensions.
IDM
OLEG USTINOV, IDM, 2013-2014. Installation, mixed media on paper, variable dimensions.
The Game of General View
MARIA SAFRONOVA, The Game of General View, 2013-2014. Installation.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.