Worth Fighting For
Items
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Lost
Sergey Bratkov / Сергій Братков, Lost, 2022. Print, digital print, acrylic, synthetic fabric, 214 x 144 cm.
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Clanking, dispute, hammer...
Даніїл Ревковський та Андрій Рачинський / Daniil Revkovskiy and Andriy Rachinskiy, Clanking, dispute, hammering and gurgling, 2020. Video, 9’27”.
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Max in the army [series]
Lesia Khomenko / Леся Хоменко, Max in the army [series], 2022. Painting, acrylic on canvas , 400 х 200 cm.
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Plaats voor nieuwe
Jan Cox, Plaats voor nieuwe, 1975. Painting, acrylic on canvas , 270 x 126 cm.
Actors
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Sheela Gowda
Sheela Gowda (°1957, Bhadravati, Inde) habite et travaille à Bangalore, en Inde. Peintre de formation, Gowda a suivi la voie des arts plastiq
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Jan Fabre
L’Anversois Jan Fabre (°1958), artiste plasticien, chorégraphe et metteur en scène de théâtre est un phénomène artistique aux multiples visag
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Barbara Kruger
Barbara Kruger (°1945) lives and works in New York and Los Angeles. She studies visual arts and design in New York and works for several maga
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Otobong Nkanga
Otobong Nkanga a entamé ses études d’art à l’Université Obafemi Awolowo à Ile-Ife, au Nigeria, les a poursuivies à l’École Nationale Supérieu
Ensembles
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Space of World Making
Space of World Making (with a reflection by Taras Kachka) Any meaningful relation to the world today is ineluctably multi-faceted. In his
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Catastrophe and The Relev...
Catastrophe and The Relevance of Art (with a reflection by Nikita Kadan) Art transcends the moment and situationalism. It has a proper au
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The Primacy of the Everyday
The Primacy of the Everyday (with a reflection by Yevgenia Belorusets) Anna Zvyagintseva celebrates the unheroic ordinary gestures which go
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A Historical Landscape of...
A Historical Landscape of War (with a reflection by Yevhenii Monastyrskyi) The point of departure for the opening space is a historical land
