M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition (Group): The Geopolitics of Infrastructure — Contemporary Perspectives

M HKA, Antwerp

13 June 2025 - 21 September 2025

Online platform

Those who like to dig deeper can visit the online platform created especially for The Geopolitics of Infrastructure — Contemporary Perspectives. You will find more information about the artists and the works on display, editorial contri butions, contextualisation of themes in the exhibition, and notable parallels with current world events. Audiovisual material from performances and lectures as part of the public programme accompanying the exhibition will also be made available on the online platform.

Visit the platform: geopoliticsofinfrastructure.net

 

 

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WorksShow artists

> Jean Katambayi Mukendi, Trotation, 1992-2011. Installation, mixed media, 100 × 90 × 90 cm.

> Jean Katambayi Mukendi, Lester, 2011. Sculpture, cardboard, electrical wiring, led lamps, 30 x 50 x 30 cm.

> Jonas Staal, New World Summit, 2012. Installation.

> Jean Katambayi Mukendi, Yllux, 2012. Mixed Media, cardboard, electric wires, batteries, 100 × 120 × 90 cm.

> Jean Katambayi Mukendi, Onderhandeling, 2016. Installation, cardboard, tape, plexiglass, metal, electrical wiring and engine, 160 x 100 x 80 cm.

> Jean Katambayi Mukendi, Afrolampe, 2017. Drawing, 100 x 70 cm (framed 109.5 x 80 cm).

> Jean Katambayi Mukendi, Afrolampe, 2017. Drawing, pen on paper, 100 x 70 cm (framed 109.5 x 80 cm).

> Zheng Mahler , Mountains of Gold and Silver Are Not as Good as Mountains of Blue and Green, 2020. Installation, 10 hologram fans, 4 large porcelain pots, variable dimensions.

> Winnie Claessens, The Great Ballet in Orbit, 2021. Video, 16:9, 00:08:34.

> Mirwan Andan, Iswanto Hartono, ALHAMDULILLAH, NAMA KAMI GANEFO, 2022. Installation, 4 single-channel videos, murals, flags, audio installation.

> Jean Katambayi Mukendi, Afrolampe Logiciel , 2022. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe Couche Carbone 76543, 2022. Drawing, ink on paper, 91.5 x 64 cm (framed 101 x 73,5 cm).

> Jean Katambayi Mukendi, Afrolampe Moment d'inertie , 2022. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe, 2022. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe Mujinga, 2022. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, The Concentrator, 2022. Installation, mixed media , 350 x 200 x 120 cm.

> Assem Hendawi, Everything Under Heaven, 2022. Video, singel-channel video, duration: 17' 59''.

> Köken Ergun, Tashi Lama, Nepali Power, 2022. Installation, 3 paintings on canvas stitched on textile, each 248.92 × 116.84 cm 2 videos in loop (with satyam mishra), 3 x [248,92 x 116,84 cm].

> Tekla Aslanishvili, A State in a State, 2022. Video, singel-channel video, duration: 47'.

> Köken Ergun, Fetra Danu, China, Beijing, I Love You!, 2023. Video, singel-channel video, duration: 32' 10''.

> Sojung Jun, Epiphyllum I, 2023. Sculpture, vr 3d sculpture, casted aluminium , 186 x 120 x 110 cm.

> Sojung Jun, Syncope, 2023. Video, single-channel 4k video, colour, stereo sound duration: 32'' 10'.

> Pejvak , Shokouk: A Cosmic Comedy in Four Acts, 2023. Video, single-channel video, 16' 28”, a3 poster, custom-made seat liner cosmonaut chair (transport mir space station) .

> Winnie Claessens, Future Archeology – Scarpa, 2024. Mixed Media, iron, lacquer, concrete, pvc, nylon.

> Winnie Claessens, Future Archeology Ballet, 2024. Series, video loop, duration: 9’ 29” .

> Jean Katambayi Mukendi, Afrolampe Issues, 2024. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe Escalation, 2024. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe Deal, 2024. Drawing, ink on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Afrolampe Ndjekele (afroled), 2024. Drawing, ink on paper, 100 x 70 cm.

> Winnie Claessens, The Cosmic Dance / The Planetary Parade, 2024. Installation, bamboe, papier, nylon, aquarel, 20 x 50 x 600 cm.

> The Question of Funding , Towards Militant Art, 2025. Poster, poster.

> Winnie Claessens, The Silent Message Overhead, 2025. Sculpture, 2 sculptures with built-in video screens, duration: 13’ 19” , 2 sculptures: 195 × 54 × 46 cm & 280 × 148 × 100 cm.

> Jean Katambayi Mukendi, Untitles, 2025. Drawing, pen and coloured pencil on paper, 100 x 70 cm.

> Untitled, 2025. Drawing, pen and coloured pencil on paper, 100 x 70 cm.

> Jean Katambayi Mukendi, Untitled, 2025. Drawing, pen and coloured pencil on paper, 100 x 70 cm.

> The Question of Funding , Dayra, 2025. Other, 3 videos, duration: 2’ 30” .

> Shahana Rajani, Four Acts of Recovery, 2025. Video, 2 single-channel videos, duration: 17' 14''.

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